him." Cardinal Richelieu "We don't know enough about you." Google CEO Eric Schmidt Greg landed at San Francisco International Airport at 8 p.m., but by the time he'd made it to the

front of the customs line, it was after midnight. He'd emerged from first class, brown as a nut, unshaven, and loose-limbed after a month on the beach in Cabo (scuba diving three days a week, seducing French college girls the rest of the time). When he'd left the city a month before, he'd been a stoop-shouldered, potbellied wreck. Now he was a bronze god, drawing admiring glances from the stews at the front of the cabin.

Four hours later in the customs line, he'd slid from god back to man. His slight buzz had worn off, sweat ran down the crack of his ass, and his shoulders and neck were so tense his upper back felt like a tennis racket. The batteries on his iPod had long since died, leaving him with nothing to do except eavesdrop on the middle-age couple ahead of him.

Googling at the border. Christ. Greg had vested out of Google six months before, cashing in his options and "taking some me time" which turned out to be less rewarding than he'd expected. What he mostly did over the five months that followed was fix his friends' PCs, watch daytime TV, and gain 10 pounds, which he blamed on being at home instead of in the Googleplex, with its wellappointed 24-hour gym.

He should have seen it coming, of course. The U.S. government had lavished $15 billion on a program to fingerprint and photograph visitors at the border, and hadn't caught a single terrorist. Clearly, the public sector was not equipped to Do Search Right.

"Evening," Greg said, handing the man his sweaty passport. The officer grunted and swiped it, then stared at his screen, tapping. A lot. He had a little bit of dried food at the corner of his mouth and his tongue crept out and licked at it.

"Want to tell me about June 1998?" Greg looked up from his Departures. "I'm sorry?" "You posted a message to alt.burningman on June 17, 1998, about your plan to attend a festival. You

been carved out of wood. His questions went a lot deeper than shrooms. "Tell me about your hobbies. Are you into model rocketry?" "What?" "Model rocketry." "No," Greg said, "No, I'm not." He sensed where this was going. The man made a note, did some clicking. "You see, I ask because I see a heavy spike in ads for rocketry supplies showing up alongside your search results and Google mail." Greg felt a spasm in his guts. "You're looking at my searches and e-mail?" He hadn't touched a

"Sir, calm down, please. No, I'm not looking at your searches," the man said in a mocking whine. "That would be unconstitutional. We see only the ads that show up when you read your mail and do your searching. I have a brochure explaining it. I'll give it to you when we're through here."

Greg racked his brain. "Okay, just do this. Search for 'coffee fanatics.'" He'd been very active in the group, helping them build out the site for their coffee-of-the-month subscription service. The blend they were going to launch with was called Jet Fuel. "Jet Fuel" and "Launch" that would probably make Google barf up some model rocket ads.

three screens deep in the search results for "Greg Lupinski." "It was a Gulf War themed party," he said. "In the Castro." "And you're dressed as...?" "A suicide bomber," he replied sheepishly. Just saying the words made him wince. "Come with me, Mr. Lupinski," the man said. By the time he was released, it was past 3 a.m. His suitcases stood forlornly by the baggage

When he returned home, he discovered that all of his fake pre-Columbian statues had been broken, and his brand-new white cotton Mexican shirt had an ominous boot print in the middle of it. His clothes no longer smelled of Mexico. They smelled like airport.

Maya had two giant chocolate labs and a very, very patient girlfriend named Laurie who'd put up with anything except being dragged around Dolores Park at 6 a.m. by 350 pounds of drooling canine.

Maya reached for her Mace as Greg jogged toward her, then did a double take and threw her arms open, dropping the leashes and trapping them under her sneaker. "Where's the rest of you? Dude, you look hot!"

She stiffened as soon as he asked the question. One of the dogs began to whine. She looked around, then nodded up at the tennis courts. "Top of the light pole there; don't look," she said. "That's one of our muni WiFi access points. Wide-angle webcam. Face away from it when you talk."

In the grand scheme of things, it hadn't cost Google much to wire the city with webcams. Especially when measured against the ability to serve ads to people based on where they were sitting. Greg hadn't paid much attention when the cameras on all those access points went public there'd been a day's worth of blogstorm while people played with the new all-seeing toy, zooming in on various prostitute cruising areas, but after a while the excitement blew over.

