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\begin{document}

\section{Rapture of the Nerds}

\emph{by Cory Doctorow and Charles Stross}

\begin{center}\rule{3in}{0.4pt}\end{center}

\subsection{A COMMERCIAL INTERLUDE}

\emph{Gondar primulon, Earthling! Welcome to the free CC-licensed ebook!
We know that there's no way we could keep you from getting a free copy
of this from some dodgy corner of the Internet. Rather than send you off
to the kind of site you'd better visit through a proxy with your cookies
turned off, we're giving you this-here free, pristine, hand-crafted
ebook in a variety of formats. We hope you enjoy reading it as much as
we enjoyed writing it (though, truth be told, we \textbf{really} enjoyed
writing it). And we hope that, having read it, you rush straight out to
your local bookseller and buy a copy---or, if you prefer to buy the
ebook or have the smashing and lovely physical book delivered to you,
here are some links that will let you reward our generosity and trust
with a voluntary, non-coerced purchase of our humble article of
commerce}.

\textbf{USA:} \\
\href{http://www.amazon.com/exec/obidos/ASIN/B0080K3HTI/downandoutint-20}{Amazon
Kindle} (DRM-free) \\
\href{http://www.barnesandnoble.com/w/the-rapture-of-the-nerds-cory-doctorow/1108946218}{Barnes
and Noble Nook} (DRM-free) \\
\href{http://books.google.co.uk/books/about/The\_Rapture\_of\_the\_Nerds.html?id=5zEBUjc7p0gC\&redir\_esc=y}{Google
Books} (DRM-free) \\
\href{http://www.kobobooks.com/ebook/The-Rapture-Nerds-tale-singularity/book-n\_v7DOaFTkST5NSxYMD0bw/page1.html?s=PRWjo5M8aEaCrWw7yN5LgQ\&r=1}{Kobo}
(DRM-free) \\
\href{http://itunes.apple.com/us/book/the-rapture-of-the-nerds/id525170910?mt=11}{Apple
iBooks} (DRM-free) \\ \\
\href{http://www.amazon.com/exec/obidos/ASIN/0765329107/downandoutint-20}{Amazon}
\\
\href{http://www.booksense.com/product/info.jsp?affiliateId=craphound5\&isbn=0765329107}{Booksense}
(will locate a store near you!) \\
\href{http://www.barnesandnoble.com/w/the-rapture-of-the-nerds-cory-doctorow/1108946218}{Barnes
and Noble} \\
\href{https://www.powells.com/biblio/95-9781429944915-0}{Powells} \\
\href{http://www.booksamillion.com/ncom/books?\&isbn=0765329107}{Booksamillion}

\textbf{Canada:} \\
\href{http://www.amazon.com/The-Rapture-Nerds-posthumanity-ebook/dp/B0080K3HTI/}{Amazon
Kindle} (DRM-free) \\
\href{http://www.kobobooks.com/ebook/The-Rapture-Nerds-tale-singularity/book-n\_v7DOaFTkST5NSxYMD0bw/page1.html?s=PRWjo5M8aEaCrWw7yN5LgQ\&r=1}{Kobo}
(DRM-free) \\
\href{http://www.chapters.indigo.ca/books/The-Rapture-of-the-Nerds-Cory-Doctorow-Charles-Stross/9780765329103-item.html}{Chapters/Indigo}
\\
\href{http://www.amazon.ca/exec/obidos/ASIN/0765329107/downandouti0a-20}{Amazon.ca}

\begin{center}\rule{3in}{0.4pt}\end{center}

\subsection{READ THIS FIRST}

This book is distributed under a Creative Commons
Attribution-NonCommercial-NoDerivs 3.0 license. That means:

You are free:

\begin{itemize}
\item
  to Share---to copy, distribute and transmit the work
\end{itemize}
Under the following conditions:

\begin{itemize}
\item
  Attribution. You must attribute the work in the manner specified by
  the author or licensor (but not in any way that suggests that they
  endorse you or your use of the work).
\item
  Noncommercial. You may not use this work for commercial purposes.
\item
  No Derivative Works---You may not alter, transform, or build upon this
  work.
\item
  For any reuse or distribution, you must make clear to others the
  license terms of this work. The best way to do this is with a link
  \href{http://craphound.com/rotn}{http://craphound.com/rotn}
\item
  Any of the above conditions can be waived if you get our permission
\end{itemize}
More info here:
\href{https://creativecommons.org/licenses/by-nc-nd/3.0/}{https://creativecommons.org/licenses/by-nc-nd/3.0/}

See the end of this file for the complete legalese.

\begin{center}\rule{3in}{0.4pt}\end{center}

\subsection{THE COPYRIGHT THING}

\textbf{What Cory Says:}

The Creative Commons license at the top of this file probably tipped you
off to the fact that I've got some pretty unorthodox views about
copyright. Here's what I think of it, in a nutshell: a little goes a
long way, and more than that is too much.

I like the fact that copyright lets me sell rights to my publishers and
film studios and so on. It's nice that they can't just take my stuff
without permission and get rich on it without cutting me in for a piece
of the action. I'm in a pretty good position when it comes to
negotiating with these companies: I've got a great agent and a decade's
experience with copyright law and licensing (including a stint as a
delegate at WIPO, the UN agency that makes the world's copyright
treaties). What's more, there's just not that many of these
negotiations---even if I sell fifty or a hundred different editions of
\emph{Context} (which would put it in top millionth of a percentile for
reprint essay collections), that's still only a hundred negotiations,
which I could just about manage.

I \emph{hate} the fact that fans who want to do what readers have always
done are expected to play in the same system as all these hotshot agents
and lawyers. It's just \emph{stupid} to say that an elementary school
classroom should have to talk to a lawyer at a giant global publisher
before they put on a play based on one of my books. It's ridiculous to
say that people who want to ``loan'' their electronic copy of my book to
a friend need to get a \emph{license} to do so. Loaning books has been
around longer than any publisher on Earth, and it's a fine thing.

Copyright laws are increasingly passed without democratic debate or
scrutiny. In Great Britain, where I live, Parliament recently passed the
Digital Economy Act, a complex copyright law that allows corporate
giants to disconnect whole families from the Internet if anyone in the
house is accused (without proof) of copyright infringement; it also
creates a ``Great Firewall of Britain'' that is used to censor any site
that record companies and movie studios don't like. This law was passed
in 2010 without any serious public debate in Parliament, rushed through
using a dirty process through which our elected representatives betrayed
the public to give a huge, gift-wrapped present to their corporate pals.

It gets worse: around the world, rich countries like the US, the EU and
Canada have been negotiating a secret copyright treaty called ``The
Anti-Counterfeiting Trade Agreement'' (ACTA) and ``Trans-Pacific
Partnership'' (TPP) that have all the problems that the Digital Economy
Act had and then some. The plan was to agree to this in secret, without
public debate, and then force the world's poorest countries to sign up
for it by refusing to allow them to sell goods to rich countries unless
the do. In America, the plan was to pass it without Congressional
debate, using the executive power of the President. ACTA began under
Bush, but the Obama administration has pursued it with great enthusiasm,
and presided over the creation of TPP. The secret part of the plan
failed---ACTA ran into heavy opposition in Congress and has been
rejected by Mexico and the European Parliament---but the treaty isn't
dead yet, has supporters on both sides of the house who keep attempting
to bring it back under a new name. This is a bipartisan lunacy.

So if you're not violating copyright law right now, you will be soon.
And the penalties are about to get a lot worse. As someone who relies on
copyright to earn my living, this makes me sick. If the big
entertainment companies set out to destroy copyright's mission, they
couldn't do any better than they're doing now.

So, basically, \emph{screw that}. Or, as the singer, Wobbly and union
organizer Woody Guthrie so eloquently put it:

``This song is Copyrighted in U.S., under Seal of Copyright \#154085,
for a period of 28 years, and anybody caught singin' it without our
permission, will be mighty good friends of ourn, cause we don't give a
dern. Publish it. Write it. Sing it. Swing to it. Yodel it. We wrote it,
that's all we wanted to do.''

\textbf{What Charlie says:}

Cory has covered the groundwork pretty well above, so I've got
relatively little to add.

There's an old story about a couple of tourists who are on vacation in
rural Ireland, and who get themselves lost. They've got a map but they
can't figure out where they are (this is the pre-GPS era). Finally they
come to a rural five-way crossroads, and a farmer with a herd of sheep.
``Excuse me, my good man,'' says one of the tourists, ``we're lost! Can
you tell us how to get back to Dublin?'' The farmer meditates for a
minute, and then offers up his advice: ``Sure I can, but if I were
youse, I wouldn't start from here.''

(\emph{Pre-emptive apology}: This old story applies to just about all
rural districts; it's just traditional to set it in Ireland. Please
don't hurt me!)

Copyright puts us all in those tourists' shoes, and they pinch and they
don't fit very well. If we were designing a rational rural road network
for Ireland we wouldn't build anything resembling the shambolic mess of
single-track routes that bamboozled those tourists. We'd design a neat
network with good signage that lets people know where they are and where
they need to go. Alas, we're stuck with what our ancestors have built.

Copyright wasn't designed to get in your face: it wasn't designed at
all! Rather, it evolved over a period of centuries, from a tool of state
censorship (you could prevent sedition by licensing big, heavy,
old-fashioned metal-type printing presses) to a tool for revenue
protection (Dickens and other Victorian writers were frequently on the
edge of poverty because their works were copied without credit or
royalty payment by any printer who could get their hands on them), and
finally, recently, into a tool for rent-seeking by big corporations with
paid lobbyists. Nobody in their right mind would have designed the
current system---but we're stuck with it, largely because it's now a
global mess, enshrined in law by international treaty: a many-headed
hydra that would require broad international agreement in order to be
replaced.

I am a copyright criminal, and so (in all probability) are you.

No, I'm not exaggerating. I will confess to having cracked the DRM lock
on novels that \emph{I wrote}, so that I could have my very own copy of
the as-published text! That puts me in breach of the DMCA (in the United
States) and the Copyright, Designs and Patents Act (in the United
Kingdom, where I live). I've also cracked DRM on ebooks I bought so that
I could read them on other devices. (Did I say ``on ebooks I bought''?
That's the problem: I paid for them, but I don't own them in the same
way that I own a chunk of dead tree; the major ebook vendors insist that
I'm merely paying a license fee to use the ebook, and that they retain
ownership of it.) You may think that's hair-splitting, but it's an
important point; if I complied with the letter of the law I wouldn't be
able to use those ebooks after the ereader they were licensed for died
of old age (probably within a couple of years), but the mere fact of my
having paid for those books doesn't entitle me (in the eyes of the law)
to preserve them in a readable format.

This is an example of what Cory means when he says that copyright will
ultimately make criminals out of all of us if we don't re-draw the
boundary between the public domain and the private interest of everyone
involved in copyright---from actual content creators to rent-seeking
owners of the rights to stuff they've somehow acquired the legal title
to.

I'm not encouraging you to make copies of stuff other people made and to
sell them for a profit without giving payback to the original creators
and the publishers who helped edit and produce the work. That's not
cool, unless the creators explicitly said you could do that. But if your
shoes pinch, it might be a sign that you need to try out a
better-fitting pair, and we're trying to help with that.

\begin{center}\rule{3in}{0.4pt}\end{center}

\subsection{ABOUT DERIVATIVE WORKS}

Cory's previous books have been released under a slightly different
Creative Commons license, one that allowed for derivative works (that
is, new creative works based on this one). Keen observers will have
already noticed that this book is licensed ``NoDerivs''---that is, you
can't make remixes without permission.

Cory says:

A word of explanation for this shift is in order. When I first started
publishing under Creative Commons licenses, I had to carefully explain
this to my editor and publisher at Tor Books. They were incredibly
forward-looking and gave me permission to release the first-ever novel
licensed under CC---my debut novel
\href{http://craphound.com/down/}{Down and Out in the Magic Kingdom}.
This ground-breaking step was only possible because I was able to have
intense, personal discussions with my publisher.

My foreign rights agents are the inestimable Danny and Heather Baror,
and collectively they have sold my books into literally dozens of
countries and languages, helping to bring my work to places I couldn't
have dreamed of reaching on my own. They subcontract for my agent
Russell Galen, another inestimable personage without whom I would not
have attained anything like the dizzy heights that I enjoy today. They
attend large book fairs in cities like Frankfurt and Bologna in order to
sell the foreign rights to my books, often negotiating with one of a few
English-speakers at a foreign press, who then goes back and justifies
her or his decisions to the rest of the company.

The point is that this is nothing like my initial Creative Commons
discussion with Tor. That was me sitting down and making the case to
editors I've known for years (my editor at Tor, Patrick Nielsen Hayden,
has known me since I was 17). My foreign rights are sold by a
subcontractor of my representative to a representative of a press I've
often never heard of, who then has to explain my publishing philosophy
to people I've never met, using a language I don't speak.

This is hard.

Danny and Heather have asked---not demanded, asked!---that I consider
publishing books under a NoDerivs license, so that I can consult with
them before I authorize translations of my books. They want to be able
to talk to potential foreign publishers about how this stuff works, to
give me time to talk with them, to ease them into the idea, and to have
the kind of extended conversation that helped me lead Tor into their
decision all those years ago.

And I agreed. Free/open culture is something publishers need to be led
to, not forced into. It's a long conversation that often runs contrary
to their intuition and received wisdom. But no one gets into publishing
to get rich. Working in the publishing industry is virtually a vow of
poverty. The only reason to get into publishing is because you flat-out
love books and want to make them happen. People work in publishing for
the same reason writers write: they can't help themselves.

So I want to be able to have this conversation, personally, unhurriedly,
one-to-one. I want to keep all the people involved in my books---agents,
subagents, foreign editors and their bosses---in the loop on these
discussions. I will always passionately advocate for CC licensing in
\emph{all} of my work. I promise you that if you write to me with a
request for a noncommercial derivative use, that I will do everything in
my power to see that it is authorized.

And in the meantime, I draw your attention to article 2 of all Creative
Commons licenses:

\begin{quote}
Nothing in this License is intended to reduce, limit, or restrict any
uses free from copyright or rights arising from limitations or
exceptions that are provided for in connection with the copyright
protection under copyright law or other applicable laws.

\end{quote}
Strip away the legalese and what that says is, "Copyright gives you, the
public, rights. Fair use is real. Fair dealing is real. Decop minimum
exemptions to copyright are real. You have the right to make \emph{all
sorts of uses} of \emph{all} copyrighted works, \emph{without}
permission, \emph{without} Creative Commons licenses.

Rights are like muscles. When you don't exercise them, they get flabby.
Stop asking for stuff you can take without permission. Please!

(And, for the record, Charlie agrees.)

\begin{center}\rule{3in}{0.4pt}\end{center}

\subsection{DONATIONS AND A WORD TO TEACHERS AND LIBRARIANS}

Every time I put a book online for free, I get emails from readers who
want to send me donations for the book. I appreciate their generous
spirit, but I'm not interested in cash donations, because my publishers
are really important to me. They contribute immeasurably to the book,
improving it, introducing it to audiences I could never reach, helping
me do more with my work. I have no desire to cut them out of the loop.

But there has to be some good way to turn that generosity to good use,
and I think I've found it.

Here's the deal: there are lots of teachers and librarians who'd love to
get hard-copies of this book into their kids' hands, but don't have the
budget for it (teachers in the US spend around \$1,200 out of pocket
each on classroom supplies that their budgets won't stretch to cover,
which is why I sponsor a classroom at Ivanhoe Elementary in my old
neighborhood in Los Angeles; you can adopt a class yourself
\href{http://www.adoptaclassroom.org/}{here}).

There are generous people who want to send some cash my way to thank me
for the free ebooks.

I'm proposing that we put them together.

If you're a teacher or librarian and you want a free copy of
\emph{Rapture of the Nerds}, email
\href{mailto:freerotnbook@gmail.com}{freerotnbook@gmail.com} with your
name and the name and address of your school. It'll be posted to
\href{http://craphound.com/rotn/donate/}{http://craphound.com/rotn/donate/}
by my fantastic helper, Olga Nunes, so that potential donors can see it.

If you enjoyed the electronic edition of \emph{Rapture of the Nerds} and
you want to donate something to say thanks, go to
\href{http://craphound.com/rotn/donate/}{http://craphound.com/rotn/donate/}
and find a teacher or librarian you want to support. Then go to Amazon,
BN.com, or your favorite electronic bookseller and order a copy to the
classroom, then email a copy of the receipt (feel free to delete your
address and other personal info first!) to
\href{mailto:freerotnbook@gmail.com}{freerotnbook@gmail.com} so that
Olga can mark that copy as sent. If you don't want to be publicly
acknowledged for your generosity, let us know and we'll keep you
anonymous, otherwise we'll thank you on the donate page.

I've done this with eight of my titles now, and gotten more than a
thousand books into the hands of readers through your generosity. I am
more grateful than words can express for this---one of my readers called
it ``paying your debts forward with instant gratification.'' That's a
heck of a thing, isn't it?

\begin{center}\rule{3in}{0.4pt}\end{center}

\begin{center}\rule{3in}{0.4pt}\end{center}

\subsection{DEDICATIONS}

\textbf{Cory}: For Alice. I renew my vow not to fork any new instances
without your permission.

\textbf{Charlie}: For Feorag. Just because!

\textbf{Acknowledgements:} We'd like to thank the editors and agents who
have helped this pantomime horse get up and dance: at various times,
their number have included Ellen Datlow, Lou Anders, Patrick Nielsen
Hayden---not to mention our agents Russ Galen and Caitlin Blasdell.

\begin{center}\rule{3in}{0.4pt}\end{center}

\subsection{ANOTHER COMMERCIAL INTERLUDE}

\emph{Hiya! Us again! You've made it through the forematter and now
stand a-tremble on the very doorstep of the narrative. Feeling spendy?
Want to stretch your legs and perambulate over to the local bookery and
purchase a copy of the very,} very handsome physical embodiment of this
tale? Or perhaps you'd like to buy an ebook or have a physical book
delivered to you.

Alternatively, \href{http://craphound.com/rotn/donate/}{maybe you'd like
to amass some major karma by donating a copy of this book} to a school
or library, where it will go on to pervert and enfeeble the minds of
unsuspecting strangers.

\textbf{USA:} \\
\href{http://www.amazon.com/exec/obidos/ASIN/B0080K3HTI/charlieswebsi-20}{Amazon
Kindle} (DRM-free) \\
\href{http://www.barnesandnoble.com/w/the-rapture-of-the-nerds-cory-doctorow/1108946218}{Barnes
and Noble Nook} (DRM-free) \\
\href{http://books.google.co.uk/books/about/The\_Rapture\_of\_the\_Nerds.html?id=5zEBUjc7p0gC\&redir\_esc=y}{Google
Books} (DRM-free) \\
\href{http://www.kobobooks.com/ebook/The-Rapture-Nerds-tale-singularity/book-n\_v7DOaFTkST5NSxYMD0bw/page1.html?s=PRWjo5M8aEaCrWw7yN5LgQ\&r=1}{Kobo}
(DRM-free) \\
\href{http://itunes.apple.com/us/book/the-rapture-of-the-nerds/id525170910?mt=11}{Apple
iBooks} (DRM-free) \\ \\
\href{http://www.amazon.com/exec/obidos/ASIN/0765329107/charlieswebsi-20}{Amazon}
\\
\href{http://www.booksense.com/product/info.jsp?affiliateId=craphound5\&isbn=0765329107}{Booksense}
(will locate a store near you!) \\
\href{http://www.barnesandnoble.com/w/the-rapture-of-the-nerds-cory-doctorow/1108946218}{Barnes
and Noble} \\
\href{https://www.powells.com/biblio/95-9781429944915-0}{Powells} \\
\href{http://www.booksamillion.com/ncom/books?\&isbn=0765329107}{Booksamillion}

\textbf{Canada:} \\
\href{http://www.amazon.com/The-Rapture-Nerds-posthumanity-ebook/dp/B0080K3HTI/}{Amazon
Kindle} (DRM-free) \\
\href{http://www.kobobooks.com/ebook/The-Rapture-Nerds-tale-singularity/book-n\_v7DOaFTkST5NSxYMD0bw/page1.html?s=PRWjo5M8aEaCrWw7yN5LgQ\&r=1}{Kobo}
(DRM-free) \\ \\
\href{http://www.chapters.indigo.ca/books/The-Rapture-of-the-Nerds-Cory-Doctorow-Charles-Stross/9780765329103-item.html}{Chapters/Indigo}
\\
\href{http://www.amazon.ca/exec/obidos/ASIN/0765329107/downandouti0a-20}{Amazon.ca}

\begin{center}\rule{3in}{0.4pt}\end{center}

\section{Jury Service}

Huw awakens, dazed and confused.

