News

Interview in IO9

Annalee Newitz from IO9 and I sat down for a chat over lunch at the WorldCon, and she's published the transcript:

Novels are competing for attention with other media that can be peeled off from them. At the same time, novels are social objects and the web is social technology. My novels diffuse through the web in what tends to be a social context. I get new downloads because a bunch of Livejournal people are discussing it. The web makes it easier for people who love books to turn those books into part of their identities. That makes people buy books more. And it's cheaper to make them, as well as easier to get direct compensation.

The BBC is encrypting its HD signal by the back door

The Guardian

Guardian column on BBC’s sneaky plan to encrypt “free” TV

My new Guardian column, "The BBC is encrypting its HD signal by the back door," describes a petition from the BBC to Ofcom, the UK telecoms regulator, seeking permission to encrypt its broadcast signals, something it is prohibited from doing. The BBC proposal goes like this: Hollywood studios are blackmailing us and demanding this. But the encryption won't be bad, since it'll only affect a few programmes and only in small ways.

It's simply not true. The BBC is being deliberately misleading and extremely naive here. Naive because it's just not credible that the Hollywood studios and other rightsholders will boycott broadcast TV without encryption. They made exactly the same threat in the US, saying that without the Broadcast Flag, they'd stop licensing sport and movies to broadcast TV. There's no Broadcast Flag in the US. The broadcasts of sports and new release movies go on.

Misleading because the BBC's proposal turns over control of the design of TV receivers and recorders in the UK to an offshore consortium called DTLA, effectively turning it, not Ofcom, into the British regulator. DTLA and its guidelines will determine what you can do with your TV signals, not Parliament and copyright law. DTLA prohibits the use of open source drivers, which means that this will render obsolete all cards and other devices with that can be used with free/open software. It also prohibits unencrypted digital outputs, which means that you won't be able to buy a converter box that sends a HD digital signal to your SD Freeview box, so you'll have to throw out the old box.

Be sure to check out the comments where I'm debunking the BBC's talking points directly.

Some background: licence-fee-paid television must be free to receive in the UK. Unlike cable and commercial satellite signals, free-to-air television is carried on public airwaves, which broadcasters are allowed to use for free. In return, broadcasters are expected to provide programming on those airwaves, for free. And not just free as in "free beer", but also free as in "free speech." The terms and conditions for free-to-air telly are "Do anything you want with this, provided it doesn't violate copyright law."

But big rightsholder groups – US movie studios, mostly – object to this. They'd prefer a "copyright-plus" regime, in which they get to invent a bunch of new copyrights for themselves, without the inconvenience of public debate or parliamentary lawmaking. The way they do this is by slapping restrictive licence agreements on their media, or rather licence "agreements," in inverted commas. You don't get to negotiate these "agreements," they're imposed on you, and are sometimes even invisible to you.

The BBC is encrypting its HD signal by the back door

Epoch, Part 2

Here's the second installment of a story-in-progress, Epoch, commissioned by Mark Shuttleworth for my forthcoming short story collection WITH A LITTLE HELP.

MP3 Link

CC licenses help readers, Part MMXII

Espen Andersen writes, "After buying 'Little Brother', I discovered that a page was torn out. Rather than exchange it, I just printed out the missing page from Cory's webpage."

Yet another argument for CC books

Little Brother wins the Sunburst Award!

I'm delighted and honored to announced that my YA novel Little Brother has won the 2009 Sunburst YA award for best Canadian sf novel for kids. The Sunburst is named for Phyllis Gottleib's first novel, my friend and the "mother of Canadian science fiction," who died this year, so it's especially poignant and significant to have won this in 2009. I also won the Sunburst in the adult category for my first short story collection, A Place So Foreign and Eight More.

My sincere thanks to the jury for making this book their choice, and to the donors who make the Sunburst possible.

Makers 5×5 tile game

As part of the ongoing serialization of my forthcoming novel MAKERS, Tor.com has commissioned Idiots' Books to produce 81 CC-licensed, interlocking illustrations, one for each installment. Periodically, Tor is adding these to a little Flash-toy that lets you rotate and realign the images like tiles (each has edge-elements that matches up with the others). They've just put up the 5X5 grid, which I'm finding addictively fun.

Makers Tile Game 5x5

Special guest at PhilCon this year

Philcon have just announced that I'll be a "Special Guest" this year at the con (Nov 20-22, across the state line at The Crowne Plaza Hotel, Cherry Hill, NJ); I'm delighted to be returning. I attended PhilCon annually for several years, but haven't managed to make it since I moved overseas.

Speaking in Ottawa, Waterloo and PEI next week

I'm headed to Canada for some speaking gigs in the coming week, in PEI, Ottawa, and Waterloo:

Waterloo: Sat, Sept 26, 2:30-4PM, University of Waterloo, Arts Lecture Hall. Free, open to the public. Sponsored by the Independent Studies Programme, where I'm a Scholar in Virtual Residence.

Ottawa: Mon, Sept 28, 7PM, Ottawa Writer's Festival, Saint Brigid's Centre for the Arts and Humanities, 314 Saint Patrick Street (at the corner of Cumberland). $15/$10 Student or Senior (Free for Festival Members and Carleton Students)

Charlottetown, PEI: Tues, 30 Sept, Hackfest, $30 for conference registration.

Charlottetown, PEI: Wed, 1 Oct, 8:30-9:30AM, Access 2009, "Copyright vs Universal Access to All Human Knowledge and Groups Without Cost: The State of Play in the Global Copyfight"

I love coming home to Canada, and it's a delight to be getting out of the usual Toronto/Montreal/Vancouver rut. I'm looking forward to seeing you!

Epoch, Part 1 — New story

Here's the first installment of a story-in-progress, Epoch, commissioned by Mark Shuttleworth for my forthcoming short story collection WITH A LITTLE HELP.

MP3 Link

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