Feeling silly, Greg mumbled, "You're joking." "Come with me," she said, turning away from the pole. The dogs weren't happy about cutting their walk short, and expressed their displeasure in the

fishing through our search records, and we agreed to let them see what ads got displayed for users." Greg felt sick. "Why? Don't tell me Yahoo was doing it already..." "No, no. Well, yes. Sure. Yahoo was doing it. But that wasn't the reason Google went along. You

know, Republicans hate Google. We're overwhelmingly registered Democratic, so we're doing what we can to make peace with them before they clobber us. This isn't P.I.I." Personally Identifying Information, the toxic smog of the information age "It's just metadata. So it's only slightly evil."

Maya sighed and hugged the lab that was butting her knee with its huge head. "The spooks are like lice. They get everywhere. They show up at our meetings. It's like being in some Soviet ministry. And the security clearance we're divided into these two camps: the cleared and the suspect. We all know who isn't cleared, but no one knows why. I'm cleared. Lucky for me, being a dyke no longer disqualifies you. No cleared person would deign to eat lunch with an unclearable."

'disappeared' if it had gone badly, huh?" Maya stared at him intently. He waited for an answer. "What?" "I'm about to tell you something, but you can't ever repeat it, okay?" "Um...you're not in a terrorist cell, are you? "Nothing so simple. Here's the deal: Airport DHS scrutiny is a gating function. It lets the spooks

narrow down their search criteria. Once you get pulled aside for secondary at the border, you become a 'person of interest' and they never, ever let up. They'll scan webcams for your face and gait. Read your mail. Monitor your searches."

"The courts won't let them indiscriminately Google you. But after you're in the system, it becomes a selective search. All legal. And once they start Googling you, they always find something. All your data is fed into a big hopper that checks for 'suspicious patterns,' using deviation from statistical norms to nail you."

Greg felt like he was going to throw up. "How the hell did this happen? Google was a good place. 'Don't be evil,' right?" That was the corporate motto, and for Greg, it had been a huge part of why he'd taken his computer science Ph.D. from Stanford directly to Mountain View.

Maya replied with a hard-edged laugh. "Don't be evil? Come on, Greg. Our lobbying group is that same bunch of crypto-fascists that tried to Swift-Boat Kerry. We popped our evil cherry a long time ago."

"It started in China," she went on, finally. "Once we moved our servers onto the mainland, they went under Chinese jurisdiction." Greg sighed. He knew Google's reach all too well: Every time you visited a page with Google ads on it, or used Google maps or Google mail even if you sent mail to a Gmail account the company diligently collected your info. Recently, the site's search-optimization software had begun using the data to tailor Web searches to individual users. It proved to be a revolutionary tool for advertisers. An authoritarian government would have other purposes in mind.

"They were using us to build profiles of people," she went on. "When they had someone they wanted to arrest, they'd come to us and find a reason to bust them. There's hardly anything you can do on the Net that isn't illegal in China."

"The government said they'd block us otherwise. And Yahoo was there." They both made faces. Somewhere along the way, employees at Google had become obsessed with Yahoo, more concerned with what the competition was doing than how their own company was performing. "So we did it. But a lot of us didn't like the idea."

"Almost immediately, the Chinese asked us to start censoring search results," Maya said. "Google agreed. The company line was hilarious: 'We're not doing evil we're giving consumers access to a better search tool! If we showed them search results they couldn't get to, that would just frustrate them. It would be a bad user experience.'"

"Now you're a person of interest, Greg. You're Googlestalked. Now you live your life with someone constantly looking over your shoulder. You know the mission statement, right? 'Organize the World's Information.' Everything. Give it five years, we'll know how many turds were in the bowl before you flushed. Combine that with automated suspicion of anyone who matches a statistical picture of a bad guy and you're "

"Scroogled." "Totally." She nodded. Maya took both labs down the hall to the bedroom. He heard a muffled argument with her

"I can fix this," she said in an urgent whisper. "After the Chinese started rounding up people, my podmates and I made it our 20 percent project to fuck with them." (Among Google's business innovations was a rule that required every employee to devote 20 percent of his or her time to highminded pet projects.) "We call it the Googlecleaner. It goes deep into the database and statistically normalizes you. Your searches, your Gmail histograms, your browsing patterns. All of it. Greg, I can Googleclean you. It's the only way."