This is by no means unusual, but for once Huw's head hurts more than his
bladder. He's lying head down, on his back, in a bathtub. He scrabbles
for a handhold and pulls himself upright. A tub is a terrible place to
spend a night. Or a morning, come to think of it---as he blinks, he sees
that it's midafternoon, and the light slanting in through a high window
limns the strange bathroom's treacly Victorian fixtures with a roseate
glow.

\emph{That was quite a party}. He vaguely remembers the gathering dawn,
its red light staining the wall outside the kitchen window as he
discussed environmental politics with a tall shaven-headed woman with a
blue forelock and a black leather minidress straight out of the
twentieth century. (He has an equally vague memory of her defending a
hard-core transhumanist line: Score nil-nil to both sides.) This room
wasn't a bathroom when he went to sleep in it: Bits of the bidet are
still crawling into position, and there's a strong smell of VOCs in the
air.

His head hurts.

Leaning over the sink, Huw twiddles the taps until they begin to dribble
cold water. He splashes his face and runs his hand through his thinning
hair, glances up at the mirror, and yells, ``\emph{Shit!''}

There's a spindly black biohazard trefoil tattooed on his forehead. It
wasn't there when he went to sleep, either.

Behind him, the door opens. ``Having a good morning?'' asks Sandra Lal,
whose mutable attic this must therefore be. She's playing with a small
sledgehammer, tossing it into the air and catching it like a
baton-twirler. Her grotesquely muscled forearm has veins that bulge with
hyperpressured blood and hormones.

``I wish,'' he says. Sandra's parties tend to be wild. ``Am I too late
for the dead dog?''

``\emph{You're} never too late.'' Sandra smiles. ``Coffee's in the
kitchen, which is on the ground floor today. Bonnie gave me a
subscription to House of the Week and today's my new edition---don't
worry if you can't remember where everything is, just remember the
entrance is at ground level, okay?''

``\emph{Coffee,''} Huw says. His head is pounding, but so is his
bladder. ``Um. Can I have a minute?''

``Yes, but I'd like my spare restroom back afterwards. It's going to be
en suite, but first I've got to knock out the wall through into the
bedroom.'' She hefts her sledgehammer suggestively.

Huw slumps down on the toilet as Sandra shuts the door behind her and
bounces off to roust out any other leftover revelers. He shivers as he
relieves himself: Trapped in a mutating bathroom by a transgendered
atheist Pakistani role-playing critic. \emph{Why do I keep ending up in
these situations?} he wonders as the toilet gives him a scented wash and
blow-dry: When it offers him a pubic trim, he hastily retrieves his kilt
and goes in search of coffee.

Sandra's new kitchen is frighteningly modern---a white room job that
looks empty at first, sterile as an operating theater, but that
\emph{oozes} when you glance away, extruding worktops and food
processors and fresh cutlery. If you slip, there'll be a chair waiting
to catch your buttocks on the way down. There are no separate appliances
here, just tons of smart matter. Last night it looked charmingly
gas-fired and Victorian, but now Huw can see it as it truly is, and he
doesn't like what he can see. He feels queasy, wondering if he ate
anything it had manufactured. But relief is at hand. At the far end of
the room there's a traditional-looking dumb worktop with a battered
old-fashioned electric \emph{cafetière} sitting on it. And some joe who
looks strangely familiar is sitting there reading a newssheet.

Huw nods at him. ``Uh, where are the mugs?'' he asks.

The guy stares at Huw's forehead for an uncomfortable moment, then
gestures at something foggy that's stacked behind the pot. ``Over
there,'' he says.

``Uh, right.'' The mugs turn out to be glassy aerogel cups with walls a
centimeter thick, light as frozen cigar smoke and utterly untouched by
human artistry and sweat. There's no sign of the two earthenware mugs he
made Sandra for her birthday: bloody typical. He takes the jug and
pours, hand shaking. He's got the sweats: \emph{What the hell did I
drink?} he wonders as he takes a sip.

He glances at his companion, who is evidentlyt another survivor of the
party: a medium-height joe, metabolism pegged somewhere in his
mid-thirties, bald, with the unnaturally stringy build that comes from
overusing a calorie-restriction implant. No piercings, no scars,
tattoos, or neomorphisms---apart from his figure---which might be
natural. That plus his black leather bodysuit means he could be a fellow
naturalist. But this is Sandra's house, and she has distressingly techie
tastes.

``Is that today's?'' he asks, glancing at the paper, which is lovingly
printed on wood pulp using hot lead type by the historic reenactors down
the other end of the valley.

``It could be.'' The fellow puts it down and grins oddly. ``Had a good
lie-in?''

``I woke up in the bathroom,'' Huw says. ``Where's the milk---?''

``Have some freshly squeezed cow juice.'' He shoves something that
resembles a bowl of blue ice cubes at Huw. Huw pokes at one dubiously,
then dunks it in his mug.

``This stuff \emph{is} organic, isn't it?''

``Only the best polymer-stabilized emulsions for Sandra,'' the joe says
sardonically. ``Of course it's organic---nothing but carbon, hydrogen,
nitrogen, oxygen, and a bit of phosphorous and sulfur.'' Huw can tell
when he's being wound up: he takes a sip, despite the provocation. ``Of
course, you could say the same about your kilt,'' adds the stranger.

``Ah.'' Huw puts the mug down, unsure where the conversation's leading.
There's something disturbing about the joe: A sense of déja vu nagging
at the edges of his mind, as if---

``You don't remember me, do you?''

``Alcohol has this effect on me at times,'' Huw says in a grateful rush.
``I've got an awful memory---''

``The name's Bonnie,'' says the man. ``You spent most of the early hours
trying to cop a feel by convincing me that Nietzsche was responsible for
global cooling.'' Huw stares at him and feels something in his head do
an uneasy flip-flop: Yes, the resemblance is clear, this \emph{is} the
woman he was talking to last night.

``'S amazing what a good bathroom can do by way of gender reassignment
surgery these days, you know?'' the bald guy---Bonnie?---continues. Then
he winks at Huw with what Huw realizes, to his horror, is either
lascivious intent or broad and filthy-minded humor. ``How's your
hangover? Are you up to picking things up where we left off?''

``Aaaugh,'' says Huw as the full force of the post-party cultural
hangover hits him between the eyes, right beneath the biohazard trefoil,
and the coffee hits his stomach. ``Need fresh air \emph{now} \ldots{}''

\begin{center}\rule{3in}{0.4pt}\end{center}

Huw makes sure to wake up in his own bed the next morning. It's ancient
and creaky, the springs bowed to conform to his anatomy, and he wove the
blankets himself on the treadle-powered loom in the back parlor that Mum
and Dad left him when they ascended, several decades before. (Huw is
older than he looks, thanks to an unasked-for inheritance of chromosomal
hackery, and has for the most part become set in his ways: incurious and
curmudgeonly. He has his reasons.) His alarm clock is a sundial sketched
on the whitewashed wall opposite in bold lines of charcoal, slightly
smudged; his lifestyle a work of \emph{wabi} in motion.

He yawns and sits up, pauses for a moment to get his bearings, then
ventures down the comfortably unchanging stairs to retrieve his post.
There is no email. He doesn't even have electricity in the house---not
since he ripped the wiring out and plastered over the wounds in the
walls. The dusty tiles in his vintage late-nineteenth-century terraced
home are cold beneath his bare feet. A draft leaks around the
ill-fitting outer door, raising gooseflesh on his bare legs as he picks
up the dumb paper.

Two-thirds of the mail is spam, which goes straight onto the
compost-before-reading pile, but there's also a genuine letter, complete
with a hand-drawn bar code---what they used to call a \emph{stamp}---on
the envelope. Someone took the trouble to communicate with him
personally, putting dumb matter in motion to make a point. How quaint,
how formal! Huw approves.

He rips the envelope open with a cracked fingernail. He reads:
\emph{Your application for international triage jury service has been
provisionally accepted. To activate your application, present this card
in person to} \ldots{}

He carries the notice through into the kitchen, puts it on the table so
he can keep an eye on it as he eats. He barely notices the morning chill
as he fiddles with the ancient Raeburn, loading kindling and peat and
striking a fire to heat the Turkish coffeepot and warm his frying pan.
Today is Huw's big day. He's been looking forward to this day for
months.

Soon, he'll get to say what he thinks about some item of new
technology---and they'll have to listen to him.

\begin{center}\rule{3in}{0.4pt}\end{center}

Welcome to the fractured future, the first century following the
singularity.

Earth has a population of roughly a billion hominids. For the most part,
they are happy with their lot, living in a preserve at the bottom of a
gravity well. Those who are unhappy have emigrated, joining one or
another of the swarming densethinker clades that fog the inner solar
system with a dust of molecular machinery so thick that it obscures the
sun. Except for the solitary lighthouse beam that perpetually tracks the
Earth in its orbit, the system from outside resembles a spherical
fogbank radiating in the infrared spectrum; a matryoshka brain, nested
Dyson spheres built from the dismantled bones of moons and planets.

The splintery metaconsciousness of the solar system has largely sworn
off its pre-posthuman cousins dirtside, but its minds sometimes wander
nostalgiawise. When that happens, it casually spams Earth's RF spectrum
with plans for cataclysmically disruptive technologies that emulsify
whole industries, cultures, and spiritual systems.

A sane species would ignore these get-evolved-quick schemes, but there's
always \emph{someone} who'll take a bite from the forbidden fruit.
There's always someone who unaccountably carries the
let's-lick-the-frozen-fence-post gene. There's always a fucking geek
who'll do it because it's a historical goddamned technical fucking
imperative.

Whether the enlightened, occulting smartcloud sends out its missives as
pranks, poison, or care packages is up for debate. Asking it to explain
its motives is about as productive as negotiating with an ant colony to
get it to abandon your kitchen. Whatever the motive, humanity would be
much better off if the cloud would evolve into something uninterested in
communicating with meatpeople---or at least smart enough to let well
alone.

But until that happy day, there's the tech jury service: defending the
Earth from the scum of the post-singularity patent office.

\begin{center}\rule{3in}{0.4pt}\end{center}

After breakfast, Huw dresses and locks the front door carefully behind
himself and tells his bicycle---his one truly indispensable piece of
advanced technology---to unbolt itself from the rusting red drainpipe
that stains the brick side of his house with green moss. He pedals
uncertainly to the end of the road, then eases out into traffic,
sneering as the omnipresent web of surveillance routes the peoplemovers
around him.

Safe cycling is one of the modern conveniences that irritate him most.
Also: polite youngsters with plastic smiles; overemotional machines; and
geeks who think they understand technology. Geeks, the old aristocracy.
He'll show them, one of these days. Huw wobbles along the side of the
main road and pulls in beside the door of the Second Revolutionary
Libyan consulate.

``Sayyid Jones? I am pleased to meet you.'' The young man behind the
desk has a plastic smile and is far too polite for Huw's taste: Huw
grunts assent and sits down in the indicated seat. ``Your application
has been forwarded to us and, ah? If you would be pleased to travel to
our beautiful country, I can assure you of just one week's jury
service.''

Huw nods again.

The polite man fidgets with the air of someone trying to come up with an
inoffensive way of saying something potentially rather rude. ``I'm
pleased to inform you that our ancient land is quite tolerant of other
cultures' customs. I can assure you that whatever ISO-standard
containment suit you choose to bring with you will be respected by our
people.''

Huw boggles. ``What huh?''

``Your, that is, your---'' The smiler leans across his desk and points
at Huw's trefoil-marked forehead. The finger he points with meets
resistance. A plastic sheet has hermetically sealed Huw's side of the
room off from the rest of the consulate. It is so fantastically
transparent that Huw doesn't even notice it until the smiler's finger
puckers a singularity in its vertical run, causing it to scatter light
at funny angles and warp the solid and sensible wood-paneled walls
behind the desk into Escheroid impossibilities.

``Ah,'' Huw says. ``Ah. No, you see, it's a joke of some sort. Not an
official warning.''

``I'm very glad to hear it, Sayyid Jones! You will, of course, have
documents attesting to that before you clear our immigration?''

``Right,'' Huw says. ``Of course.'' \emph{Fucking Sandra}. Whether or
not she is directly responsible for the tat is beside the point: It
happened on her premises. Damn it, he has errands to run before he
catches the flight! Tracking her down and getting her to remove the
thing will take too long.

``Then we will see you soon.'' The smiler reaches into a desk drawer and
pulls out a small tarnished metal teapot, which he shoves gradually
through the barrier. The membrane puckers around it and suddenly the
teapot is sitting on Huw's side of the desk, wearing an iridescent soap
bubble of pinched-off nanohazard containment. ``Peace be with you.''

``And you,'' says Huw, rising. The interview is obviously at an end. He
picks up the teapot and follows the blinkenlights to the exit from the
consulate, studiously avoiding the blurred patches of air where other
visitors are screened from one another by the utility fog. ``What now?''
he asks the teapot.

``\emph{Blrrrt}. Greetings, Tech Juror Jones. I am a guidance iffrit
from the Magical Libyan Jamahiriya Renaissance. Show me to
representatives of the Permanent Revolutionary Command Councils and I
will be honored to intercede for you. Polish me and I will install
translation leeches in your Broca's area, then assist you in memorizing
the Koran and hadith. Release me and I will grant your deepest wish!''

``Um, I don't think so.'' Huw scratches his head. \emph{Fucking Sandra,}
he thinks darkly; then he packs the artifact into his pannier and pedals
heavily away toward the pottery. It's going to be a long working
day---almost five hours---before he can sort this mess out, but at least
the wet squishy sensation of clay under his fingernails will help calm
the roiling indignation he feels at his violation by a random GM party
prankster.

\begin{center}\rule{3in}{0.4pt}\end{center}

Two days later, Huw's waiting with his bicycle and a large backpack on a
soccer field in a valley outside Monmouth. It has rained overnight, and
the field is muddy. A couple of large crows sit on the rusting goalpost,
watching him with sidelong curiosity. There are one or two other people
slouching around the departure area dispiritedly. Airports just haven't
been the same since the end of the Jet Age.

Huw tries to scratch the side of his nose, irritably. \emph{Fucking
Sandra,} he thinks yet again as he pokes at the opaque spidergoat silk
of his biohazard burka. After work yesterday he went round to
remonstrate with her, but her house has turned into a size 2,000
Timberland hiking boot and the doorknob in the heel says Sandra is
wintering in Fukushima this year. He can tell a brush-off when he heard
one. A net search would probably turn her up, but he isn't prepared to
expose himself to any more viruses this week. One is more than
enough---especially in light of the fact that the matching trefoil brand
on his shoulder glows in the dark.

A low rumble rattles the goalpost and disturbs the crows as a cloud
shadow slides across the pitch. Huw looks up, and up, and up---his eyes
can't quite take in what he's seeing. \emph{That's got to be more than a
kilometer long!} he realizes. The engine note rises as the huge
catamaran airship jinks and wobbles sideways toward the far end of the
pitch and engages its station-keeping motors, then begins to unreel an
elevator car the size of a shipping container.

``Attention, passengers now waiting for flight FL-052 to North Africa
and stations in the Levant, please prepare for boarding. This means
you.''

Huw nearly jumps out of his skin as one of the customs crows lands
heavily on his shoulder: ``You listening, mate?''

``Yes, yes, I'm listening.'' Huw shrugs and tries to keep one eye on the
big bird. ``Over there, huh?''

``Boarding will commence through lift \emph{bzzt} \emph{gurgle} four in
five minutes. Even-numbered passengers first.'' The crow flaps heavily
toward the huge, rusting shipping container as it lands in the muddy
field with a clang. ``All aboard!'' it caws raucously.

Huw wheels his bike toward the steel box then pauses as a door opens and
a couple of confused-looking Australian backpackers stumble out, leading
their telltale kangaroo-familiars. ``Boarding now!'' adds the crow.

He waits while the other three passengers step aboard, then gingerly
rolls his bike inside and leans against the guardrail spot-glued to the
wall. ``Haul away lively, there!'' someone yells above, and there's a
creak of ropes as the cargo container lurches into the air. Even before
it's clear of the goalposts, the huge airship has cut the
station-keepers and is spooling up to its impressive fifty-knot cruising
speed. Huw looks down at the town and the medieval castle unrolling
beneath him and takes a deep breath. He can tell this is going to be a
long trip.

His nose is itching again.

\begin{center}\rule{3in}{0.4pt}\end{center}

Air travel is so slow, you'd almost always be faster going by train. But
the Gibraltar bridge is shut for repair this week, and the Orient
Express lacks appeal: last time Huw caught a TGV through the
Carpathians, he was propositioned incessantly by a feral privatized
blood bank that seemed to have a thing for Welsh T helper lymphocytes.
At least this tramp floater with its cargo of Christmas trees and
chameleon paint is going to give Huw and his fellow passengers a
shortcut around the Mediterranean, even if the common room smells of
stale marijuana smoke and the other passengers are all dubious
cheapskate hitchers and netburn cases who want to ship their meatbodies
around instead of doing the decent (and sanitary) thing and using
telepresence instead.

Huw isn't dubious; he's just on jury service, which requires your
physical in-the-flesh presence to prevent identity spoofing by imported
weakly godlike AIs and suchlike. But judging from the way the other
passengers are avoiding him, he \emph{looks} dubious: it's probably the
biohazard burka and the many layers of anti-nanophage underwear he's
trussed up in inside it. \emph{There has got to be a better way of
fighting runaway technology,} he tells himself on the second morning as
he prepares to go get some breakfast.

Breakfast requires numerous compromises. And it's not just a matter of
accepting that, when he's traveling, natural organic wholefoods are rare
enough that he'll have to subsist on synthetic slop. Most of the
airship's crew are uplifted gibbons, and during their years of plying
the skyways over North Africa and parts east, they've picked up enough
Islam that it's murder getting the mess deck food processors to barf up
a realistic bacon sandwich. Huw has his mouth-lock extended and is
picking morosely at a scrambled egg and something that claims to be
tempeh with his fork when someone bounces into the seat beside him,
reaches into the folds of his burka, and tears off a bite of the
sandwich.

The stranger is a disreputable backpacker in wash-n-wear tropical-weight
everything, the smart-wicking, dirt-shedding, rip-stopping leisure suit
uniform of the globe-slogging hostel-denizens who write long, rambling
HOWTOs online describing their adventures living in Mumbai or Manhattan
or some other blasted corner of the world for six months on just five
dollars. This one clearly thinks himself quite the merry traveler, eyes
a-twinkle, crow's-feet etched by a thousand foreign sunsets, dimples you
could lose a fifty-dollar coin in.

``'Ello!'' he says around a mouthful of Huw's sandwich. ``You look
interesting. Let's have a conversation!''

``You don't look interesting to me,'' Huw says, plunking the rest of his
food in the backpacker's lap. ``Let's not.''

``Oh, come on,'' the backpacker says. ``My name's Adrian, and I've loads
of interesting anecdotes about my adventures abroad, including some
rather racy ones involving lovely foreign ladies. I'm very entertaining,
honest! Give me a try, why don't you?''

``I really don't think so,'' Huw says. ``You'd best get back into your
seat---the monkeys don't like a disorderly cabin. Besides, I'm
infectious.''

``Monkeys! You think I'm worried about monkeys? Brother, I once spent a
month in a Tasmanian work camp for public drunkenness---imagine, an
\emph{Australian} judge locking an \emph{Englishman} up for drunkenness!
There were some hard men in that camp, let me tell you. The indigenes
had the black market liquor racket all sewn up, but the Maori prisoners
were starting up their own thing, and here's me, a poor, gormless
backpacker in the middle of it all, dodging homemade shivs and poison
arrows. Went a week without eating after it got out that the Maoris were
smearing shit in the cook pots to poison the indigenes. Biowar, that's
what it was! By the end of that week, I was hallucinating angels and
chewing scrub grass I found on work details, while the abos I was
chained to shat themselves bloody and collapsed. I caught a ballistic
out of there an hour after I'd served my sentence, got shot right to
East Timor, where I gorged myself on gado-gado and rijsttafel and got
food poisoning anyway and spent the night in the crapper, throwing up
chunks of me lungs. So don't you go telling me about monkeys!'' Adrian
breaks off his quasi-racist monologue and chows down on the rest of
Huw's lunch.

\emph{Fuck you too,} Huw manages to restrain himself from saying.
Instead: ``Yes, that's all very disgusting. I'm going to have a bit of a
nap now, all right? Don't wait up.''

``Oh, don't be a weak sister!'' says Adrian. ``You won't last five
minutes in Libya with an attitude like that. Never been to Libya, have
you?''

``No,'' Huw says, pointedly bunching up a fold of burka into a pillow
and turning his head away.

``You'll love it. Nothing like a taste of real, down-home socialism
after dirty old London. People's this and Popular that and Magical
Democratic the other, everyone off on the latest plebiscite, holding
caucuses in the cafés. It's fantastic! The girls too---fantastic,
fantastic. Just talk a little politics with them and they'll bend your
ear until you think you're going to fall asleep, and then they'll try to
bang the bourgeois out of you. In twos and threes, if you're
recalcitrant enough. I've had some \emph{fantastic} nights in Libya. I
can barely wait to touch down.''

``Adrian, can I tell you something, in all honesty?''

``Sure, mate, sure!''

``You're a jackass. And if you don't get the fuck back to your own seat,
I'm going to tell the monkeys you're threatening to blow up the airship
and they'll strap you into a restraint chute and push you overboard.''

Adrian rears up, an expression of offended hauteur plastered all over
his wrinkled mug. ``You're a bloody card, you are!''

Huw gathers up his burka, stands, climbs over Adrian, and moves to the
back of the cabin. He selects an empty row, slides in, and stretches
out. A moment later, Adrian comes up and grabs his toe, then wiggles it.

``All right, then, we'll talk later. Have a nice nap. Thanks for the
sarnie!''

\begin{center}\rule{3in}{0.4pt}\end{center}

It takes three days for the tramp freighter to bumble its way to
Tripoli. It gingerly climbs to its maximum pressure height to skirt the
wild and beautiful (but radioactive and deadly) Normandy coastline, then
heads southeast, to drop a cargo of incognito Glaswegian gangsters on
the outskirts of Marseilles. Then it crosses the Mediterranean coast,
and spends a whole twenty-two hours doodling in broad circles around
Corsica. Huw tries to amuse himself during this latter interlude by
keeping an eye open for smugglers with micro-UAVs, but even this
pathetic attempt at distraction falls flat when, after eight hours, a
rigging monkey scampers into the forward passenger lounge and delivers a
fifty-minute harangue about workers' solidarity and the black gang's
right to strike in flight, justifying it in language eerily familiar to
anyone who---like Huw---has spent days heroically probing the boundaries
of suicidal boredom by studying the proceedings of the Third Communist
International.

Having exhausted his entire stash of antique dead-tree books two days
into a projected two-week expedition, and having found his fellow
passengers to consist of lunatics and jackasses, Huw succumbs to the
inevitable. He glues his burka to a support truss in the cargo fold,
dials the eye slit to opaque, swallows a mug of valerian-laced decaf
espresso, and estivates like a lungfish in the dry season.

His first warning that the airship has arrived comes when he awakens in
a sticky sweat. \emph{Is the house on fire?} he wonders muzzily. It
feels like someone has opened an oven door and stuck his feet in it, and
the sensation is climbing his chest. There's an anxious moment; then he
gets his eye slit working again, and is promptly inundated with visual
spam, most of it offensively and noxiously playing to the assumed
orientalist stereotypes of visiting Westerners.

\emph{Hello! Welcome, effendi! The Thousand Nights and One Night Hotel
welcomes careful Westerners! We take euros, dollars, yen, and hash
(subject to assay)! For a good night out, visit Ali's American Diner!
Hamburgers 100 percent halal goat here! Need travel insurance and
ignorant of sharia banking regulations? Let the al-Jammu Traveler's
Assistance put your mind to rest with our---}

Old habits learned before his rejectionist lifestyle became a habit
spring fitfully back to life. Huw hesitantly posts a bid for adbuster
proxy services, picks the cheapest on offer, then waits for his visual
field to clear. After a minute or two he can see again, except for a
persistent and annoying green star in the corner of his left eye.
Finally, he struggles to unglue himself and looks about.

The passenger lounge is almost empty, a door gaping open in one side.
Huw wheels his bicycle over and hops down onto the dusty concrete apron
of the former airport. It's already over forty degrees in the shade, but
once he gets out of the shadow of the blimp, his burka's solar-powered
air-conditioning should sort that out. The question is, where to go
next? He rummages crossly in the pannier until he finds the battered
teapot. ``Hey, you. Iffrit! Whatever you call yourself. Which way to the
courtroom?''

A cartoon djinni pops into transparent life above the pot's nozzle and
winks at him. ``Peace be unto you, O Esteemed Madam Tech Juror Jones
Huw! If you will but bear ith me for a moment---'' The Iffrit fizzles as
it hunts for a parasitic network to colonize. ``---I believe you will
first wish to enter the terminal buildings and present yourself to the
People's Revolutionary Airport Command and Cleaning Council, to process
your entry visa. Then they will direct you to a hotel where you will be
accommodated in boundless paradisaical luxury at the expense of the
grateful Magical Libyan Jamahiriya Renaissance! (Or at least in a good
VR facsimile of paradise.)''

``Uh-huh.'' Huw looks about. The airport is a deserted dump---literally
deserted, for the anti-desertification defenses of the twentieth
century, and the genetically engineered succulents frantically planted
during the first decades of the twenty-first, have faded. The Libyan
national obsession with virtual landscaping (not to mention emigration
to Italy) has led to the return of the sand dunes, and the death of the
gas-guzzling airline industry has left the airport with the maintenance
budget of a rural cross-country bus stop. Broken windows gape emptily
from rusting tin huts; a once-outstanding airport terminal building
basks in the heat like a torpid lizard, doors open to the breeze. Even
the snack vendors seem to have closed up shop.

It takes Huw half an hour to find the People's Neo-Revolutionary Airport
Command and Cleaning Council, a wizened-looking old woman who has her
booted feet propped up on a battered wooden desk in the lobby beneath
the International Youth Hostelling sign, snoring softly through her open
mouth.

``Excuse me, but are you the government?'' Huw asks, talking through his
teapot translator. ``I have come from Wales to serve on a technology
jury. Can you direct me to the public transport terminus?''

``I wouldn't bother if I were you,'' someone says from behind him,
making Huw jump so high, he almost punches a hole in the yellowing
ceiling tiles. ``She's moonlighting, driving a PacRim investment bank's
security bots on the night shift. See all the bandwidth she's hogging?''

``Um, no, as a matter of fact, I don't,'' Huw says. ``I stick to the
visible spectrum.''

The interloper is probably female and from somewhere in Northern Europe,
judging by the way she's smeared zinc ointment across her entire
observable epidermis. Chilly fog spills from her cuffs at wrist and
ankle and there's the whine of a Peltier cooler pushed to the limit
coming from her bum-bag. About all Huw can see of her is her eyes and an
electric blue ponytail erupting from the back of her anti-melanoma hood.

``Isn't it a bit rude to snoop on someone else's dreams?'' he adds.

``Yes.'' The interloper shrugs, then grins alarmingly at him. ``It's
what I do for a living.'' She offers him a hand, and before he can stop
himself he's shaking it politely. ``I'm Dagbjört. Dr.~Dagbjört.''

``Dagbjört, uh---''

``I specialize in musical dream therapy. And I'm here on a tech jury gig
too. Perhaps we'll get a chance to work on the same case?''

At that moment the People's Second Revolutionary Airport Command and
Cleaning Council coughs, spasms painfully, sits up, and looks around
querulously. \emph{I'm not working! Honest!} She exclaims through the
medium of Huw's teapot translator. Then, getting a grip: ``Oh, you're
tourists. Can I help you?''

Her manner is so abrupt and rude that Huw feels right at home. ``Yes,
yes,'' he declares impatiently. ``We're jurors and we need to get to a
hotel. Where's the light rail terminal or bus stand?''

``Are no buses. Today is Friday, can't you read?''

``Friday---''

``Yes, but how are we to our hotel to ride?'' asks Dr.~Dagbjört,
sounding puzzled.

``Why don't you walk?'' The Council asks with gloomy satisfaction,
``Haven't you got legs? Didn't Allah, the merciful, bless you with a
full complement of limbs?''

``But it's---'' Huw consults his wrist-map and again does a double take.
``---twelve kilometers! And it's forty-three degrees in the shade!''

``It's Friday,'' the old woman repeats placidly. ``Nothing works on
Fridays. It's in the Koran. Also, union regs.''

``So why are you working for a Burmese banking cartel as a security bot
supervisor?'' Dagbjört asks.

``That's---!'' The Council glares at her. ``That's none of your
business!''

``Burma isn't an Islamic country,'' Huw says, seeing which direction
Dagbjört is heading in. \emph{Maybe Dagbjört's not a fucknozzle after
all,} he thinks to himself, although he has his doubts about anyone who
has anything to do with dream therapy, much less \emph{musical} dream
therapy---unless she's in it only for purely pragmatic reasons, such as
the money. ``Do you suppose they might be dealing with their demographic
deficit by importing out-of-time-zone \emph{Gastarbeiters} from Islamic
countries who want to work on the day of rest?''

``What an astonishing thought!'' snarks Dagbjört. ``That must be
illegal, mustn't it?''

Huw decides to play good cop/bad cop with her: ``And I'm sure the union
will have something to say about moonlighting---''

``Stop! Stop!'' The People's Second Revolutionary Airport Command and
Cleaning Council puts her hands up in the air. ``I have a nephew, he has
a car! Perhaps he can give you a ride on his way to mosque? I'm sure he
must be going there in only half an hour, and I'm sure your hotel will
turn out to be on his way.''

The car, when it arrives, is a gigantic early-twenty-first-century
Mercedes hybrid with tinted windows and air-conditioning and plastic
seats that have cracked and split in the dry desert heat. A brilliantly
detailed green and silver miniature temple conceals a packet of tissues
on the rear parcel shelf and the dash is plastered with green and gold
stickers bearing edifying quotations from the hadith. The Council's
nephew looks too young to bear the weight of his huge black mustache,
let alone to be directing this Teutonic behemoth's autopilot, but at
least he's awake and moving in the noonday furnace heat.

``Hotel Marriott,'' Dagbjört says. ``\emph{Vite-schnell-pronto! Jale,
jale!''}

The Mercedes crawls along the highway like a dung beetle on the lowest
step of a pyramid. As they head toward the outskirts of the mostly
closed city of Tripoli, Huw feels the gigantic and oppressive weight of
advertising bearing down on his proxy filters. When New Libya got
serious about consumerism they went overboard on superficial glitz and
cheesy sloganizing. The deluge of CoolTown webfitti they're driving
through is full of the usual SinoIndian global mass-produced crap,
seasoned with insanely dense technobabble and a bizarrely Arabized
version of discreet Victorian traders' notices. Once they drive under
the threshold of the gigantic tinted geodesic dome that hovers above the
city, lifted on its own column of hot air, Huw finally gets it: He's not
in Wales anymore.

The Council's nephew narrates a shouted, heavily accented travelogue as
they lurch through the traffic, but most of it is lost in the roar of
the air conditioner and the whine of the motors. What little Huw can
make out seems to be pitches for local businesses---cafés, hash bars,
amusement parlors. Dr.~Dagbjört and Huw sit awkwardly at opposite sides
of the Merc's rear bench, conversation an impossibility at the current
decibel level.

Dr.~Dagbjört fishes in her old-fashioned bum-bag and produces a stylus
and a scrap of scribable material, scribbles a moment, and passes it
over: dinner plans?

Huw shakes his head. Dinner---\emph{ugh}. He's gamy and crusty with
dried sweat under his burka and can't imagine eating, but he supposes
he'd better put some fuel in the boiler before he sleeps.

Dagbjört scrolls her message off the material, then scribbles again: i
know a place. lobby@18h?

Huw nods, suppressing a wince. Dagbjört smiles at him, looking
impossibly healthy and scrubbed underneath her zinc armor.

\begin{center}\rule{3in}{0.4pt}\end{center}

The Marriott is not a Marriott; it's a Second Revolutionary Progress
Hostel. (There are real hotels elsewhere in Tripoli, but they all charge
real hotel bills, and what's left of the government is trying to run the
tech jury service on the cheap.) Huw's djinni delivers a little canned
rantlet about Western imperialist monopolization of trademarks, and
explains that this is the People's Marriott, where the depredations of
servile labor have been eliminated in favor of automated conveniences,
the maintenance and disposition of which are managed by a Residents'
Committee, and primly admonishes him for being twenty minutes late to
his first Committee meeting, which is to run for another two hours and
forty minutes. It is, in short, a youth hostel by any other name.

``Can't I just go to my room and have a wash?'' Huw asks. ``I'm
filthy.''

``Ah! One thousand pardons, madam! Would that our world was a perfect
one and the needs of the flesh could come before the commonweal! It is,
however, a requirement of residence at the People's Marriott. You need
to attend and be assigned a maintenance detail, and be trained in the
chores you are to perform. The common room is wonderfully comfortable,
though, and your fellow committee members will be delighted to make you
most very welcome indeed!''

``Crap,'' Huw says.

``Yes,'' the djinni says, ``of course. You'll find a WC to your left
after you pass through the main doors.''

Huw stalks through both sets of automatic doors, which judder and groan.
The lobby is a grandiose atrium with grimy spun diamond panes fifteen
meters above his head through which streams gray light that feeds a
riotous garden of root vegetables and tired-looking soy. His vision
clouds over; then a double row of shaky blinkenlights appears before
him, strobing the way to the common room. He heaves a put-upon sigh and
shambles along their path.

The common room is hostel-chic, filled with sagging sofas, a sad and
splintery gamesurface, and a collection of random down-at-heel
international travelers clutching teapots and scrawling desultorily on a
virtual whiteboard. The collaborative space is cluttered with torn-off
sheets of whiteboard covering every surface like textual dandruff. Doc
Dagbjört has beaten him here, and she is already in the center of the
group, animatedly negotiating for the lightest detail possible.

``Huw!'' she calls as he plants himself in the most remote sofa, which
coughs up a cloud of dust and stale farts smelling of the world's
variegated cuisines.

He lifts one hand weakly and waves. The other committee members are
sizing him up without even the barest pretense at fellowship. Huw
recognizes the feral calculation in their eyes: he has a feeling he's
about to get the shittiest job in the place. \emph{Mitigate the risk,}
he thinks.

``Hi, there, I'm Huw. I'm here on jury duty, so I'm not going to be
available during the days. I'm also a little, uh, toxic at the moment,
so I'll need to stay away from anything health-related. Something in the
early evening, not involving food or waste systems would be ideal,
really. What fits the bill?'' He waits a moment while the teapots
chatter translations from all over the room. Huw hears Arabic, Farsi,
Hindi, Spanish, French, English, and American.

Various whiteboards are reshuffled from around the room, and finally a
heroically ugly ancient Frenchman who looks like an albino chimp squeaks
some dependencies across the various boards with a stylus. He coughs out
a rapid and hostile stream of French, which the teapot presently
translates. ``You'll be on comms patrol. There's a transceiver every
three meters. You take spare parts around to each of them, reboot them,
watch the Power-On Self-Test, and swap out any dead parts. Even numbered
floors tonight, odd floors tomorrow, guest rooms the day after.'' He
tosses a whiteboard at Huw, and it snaps to centimeters from his nose,
acrawl with floorplans and schematics for broadband relay transceivers.

``Well, that's done,'' Huw says. ``Thanks.''

Dagbjört laughs. ``You're not even close to done. That's your
\emph{tentative assignment}---you need to get checked out on every job,
in case you're reassigned due to illness or misadventure, or the total
quality management monitor thinks you're not pulling your weight.''

``You're kidding,'' he says, rolling his eyes.

``I am not. My assignment is training new committee members. Now, come
and sit next to me---the Second Revolutionary Training and
Skills-Assessment subcommittee is convening next, and they want to
interview all the new arrivals.''

\begin{center}\rule{3in}{0.4pt}\end{center}

Huw zones out during the endless subcommittee meetings that last into
early evening, then suffers himself to be dragged to the hotel refectory
by Doc Dagbjört and a dusky Romanian Lothario from the Cordon Bleu
Catering Committee who casts pointed and ugly looks at him until he
slouches away from his baklava and dispiritedly climbs the unfinished
concrete utility stairway to sublevel 1, where his toil is to begin. He
spends the next four hours trudging around the endless sublevels of the
hotel---bare concrete corridors optimized for robotic, not human,
access---hunting buggy transceivers. By the time he gets to his room,
he's exhausted, footsore, and sticky.

Huw's room is surprisingly posh for what is basically an overfurnished
concrete shoe box, but he's too tired to appreciate the facilities. He
looks at the oversized sleepsurface and sees the maintenance regimen for
its control and feedback mechanism. He spins around slowly in the
spa-sized loo and all he can think about is the poxy little bots that
patrol the plumbing and polish the tile. The media center is a dismal
reminder of his responsibility to patrol the endless miles of empty
corridor, rebooting little silver mushrooms and watching their
blinkenlights for telltale reds. Back when it was a \emph{real} hotel,
the Marriott employed one member of staff per two guest rooms: these
days, just staying here is a full-time job.

He fills the pool-sized tub with steaming lavender- and
eucalyptus-scented water, then climbs in, burka and all. The djinni's
lamp perches on the tub's edge, periodically getting soaked in the
oversloshes as he shifts his weight, watching the folds of cloth bulge
and flutter as its osmotic layers convect gentle streams of water over
his many nooks and crannies.

``Esteemed sir,'' the djinni says, its voice echoing off the painted
tile.

``Figured that one out, huh?'' Hew says. ``No more madam?''

``My infinite pardons,'' it says. ``I have received your jury
assignment. You are to report to Fifth People's Technology Court at 800h
tomorrow. You will be supplied with a delicious breakfast of fruits and
semolina, and a cold lunch of local delicacies. You should be well
rested and prepared for a deliberation of at least four days.''

``Sure thing,'' Huw says, dunking his head and letting the water rush
into his ears. Normally the news of his assignment would fill him with
joy---it's what he's come all this way for---but right now he just feels
trapped, his will to live fading. He resurfaces and shakes his head,
unintentionally spattering the walls with water that's slightly gray.
Dismal realization dawns: \emph{That's another half hour's cleaning}.
``How far is it to the courthouse?''

``A mere two kilometers. The walk through the colorful and ancient
Tripoli shopping mall and souk is both bracing and elevating. You will
arrive in a most pleasant and serene state of mind.''

Huw kicks at the drain control, and the tub gurgles itself empty,
reminding him of the great water-reclamation facilities in the
subbasement. He stands and the burka steams for a moment as every drop
of moisture is instantly expelled by its self-wringing nanoweave.
``Pleasant and serene. Yeah, right.'' He climbs tiredly out of the tub
and slouches toward the bedroom. ``What time is it?''

``It is two fifteen, esteemed sir,'' says the djinni . ``Would sir care
for a sleeping draft?''

``Sir would care for a real hotel,'' Huw grunts, momentarily flashing
back to the hotels of his childhood, during his parents' peripatetic
wandering from conference to symposium. He lies down on the wide white
rectangle that occupies the center of the bedroom. He doesn't hear the
djinni's reply: he's asleep as soon as his head touches the pillow.

\begin{center}\rule{3in}{0.4pt}\end{center}

A noise like cats fucking in a trash can drags Huw awake most promptly
at zero-dark o'clock. ``What's \emph{that}?'' he yells.

The djinni doesn't answer: it's prostrate on the bedside table as if
hiding from an invisible overhead ax blade. The noise gets louder, if
anything, then modulates into chickens drowning in their own blood, with
a side order of Van Halen guitar riffs. ``Make it stop!'' shouts Huw,
stuffing his fingers in his ears.