She shook her head. "I'm already doomed. Every day since I built the damn thing has been borrowed time now it's just a matter of waiting for someone to point out my expertise and history to the DHS and, oh, I don't know. Whatever it is they do to people like me in the war on abstract nouns."

Greg remembered the airport. The search. His shirt, the boot print in the middle of it. "Do it," he said. The Googlecleaner worked wonders. Greg could tell by the ads that popped up alongside his

searches, ads clearly meant for someone else: Intelligent Design Facts, Online Seminary Degree, Terror Free Tomorrow, Porn Blocker Software, the Homosexual Agenda, Cheap Toby Keith Tickets. This was Maya's program at work. Clearly Google's new personalized search had him pegged as someone else entirely, a God-fearing right winger with a thing for hat acts.

Then he clicked on his address book, and found that half of his contacts were missing. His Gmail in-box was hollowed out like a termite-ridden stump. His Orkut profile, normalized. His calendar, family photos, bookmarks: all empty. He hadn't quite realized before how much of him had migrated onto the Web and worked its way into Google's server farms his entire online identity. Maya had scrubbed him to a high gloss; he'd become the invisible man.

He shouted, "Coming!" in a muzzy voice and pulled on a robe and slippers. He shuffled down the hallway, turning on lights as he went. At the door, he squinted through the peephole to find Maya staring glumly back at him.

at her eyes, which were red and lined. "Pack a bag," she croaked hoarsely. "What?" She took him by the shoulders. "Do it," she said. "Where do you want to...?" "Mexico, probably. Don't know yet. Pack, dammit." She pushed past him into his bedroom and

started yanking open drawers. "Maya," he said sharply, "I'm not going anywhere until you tell me what's going on." She glared at him and pushed her hair away from her face. "The Googlecleaner lives. After I

cleaned you, I shut it down and walked away. It was too dangerous to use anymore. But it's still set to send me e-mail confirmations whenever it runs. Someone's used it six times to scrub three very specific accounts all of which happen to belong to members of the Senate Commerce Committee up for reelection."

used by Gmail users. Guess who the accounts belong to?" "You spied on Gmail accounts?" "Okay. Yes. I did look through their e-mail. Everyone does it, now and again, and for a lot worse

firm. Just doing their job, defending the company's interests." Greg felt his pulse beating in his temples. "We should tell someone." "It won't do any good. They know everything about us. They can see every search. Every e-mail.

Every time we've been caught on the webcams. Who is in our social network...did you know if you have 15 Orkut buddies, it's statistically certain that you're no more than three steps to someone who's contributed money to a 'terrorist' cause? Remember the airport? You'll be in for a lot more of that."

"Maya," Greg said, getting his bearings. "Isn't heading to Mexico overreacting? Just quit. We can do a start-up or something. This is crazy." "They came to see me today," she said. "Two of the political officers from DHS. They didn't leave for hours. And they asked me a lot of very heavy questions."

"About the Googlecleaner?" "About my friends and family. My search history. My personal history." "Jesus." "They were sending a message to me. They're watching every click and every search. It's time to go.

Time to get out of range." "There's a Google office in Mexico, you know." "We've got to go," she said, firmly. "Laurie, what do you think of this?" Greg asked. Laurie thumped the dogs between the shoulders. "My parents left East Germany in '65. They used

to tell me about the Stasi. The secret police would put everything about you in your file, if you told an unpatriotic joke, whatever. Whether they meant it or not, what Google has created is no different."