The noise dies to a distant wail. A minute later it stops and the djinni
flickers upright. ``My apologies, esteemed sir,'' it says dejectedly.
``I did not with the room sound system mixer volume control interface
correctly. That was the most blessed Imam Anwar Mohammed calling the
faithful to prayer, or it would have been if not for the feedback. The
blessed Imam is a devotee of the antique Deutsche industrial school of
backing tracks and---''

Huw rolls over and grabs the teapot. ``Djinni.''

``Yes, O Esteemed Sirrah?''

Huw pauses. ``You keep calling me that,'' he says slowly. ``Do you
realize just how rude that is?''

``Eep! Rude? You appear to be squeezing---''

``Listen.'' Huw is breathing heavily. He sits up and looks out the
window at the sleeping city. Somewhere, 150 gigameters beyond the
horizon, the sun might be thinking about the faint possibility of
rising. ``I am a patient man. But. If you keep provoking me like
this---''

``--- Like what?''

``This hostel. The fucking alarm clock. Talking down to me. Repeatedly
insulting my intelligence---''

``--- I'm not insulting!---''

``Shut \emph{up}.'' Huw blows out a deep breath. ``Unless you want me to
give you a guided tour of the hotel waste compactor and heavy metal
reclamation subsystem. From the inside.''

``Ulp.'' The djinni shuts up.

``That's better. Now. Breakfast. I have a heavy day ahead and I'm half
starved from the sandwiches on that fucking airship. I want, let's see
\ldots{} fried eggs. Bacon rashers. Pork sausages. Toast with butter on
it, piles of butter. Don't argue, I've had a gray market LDL
anti-cholesterol hack. Oh yeah. Black pudding, hash browns, baked beans,
and deep-fried bread. Tell your little friends in the canteen to have it
waiting for me. There is no `or else' for you to grasp at, you horrible
little robot. You're going to do this my way or you're not going to do
very much at all, \emph{ever again}.''

Huw stands up and stretches. His bicycle notices: it unlocks and
stretches too, folding itself into shopping mall mode. Memory metal
frames and pedal-powered microgenerators are some of the few benefits of
high technology, in Huw's opinion---along with the ability to eat seven
different flavors of grease for breakfast and not die of a heart attack
before lunchtime.

``Got that?''

``I told them, but they say these Turkish food processors, they don't
like working with non-halal---''

The djinni shuts up at Huw's snarl. Huw picks up the teapot, hangs it
from his bike's handlebars, and pedals off down the hotel corridor with
blood in his eye.

\emph{I wonder what my chances are of getting a hanging judge}?

\begin{center}\rule{3in}{0.4pt}\end{center}

After breakfast, Huw rides to the end of the hotel's drive and hangs a
left, following the djinni's directions, pedals two more blocks, turns
right, and runs straight into a wall of humanity.

It's a good, old-fashioned throng. From his vantage point atop the
saddle, it seems to writhe like an explosion in a wardrobe department: a
mass of variegated robes, business attire, and exotic imported street
fashions from all over, individuals lost in the teem. He studies it for
a moment longer, and sees that for all its density it's moving rather
quickly, though with little regard for personal space. He dismounts the
bike and it extrudes its kickstand. Planting his hands on his hips, he
belches up a \emph{haram} gust of bacon grease and ponders. He can
always lock up the bike and proceed afoot, but nothing handy presents
itself for locking. The djinni is manifesting a glowing countdown timer,
ticking away the seconds before he will be late at court.

Just then, the crowd shits out a person, who makes a beeline for him.

``Hello, Adrian,'' Huw says once the backpacker is within shouting
distance---about sixty centimeters, given the din of footfalls and
conversations. Huw is somehow unsurprised to see the backpacker again,
clad in his travelwear and a rakish stubble, eyes red as a baboon's ass
from a night's hashtaking.

``Well, fancy meeting \emph{you} here!'' says Adrian. ``Out for a bit of
a ride?''

``No, actually,'' replies Huw. ``On my way somewhere, and running late.
Are there any bike lanes here? I need to get past this mob. \ldots{}''

The backpacker snorts. ``Sure, if you ride to Tunisia. Yer bike's not
going to do you much good here. And don't think about locking it up,
mate, or it'll be nationalized by the Popular Low-Impact Transit
Committee before you've gone three steps.''

``Shit,'' grunts Huw. He gestures at the bike and it deflates and
compacts itself into a carry-case. He hefts it---the fucking thing
weighs a ton.

``Yup,'' Adrian agrees. ``Nice to have if you want to go on a tour of
the ruins or get somewhere at three a.m.---not much good in town,
though. Want to sell it to me? I met a pair of sisters last night who're
going to take me off to the countryside for a couple days of
indoctrination and heavy petting. I'd love to have some personal
transport.''

``Fuck,'' says Huw. He's had the bike for seven years; it's an old
friend, jealously guarded. ``How about I rent it to you?''

Adrian grins and produces a smokesaver from one of the many snap-pockets
on his chest. A nugget of hash smolders inside the plastic tube, a
barely visible coal in the thick smoke. He puts his mouth over the end
and slurps down the smoke, holds it for a thoughtful moment, then expels
it over Adrian's head. ``Lovely. I'll return it in two days, three tops.
Where're you staying?''

``The fucking Marriott.''

``Wouldn't wish it on my worst enemy. Here, will half a kilo chiseled
off the side of this be enough?'' He hands Huw a foil-wrapped brick of
Assassin-brand hash the size of a paving stone. ``The rest'll be my
deposit. The sisters're into hashishim-revival. Quite versatile minds,
they have.''

Huw is already copping a light buzz from the sidestream Adrian's blowing
his way. This much hash would likely put him in a three-day incontinence
coma. But someone might want it, he supposes. ``I can work with that.
Five hundred grams, and you can have the rest back in return for the
bike. Four days' time, at the Marriott, all right?''

Adrian works his head from side to side. ``Sure, mate. Works for me.''

``Okay. Just bloody look after it. That bike has sentimental value,
we've come a long way together.'' Huw whispers into the bike's
handlebars and hands it to Adrian. It interfaces with his PAN, accepts
him as its new erstwhile owner, and unfolds. Adrian saddles up, waves
once, and pedals off for points rural and lecherous.

Huw holds the djinni's lamp up and hisses at it. ``Right,'' he says.
``Get me to the court on time.''

``With the utmost of pleasures, sirrah,'' it begins. Huw gives it a
sharp shake. ``All right,'' it says aggrievedly, ``let me teach you to
say, `Out of my bloody way,' and we'll be off.''

\begin{center}\rule{3in}{0.4pt}\end{center}

Huw doesn't know quite what to expect from the Fifth People's Technology
Court. A yurt? Sandstone? A horrible modernist-brutalist white-sheathed
space-age pile?

As it turns out, like much of the newer local architecture it's an
inflatable building, an outsized bounce-house made of metallic fabric
and aerogel and compressed air. The whole thing could be deflated and
carted elsewhere on a flatbed truck in a morning, or simply attached to
a dirigible and lifted to a new spot. (A great safety-yellow gasket the
size of a manhole cover sprouts from one side, hooked into power,
bandwidth, sewage and water.) It's shaped like a casino owner's idea of
the Parthenon, cartoonish columns and squishy frescoes depicting
mankind's dominance over technology. Huw bounds up the rubbery steps and
through the six-meter doors. A fourteen-year-old boy with a glued-on
mustache confronts him as he passes into the lobby.

``Pizzpot,'' grunts the kid, hefting a curare-blower in Huw's direction.
Huw skids to a stop on the yielding floor.

``Pardon?''

``Pizzpot,'' repeats the boy. He's wearing some kind of uniform, yellow
semi-disposable coveralls tailored like a potato sack and all abristle
with insignia. It looks like the kind of thing that Biohazard
Containment Cops pass out when they quarantine a borough because it's
dissolving into brightly colored machine parts.

``The People's Second Revolutionary Technology Court Guardsman wishes to
see your passport, sirrah,'' his djinni explains. ``Court will be in
session in fifteen seconds.''

Huw rolls up his sleeve and presses his forearm against the grimy
passport reader the guardsman has pulled from his waistband. ``Show me
the way.'' A faint glowing trail appears in front of Huw, snaking down
the hall and up to a battered-looking door.

Huw stumbles up to the door and leans on it. It opens easily, sucking
him through with a gust of dusty air, and he staggers into a brightly
lit green room with a row of benches stretching round three walls. The
center of the room is dominated by two boxes; a strangely menacing black
cube a meter on a side, and a lectern, behind which hunches a somewhat
moth-eaten vulture in a black robe.

Faces and a brace of self-propelled cameras turn to watch Huw as he
stumbles to a halt. ``You're late,'' squawks the vulture---on second
thoughts, Huw realizes she's not an uplifted avian, but a human being,
wizened and twisted by age, her face dominated by a great hatchet of a
nose. She's obviously one of the sad sacks on whom the anti-aging gene
hacks worked only halfway: otherwise, she could be one of his
contemporaries.

``Terribly sorry,'' Huw says. ``Won't happen again.''

``Better not.'' The judge harrumphs consumptively. ``Dammit, I deserve
some respect! Horrible children.''

As the judge rants on about punctuality and the behavior of the dutiful
and obedient juror (which, Huw is led to believe, has always been
deplorable but has been in terminal decline ever since the abolition of
capital punishment for contempt of court back in the eighteenth
century), he takes stock of his fellow inmates. For the first time he
has reason to be glad of his biohazard burka---and its ability to
completely obscure his snarl of anger---because he knows at least half
of them. The bastard pseudo-random-number generators at the Magical
Libyan Jamahiriya Renaissance's embassy must be on the blink, because
besides Doc Dagbjört---whom he half expected---the jury service has
summoned none other than \emph{Sandra Lal,} and an ominously familiar
guy with a blue forelock, \emph{and} the irritating perpetually drunk
centenarian from next door but one. There are a couple of native
Libyans, but it looks as if the perennially booming Tripolitanian
economy has turned jury service evasion into a national sport. Hence the
need to import guest jurors from Wales.

\emph{Fuck me, all I need is that turd Adrian to make it a clean sweep,}
thinks Huw. \emph{This must be some kind of setup}. An awful thought
occurs to him: \emph{Or a} reality show. \emph{Jesus Buddha humping the
corpse of Oliver Cromwell, say it's not so?} He collapses on a bench in
a rustle of static-charged fabric and with a sense of dread waits for
proceedings to begin.

The Vulture stands up and hunches over the lectern. All the cameras
abruptly pan to focus on her. ``Listen up!'' she says, in a forty-a-day
voice that sounds like she's overdue for another pair of lungs,
``\emph{I} am Dr.~Rosa Giuliani---that's doctor of law, not doctor of
medicine---and I have volunteered my services for the next two weeks to
chair this court, or focus group, or theater or whatever. \emph{You} are
the jury, or potential consumers, or performing animals. Procedurally,
the MLJ have given me total autonomy as long as I conduct this hearing
in strict accordance within the bounds of international law as laid down
by the Hague Tribunal on Transhuman Manifestations and Magic. Some of
you may not fully comprehend what this means. What it means is that you
are here to decide whether a reasonable person would consider it safe to
unleash Exhibit A on the world. If Exhibit A turns out to be a weapon of
planetary destruction, you will probably die. If Exhibit A turns out to
be a widget that brings everlasting happiness to the whole of humanity,
you will probably get to benefit from it. But the price of getting it
wrong is very high indeed. So I will enforce \emph{extreme} measures
against any fractional halfwit who tries to smuggle a sample out of this
room. I will also nail to the wall the hide of anyone who talks about
Exhibit A outside this room, because there are hardware superweapons and
there are software superweapons, and we don't know what Exhibit A is
yet. For all we know, it's a piece of hardware that looks like a
portable shower cubicle but turns out to install borgware in the brain
of anyone stupid enough to use it. So---''

Giuliani subsides in a fit of racking coughs. She gathers herself.

``We follow a set procedure. A statement is delivered by the damnfool
script kiddies who downloaded the memeplex from the metasphere and who
are applying for custodial rights to it. This will describe the prior
background to their actions. Second, a preliminary activation of the
device may be conducted in a closed environment. Thirdly, you rabble get
to talk about it. Fourthly, you split into two teams: advocates and
prosecution. Your task is to convince the members of the other team to
join you. Finally, you deliver your majority verdict to me and I check
it for procedural compliance. Then if I'm lucky, I get to hang someone.
Are there any questions?''

Doc Dagbjört is already waving a hand in the air, eager to please. The
judge turns a black gaze on her that reminds Huw of historical
documentaries about the Ayatollah Khomeini. Dagbjört refuses to wilt.

``What,'' says Giuliani, ``\emph{is} it?''

``About this Exhibit? Is it the box, in? And if so, how secure the
containment is? I would hate for your worries to depart the abstract and
concretize themselves, as it were.''

``Huh.'' The judge stalks out from behind her lectern and kicks the box,
hard. Going by the resulting noise, she's wearing steel toe-caps. Huw
whimpers faintly, envisaging imminent post-singularity gray goop
catalyzed nano-annihilation, beyond any hope of resurrection. But the
only terrible consequence is that the judge smiles, horribly. ``It's
safe,'' she says. ``This box is a waste containment vessel left over
from the second French fast breeder program.''

This announcement brings an appreciative nod from a couple of members of
the audience. (The \emph{second} French fast breeder program was nothing
to do with nuclear reactors and everything to do with breeding
disaster-mitigation replicators to mop up the eight giga-Curies of
plutonium that the first program scattered all over Normandy.) Even Huw
is forced to admit that the alien memeplex is probably safe behind the
Maginot line of nanotech containment widgets lining a
hyperdiamond-reinforced tungsten carbide safe.

``So when do we get to see it?'' asks Huw.

Judge Giuliani turns her vicious gaze on him. ``Right \emph{now}!'' She
snarls and thumps her fist on the lectern. The lights dim, and a
multimedia presentation wobbles and firms up on top of her lectern.
``Listen up! Let the following testimony entered under oath on
placeholder-goes-here be entered in the court record under
this-case-number. Go ahead, play, damn you.''

The scene is much as Huw would have imagined it: A couple of pudgy
nocturnal hackers holed up in a messy bedroom floored in discarded ready
meal packs, the air hazy with programmable utility foglets. They're
building a homebrew radio telescope array by reprogramming their smart
wallpaper. They work quietly, exchanging occasional cryptic suggestions
about how to improve their rig's resolving power and gain. About the
only thing that surprises Huw is that they're both three years
old---foreheads swollen before their time with premature brain bridges.
A discarded pile of wooden alphabet blocks lies in one corner of the
room. A forlorn teddy bear lies on the top bunk with its back to the
camera viewpoint.

``Ooh, aren't they \emph{cute}?'' says Sandra. ``The one on the left is
\emph{just like} my younger brother before his ickle widdle accident!''

``Silence in court, damn your eyes! What do you think this is, an
adoption hearing? Behold, Abdul and Karim Bey. Their father is a waiter
and their mother is a member of the presidential guard.'' (Brief clips
of a waiter and a woman in green battle dress carrying an implausibly
complicated gun drift to either side of the nursery scene.) ``Their
parents love them, which is why they paid for the very best prenatal
brainbox upgrades. With entirely predictable results if you ask me, but
as you can see, they didn't. \ldots{}''

Abdul and Karim are pounding away at their tower of rather goopy-looking
foglets---like all artifacts exposed to small children, they have begun
to turn gray and crinkly at the corners---but now they are receiving a
signal, loud and clear. They're short on juice, but Karim has the bright
idea of eviscerating Teddy and plugging his methanol-powered fuel cell
into the tots' telescope. It briefly extrudes a maser, blats a signal up
through the thin roof of their inflatable commodity housing, and
collapses in exhaustion.

The hackers have only five minutes or so to wait---in which time Abdul
speed-reads through \emph{War and Peace} in the original Russian while
Karim rolls on his back, making googling noises as he tries to grab his
feet---for they have apparently found the weakly godlike AIs of the
metasphere in a receptive mood. As the bitstream comes in, Abdul whacks
his twin brother upside the head with a purple velour giraffe. Karim
responds by irritably uploading a correctly formatted patent application
with the godvomit as an attachment.

``I hate smart-aleck kids,'' mumbles the bald guy with the blue
forelock, sitting across the room. The judge pretends to ignore him.

``These two miscreants are below the contractual age of consent,'' Huw
says, ``so how come their application is being accepted?''

``Here in the MLJ, as you should well know, seeing you're staying here
and there was a copy of the Lonely Planet guide in your room,'' the
judge croaks, ``ever since the People kicked out the last of the
dictators, your civil rights are a function of your ability to demand
them. Which is a bit annoying, because Karim demanded the vote six
months ago, while Abdul is a second lieutenant in the People's
Cyberspace Defense Agency and a dab hand at creating new meme viruses.
In fact, there's some question over whether we shouldn't be dragging him
up in front of a court-martial instead.''

Judge Giuliani seems to have forgotten to snarl; her delivery is
becoming almost civilized as the presentation from the subpoenaed
crib-cam fast-forwards to the terrible two's attempt to instantiate the
bitstream in atoms, using a ripped teddy bear as a containment vessel.

``Ah, here it is. Observe: The artifact is extremely flexible, but not
so flexible that it can gestate in a psuedo-living toy. Abdul's own
notes speculate that gestation may be supported in medium-sized dogs,
goats, and camels.'' Over the lectern, the display zooms in on the teddy
bear's swollen gut. The bear is jerking spasmodically and twitching like
a Tourettic children's TV host, giggling and stuttering nonsensical
self-worth affirmations. The gut distends farther and the affirmations
become more disjointed, and then a long, sharp blade pokes through the
pseudoflesh and flame-retardant fur-analogue. ``There are indications
that the artifact floods its host organism with endorphins at
metamorphosis-time,'' says the judge. The rent in the bear's belly
widens, and out climbs a shimmering \emph{thing}.

It takes Huw a moment to understand what he's seeing. The artifact is a
tall, metallic stalk, at first coiled like a cobra, but gradually roused
to full erectness. Its glistening tip dips down toward the bear. ``See
how it sutures the exit wound?'' the judge says, a breath of admiration
in her rough voice. ``So tidy. Jurors, take note, this is a
\emph{considerate} artifact.'' Indeed, the bear's fur has been closed
with such cunning that it's almost impossible to see the exit wound.
However, something has gone horribly awry inside it, as it is now
shaking harder than ever, shivering off its limbs and then its fur.
Finally its flesh starts breaking away like the sections of a tangerine.

The artifact stands erect again, bounces experimentally a couple times,
then \emph{collapses} in a way that Huw can't make any sense of. He's
not alone, either. The jurors let out a collective uncomprehending
bleat. ``Look closely, Jurors!'' the judge says, and the scene loops
back on itself a couple times in slomo, from multiple angles, then again
in wireframe. It makes Huw's mind hurt. The artifact's stalk bulges in
some places, contracts in others, all the whole slipping through and
around itself. His potmaker's eye tries to no avail to understand what's
happening to the topology and volume.

``Fucking lovely,'' Sanda Lal says. She's always had a thing about
trompe l'oeil

solids: ``Nicest Klein bottle I've ever seen.''

\emph{A Klein bottle. Of course.} Take a Möbius strip and extrude it one
more dimension out and you get a vessel with only two sides, the inside
and outside a single continuous plane. Glassblower shit. \emph{Fucking
show-offs}.

The young brothers are on hands and knees before the artifact now,
staring in slack-jawed concentration, drool slipping between their
patchworks of baby teeth and down their chins. The cam zooms in on the
artifact, and it begins to fluoresce and pulse, as through digesting a
radioactive hamster. The peristaltic throbbing gives it motion, and it
begins to work its way toward the hamper in the corner of the room. It
inches across the floor, trailed by the crawling brothers, then knocks
over the hamper and begins to burrow through the spilled, reeking
linens.

``It's scat-tropic,'' Doc Dagbjört says.

``Yes,'' the judge says. ``And scat-powered. Karim notes that its waste
products are a kind of silt, similar to diatomaceous earth and equally
effective as a roach and beetle powder. It also excretes water and trace
elements.''

``A fractional-dimensional parasitic turd-gobbler from outer space?''
Huw says. ``Have I got that right?''

``That's right, ma'am,'' says the blue-forelocked joe. ``And it's pretty
too. I'd gestate one, if only to eliminate the need for a bloody toilet.
Quite a boon to your average WHO-standard pit latrine too, I imagine.''