Be careful, okay?" Maya looked like she was going to slug him. Softening, she gave him a ferocious hug. "Be careful, yourself," she whispered in his ear. They came for him a week later.At home, in the middle of the night, just as he'd imagined they

Two men arrived on his doorstep shortly after 2 a.m. One stood silently by the door. The other was a smiler, short and rumpled, in a sport coat with a stain on one lapel and a American flag on the other. "Greg Lupinski, we have reason to believe you're in violation of the Computer Fraud and Abuse Act," he said, by way of introduction. "Specifically, exceeding authorized access, and by means of such conduct having obtained information. Ten years for a first offense. Turns out that what you and your friend did to your Google records qualifies as a felony.And oh, what will come out in the trial...all the stuff you whitewashed out of your profile, for starters."

had given him something to do while he waited to hear from Maya. She never called. "I'd like to get in touch with a lawyer," is all he mustered. "You can do that," the small man said. "But maybe we can come to a better arrangement." Greg found his voice. "I'd like to see your badge," he stammered. The man's basset-hound face lit up as he let out a bemused chuckle. "Buddy, I'm not a cop," he

replied. "I'm a consultant. Google hired me my firm represents their interests in Washington to build relationships. Of course, we wouldn't get the police involved without talking to you first. You're part of the family.Actually, there's an offer I'd like to make."

Greg turned to the coffeemaker, dumped the old filter. "I'll go to the press," he said. The man nodded as if thinking it over. "Well, sure. You could walk into the Chronicle's office in the

morning and spill everything. They'd look for a confirming source. They won't find one. And when they try searching for it, we'll find them. So, buddy, why don't you hear me out, okay? I'm in the win-win business. I'm very good at it." He paused. "By the way, those are excellent beans, but you want to give them a little rinse first? Takes some of the bitterness out and brings up the oils. Here, pass me a colander?"

Greg watched as the man silently took off his jacket and hung it over a kitchen chair, then undid his cuffs and carefully rolled them up, slipping a cheap digital watch into his pocket. He poured the beans out of the grinder and into Greg's colander, and rinsed them in the sink.

real Googler, actually, obsessed with the minutiae. He knew his way around a coffee grinder, too. "We're drafting a team for Building 49..." "There is no Building 49," Greg said automatically. "Of course," the guy said, flashing a tight smile. "There's no Building 49. But we're putting together

a team to revamp the Googlecleaner. Maya's code wasn't very efficient, you know. It's full of bugs. We need an upgrade. You'd be the right guy, and it wouldn't matter what you knew if you were back inside."

"Greg," the man said, "we're not smearing anyone. We're just going to clean things up a bit. For some select people. You know what I mean? Everyone's Google profile is a little scary under close inspection. Close inspection is the order of the day in politics. Standing for office is like a public colonoscopy." He loaded the cafetière and depressed the plunger, his face screwed up in solemn concentration. Greg retrieved two coffee cups Google mugs, of course and passed them over.

preserve their privacy. That's all." Greg sipped his coffee. "What happens to the candidates you don't clean?" "Yeah," the guy said, flashing Greg a weak grin. "Yeah, you're right. It'll be kind of tough for them."

He searched the inside pocket of his jacket and produced several folded sheets of paper. He smoothed out the pages and put them on the table. "Here's one of the good guys who needs our help." It was a printout of a search history belonging to a candidate whose campaign Greg had contributed to in the past three elections.

"Fella gets back to his hotel room after a brutal day of campaigning door to door, fires up his laptop, and types 'hot asses' into his search bar. Big deal, right? The way we see it, for that to disqualify a good man from continuing to serve his country is just un-American."

Greg nodded slowly. "So you'll help the guy out?" the man asked. "Yes." "Good. There's one more thing. We need you to help us find Maya. She didn't understand our goals

come around." He glanced at the candidate's search history. "I guess she might," Greg replied. The new Congress took 11 working days to pass the Securing and Enumerating America's

Communications and Hypertext Act, which authorized the DHS and NSA to outsource up to 80 percent of intelligence and analysis work to private contractors. Theoretically, the contracts were open to competitive bidding, but within the secure confines of Google's Building 49, there was no question of who would win. If Google had spent $15 billion on a program to catch bad guys at the border, you can bet they would have caught them governments just aren't equipped to Do Search Right.

The next morning Greg scrutinized himself carefully as he shaved (the security minders didn't like hacker stubble and weren't shy about telling him so), realizing that today was his first day as a de facto intelligence agent for the U.S. government. How bad would it be? Wasn't it better to have Google doing this stuff than some ham-fisted DHS desk jockey?