``Of course \emph{you'd} gestate one,'' Huw says. ``Nothing to you if
your body is dissolved into toxic tapioca. I imagine you're just about
ready to join the cloud anyroad.''

Sandra casts him a poisonous glare. ``Fuck you, and the goat you rode
into town on,'' she said. ``Who the hell \emph{are} you, anyway?''

``Judge?'' Doc Dagbjört says, desperately trying to avoid a mass
execution, ``my co-juror raises an interesting point. What evidence do
we have to support Adbul's assertion that the artifact can safely
gestate in mammals or, more specifically, primates?''

The judge grunts irritably. ``Only simulations, of course,'' she says.
``Are you volunteering?''

Doc Dagbjört sits back hastily. ``Just asking!''

``Are you all seated comfortably?'' Giuliani asks. ``Then I shall
continue.'' She whacks her gavel on the lectern and the presentation
rolls boringly on. ``Here's what happened next.'' It's a dizzying
fast-forward montage: The space monster digests the twins' nappy hamper
then chows down on their bedding while Abdul---or maybe it's
Karim---hastily jury-rigs an EMP gun out of animatronic toys and an air
force surplus radar set. The twins back into a corner and wait,
wide-eyed, as the \emph{thing} sprouts a pink exoskeleton lined with
throbbing veins, rabbit ears, and a set of six baby elephant legs with
blue toenails. It squats in the middle of their room, hooting and
pinging as it digests the pile of alphabet blocks. Karim---or maybe it's
Abdul---improvises a blue goo attack using the roomful of utility fog,
but the ad hoc nanoweaponry just slimes off the space monster like so
much detergent.

``At this point, the manifestation estivated,'' announces the judge.

``Duh, wassatmean?'' asks one of the other jurors, one whom Huw doesn't
know---possibly a nationalist from the Neander valley.

``It went to sleep,'' explains Doc Dagbjört. ``Isn't that right,
Judge?''

``Damn straight.'' The judge whacks her gavel again. ``But if I get any
more lip out of you, sunshine, I'll have you flogged till the ivory
shows. This is \emph{my} trial. Clear?''

Dagbjört opens her mouth, closes it, then nods.

``Well,'' says Judge

Giuliani, ``that's that, then. The thing seems to have fallen deeply
asleep. Just in case it wakes up, the MLJ Neighborhood Sanitation
Committee have packed it into a Class Four nanohazard containment
vessel---which I'm standing on right now---and shipped it over here.
We're going to try a directed revival after lunch, \emph{with} full
precautions. Then I'll have a think about it, you damned meddling
baboons can rubber-stamp my verdict, and we'll wrap up in time for tea.
Do it my way and you can all go home three days early: rock the boat and
I'll have you broken on the wheel. Court will now adjourn. Make sure
you're all back here in three hours' time---or else. \emph{And} \ldots{}
cut!''

In case the message is insufficiently clear, the bench Huw is perched on
humps up into an uncomfortable ridge, forcing him to stand. The Vulture
storms out of the courtroom in a flurry of black robes, leaving a pool
of affronted jurors milling around a lectern containing a sleeping
puddle of reified godvomit.

``All right, everyone,'' announces Doc Dagbjört, clapping her hands
together. ``How about we go and find the refectory in this place? I
could murder some meze!''

Huw slouches off toward the entrance in a black mood, the teapot
clanking at his hip. This isn't going quite the way he'd imagined, and
he'll be damned before he'll share a refectory table with that
sanctimonious Swedish Girl Scout, much less Sandra and her
gender-bending (and disturbingly attractive) friend. Someone is quite
clearly doing this in order to get under his skin, and he is deeply
pissed off. On the other hand, it's a long time since breakfast---and
there must be somewhere that serves a decent goat curry in Tripoli.

Mustn't there?

\begin{center}\rule{3in}{0.4pt}\end{center}

It is insanely hot on the sidewalk outside the court, hot and crowded
and dusty, and even with his biohazard burka pumping away heat as fast
as it can, Huw is sweating. His skin itches everywhere, but especially
on the shoulder, where he can feel his skin crawling every time he
thinks about the glowing trefoil tattoo.

The court is located in a district full of bleached white shells,
buildings thrown up by massively overengineered mollusks. Unable to
breathe without oxygen supplies, having erected a habitable structure,
they die in order to provide a delicious moving-in feast for the
residents. It's cheap favela architecture, but durable and far better
than the tent cities of a previous century; snail cities have power,
recycling services, bandwidth, and a weird kind of hobbit-ish charm.
Some of the bigger shells have been turned into storefronts by various
cottage professionals, and Huw is drawn toward one of them by the
mouthwatering smell of roasting meat.

There are elaborate cast-iron tables outside the shell-front, and
cast-iron chairs, and---luxury of luxuries---a parasol over each. There
are people inside the shell, but the outside tables are deserted. Huw
wilts into the nearest space and puts his teapot down on the table.
``You,'' he grunts. ``Universal translator for anyone who comes my way.
I expect service with a smile. \emph{Capisce?}''

``Your wish is my command ,'' pipes his djinni.

A teenaged girl in a black \emph{salwar kameez}, white face paint, and
far too much eye shadow and silver spider-jewelry saunters over, looking
for all the world like a refugee from a goth club in Bradford. ``Yeah?
Whatcher want, granny?''

``It's mister,'' Huw says. ``You the waitress?''

``Yeah,'' she answers in English, staring at him idly. Her earrings
stare too---synthetic eyeballs dangling from desiccated optic nerves.
``You a tranny?''

``No, I'm a biohazard. What's on the lunch menu?''

``We've got a choice of any cloned meat shawarma you fancy: goat,
mutton, ox tongue, or Rumsfeld. With salad, olives, cheese, falafels,
coffee or Coke. Pretty much anything. Say, are you \emph{really} a
biohazard?''

``Listen,'' Huw says, ``I'm not wearing this fucking sack because I
\emph{enjoy} it. Your Ministry of Barbarian Affairs insisted---''

``Why don't you take it off then?'' she asks. ``If they call you on it,
just pay.''

``Pay---''

``What's wrong with you? You one of those dumb Westerners who doesn't
get baksheesh?'' She looks unimpressed.

Huw stifles a facepalm. \emph{I should have known. \ldots{}} ``Thanks.
Just get me the goat shawarma and falafels. They're cloned, you say?''

She looks evasive. ``Cloned-ish.''

``Vatmeat?'' Huw's stomach turns.

``You're not a racist, are you? Nothing wrong with being vatted.''

Huw pictures a pulsating lump of flesh and hoses, recalls that the
top-selling album of all time was recorded by such a being, and resigns
himself to eating vatmeat rather than getting into a religious argument.
``I'll take the goat. And, uh, a Diet Coke.''

``Okay.'' She turns and beams his order to the kitchen, then wanders
over to the bar and begins to pour a tall drink.

Huw takes a deep breath. Then he pinches the seal node on his burka and
gives it a hard yank. As gestures of defiance go, it's small but
profound; he feels suddenly claustrophobic, and can't stop until he's
tugged the whole thing off, up and over his head, and yanked down the
overalls that make up its bottom half, and stomped them all into the
gray dust under his boots.

The air is dry, and smells \emph{real}. Huw finally begins to relax. The
waitress strolls over bearing a large glass, loaded with Coke and ice
cubes. As she gets close, her nose wrinkles. ``You need a bath,
Mr.~Biohazard Man.''

``Yeah. Well. You tell the Ministry.'' Huw takes the drink, relishes a
long swallow, unencumbered by multiple layers of smart antiviral polymer
defenses. He can feel the air on his face, the sunlight on his skin. He
puts the glass down. \emph{Wonder how long I'll take to work up a
suntan?} he thinks, and glances at his wrist. He freezes.

There's a biohazard trefoil on the back of his hand.

Huw stands up, feeling dizzy. ``There a toilet here?'' he asks.

``Sure.'' The waitress points him round the back. ``Take your time.''

The bathroom is a small nautiloid annex, but inside it's as chilly and
modern as Sandra Lal's. Huw locks the door and yanks his tee and
sweatpants off. He turns anxiously to check his back in the mirror over
the sink---but the trefoil on his shoulder has gone.

It's on the back of his hand. And it itches.

``Shit,'' he says quietly and with feeling.

Back at the table, Huw bolts his food down then rises, leaving an
uncharacteristic tip. He picks up the bundle of dusty black biohazard
fabric and strolls past the shops. One of them is bound to be a black
market nanohacker. His hands are shaking. He isn't sure which prospect
is worse: finding he's got a big medical bill ahead, or trying to live
in ignorance.

``Teapot,'' he whispers.

``Yes, sir ?''

``Where's the nearest body shop? Doesn't have to be fully legal under
WIPO-compliant treaty terms, just legal enough.''

``\emph{Bzzt}. It is regrettably not possible for this humble unit to
guide you in the commission of felonies, O Noble Sirrah---''

\emph{Shake}. ``There is legal and there is \emph{legal,}'' Huw says.
``I don't give a shit about complying with all the brain-dead treaties
the Moral Majority rammed through WIPO in the wake of the Hard Rapture.
I just want somewhere that the local police won't arrest me for
frequenting if I pay the usual. Whatever the usual happens to be around
here. Can you do that? Or would you like to tell me where the nearest
heavy metal reclamation plant is?''

``Eeek! Turn left! Left, I say! Yes, ahead of you! Please, do me no
injury, sirrah!''

Huw walks up to a featureless roc's egg and taps on it. ``Anyone at
home?'' he asks.

A door dilates in the shell, emitting a purple-tinged light. ``Enter,''
says a distinctly robotic voice.

Inside the shell, Huw finds himself in a room dominated by something
that looks like a dentist's chair as reinvented on behalf of the Spanish
Inquisition by H. R. Giger. Standing beside it---

``Does your sister work at the diner along the road?'' he asks.

``No, she's my daughter.'' The woman---who looks young enough to be the
waitress's twin, but wears medical white and doesn't have any body
piercings that blink at him---looks distinctly unimpressed. ``And she's
got an attitude problem. She's a goth, you know. Thinks it's so
rebellious.'' She sniffs. ``Did she send you here?''

Huw holds up his arm. ``I'm here because of this,'' he says, dodging the
question.

``Aha.'' She peers at his trefoil. ``Do you know what it is?''

``No, that's why I'm here.''

``Very well. If you take a seat and give me your debit token, I'll try
to find out for you.''

``Will there be any trouble?'' Huw asks, lying back on the couch and
trying not to focus on the mandibles descending toward him.

``I don't know---yet.'' She fusses and potters and mumbles to herself.
``All right, then,'' she says at length. ``It's in beta, whatever it
is.''

``Oh yes?'' Huw says, in a way that he hopes sounds intelligent.

``Certainly. That's the watermark---it's compliant with the INEE's RFC
4253.11 on debug-mode self-replicating organisms. Whatever host medium
it finds itself in, it advertises its presence by means of the
trefoil.''

``And---?'' Huw says.

``And that means that either the person who made it is conscientious, or
is working with an RFC-compliant SDK.''

``I see,'' Huw says. He supposes that this is probably interesting to
people in the biz, but he has no idea what it means. It's an alien
culture. He prefers concrete stuff he can get his hands on. None of
these suspicious self-modifying abstractions that suddenly make you
sprout antlers.

The hacker mutters to herself some more. ``Well,'' she says, and
``Hmmm,'' and ``Oh,'' until Huw feels like bursting. ``Right, then.''

Huw waits. And waits. His whole fucking life seems to consist of
conversations like this. He's read some hilariously naïve accounts of
life in the soi-disant ``Information Age'' about ``Future Shock,'' all
those dim ancestors trying to make sense of their rapidly changing
world. They fretted about the ``singularity''---the point at which human
history goes nonlinear and unpredictable and the world ceases to have
any rhyme or reason. Future shock indeed---try living in the fucking
singularity, and having your world inverted six times before breakfast.

``Well, that's it. I can do it \emph{in vitro} or \emph{in situ}, up to
you.''

``Do it?''

``Accelerate it. What, you think I'm going to \emph{decompile} this
thing? That code is so obfuscated, it may as well be cuneiform for all
the sense I can make of it. No, there's only one way to find out what it
does: accelerate its life cycle and see what happens. I can do it in
your body---that's best, it's already halfway there---or I can do it in
glass. Your choice.''

``Glass!'' Huw says, his heart racing at the vision of an unlicensed
tech colony cutting out of his guts, like the thing in the courtroom.

The hacker sighs a put-upon exhalation. ``Fine,'' she says. Let's get
you cloned, then.'' Before he can jerk free, the instrument bush
hovering over him has scraped a layer of skin from his forearm and drawn
a few cmililiters of blood from the back of his hand, leaving behind an
anesthetized patch of numb skin that spreads over his knuckles and down
to his fingertips. Across the room, a tabletop diamond-walled chamber
fogs and hums. The mandibles recede and Huw sits up. A ventilation
system kicks in, clearing the fog from the chamber, and there Huw sees
his cloned hand taking shape, starting as a fetal fin, sundering into
fingers, bones lengthening, proto-fingernails forming. ``That'll take a
couple hours to ripen,'' the hacker says. ``Then I'll implant it and
we'll see what happens. Come back this time tomorrow, I'll show you what
turns up.'' She rubs her thumbs against her forefingers.

Huw sticks his hand out to touch hers and interface their PANs so he can
transfer a payment to her, but she shies back. ``I don't think so,'' she
says. ``You're infectious, remember?''

``Well, how shall I pay you, then?'' he says.

``Over there,'' she says, gesturing at a meatpuppet in the corner, a
wrinkled naked neuter body with no head, just a welter of ramified
tubules joined to a bare medulla that flops out of the neck stump like
an alien nosegay. Huw shakes the currency zombie's clammy hand and
interfaces with its PAN, transfers a wad of baksheesh to it, and steps
back, wiping his hand on the seat of his track pants afterwards.

``This time tomorrow, right?'' the hacker says.

``See you then,'' Huw says.

\begin{center}\rule{3in}{0.4pt}\end{center}

Back at the courthouse, the People's Second Revolutionary Technology
Court Guardsman doesn't even blink as Huw unrolls the multiple
thicknesses of burka he'd wrapped around his telltale hand---which is
starting to itch like it's acrawl with subcutaneous fire ants---and
forearm.

As he steps into the gloomy courtroom, he thinks that he's alone: but
after that moment he detects movement and slurping sounds from the
shadows behind one of the benches. A familiar head with a blue forelock
rears back, face a rictus of agonized enjoyment. Huw makes out a female
head suctioned to the joe's chest, teeth fastened to his nipple.
\emph{Christ,} Huw thinks, \emph{he and Sandra are having a snog in the
fucking courtroom. The Vulture's going to string them up by their pubes
and skull-fuck them with her gavel}.

Then the head turns, worrying at the nipple in a way that looks painful
(though it appears to be doing wonders for the joe) and Huw sees that it
isn't Sandra Lal masticating that tit; it's Doc Dagbjört. He feels a
sear of jealousy jetting from his asshole to his shoulder blades, though
whom he is jealous of he cannot exactly say. He clears his throat.

The lovebirds spring apart and stand. Doc Dagbjört's shirt is hiked up
around her armpits and before she gets it pulled back down, Huw is
treated to a stunning display of her chestular appendages, which are
rather spectacular in a showy, fantastically perfect way. The joe is
more casual, stretches and yawns and pulls his own sweaty leather shirt
down. Then he does a double take as he recognizes Huw.

``You!'' he says. ``The hell are you doing here?''

``You know him?'' Dagbjört asks. She's blushing a rather lovely and
fierce Viking red.

Huw partially unrolls his burka from his arm and dangles it in front of
his face. ``So do you, Doc,'' he says.

``The transvestite?'' she says.

``I'm not a tranny,'' Huw says. He rewraps the burka around his arm,
which is throbbing with itch and needles of alternating ice and fire.
``Just got a nasty little itch and took a while to figure out who to
bribe.'' He glares at the guy with the blue forelock, Bonnie the party
animal. ``You wouldn't happen to know anything about it, would you?''

``Who, me?'' Bonnie frowns right back at him. ``What did you think you
were doing barging in here, anyway?''

Huw crosses his arms defensively. ``In case you hadn't noticed, this is
a courtroom and the Vulture's going to be back in about---''

The door bangs open behind him and he turns round. ``Where \emph{is}
everybody?'' croaks the black-clad judge. ``Dammit, I expect punctuality
in my courtroom!''

Judge Giuliani crosses to her box and stands behind it, tapping her toe
on the floor and glowering furiously at the doorway as, one by one, the
delinquent jurors filter in. Her stare is lost on Sandra, who sees Huw
as she opens the door and nearly jumps out of her skin. Huw smiles at
her sweetly and she edges around the far side of the room and sits down
as far away from him as possible. So while the Vulture is busy tearing a
strip off the Neanderthal, he gets up, walks over, and sits down next to
her.

``Hello, Sandra,'' he says warmly. ``How's it going?''

Sandra leans away from him, looking afraid. ``Where did you get
\emph{that}?'' she asks, eyeing his biohazard-wrapped wrist.

``I thought you and me, we could talk about it.'' Huw smiles. It's not a
friendly expression. ``I picked it up at your place a week or so back?''

``Listen, I have \emph{no idea} what this is about, but I don't like it!
I don't hang out with people who do that sort of thing, least not
without warning. Are you sure you weren't jarked by a stranger on your
way over?''

``Silence in court!'' says

Giuliani, waving her gavel at Sandra, who cowers, trying to get as far
away as possible from both the judge and Huw. Huw crosses his arms,
annoyed. \emph{Is she telling the truth?}

``You pukes had better listen up right now! We are about to begin the
most dangerous part of the proceedings! Are those of you who believe in
physical resurrection all backed up to off-site storage? And are the
rest of you all up to date on your life insurance policies? Because if
not, you're too fucking late, haa haa! It is time to \emph{open the
box}!''

``Oh \emph{shit}.'' Huw hastily begins to untangle his burka, in the
hope that its advanced biocontainment layers will help if the monster
that hatched from the scatotrophic Klein bottle from outer space turns
out to be unfriendly. His wrist itches hotly in sympathy, then
mercifully stops.

Giuliani twirls her hammer round and presses a button; it turns into
something like a cross between a pocket chain saw and a whittling knife.
``Now, I am about to open the containment,'' she says, standing over the
ominous black cube with a raised knife. ``With any luck, it's just
sleeping. If it isn't, well, all I can say is it damn well better behave
itself in \emph{my} courtroom.''

She leans forward and slaps one hand on a side of the box. Something
heavy goes \emph{clunk} inside it. A hand goes up from the far side of
the jury box. ``What is it \emph{now}?'' says the Vulture.

``Please, Judge, can I go to the bathroom?'' Bonnie is waving an anxious
hand in the air.

``Oh fuck off, then,'' snarls the judge. ``Five minutes! Or you'll be
sorry!''

She yanks at the lid of the biohazard containment and Bonnie takes off,
scampering behind the benches as if his arse is on fire---or maybe he's
just afraid that it will be, in a few seconds.

The box deconstructs itself into a pile of bubbling pink slime, to
reveal the space monster the brothers Bey downloaded. It squats, curled
up, in a nest of shredded teddy bears; two of its six legs are wrapped
over what ought to be its snout, and it is making a faint whistling
noise that it takes Huw a few seconds to recognize as snoring.

``Behold, the stinking pile of godvomit!'' says the Vulture. She stands
over it, arms akimbo, Swiss Army chain saw at the ready, looking almost
pleased with herself. ``Exhibit A: asleep. It's been this way for the
past eighteen days, ever since the Bey twins created it. Any
questions?''

A susurrus of conversation sweeps the jury benches. ``That's funny,''
Huw says, ``my arm doesn't itch anymore.''

``Shut up about your arm already!'' Sandra says. ``Look!'' She points at
the box, just as the space monster emits a deep grunting sigh and rolls
over on its side, snuffling sleepily.

``Six limbs, bilateral symmetry, exoskeleton. Has anyone tried
deconstructing its proteome yet?'' asks Doc Dagbjört, looking rather
more cheerful than the situation warrants.