By the time he parked at the Googleplex, among the hybrid cars and bulging bike racks, he had convinced himself. He was mulling over which organic smoothie to order at the canteen when his key card failed to open the door to Building 49. The red LED flashed dumbly every time he swiped his card. Any other building, and there'd be someone to tailgate on, people trickling in and out all day. But the Googlers in 49 only emerged for meals, and sometimes not even that.

Swipe, swipe, swipe. Suddenly he heard a voice at his side. "Greg, can I see you, please?" The rumpled man put an arm around his shoulders, and Greg smelled his citrusy aftershave. It

The man's arm around his shoulders was firm, steering him away from the door, out onto the immaculate lawn, past the herb garden outside the kitchen. "We're giving you a couple of days off," he said.

Greg seemed to hurtle away, to a place miles above, a Google Earth view of the Googleplex, where he looked down on himself and the rumpled man as a pair of dots, two pixels, tiny and insignificant. He willed himself to tear at his hair, to drop to his knees and weep.

From a long way away, he heard himself say, "I don't need any time off. I'm okay." From a long way away, he heard the rumpled man insist. The argument persisted for a long time, and then the two pixels moved into Building 49, and the

Attribution-Noncommercial-Share Alike 3.0 United States http://creativecommons.org/licenses/by-nc-sa/3.0/us/ Licence in summary:

You are free:

Under the following conditions:

(but not in any way that suggests that they endorse you or your use of the work).
• Noncommercial. You may not use this work for commercial purposes.
• Share Alike. If you alter, transform, or build upon this work, you may distribute the

• For any reuse or distribution, you must make clear to others the license terms of this work.

The best way to do this is with a link to this web page.
• Any of the above conditions can be waived if you get permission from the copyright holder.
• Apart from the remix rights granted under this license, nothing in this license impairs or restricts the author's moral rights.

CREATIVE COMMONS CORPORATION IS NOTA LAW FIRM AND DOES NOT PROVIDE LEGAL SERVICES. DISTRIBUTION OF THIS LICENSE DOES NOT CREATEAN ATTORNEY-CLIENT RELATIONSHIP. CREATIVE COMMONS PROVIDES THIS INFORMATION ON AN "AS-IS" BASIS. CREATIVE COMMONS MAKES NO WARRANTIES REGARDING THE INFORMATION PROVIDED, AND DISCLAIMS LIABILITY FOR DAMAGES RESULTING FROM ITS USE.

License

THE WORK (AS DEFINED BELOW) IS PROVIDED UNDER THE TERMS OF THIS CREATIVE COMMONS PUBLIC LICENSE ("CCPL" OR "LICENSE"). THE WORK IS PROTECTED BY COPYRIGHT AND/OR OTHER APPLICABLE LAW.ANY USE OF THE WORK OTHER THAN AS AUTHORIZED UNDER THIS LICENSE OR COPYRIGHT LAW IS PROHIBITED.

BY EXERCISING ANY RIGHTS TO THE WORK PROVIDED HERE, YOU ACCEPT AND AGREE TO BE BOUND BY THE TERMS OF THIS LICENSE. TO THE EXTENT THIS LICENSE MAY BE CONSIDERED TO BE A CONTRACT, THE LICENSOR GRANTS YOU THE RIGHTS CONTAINED HERE IN CONSIDERATION OF YOUR ACCEPTANCE OF SUCH TERMS AND CONDITIONS.

a. "Collective Work" means a work, such as a periodical issue, anthology or encyclopedia, in which the Work in its entirety in unmodified form, along with one or more other contributions, constituting separate and independent works in themselves, are assembled into a collective whole. A work that constitutes a Collective Work will not be considered a Derivative Work (as defined below) for the purposes of this License.

b. "Derivative Work" means a work based upon the Work or upon the Work and other preexisting works, such as a translation, musical arrangement, dramatization, fictionalization, motion picture version, sound recording, art reproduction, abridgment, condensation, or any other form in which the Work may be recast, transformed, or adapted, except that a work that constitutes a Collective Work will not be considered a Derivative Work for the purpose of this License. For the avoidance of doubt, where the Work is a musical composition or sound recording, the synchronization of the Work in timed-relation with a moving image ("synching") will be considered a Derivative Work for the purpose of this License. c. "Licensor" means the individual, individuals, entity or entities that offer(s) the Work under

the terms of this License. d. "Original Author" means the individual, individuals, entity or entities who created the

Work. e. "Work" means the copyrightable work of authorship offered under the terms of this

License. f. "You" means an individual or entity exercising rights under this License who has not previously violated the terms of this License with respect to the Work, or who has received express permission from the Licensor to exercise rights under this License despite a previous violation.

g. "License Elements" means the following high-level license attributes as selected by Licensor and indicated in the title of this License: Attribution, Noncommercial, ShareAlike.

2. Fair Use Rights. Nothing in this license is intended to reduce, limit, or restrict any rights arising from fair use, first sale or other limitations on the exclusive rights of the copyright owner under copyright law or other applicable laws.

3. License Grant. Subject to the terms and conditions of this License, Licensor hereby grants You a worldwide, royalty-free, non-exclusive, perpetual (for the duration of the applicable copyright) license to exercise the rights in the Work as stated below:

a. to reproduce the Work, to incorporate the Work into one or more Collective Works, and to

reproduce the Work as incorporated in the Collective Works; b. to create and reproduce Derivative Works provided that any such Derivative Work, including any translation in any medium, takes reasonable steps to clearly label, demarcate or otherwise identify that changes were made to the original Work. For example, a translation could be marked "The original work was translated from English to Spanish," or a modification could indicate "The original work has been modified.";

c. to distribute copies or phonorecords of, display publicly, perform publicly, and perform publicly by means of a digital audio transmission the Work including as incorporated in Collective Works;

d. to distribute copies or phonorecords of, display publicly, perform publicly, and perform publicly by means of a digital audio transmission Derivative Works;

The above rights may be exercised in all media and formats whether now known or hereafter devised. The above rights include the right to make such modifications as are technically necessary to exercise the rights in other media and formats. All rights not expressly granted by Licensor are hereby reserved, including but not limited to the rights set forth in Sections 4(e) and 4(f).

a. You may distribute, publicly display, publicly perform, or publicly digitally perform the Work only under the terms of this License, and You must include a copy of, or the Uniform Resource Identifier for, this License with every copy or phonorecord of the Work You distribute, publicly display, publicly perform, or publicly digitally perform. You may not offer or impose any terms on the Work that restrict the terms of this License or the ability of a recipient of the Work to exercise the rights granted to that recipient under the terms of the License. You may not sublicense the Work. You must keep intact all notices that refer to this License and to the disclaimer of warranties. When You distribute, publicly display, publicly perform, or publicly digitally perform the Work, You may not impose any technological measures on the Work that restrict the ability of a recipient of the Work from You to exercise the rights granted to that recipient under the terms of the License. This Section 4(a) applies to the Work as incorporated in a Collective Work, but this does not require the Collective Work apart from the Work itself to be made subject to the terms of this License. If You create a Collective Work, upon notice from any Licensor You must, to the extent practicable, remove from the Collective Work any credit as required by Section 4(d), as requested. If You create a Derivative Work, upon notice from any Licensor You must, to the extent practicable, remove from the Derivative Work any credit as required by Section 4(d), as requested.

b. You may distribute, publicly display, publicly perform, or publicly digitally perform a Derivative Work only under: (i) the terms of this License; (ii) a later version of this License with the same License Elements as this License; or, (iii) either the unported Creative Commons license or a Creative Commons license for another jurisdiction (either this or a later license version) that contains the same License Elements as this License (e.g. Attribution-NonCommercial-ShareAlike 3.0 (Unported)) ("the Applicable License"). You must include a copy of, or the Uniform Resource Identifier for, the Applicable License with every copy or phonorecord of each Derivative Work You distribute, publicly display, publicly perform, or publicly digitally perform. You may not offer or impose any terms on the Derivative Works that restrict the terms of the Applicable License or the ability of a recipient of the Work to exercise the rights granted to that recipient under the terms of the Applicable License. You must keep intact all notices that refer to the Applicable License and to the disclaimer of warranties. When You distribute, publicly display, publicly perform, or publicly digitally perform the Derivative Work, You may not impose any technological measures on the Derivative Work that restrict the ability of a recipient of the Derivative Work from You to exercise the rights granted to that recipient under the terms of the Applicable License. This Section 4(b) applies to the Derivative Work as incorporated in a Collective Work, but this does not require the Collective Work apart from the Derivative Work itself to be made subject to the terms of the Applicable License.