``From inside the containment? No.'' The Vulture looks thoughtful. ``But
from traces of carapace scraped off the walls of the Bey residence
nursery, we have obtained a partial genotype. Tell your guidebooks or
familiars or whatever to download Exhibit B for you. As you can see, the
genome of the said item is chimeric and shows signs of crude tampering,
but it's largely derived from \emph{Drosophila, Mus musculus,} and a
twenty-first-century situationist artist or politician called Sarah
Palin. Large chunks of its genome appear to be wholly artificial,
though, written entirely in Arabic, and there's an aqueous-phase Turing
machine partially derived from octopus ribosomes to interpret them. It
looks as if something has been trying to use the sharia code as a
platform for implementing a legal virtual machine. We're not sure why,
unless it's an obscure joke.''

``Does the metasphere have a sense of humor?'' Huw says. He clears his
throat---the dust must be getting to him, because it feels as if he's
developing a ticklish cough.

``If it didn't, my life would be a lot simpler,'' the Vulture says. A
door at the back of the courtroom bangs, Bonnie coming back from the
toilet. Huw notes with a spike of erotic shock that Bonnie is female
again, a forelocked vision of heroin-chic skin and bones. ``As it is, it
makes it hard to tell a piece of sculpture from a practical joke, a new
type of washing machine, or an alien superweapon.''

``Urk.'' Huw subsides into a fit of coughing; it doesn't help his
throat.

``Can we wake it up?'' Doc Dagbjört asks. ``If I play it some music,
perhaps it can the dream awaken from?''

\emph{Oh shit, musical dream therapy,} Huw realizes with a sinking
feeling. \emph{So} that's \emph{why she's on this panel}.

``That is a possibility,'' the Vulture concedes. She prods the sleeping
space monster with a steel-toe-capped boot, but it just snores louder
and burrows deeper into its nest of disemboweled toys. ``I prefer
electroshock, myself.''

``Shit.'' Sandra says. Huw glances sideways at her, sees her cowering
away from him. ``Shit!''

``What is it?'' he asks.

``Your---'' She stops, and rummages in her fanny pack. After pulling out
a mirror, she passes it to him. ``Throat.''

At the other end of the bench, Doc Dagbjört is explaining the healing
properties of ambient postindustrial music to an interested judge and a
couple of less skeptical jurors. Huw holds up the hand mirror and points
it at his throat.

Huw stares at the mirror nearly cross-eyed and focuses on his stubbly
Adam's apple. It has been completely covered with a familiar biohazard
trefoil, surrounded by ranked miniature trefoils, each of them fractally
ringed with smaller duplicates, and so on, into hairy infinitude that no
doubt extends down to mitochondrial detail.

Huw clutches his hands to his throat and feels it buzzing, vibrating,
just as Dagbjört lets fly with an eerie ululation. She sings the
quasi-melody rather well, noodling around from a ghostly, bluesy I-IV-V
progression to something pentatonic that sounds like the wind whistling
over the blasted steppes of some distant Eastern land and then into
something Celtic and complicated.

The buzzing under his sweating fingertips heightens. The godvomit is
vibrating too, beginning a bobbing sinuous cobra dance, and it begins to
sing too, a low droning \emph{ommmmmm} that resonates in Huw's bones, in
Huw's throat, in Huw's mind.

His tongue stirs in his mouth and he feels a great, preverbal welling
from his larynx. He feels a burst of Tourettic obscenities tickling at
his lips like a sneeze, and he moves his hands from his throat and claps
them over his mouth, but it's too late: he's singing too.

If you can call it singing. He's giving voice to \emph{two} wordless
melodies simultaneously, meshing in artful discord with each other and
the joint song of the Kleinmonster and Dagbjört. One voice is basso
profundo, the other a Tiny Tim falsetto, and the Kleinmonster is turning
its attention on him---he can \emph{hear} it thinking joyful thoughts to
itself. His skin crawls with creeping horror as his voice box secedes
from his autonomic nervous system, and he flees the courtroom, pursued
by the mystified stares of his co-jurors and the glare of the Vulture.

He stumbles for the loo, struggling to keep the alien song inside his
chest, lips clamped tightly shut. He has a titanic, painful, rock-hard
erection, and he thinks wildly of autoerotic asphyxiators who blow their
loads in ecstatic writhing as their oxygen-starved brains stage
endorphin-fueled fireworks displays on the backs of their eyelids. He is
certain he is dying. He falls to his knees on the rubber tiles of the
lav's floor and begins to retch and weep.

He feels a tentative hand caressing his shoulder and he turns his head.
Through a haze of tears, he recognizes Bonnie, her eyes smoldering with
barely controlled lust. ``You're so fucking \emph{transhuman,}'' s/he
says, and clamps her mouth to his, ramming her tongue in almost to his
gag reflex. She pins him to the yielding tiles and straddles him,
grinding her/his crotch against his.

It's enough to shock him out of despair and into anger. He pushes hard
against her bony xylophone chest and spits. ``You are \emph{sick,}'' he
says, rolling away. The song is dying now, just a buzz of harmonics that
pick at his pulse. ``God!''

Bonnie smirks at him and does a cat stretch on the tile before climbing
to her feet. She shakes herself and tosses her fringe and gives him
another smirk. ``Really? I could have sworn you wanted it,'' she says,
and leaves him alone.

Huw pulls himself to his feet and staggers for the door, his throat no
longer itching, but \emph{wriggling}. He pushes weakly against the door
and steps out into the corridor, where he confronts the entire court,
which has apparently adjourned to follow him. The Vulture's fists are
fiercely planted on her hips.

``You're infected,'' the Vulture says. Her voice is ominously calm.
``That's unfortunate. We've got a nanocontainment box for you until we
sort it out. We'll pull an alternate juror from the pool.'' Sandra,
Bonnie, Dagbjört, the caveman, and the centenarian are all staring at
him like he's a sideshow curiosity. ``Come along now, the guardsmen will
take you to your box.'' The guardsmen are a pair of hulking golems,
stony-faced and brutal-looking. They advance on him with a thunderous
tread, brandishing manacles like B-movie Inquisitors.

Huw's mind blanks with fear and rage. \emph{Bastards!} he tries to
scream, and what comes out is an eerie howl that makes the jurors wince
and probably terrifies every dog within a ten-kilometer radius. He
feints toward them, then spins on his heel and dashes for the front
doors. Curare darts spang off the rubber walls and rebound around him,
but none hit him. He leaps off the courtroom steps and runs headlong
into the humanswarm, plowing into its midst.

He runs without any particular direction, but his feet take him back to
the hacker's egg-shaped clinic of their own accord. He turns his head
and scans the crowd for jurors or officers of the court. Seeing none, he
thumps the egg until the door irises open, then dives through it.

The hacker is laid out on her table, encased in the instrument bush. Her
fingers and toes work its tendrils in response to unknowable feedback
from its goggles and earphones. Huw coughs in three-part harmony, and
she gives her fingers a decisive waggle that causes the bush to contract
into a fist near the ceiling.

She looks at him, takes in Huw's watermarked throat and two-part snoring
drone. ``Right,'' she says. ``Looks like you're about done, then.'' The
teapot at his belt translates efficiently, giving her a thick Brummie
accent for no reason Huw understands.

``What the fuck is this shit?'' Huw says, over his drone.

``No need for that sort of language,'' she says primly. She gets up off
her table and gestures toward it. ``Up you go.''

Reluctantly, Huw climbs up, then watches the bush descend on him and
encase him in a quintillion smart gossamer fingers.

``I uploaded your opportunistic code to a mailing list,'' explains the
hacker. ``It was a big hit with the Euros---lucky for you it's their
waking hours, or it could have been another twelve hours before we heard
back. You've solved quite a little mystery, you know.

``The betaware you're infected with has been floating around the North
Sea for about a month now, but it has failed to land a single successful
somatic infection---until now. Lots of carriers but no afflicted. Best
guess at its origin is a cometary mass extruded from the cloud that
burned away protecting its payload.

``So it was quite the mystery until I pasted your genome into a
followup. Then it was obvious---it's looking for specific T helper
lymphocytes. Welsh ones. Which begs another question: Why Welsh?

``And here we have the answer.'' The bush's tendrils stroked Huw's
growling voice box. ``All those grotty Welsh vowel sounds and glottals.
It needed a trained larynx to manifest.''

``Aaaagh,'' Huw gargles, tensing angrily and trying to argue. The bush
takes the opportunity to shove what feels like a wad of cotton wool into
his mouth and extrude exploring wisps to brush samples from his
epiglottis.

A histogram scrolls across the egg's wall in time with Huw's groan,
spiking ferociously. ``Oh, \emph{very nice,}'' she says. ``You're
modulating a megabit a second over a spread-spectrum short-range audio
link. Pushing the limits of info-sci, you are!''

Huw stutters another groan, then vomits a flood of obscenities: They're
enveloped in his di-vocal drone, and the histogram spikes in sympathy.

``No easy way to know what you're spewing, of course. Lots of activity
in your language and vision centers, though.'' The bush firmly grips the
sides of his head. ``Do that again, will you? I'm going to run a PET
scan.''

``I don't think I can---,'' he begins; then he bursts into Welsh
profanity so foul, it triggers his old flinch reflex, some part of his
limbic system certain that this sort of display will necessarily be
accompanied by a ringing slap from his mother, however uploaded she
might be these past fifty years.

``Right,'' she says. ``Right. Here's my guess, then. You're transmitting
your sensoria---visual, auditory, olfactory, even tactile. Somewhere out
there there's a complementary bit of receiving equipment that can
demodulate the signal. You're a remote sensing apparatus.''

``Fuck,'' Huw says. The histogram is still. He is voluntarily cursing.

``It's kinky, yes?'' she says. ``Too kinky for you. One second.''
Tentacles slither down his throat briskly, curl around inside his
stomach, then come back out. It feels like he's vomiting, except his
guts are limp, and a big bolus of something or other is trying to stick
in his throat on the way out. For a panicky moment he feels as if he's
choking---then the lump tears away with a bright stabbing pain, and he
can breathe through his nose again.

``Ah, that's better,'' he hears distantly. ``A beautiful little whistle!
Easy to fence to some out-of-body perv, I think. Oh dear, did I say that
aloud?'' A fuzzy mat of bush tendrils peel away from his face to reveal
an unsympathetic face peering down at him. ``You \emph{did} hear that,
didn't you? Hmm, what a pity. Well, your left kidney is in good
shape---''

There's a loud crash from outside the operating theater, followed by a
wail from his belt. ``In here!'' screams his teapot. ``Help, please come
quickly!''

More crashing. The hacker straightens up, cursing under her breath.
Casting around, her gaze falls on Huw's biohazard burka. She grabs it
and dives for the back door, sending a gleaming operating cart skidding
across the floor. She dives out the back as something large batters at
the entrance. The door bulges inward. Huw struggles to sit up, pushing
back the suddenly quiescent instrument bush---it feels like wrestling
with a half ton of candy floss. \emph{What} \emph{now?} he thinks
wildly.

``In here!'' shrieks the djinni, standing in holographic miniature on
top of the teapot and waving its arms like a stranded sailor.

``You shut up,'' Huw grunts. He manages to get his legs off the side of
the chair and stumbles against the trolley. Another crash from the front
door, and he sees something on the floor---something silvery and
cylindrical, about ten centimeters long and one in diameter, for all the
world like a pocket recorder covered in slime. \emph{That's it?} he
puzzles, and thoughtlessly picks it up and pockets it just as the door
gives up the uneven struggle and slams open to admit the two court
golems, followed by an extremely irrate hanging judge.

``\emph{Arretez-vous!''} yells his djinni. ``He's over here! Don't let
him get away this time!'' With a sense of horror, Huw realizes that the
little snitch is jumping up and down and pointing at \emph{him}.

``No chance,'' says Judge

Giuliani. ``Get him!'' she tells the golems, and they lurch toward him.
``Your palanquin is outside, waiting to take you to the People's Second
Revolutionary Memorial Teaching Hospital. It's quite secure,'' she adds
with an ugly grin. ``Asshole. Do you \emph{want} to spread it around?
Have you any idea how much trouble you're in already, breaking
biocontainment?''

``The---the bastards, set me fucking shitting up---'' The Tourette's is
threatening to break out, as is a residual urge to burst out in song
even as the huge golems clamp inhumanly gentle six-fingered hands the
size of ditch-diggers around his arms. ``---party in fucking cockass
\emph{Monmouth,} fucking minger Bonnie slipped me the shit-shit-shitting
godvomit raining on Northern fucking Europe, set me up that wasn't the
fucking New Libyan consulate at all, was it? And, and---''

One of the golems slaps a hand over his face. The hand has some kind of
flexible membrane on it, with built-in antisound. Huw can hear himself
chattering and cursing inside his own head, but nothing's getting out.
The golem slowly shrinkwraps his legs together from hip to ankle, and
the other golem picks him up under one arm and carries him through the
broken front door. The hands of the first golem part easily at the wrist
and go with him, a temporary gag.

``We'll discuss the charges later, in my chambers,''

Giuliani says in his ear. Then she whisks off in a flapping of
black-winged robes as the golem lowers Huw into something that looks
like a cross between a pedal-powered taxi and an upright coffin.

\emph{Bastard fucking bastard must stop fucking swearing,} Huw thinks
desperately, as he confronts a baby blue padded cell lined with
ominous-looking straps. \emph{Bonnie set me up for this, bastard
neophiliac, but why did the fucking tin whistle want to talk to the
shit-monster? Why was the thing} happy \emph{to hear me}---\emph{?} He
stops as the lid closes behind him, momentarily shocked. Because that
\emph{was} the oddest thing about it: the way the godvomit responded to
his unwanted flight of song---

As the golems start leaning on the pedals, something squirms in his
pocket, like an inquisitive worm. It's the whistle the hacker yanked out
of his throat, he realizes, half-horrified that he's locked in with it.
\emph{Which is worse,} he asks himself, \emph{a traitorous}
\emph{djinni} \emph{or a musical instrument that wants to nest in my
larynx?} He gets his answer a moment later as the whistle squirms again,
then digs in tiny claws and begins to inch up his shirt. Locked in a
small box, on the way to the cells beneath the courthouse, Huw confronts
his most primal fear, gives in, and screams himself hoarse behind his
antisound gag.

Eventually, his screams taper off. But after a couple of minutes, he
feels a heretofore subliminal buzzing against his hip, and screams
afresh as he envisions spidery trefoils crawling over his pelvic girdle
toward his crotch. Then reason takes over and he realizes that it's his
goddamned phone. Squirming around in the cramped box, he pulls it out
and shakes it to life, holding it before his mute face. The picture on
the other end resolves. Adrian and his bicycle, in some swarming
\emph{souk}. ``Wotcher!'' Adrian says. Huw waggles his eyebrows
frantically at the pinhole cam. The whistle has climbed atop his chest
and is stuck crawling in circles as it tries to locate a suitable
aperture to return to its nest by.

``Saucy,'' Adrian says. ``Hadn't figured you for bein' inta \emph{that}
kink. Met a lucky lady, then?''

Huw shakes his head frantically, rolling his eyes. Slowly, he pans the
phone around the box, then brings it back to eye level.

``Oh ho! Not voluntary, then.''

Huw nods so fiercely, his head smacks into the padded wall behind him.

``Right, then. See you in two ticks.'' The picture on the phone swings
crazily as Adrian clips it to one of the thousands of clever grabbers on
the front of his wash-n-wears and pedals off on the bike. Periodically,
his face looms in the screen as he looks down at the positional data
that Huw's phone is relaying.

Then Huw is looking at a jittery high-def image of the judge's caravan,
at the slowly moving lockbox he's encased in. Adrian holds his phone up
again and Huw sees that his eyes are, if anything, redder than they'd
been that morning, nearly fluorescent with stoned glee. ``You're in
there, yeah?'' he says, and swings the phone toward the strongbox. Huw
nods.

``Hrm.'' Adrian says, ``Tricky.'' He clips his phone back to his shirt
and turns around. Huw sees two young women swathed in paramilitary black
bodysuits bulging with cargo pockets and clever sewn-in bandoliers. They
exchange rapid hand signals; then the phone's POV wheels sickeningly as
Adrian does a tire-torturing doughnut and zips off to the head of the
caravan. The camera frames the two impassive golems pumping the pedals
of the palanquin. Adrian rolls the bike directly into their path, then
makes terrified tourist squeaks as he rolls clear of the frame at the
same moment as the golems plow through it. They grind to a sudden halt:
their wheels have delaminated on impact with Huw's bike's frame, which
has gone into self-defensive hedgehog mode. Huw hears the Vulture
croaking enraged threats at Adrian, whom Huw is certain is shrugging
with gormless English apologies.

Huw is thrown to one side, losing his phone in the process. A moment
later, light scythes into Huw's cell and he's staring up into the
eye-slit of a ceramic-reinforced veil. Strong, long-fingered hands lift
him free and he's unceremoniously slung over a hard female shoulder.
Dangling upside down, he catches a glimpse of the smoking ceiling of the
palanquin dissolving into blue goo. The Vulture waves her arms in their
direction, her black robe spread out like tattered wings as she screams
orders. The golems are lumbering toward them, but in a moment they're in
the crowd, lost in the swarm.

\begin{center}\rule{3in}{0.4pt}\end{center}

The safe house is another inflatable, half-buried in sand and ringed
with a memory-wire fence that guards some shepherd's noisome cache of
mutant livestock---cows that give chocolate milk, goats that eat scrap
plastic and excrete a soft spun cotton analogue, miniature hamster-sized
chickens that seem even stupider than real chickens and flock like
tropical fish. Adrian's already waiting for them when they arrive,
standing over the remains of Huw's bicycle.

``Guess you get to keep the hash, old son,'' Adrian says, kicking the
wreckage. ``Too bad---it was a lovely ride. I see you've met Maisie and
Becky. Becky, love, would you mind setting Huw down now? He's looking a
little green and I'm sure he'd appreciate some terror firmer and the
removal of that horrid gag.''

Neat as that, Huw is sitting plonk on his bottom in the sand, while
Adrian laboriously pries back and snaps off each of the golem's fingers.
Adrian tosses them to the goats, and Maisie says something to him that
Huw can't understand.

Adrian shakes his head. ``You worry too much---those buggers'll eat
anything.''

Once he's free of the gag, Huw gives his jaw an experimental wiggle,
then opens his mouth in a wide gasp. While he's catching his breath, the
whistle---which has staked out a hiding place behind his left
ear---abseils around his jaw, nips inside his mouth, and darts down his
throat. ``Shit!'' Huw chokes: and the whistle nestling in the back of
his larynx supplies a buzzing harmonic counterpoint.

``Aha!'' says Adrian. ``You're the designated carrier, all right.
\emph{Excellent.} The sisters want samples, later. You're going to need
a bath first, no offense. Come on in,'' he says, kicking away sand to
reveal a trapdoor. Hoisting it open, Adrian exposes a helical slide into
the bounce-house's depths; he slides in feetfirst and spirals down into
the darkness.

Huw gasps for breath, balanced on the fine edge between nervousness and
stark screaming terror. Normalcy wins: The whistle doesn't hurt, indeed
barely feels as if it's there. A goat sidles up behind him with evil in
its eyes and leans over his shoulder, sniffing to determine if he's
edible; the hot breath on his ear reminds him that he's still alive, and
not even unable to talk. One of the Libyan goth ninjettes is squatting
patiently by the door. ``Hello?'' he says, experimentally rubbing his
throat.

She shrugs and emits a rapid-fire stream of Arabic. Then, seeing he
doesn't understand, she shrugs again and points at the slide. ``Oh, I
get it,'' says Huw. He peers at her closely. ``Do I know you from
somewhere?''

She says something else, this time sharply. Huw sighs. ``Okay, I don't
know you.'' His throat feels a bit odd, but not as odd as it ought to
for someone who's just swallowed an alien communication device. \emph{I
need to know what's going on,} he realizes, eyeing the trapdoor
uneasily. \emph{Oh well}. Steeling himself, he lowers his legs into the
slide and forces himself to let go.

The room at the bottom is a large bony cavern, its ceiling hung with
what look like gigantic otoliths: the floor is carpeted with pink
sensory fronds. Adrian is messing around with a very definitely
nonsapient teapot on a battered Japanese camping stove. The other one of
the ninjette twins is sitting cross-legged on the floor, immersed in
some kind of control interface to the Red Crescent omnifab that squats
against one wall, burbling and occasionally squirting glutinously to
itself. ``Ah, there y'are. Cup of tea, mate?'' says Adrian.

``Don't mind if I do,'' Huw replies. ``Just what the \emph{fuck fuck
fuck clunge-swiving hell}---'scuse me---is going on?'' \emph{Who are you
and why have you been stalking me from Wales?}

``Siddown.'' Adrian waves at a beanbag. ``Milk, sugar?''

``Both, thanks. Agh---damn. Got anything for-for Tourette's?''

``'Cording to the user manual, it'll go away soon. No worries.''

``\emph{User} manual? Sh---you mean this thing comes with a warranty?
That sort of thing?''

``Sure.'' Adrian pours boiling water into the teapot and sets it aside
to stew. Then he sits down besides the oblivious Libyan woman and pulls
out a stash tin. He begins to roll a joint, chatting as he does so.
``It's been spamming to hell and back for the past six months. Seems
something up there wants us to, like, \emph{talk} to it. One of the high
transcendents, several gazillion subjective years removed from mere
humanity. For some years now, it's not had much of a clue about us, but
it's finally invented, bred, resurrected, whatever, an interface to the
the wossname, human deep grammar engine or whatever they're calling it
these days. Sort of like the crappy teapots the embassy issues everyone
with. Trouble is, the interface is really specific, so only a few people
can assimilate it. You---'' Adrian shrugs. ``I wasn't involved,'' he
says.

``Who \emph{was}?'' asks Huw, his knuckles whitening. ``If I find
them---''

``It was sort of one of those things,'' Adrian says. ``You know how it
happens? Someone does some deep data mining on the proteome and spots a
correlation. Posts their findings publicly. Someone else thinks,
\emph{Hey, I know that joe,} and invites them to a party along with a
bunch of their friends. Someone else spikes the punch while they're
chatting up a Sheila, and then a prankster at the New Libyan embassy
thinks, \emph{Hey, we could maybe rope him into the hanging judge's
reality show, howzabout that?} Boy, you can snap your fingers and before
you know what's happening, there's a flash conspiracy in action---not
your real good, old-fashioned secret new world order, nobody can be
arsed tracking those things these days, but the next best thing. A
self-propagating teleology meme. Goal-seeking Neat Ideas are the most
dangerous kind. You smoke?''

``Thanks,'' says Huw, accepting the joint. ``Is the tea ready?''

``Yeah.'' And Adrian spends the next minute pouring a couple of mugs of
extremely strong breakfast tea, while Huw does his best to calm his
shattered nerves by getting blasted right out of his skull on hashishim
dope.

``'Kay, lemme get this straight. I was never on tech jury call, right?
Was a setup. All along.''

``Well, hurm. It was a real jury, all right, but that doesn't mean your
name was plucked out of the hat at random, follow?''

``All right. Nobody planned, not a conspiracy, just a set of
\emph{accidents} 'cause the cloud wants to talk. Huh?'' Huw leans back
on the beanbag and bangs his head on a giant otolith, setting it
vibrating with a deep gut-churning rumble. ``'Sh cool stuff. Fucking
cloud. Why can't it send a letter if it wanna talk to \emph{me}?''

``Yer the human condition in microcosm, mate. Here, pass the spliff.''

``'Kay. So \emph{what} wants to talk?''

``Eh, well, you've met the ambassador already, right? S'okay, Bonnie'll
be along in a while with it.''

``And whothefuck are \emph{you}? I mean, what're you doing in this?''

``Hell.'' Adrian looks resigned. ``I'm just your ordinary joe, really.
Forget the Nobel Prize, that doesn't mean anything. 'S all a team effort
these days, anyway, and I ain't done any real work in cognitive
neuroscience for thirty, forty years. Tell the truth, I was just bumming
around, enjoying my second teenage Wanderjahr

when I heard 'bout you through the grapevine. Damn shame we couldn't get
a sane judge for the hearing. None of this shit would be necessary if it
wasn't for Rosa's thing.''

``Rosa---''

``Rosa

Giuliani. Hanging judge and reality show host. She's like, a bit
conservative. Hadn't you noticed?''

``A bit. Conservative.''

``Yeah, she's an old-time environmentalist, really likes conserving
things---preferably in formalin. Including anyone who's been infected by
a communications vector.''

``Oh.'' Normally this description of

Giuliani's politics would fill Huw with the warm fuzzies, but the thing
in his throat is a reminder that he's currently further outside his
comfort zone than he's ventured in decades. He's still trying to digest
the indigestible thought through a haze of amiability-inducing smoke,
when the local unplugs herself from the omnifab's console, stands up and
stretches, then plugs in a language module.

``Your bicycle will be healed again in a few hours,'' she says, nodding
at Huw, just as the omni burps and then hawks up a passable replica of a
Shimano dynamo hub. ``Can you put it together with tools?''

``I, uh---'' Huw gawks at her. ``Do I know you?'' he asks. ``You look
just like this hacker---''

She shrugs irritably. ``I am not responsible for my idiot clone-aunts!''

``But you---'' He stops. ``There are lots of you?''

``Oh yes.'' She smiles tightly. ``Ade, my friend, I am taking a walk.
Don't get up to anything I wouldn't.''

``I won't, Becky. Promise.''

``Good. I'm Maisie, though.'' She climbs onto a toadstool-shaped bone
and rapidly rises toward the ceiling on a pillar of \emph{something}
that might be muscle, but probably isn't.

``Lovely girls,'' Adrian says when she's gone. ``Where was I? Ah, yes:
the ambassador.''

``Ambassador?''

``Yeah, ambassador. It's a special kind of communications node: needs
enough brains to talk to that thing in your throat and translate what
you send it into something the cloud can work with. You're the
interpreter, see. We've been expecting it for a while, but didn't reckon
with those idiot script kiddies ending up in court. It'll be along---''

There's a clattering noise behind Huw, and he looks round so abruptly
that he nearly falls off his sack, and though he's feeling mellow---far
better disposed toward his fellow man than he was an hour ago---it's all
Huw can do to refrain from jumping up, shrieking.

``You!'' says Bonnie, clutching a large and ominously familiar black box
in her arms as she slides to a halt at the foot of the spiral. ``Hey,
Ade, is this \emph{your} party?''

The box twitches in her arms, as if something inside it is trying to
escape. Huw can feel a scream welling up in his throat, and it isn't
his---it's a scream of welcome, a paean of politics. He bites it back
with a curse. ``How the hell did you get that?'' he says.

``Stole it while the judge was running after you,'' Bonnie says.
``There's a README with it that says it needs a translator. That would
be you, huh?'' She looks at him with ill-concealed lust. ``Prepare to
plug into the ride of your life!''

``God, no,'' he says.

Adrian pats his shoulder. ``Pecker up. It's all for the best.''

The box opens and the Kleinmonster bobs a curtsy at him, then warbles.
His throat warbles in response. The hash has loosened his vocal cords so
that there isn't the same sense of forced labor, just a mellow, easy
kind of song. His voices and the Kleinmonster's intertwine in an aural
handshake and gradually his sensoria fades away, until he's no longer
looking out of his eyes, no longer feeling through his skin, but rather
he's part of the Cloudmind, smeared across space and time and a billion
identities all commingled and aswirl with unknowable convection currents
of thought and deed.

Somewhere there is the Earth, the meatspace whence the Cloudmind has
ascended. His point of view inverts and now the Earth is enveloped in
him, a messy gobstopper dissolving in a probabilistic mindmouth. It's
like looking down at a hatched-out egg, knowing that once upon a time
you fit inside that shell, but now you're well shut of it. Meat, meat,
meat. Imperfect and ephemeral and needlessly baroque and kludgy, but it
calls to the cloud with a gravitic tug of racial memory.

And then the sensoria recedes and he's eased back into his skin, singing
to the Kleinmonster and its uplink to the cloud. He knows he's x-mitting
his own sensoria, the meat and the unreasoning demands of dopamine and
endorphin. \emph{Ah,} says the ambassador. \emph{Ah. Yes. This is what
it was like. Ah}.

\emph{Awful}.

\emph{Terrible}.

\emph{Ah}.

\emph{Well, that's done}.

The Kleinmonster uncoils and stretches straight up to the ceiling, then
gradually telescopes back into itself until it's just a button of
faintly buzzing nanocrud. The buzzing gains down and then vanishes, and
it falls still.

Bonnie shakes his shoulders. ``What happened?'' she says, eyes shining.

``Got what it needed,'' Huw says with a barely noticeable under-drone.

``What?''

``What? Oh, a bit of a reminder, I expect. A taste of the meat.''

``That's it?'' Bonnie says. ``All that for---what? A trip down memory
lane? All that fucking work and it doesn't even want to stick around and
chat?''

Huw shrugs. ``That's the cloud for you. In-fucking-effable. Nostalgia
trip, fact-finding mission, what's the difference?''

``Will it be back? I wanted to talk to it about \ldots{}'' She trailed
off, blushing. ``I wanted to know what it was like.''

Huw thinks of what it was like to be part of the matryoshka-brain, tries
to put it into words. ``I can't quite describe it,'' he says. ``Not in
so many words. Not right now. Give me a while, maybe I'll manage it.''
He's got a nasty case of the pasties and he guzzles a cup of lukewarm
milky tea, swirling it around his starchy tongue. ``Of course, if you're
really curious, you could always join up.''

Bonnie looks away and Adrian huffs a snort. ``I'll do it someday,'' she
says. ``Just want to know what I'm getting into.''

``I understand,'' he says. ``Don't worry, I still think you're an
anti-human race-traitor, girlie. You don't need to prove anything to
me.''

``Fucking right I don't!'' Bonnie says. She's blushing rather
fetchingly.

``Right,'' Huw says.

``Right.''

Huw begins to hum a little, experimenting with his new transhuman
peripheral. The drone is quite nice: it reminds him vaguely of a
digeridoo. Or bagpipes. He sings a little of the song from the
courthouse, in two-part discord. Bonnie's flush deepens and she rubs her
palms against her thighs, hissing like a teakettle.

Huw cocks his head at her and leans forward a bit, and she grabs his
ears and drags him down on top of her.

Adrian taps him on the shoulder a moment later. ``Sorry to interrupt,''
he says, ``but Judge Rosa's bound to come looking for you eventually.
We'd best get you out of Libya sharpish.''

Huw ignores him, concentrating on the marimba sensation of Bonnie's rib
cage grinding over his chest.

Adrian rolls his eyes. ``I'll just go steal a blimp or something, then,
shall I?''

Bonnie breaks off worrying Huw's ear with her tongue and teeth and says,
``Fuck off awhile, will you, Adrian?''

Adrian contemplates the two of them for a moment, trying to decide
whether they need a good kick round the kidneys, then turns on his heel
and goes off to find Maisie, or perhaps Becky, and sort out an escape.

The entity Huw has mistaken for the whole of the cloud whirls in its
orbit, tasting the meat with its mutifarious sensory apparat, thinking
its in-fucking-effable thoughts, muttering in RF and gravity and
eigenstate. The ambassador hibernates on the safe house's floor, prized
loose from under Huw's tailbone, where it had been digging rather
uncomfortably, quite spoiling Huw's concentration, and tossed idly into
a corner. The cloud thing's done with it for now, but its duty-cycle is
hardly exhausted, and it wonders what its next use will be.

Huw moans an eerie buzz that sets Bonnie's gut aquiver in sympathy,
which is not nearly so unpleasant as it sounds.

In fact, Bonnie thinks she could rather get used to it.

\begin{center}\rule{3in}{0.4pt}\end{center}

\subsection{YET ANOTHER COMMERCIAL INTERLUDE}

\emph{Woah! How about that for an opener? Sex, aliens, dream therapists,
and vat-grown goatmeat---we think you'll agree that Huw is off to a
smashing start. If you do, this just might be the perfect time to stand
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\begin{center}\rule{3in}{0.4pt}\end{center}

\section{Appeals Court}

What finally wakes Huw is the pain in his bladder. His head is
throbbing, but his bladder has gone weak on him lately---he's been
shirking having a replacement fitted---and if he doesn't get up and find
the john soon, he's going to piss himself. So he struggles up from a
sump hole of somnolence.

He opens his eyes and realizes disappointedly that he's not back home in
his own bed: he's lying facedown in a hammock. \emph{Damn, it's not just
a bad dream.} The hammock sways gently from side to side in the hot
stuffy air. Light streams across him in a warm flood from one side of
the room; the floor below the string mesh is gray and scuffed, and
something tells him he isn't on land anymore. \emph{Shit,} he thinks,
pushing stiffly against the edge and trying not to fall as the hammock
slides treacherously out from under him. \emph{Why} \emph{am} \emph{I}
\emph{so} \emph{tired?}

His bare feet touch the ground before he realizes he's bare-ass naked.
He rubs his scalp and yawns. His veins feel as if all the blood has been
replaced by something warm and syrupy and full of sleep. \emph{Drugs?}
he thinks, blinking. The walls---

Three of them are bland, gray sheets of structural plastic with doors in
them. The fourth is an outward-leaning pane of plexiglas or diamond or
something. A very, very long way below him he can see wave crests.

Huw gulps, his pulse speeding. Something strange is lodged in the back
of his throat. He stifles a panicky whistle. There in a corner lie his
battered kit bag and a heap of travel-worn clothing. He leans against
the wall. \emph{There's got to be a crapper somewhere nearby, hasn't
there?} The floor, now he's awake enough to pay attention, is thrumming
with a low bass chord from the engines, and the waves are sloshing by
endlessly below. As he picks at a dirty shirt, a battered copper teapot
rolls away from beneath it. He swears, memories flooding back. Then he
picks up the teapot and gives it a resentful rub.

``Wotcher, mate!'' The djinni that materializes above the teapot is a
hologram, so horribly realistic that for a moment Huw forgets his
desperate need for a piss.

``Fuck you too, Ade,'' he says.

``What kind of way to welcome yer old mate is that, sunshine?''
Hologram-Adrian's wearing bush jacket and shorts, a shotgun slung over
one shoulder. ``How yer feeling, anyway?''

``I feel like I've been shat.'' Huw rubs his forehead. ``Where am I?
Where's Bonnie gotten to?''

``Flying the bloody ship. We can't all sleep. Don't worry, she's just
hunky-dory. How about you?''

``Flying.'' Huw blinks. ``Where the hell---?''

``You've been sleeping like a baby for a good long while.'' Ade looks
smug. ``Don't worry, we got you out of Libya one jump ahead of Rosa. You
won't be arriving in Charleston, South Carolina, for another four or
five hours, why'n't you kick back and smoke some grass? I left at least
a quarter of your stash---''

``\emph{South Carolina?''} Huw screams, nearly dropping the teapot.
``Unclefucking sewage filter, what do you want to send me \emph{there}
for?''

``Ah, pecker up. They're your coreligionists, aren't they? You won't
find a more natural, flesh-hugging bunch on the planet than the
Jeezemoids who got left behind by the Rapture. Hell, they're the kind of
down-home Luddites what make \emph{you} look like Saint Kurzweil.''

``They're \emph{radioactive,}'' Huw says. ``And I'm an atheist. They
burn atheists at the stake, don't they?'' He rummages through his skanky
clothes, turning them inside out as he searches for something not so
acrawl that he'd be unwilling to have it touch his nethers.

``Oh, hardly,'' says Adrian. ``Just get a little activated charcoal and
iodine in your diet and memorize the Lord's Prayer and you'll be fine,
sonny.''

Huw ends up tying a T-shirt around his middle like a diaper and seizing
the teapot, which has developed a nasty rattle in its guts.

``Breakfast and toilet. Not in that order. Sharp.''

``That door there,'' says the miniaturized Adrian, pointing.

\begin{center}\rule{3in}{0.4pt}\end{center}

The zeppelin turns out to be a maryceleste, crewed by capricious iffrits
whose expert systems were trained by angry, resentful trade unionists in
ransom for their pensions. The amount of abuse required to keep the ship
on course and its commissary and sanitary systems in good working order
is heroic.

Huw opens the door to the bridge, clutching his head, to find Bonnie
perched on the edge of a vast, unsprung chair, screaming imprecations at
the air. She breaks off long enough to scream at him. ``\textbf{Get the
fuck off my bridge!}'' she hollers, eyes wild, fingers clawing at the
armrests.

Huw leaps back a step, dropping the huge, suspicious sausage he's been
gnawing from one end of. His diaper unravels as he stumbles.

Bonnie snorts, then gets back control. ``Aw, sorry, darlin'. I'm hopped
up on hateballs. It's the only way I can get enough \textbf{fucking
spleen} to \textbf{make this buggery bollocky scum-sucking ship} go
where I tell it.'' She sighs and digs around the seat cushion, coming up
with a puffer, which she inserts briefly into the corner of each eye.
The tension melts out of her skinny shoulders and corded neck as Huw
watches, alarmed.

``You look like a Welsh Gandhi,'' she tells him, giggling. Her lips loll
loose; she stands and rolls over toward him with a half-drunken wobble.
Then she throws her arms around his neck and fastens her teeth on his
shoulder, worrying at his trapezium.

The teapot whistles appreciatively. Bonnie gives it a savage kick that
sends it skittering back into the corridor.

``You need a wash, beautiful,'' she says. ``Unfortunately, it's going to
have to be microbial. Nearly out of fresh water. Tub's up one level.''

``Gak,'' Huw says.

``'Snot so bad.''

``It's \emph{bugs,}'' he says.

``You're hosting about three kilos of bugs right now. What're a few
more? Go.''

Huw picks up his sausage. ``You know where we're going, right?''

``Oh aye,'' she says, her eyes gleaming, then whistles a snatch of
``America the Beautiful.''

``And you approve?''

``Always wanted to see it.''

``They'll burn you at stake!''

She picks up a different puffer and spritzes each eye, then bares her
teeth in a savage rictus. ``I'd like to see them fucking try.
\textbf{Bathe, you cretinous stenchpot!}''

\begin{center}\rule{3in}{0.4pt}\end{center}

Huw settles himself among the soup of heated glass beads and bacteria
and tries not to think of a trillion microorganisms gnawing away at his
dried skin and sweat.

He mutters transhuman curses in groaning harmony at the battered
teapot---no longer hosting the avatar of a particularly annoying iffrit,
but evidently hacked by Ade and his international cadre of merry
pranksters. ``Why South Carolina? G'wan, you. Why \emph{there,} of all
places?''

He isn't expecting a reply, but the teapot crackles for a moment; then a
translucent holo of Ade appears in the air above it, wearing a belly
dancer's outfit and a sheepish expression. ``Yer wot? Ah, sorry mate.
Feckin' trade union iffrit's trying to make an alpha buffer attack on my
sprites.'' The image flickers then solidifies, this time wearing a bush
jacket again. ``Like, why South Carolina? To break the embargo, Huw.
Ever since the snake-handlers crawled outta the swamps and figured the
Rapture had been and gone and left 'em behind, they've been waiting for
a chance at salvation, so I figured I'd give them you.'' Ade's likeness
grins wickedly as red horns sprout from his forehead. ``You and the back
channel to the ambassador from the cloud. They want to meet God so bad,
I figured you'd maybe like to help the natives along.''

``But they're radioactive!'' Huw says, shaking his fist at the teapot
with a rattle of yeast-scented beads. ``And they're lunatics! They won't
talk to the rest of the world, because we're corrupt degenerate
satanists; they claim sovreignty over the entire solar system even
though they can't launch a sodding rocket; and they burn dissidents to
death by wiring them up to transformers! Why would I want to \emph{help}
them?''

``Because your next mission, should you choose to accept it, is to open
them up to the outside universe again.'' Ade smirks at him from atop the
teapot.

``Fuck.'' Huw subsides into the fizzing bath of beads, which are
beginning to itch. Moving them around brings relief, although it's
making him a little piebald. ``You want to infect the Fallen Baptist
Congregations with godvomit, you be my guest---just let me watch from
another continent, all right?''

``That's an idea,'' says Ade, scratching his beard absentmindedly.
``Shame it's not going to fly. But tell you what, Bonnie's one of our
crack agents. Don't you worry, we wouldn't risk our prophet-at-large in
a backwater, mate. We'll keep you safe as houses.''