c. You may not exercise any of the rights granted to You in Section 3 above in any manner that is primarily intended for or directed toward commercial advantage or private monetary compensation. The exchange of the Work for other copyrighted works by means of digital file-sharing or otherwise shall not be considered to be intended for or directed toward commercial advantage or private monetary compensation, provided there is no payment of any monetary compensation in connection with the exchange of copyrighted works.

d. If You distribute, publicly display, publicly perform, or publicly digitally perform the Work (as defined in Section 1 above) or any Derivative Works (as defined in Section 1 above) or Collective Works (as defined in Section 1 above), You must, unless a request has been made pursuant to Section 4(a), keep intact all copyright notices for the Work and provide, reasonable to the medium or means You are utilizing: (i) the name of the Original Author (or pseudonym, if applicable) if supplied, and/or (ii) if the Original Author and/or Licensor designate another party or parties (e.g. a sponsor institute, publishing entity, journal) for attribution ("Attribution Parties") in Licensor's copyright notice, terms of service or by other reasonable means, the name of such party or parties; the title of the Work if supplied; to the extent reasonably practicable, the Uniform Resource Identifier, if any, that Licensor specifies to be associated with the Work, unless such URI does not refer to the copyright notice or licensing information for the Work; and, consistent with Section 3(b) in the case of a Derivative Work, a credit identifying the use of the Work in the Derivative Work (e.g., "French translation of the Work by Original Author," or "Screenplay based on original Work by Original Author"). The credit required by this Section 4(d) may be implemented in any reasonable manner; provided, however, that in the case of a Derivative Work or Collective Work, at a minimum such credit will appear, if a credit for all contributing authors of the Derivative Work or Collective Work appears, then as part of these credits and in a manner at least as prominent as the credits for the other contributing authors. For the avoidance of doubt, You may only use the credit required by this Section for the purpose of attribution in the manner set out above and, by exercising Your rights under this License, You may not implicitly or explicitly assert or imply any connection with, sponsorship or endorsement by the Original Author, Licensor and/or Attribution Parties, as appropriate, of You or Your use of the Work, without the separate, express prior written permission of the Original Author, Licensor and/or Attribution Parties. e. For the avoidance of doubt, where the Work is a musical composition: i. Performance Royalties Under Blanket Licenses. Licensor reserves the exclusive right to collect whether individually or, in the event that Licensor is a member of a performance rights society (e.g. ASCAP, BMI, SESAC), via that society, royalties for the public performance or public digital performance (e.g. webcast) of the Work if that performance is primarily intended for or directed toward commercial advantage or private monetary compensation.

ii. Mechanical Rights and Statutory Royalties. Licensor reserves the exclusive right to collect, whether individually or via a music rights agency or designated agent (e.g. Harry Fox Agency), royalties for any phonorecord You create from the Work ("cover version") and distribute, subject to the compulsory license created by 17 USC Section 115 of the US Copyright Act (or the equivalent in other jurisdictions), if Your distribution of such cover version is primarily intended for or directed toward commercial advantage or private monetary compensation. f. Webcasting Rights and Statutory Royalties. For the avoidance of doubt, where the Work is a sound recording, Licensor reserves the exclusive right to collect, whether individually or via a performance-rights society (e.g. SoundExchange), royalties for the public digital performance (e.g. webcast) of the Work, subject to the compulsory license created by 17 USC Section 114 of the US Copyright Act (or the equivalent in other jurisdictions), if Your public digital performance is primarily intended for or directed toward commercial advantage or private monetary compensation.

UNLESS OTHERWISE MUTUALLYAGREED TO BY THE PARTIES IN WRITING, LICENSOR OFFERS THE WORK AS-IS AND ONLYTO THE EXTENT OF ANY RIGHTS HELD IN THE LICENSED WORK BY THE LICENSOR. THE LICENSOR MAKES NO REPRESENTATIONS OR WARRANTIES OF ANY KIND CONCERNING THE WORK, EXPRESS, IMPLIED, STATUTORY OR OTHERWISE, INCLUDING, WITHOUT LIMITATION, WARRANTIES OF TITLE, MARKETABILITY, MERCHANTIBILITY, FITNESS FOR A PARTICULAR PURPOSE, NONINFRINGEMENT, OR THE ABSENCE OF LATENT OR OTHER DEFECTS, ACCURACY, OR THE PRESENCE OF ABSENCE OF ERRORS, WHETHER OR NOT DISCOVERABLE. SOME JURISDICTIONS DO NOT ALLOW THE EXCLUSION OF IMPLIED WARRANTIES, SO SUCH EXCLUSION MAY NOT APPLYTO YOU.

6. Limitation on Liability. EXCEPT TO THE EXTENT REQUIRED BYAPPLICABLE LAW, IN NO EVENT WILL LICENSOR BE LIABLE TO YOU ON ANY LEGAL THEORY FOR ANY SPECIAL, INCIDENTAL, CONSEQUENTIAL, PUNITIVE OR EXEMPLARY DAMAGES ARISING OUT OF THIS LICENSE OR THE USE OF THE WORK, EVEN IF LICENSOR HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.

a. This License and the rights granted hereunder will terminate automatically upon any breach by You of the terms of this License. Individuals or entities who have received Derivative Works (as defined in Section 1 above) or Collective Works (as defined in Section 1 above) from You under this License, however, will not have their licenses terminated provided such individuals or entities remain in full compliance with those licenses. Sections 1, 2, 5, 6, 7, and 8 will survive any termination of this License.

b. Subject to the above terms and conditions, the license granted here is perpetual (for the duration of the applicable copyright in the Work). Notwithstanding the above, Licensor reserves the right to release the Work under different license terms or to stop distributing the Work at any time; provided, however that any such election will not serve to withdraw this License (or any other license that has been, or is required to be, granted under the terms of this License), and this License will continue in full force and effect unless terminated as stated above.

a. Each time You distribute or publicly digitally perform the Work (as defined in Section 1 above) or a Collective Work (as defined in Section 1 above), the Licensor offers to the recipient a license to the Work on the same terms and conditions as the license granted to You under this License.

b. Each time You distribute or publicly digitally perform a Derivative Work, Licensor offers to the recipient a license to the original Work on the same terms and conditions as the license granted to You under this License.

c. If any provision of this License is invalid or unenforceable under applicable law, it shall not affect the validity or enforceability of the remainder of the terms of this License, and without further action by the parties to this agreement, such provision shall be reformed to the minimum extent necessary to make such provision valid and enforceable.

d. No term or provision of this License shall be deemed waived and no breach consented to unless such waiver or consent shall be in writing and signed by the party to be charged with such waiver or consent.

e. This License constitutes the entire agreement between the parties with respect to the Work licensed here. There are no understandings, agreements or representations with respect to the Work not specified here. Licensor shall not be bound by any additional provisions that may appear in any communication from You. This License may not be modified without the mutual written agreement of the Licensor and You.

Creative Commons Notice

Creative Commons is not a party to this License, and makes no warranty whatsoever in connection with the Work. Creative Commons will not be liable to You or any party on any legal theory for any damages whatsoever, including without limitation any general, special, incidental or consequential damages arising in connection to this license. Notwithstanding the foregoing two (2) sentences, if Creative Commons has expressly identified itself as the Licensor hereunder, it shall have all rights and obligations of Licensor.

Except for the limited purpose of indicating to the public that the Work is licensed under the CCPL, Creative Commons does not authorize the use by either party of the trademark "Creative Commons" or any related trademark or logo of Creative Commons without the prior written consent of Creative Commons. Any permitted use will be in compliance with Creative Commons' then-current trademark usage guidelines, as may be published on its website or otherwise made available upon request from time to time. For the avoidance of doubt, this trademark restriction does not form part of this License.