Huw thinks of Sandra Lal, the House of the Week club, and her
mini-sledge, and shudders. His arse is beginning to itch as the
bacteribeads try to squeeze through his ringpiece: it's time to get out.
``If this goes wrong, so help me, I am going to make you eat this
teapot,'' he says, picking it up. He heads downstairs to find Bonnie
again and see if she's come down far enough off the hateballs to
appreciate how squeaky-clean Ade's messiah manqué is feeling.

\begin{center}\rule{3in}{0.4pt}\end{center}

The big zeppelin lurches and buzzes as it chases its shadow across the
black tarry beaches and the out-of-control neomangrove jungle that has
run wild across the Gulf coast. The gasoline mangroves spin their
aerofoil leaves in the breeze, harnessing the wind power and pumping
long-chain terpenoids into their root systems, which ultimately run all
the way to the hydrocarbon refineries near Beaufort. A long-obselete
relic of the feverish cross-fertilization of the North American
biotechnology biz with the dinosaurs of the petroleum age, they ought by
rights to have made the United States the world's biggest source of
refined petrochemicals---except that since the singularity, nobody's
buying. Oil slicks glisten in the sunlight as they spread hundreds of
kilometers out into the Atlantic, where they feed a whole deviant
ecosystem of carbon-sequestrating petroplankton maintained by the
continental quarantine authority.

Huw watches apprehensively from the observation window at the front of
the bridge as Bonnie curses and swears at the iffrits, who insist that
air traffic control is threatening to shoot them down if they don't
steer away from the land of the Chosen People. Bonnie's verbal abuse of
the ship ascends to new heights of withering scorn, and he watches her
slicken her eyeballs with anger-up until they look like swollen golf
balls, slitted and watering. The ship wants to turn itself around, but
she's insisting that it plow on.

``Hail ground control \textbf{now!} you fucking sad, obsolete piece of
shit, so that for once, \textbf{just! for! once!} you will have done one
genuinely \textbf{useful!} thing for \textbf{someone!}'' She snarls and
coughs, hacking up excess angry-up that has trickled back through her
sinuses. She picks up the mic and begins to stalk the bridge like an
attack comedian scouting the audience for fat men with thin dates to
humiliate.

``This is Charleston Ground Control repeating direct order to vacate
sovereign Christian States of America airspace immediately or be blown
out of the sky and straight to Satan. Charleston Ground Control out.''
The voice has the kind of robotic-slick Californian accent that tells
Huw straightaway that he's talking to a missile guidance computer rather
than a human being.

``\textbf{Hail! Him! Again!}'' Bonnie yells, hopping from foot to foot.
``Arrogant Jesus-sucking sack of SARS, scabrous toddler-fondler,
religion-addled mother\textbf{fucker},'' she says, punching out with the
mic for punctuation.

``Bonnie,'' Huw says quietly, flinching back from her candy apple red
eyeballs.

``\textbf{What?}''

``Maybe you should let me talk with them?'' he says.

``I am \textbf{perfectly!} capable of negotiating with
\textbf{microcephalic! god! bothering! luddites!}

'' she screeches.

\emph{No,} \emph{you're} \emph{not,} Huw thinks, but he doesn't even
come close to saying it. In the state she's in, she could lift a car and
set it down on top of a baby, a reversal of the legendary maternal
hysterical feat of strength. ``Yes, you \emph{are,}'' he says. ``But you
need to fly the ship.''

She glares at him for a moment, fingernails dug so hard into her palms
that drops of blood spatter to the flooring. He's sure that she's going
to charge him, but the zeppelin changes direction with a lurch. So she
throws the mic at his head viciously---he ducks, but it still beans him
on the rebound---and goes back to screaming at the ship.

Huw staggers off the bridge and sinks back against one of the bare
corridor bulkheads---the zep that Adrian's adventurers stole is made
doubly cavernous by the absence of most of its furnishings.

``This is \emph{Airship Lollipop} to Charleston Ground Control
requesting clearance to land in accordance with the Third International
Agreement on Aeronautical Cooperation,'' he says into the mic, using his
calmest voice. He's pretty sure he's heard of the Third International
Agreement, though it may have been the Fourth. And it may have been on
Aeronautical Engineering. But that there is an agreement he is certain,
and he's pretty sure that the Christian States of America is no more up
to date on international affairs than he is.

``\emph{Airship Lollipop,} y'all welcome to land here, but we's having
trouble convincing with this darned strategic defense battle computer
that thinks y'all are goddless Commie-fag euroweasels. I reckon you got
maybe two minutes to repent before it blows y'all to Jesus.''

Huw breathes a sigh of relief: at least there's a human in the loop.
``How do we convince it we're not, uh, godless Commie-fag euroweasels?''
he asks, suppressing a twinge as he realizes that, in fact, he and
Bonnie meet about 130 percent of those criteria between them.

``That's easy, y'all just gotta have a little faith,'' says the airhead
on the traffic control desk.

Huw grits his teeth and looks through the doorway at Bonnie, whose ears
appear to be smoking. He puts a hand over the mic: ``Does this thing
carry missiles?'' he calls to her.

``\textbf{Fucking} fucking arse shit bollocks---'' Bonnie hammers on a
control panel off to one side. It bleeps plaintively, the ancient chime
of servers rebooting: ``---'ing \textbf{countermeasures} suite!''

``Hasta la vista, sinners,'' drawls the missile launch computer in a
thick gubernatorial Austro-Californian accent. Two pinpricks of light
blossom on the verdant horizon of the gasoline mangroves, then a third
that rapidly expands into a fireball as the antique pre-cloud hypersonic
missile explodes on launch. The surviving missiles stab toward them and
there's a musical chime from the countermeasures control panel. Huw
feels a moment of gut-slackening terror. ``You've got mail!'' the
countermeasures system announces in the syrupy tones of a kindergarten
teacher. ``Facebook-Goldman-AOL welcomes you to the United States of
America. You have 14,023 new friend requests, which you will receive
after this message from our sponsors. Your hen wants milking, your goat
has been turned into a zombie, there are 14,278,123 new status updates,
and you have been de-friended 1,974,231 times. There are 5,348,011
updates to the privacy policy for your review.''

Bonnie thumps something on the panel, muscles like whipcord standing out
on her arm as she glares at the oncoming missiles. Huw backs away.
\emph{She might actually be a communicant,} he realizes in absolute
horror. \emph{She might actually have a Facebook account!} \emph{She's
mad enough.} \ldots{}These days, tales of what Facebook did with its
users during the singularity are commonly used to scare naughty children
in Wales.

``Acknowledged,'' says the possessed countermeasures suite in the
hag-ridden tone of a computer that has surrendered to the dark side. For
a moment nothing seems to happen; then one of the onrushing pinpricks of
light veers toward the other. Paths cross then diverge in a haze of
debris. ``Displaying new privacy policy,'' it sighs.

``Don't read it!'' Huw screams, but he's too late---Bonnie has punched
the console again, and messages begin scrolling across it. In the middle
distance, Charleston airport's cracked and vitrified runways are coming
into view. Missile batteries off to one side cycle their
launcher-erectors impotently, magazines long since fired dry at the
godless Commie-fag euroweasel aid flights.

``We gotta bail out before we land, otherwise we'd have to go through
customs,'' she says. ``That would be bad---South Carolina never ended
Prohibition.''

``What? Prohibition of what? What are you talking about?'' His hands are
shaking, he realizes. ``I need a drink.''

``Prohibition of everything, \textbf{dipshit},'' Bonnie says. She pauses
for a moment, prodding at her eyes with a mister, but they are so
swollen that she can't get its applicator into contact with bare mucous
membrane. She roots around some more, then whacks some kind of
transdermal plaster on her arm. ``Sorry, gotta \textbf{arse fuck} come
down now. Your stash, darling? It's illegal here. If the customs crows
catch you with it, they'll stick you on the chain gang and you'll be
chibbed and \textbf{fuck raped baby-eating murdered} by psychotic mutant
Klansmen for the next two hundred years. It's bad for the skin, I
hear.'' She stands up and heads toward a battered cabinet at the rear of
the bridge, which she opens to reveal a couple of grubby-looking
parachutes that appear to have been hand-packed with all due care and
attention by stoned marmosets. ``We'll be passing over the hot tub in
about three minutes. You coming?''

The parachute harness she hands him is incredibly smelly---evidently its
last owner didn't believe in soap---but its flight control system
assures Huw that it's in perfect working order and please to extinguish
all cigarettes and switch off all electronics for the duration of the
flight. Tight-lipped, Huw fastens it around his waist and shoulders,
then follows Bonnie to the back of the bridge and down a rickety ladder
to the bottom of the gas bag. There's an open hatch, and when he looks
through it, he sees verdant green folliage whipping past at nearly a
hundred kilometers per hour, hundreds of meters below. ``Clip the red
hook to the blue static line eye,'' says the harness. ``Clip the---''

``I get the picture,'' Huw says. Bonnie is already hooked up, and turns
to check his rig, then gives him a huge shit-eating grin and steps
backwards into the airship's slipstream. ``Aagh!'' Huw flinches and
stumbles, then follows her willy-nilly. Seconds later the chute unfolds
its wings above him, and his ears are filled with the sputtering snarl
of a two-stroke motor as it switches to dynamic flight and banks to
follow Bonnie down toward a clearing in the mangrove swamp.

The swamp rushes up to meet him in a confusion of green, buffeting him
with superheated steam as he descends toward it, so that by the time the
chute punches him through the canopy, he's as steamed as a dim sum bun.
Bonnie's chute speeds ahead of him, breaking branches off and clattering
from tree to tree. He tries to follow its crazy trail as best as he can,
but eventually he realizes, with a sick falling sensation in his
stomach, that she's no longer strapped into it. ``Bonnie!'' he yells,
and grabs at the throttle control.

``Danger! Stall warning!'' the parachute intones. ``Guru Meditation Code
14067.''

Huw looks down dizzily. He's skimming the ground now, or what passes for
it---muck of indeterminate depth, interspersed with clumps of curiously
nibbled-looking water hyacinth. The tree line starts in another couple
of hundred meters, and it's wall-to-wall petroleum plants. Black leafed
and ominous looking, the stunted inflammabushes emit a dizzying stench
of raw gasoline that makes his eyes swim and his nose water. ``Fuck,
where am I going to land?''

``Please fold your tray table and return your seat to the upright
position,'' says the parachute control system. ``Extinguish all joints,
switch off mobile electronics, and prepare for landing.'' The engine
note above and behind him changes, spluttering and backfiring, and then
the damp muck comes up and slaps him hard across the ankles. Huw
stumbles, takes a faltering step forward---then the nanolight's engine
drops down as the chute rigging collapses above his head and thumps him
right between the eyes with a hollow \emph{tonk}.

\begin{center}\rule{3in}{0.4pt}\end{center}

``What you've got to understand, son,'' says the doctor, ``is it's all
the fault of the alien space bats.'' He holds up the horse syringe and
flicks the barrel. A bubble wobbles slowly up through the milky fluid.
``If it wasn't for them and their Jew banker patsies, we'd be ascended
to heaven.'' He squeezes the plunger slightly and a thick blob of turbid
liquid squeezes out of the syringe and oozes down the needle. ``Carbon
traders damned us to this living hell.'' He grins horribly, baring
gold-plated teeth, and points the end of the needle at Huw's neck. Huw
can't move his gaze from Doc's mustache: it's huge and bushy, a hairy
efflorescence that twitches suspiciously as the barefoot medic inhales
with sharp disapproval.

``Carbon traders?'' Huw's voice sounds weak, even to himself. He stares
past the doctor at the peeling white paint on the wall of this sorry
excuse for a medical center. ``What have they got to do with---?''

``Carbon traders.'' Doc nods as he rams the blunt end of the
quarter-inch needle against Huw's jugular. Machines whine and click, and
the side of Huw's neck goes numb. ``Once the children of Mammon started
floating credit-default swaps against carbon remediation bonds, the
whole planet became worth more if it was on fire than if it was fulla
trees. So now you've got all these trillion-dollar bets that'll go bust
if the polar caps don't melt, and it wasn't long afore the polar caps
were worth more melted than intact, and well, the market provided the
incentives. Now look at us.''

Huw tries to swallow. The plunger is going down, and white goo is
flooding into his circulatory system, billions of feral redneck
nanomachines bouncing off his fur-lined arteries in search of damaged
tissue to fix. His mouth is parched, his tongue as crinkly and musty-dry
as a dead cauliflower. ``But the, the alien---''

``Alien space bats, son,'' says Doc. He sighs lugubriously and pulls the
syringe away from Huw's neck. ``With their fancy orbital Fresnel lens.
\emph{They're} behind the global warming thing, y'see, it's nothing to
do with burning oil. It dates to the fifties. Those closet Commies in
with their astronomy toys, they were smart---using tax-funded
astrophysics instruments to signal the space brothers! Seeing as how God
made us a strongly anthropic universe to live in, it stands to reason
there must be aliens out there. It's a long-term plot, a two
hundred-year Communist plan to bankrupt America. And it's working. All
those deserters and traitors who upped and left when the singularity
hit, they just made it worse. They're the savvy ones we need to make
this country great again, rebuild NASA and Space Command, but do it
right, pure American, deep background checks and purity oaths, and go
wipe those no-good Ruskie alien space bats and their Jew banker patsies
from the dark side of the moon.''

\emph{Oh Jesus fuck,} Huw thinks incoherently, lying back and trying to
get both eyes to focus simultaneously. He still feels sick to his
stomach and a bit dizzy, the way he's been since Bonnie found him neatly
curled up under a gas tree with a huge lump on his head and his
parachute rigging draped across the incendiary branches. ``Have you seen
my teapot?'' he tries to say, but he's not sure it comes out right.

``You want a cup of joe?'' asks Doc. ``Sure, we can do that.'' He pats
Huw's shoulder with avuncular charm. ``You just lie there and let my
little helpers eat the blood clots in your brain for a while.''

``Bonnie---,'' Huw whispers, but Doc is already standing and turning
toward the door at the other side of the surgery, out of his line of
sight. The blow from the motor did something worse to him than
concussion, and he can't seem to move his arms or legs---or neck.
\emph{I'm still breathing, so it can't be that bad,} he tells himself
hopefully. \emph{Remember, if you break your neck during a botched
parachute landing and then a mad conspiracy theorist injects black
market nanomachines into you, it's highly unlikely that anything worse
can happen before sundown,} he tells himself in a spirit of misplaced
optimism.

And things are, indeed, looking up compared to where they were an hour
or two ago. Bonnie had found him, still unconscious, lying at the foot
of a tree that was already dribbling toxic effluent across his boots.
The teapot was screaming for help at the top of its tinny electronic
lungs as an inquisitive stream of brick red ants crawled over its
surface, teaming up to drag it back to one wing of the vast sprawling
supercolony that owned the continent. The ants stung, really, really
hard. And there were \emph{lots} of them, like a tide sweeping over his
body. It was Bonnie who'd signaled Doc, using some kind of insane
spatchcock mobile phone jury-rigged from the wreckage of her parachute
harness to broadcast on all channels for help, and it was Bonnie who'd
sat beside him, whispering sweet nothings and occasionally whacking
impudent Formicidae, until Doc hove into view on his half-rusted swamp
boat. But she'd vanished, not sticking around to explain to Doc how come
she and Huw were at large in the neverglades---and the doc seemed mad
about that.

After a couple of hours on the operating table, Huw has discovered that
half an hour can be a very long time indeed when your only company is a
demented quack and you can't even scratch your arse by way of
entertainment. And his arse \emph{itches}. In fact, it's not all that
itches. Up and down his spine, little shivers of tantalizing irritation
are raising gooseflesh. ``Shitbiscuits,'' he mumbles as his left hand
begins to tremble uncontrollably. The nanobots have reached the swollen,
damaged tissues within his cervical vertebrae and are busily reducing
the swelling. They're coaxing suicidal neurons back into cytocellular
stability, laying temporary replacement links where apoptosis has
already proceeded to completion, and generally repairing the damage
Huw's supine spinal cord has received. For which Huw is incredibly
grateful---if Doc were as nuts as he seems, he might have injected an
auto engine service pack and Huw might at this very moment be gestating
a pile of gleaming ceramic piston rings---but it \emph{itches} with the
fire of a thousand ants crawling inside his veins. ``Balls on a tea
towel,'' he says. And then his toes begin to tremble.

By the time Doc reappears, Huw is sitting up, albeit as shaky as an
ethanol addict in the first week of withdrawal. He moans quietly as he
accepts a chipped mass-produced Exxon mug full of something dark and
villainous enough that it resembles a double-foam latte, if the barista
substituted Gulf crude for steamed milk. ``Thanks,'' he manages to choke
out. ``I think. I hope Bonnie comes back soon.''

``That godless sinning harridan?'' Doc cranks one eyebrow up until it
teeters alarmingly. ``Naw, son, you don't want to be going worrying
about the likes of her. She's bad company, her and her crew---between
you and me, I figure she's in league with the space bats.'' He chuckles.
``Naw, you'll be much better off with me an' Sam. Ade told us all about
you and what you're here for. We'll set you straight.''

``Ade. Told you.'' Huw's stomach does a backflip, which feels extremely
strange because something is wrong with his body image. It feels all
wrong inside. He clears his throat and almost chokes: the alien
whistle-thing-communicator is gone! Then his stomach gives a warning
twinge and his momentary flash of hope fades. The godvomit has simply
retreated deeper into his gastrointestinal tract, hiding to bide its
time like a bad plot twist in a Tamil robo-apocalypse movie. ``How'd you
know him?''

``'Cause we do a bit of business from time to time.'' Doc's eyebrow
relaxes as he grins at Huw. ``A little light smuggling, son. Don't let
it get on your nerves. Ade told us what to do with you, and everything's
going to be just fine.''

``Just fine---'' Huw stops. ``What are you going to do with me?'' he
asks.

``Ade figures we oughta deliver you to the Baptist temple in Glory
City---that's Charleston as was---in time for next Thursday's memorial
service. It's the forty-sixth anniversary of the Rapture, and they get
kinda jumpy at this time of year.'' A meaty hand descends on Huw's
shoulder and he looks round, then up, and up until his newly fixed neck
aches at the sight of a large, completely hairless man with skin the
color of a dead fish and little piggy eyes. ``Son, this is Sam. Say
hello, Sam.''

``Hello, Sam,'' rumbles the human mountain. Huw blinks.

``You're going to hand me over to the Baptists?'' he asks. ``What
happens then?''

``Well.'' Doc scratches his head. ``That's up to you, isn't it?''

``But this anniversary. What do you mean, they get jumpy?''

``Oh, nothing much. Just sacrifice a bunch of heretics to make God
notice they still believe, that kinda thing. You got a problem with
that?''

``Maybe.'' Huw licks his lips. ``What if I don't want to go?''

``Well, then.'' Doc cocks his head to one side and squints at Huw's left
ear. ``Say, son, that's a mightly nice ear you've got there. Seeing as
how you've not paid your medical bill, I figure we'd have to take it off
you to cover the cost of your treatment. Plus maybe a leg, a kidney, and
an eye or two. How about it?''

``No socialized medicine here!'' rumbles Sam as a second backhoe-sized
hand closes around Huw's other shoulder.

``Okay! I'll do it! I'll do it!'' Huw says.

Doc beams amiably at him. ``That calls for a shot of shine,'' says the
medic. ``I \emph{knew} you'd see sense. Now, about the alien space bats.
We've got this here telescope that Sam liberated when they were burning
the university---hive of godless heretics---but we don't know how to
work it proper. Have you ever used one? We're looking for the bat cave
on the moon. \ldots{}''

\begin{center}\rule{3in}{0.4pt}\end{center}

Welcome to the American future, at the dusk of the twenty-first century.

Over the years and decades since the singularity, the ant colony has
taken the entire Atlantic coast of the United States, has marched on
Georgia and west to the Mississippi. It is an anarchist colony, whose
females lay eggs without regard for any notional Queen, and it has just
entered its fiftieth year of life, which is Methuselah-grade longevity
by normal ant colony standards, but may be just the beginning for the
Hypercolony.

The God-botherers have no treaty with the ants, but have come to view
them as another proof of the impending end of the world. Anything that
is not contained in chink-free, seamless plastic and rock is riddled by
ant tunnels within hours. They've learned to establish airtight seals
around their homes and workplaces, to subject themselves to stinging
insecticide showers before clearing a vestibule, to listen for the
Tupperware burp whenever they seal their children in their space suits
and send them off to Bible classes.

The ants have eaten through most of the nematode species beneath the
soil, compromised all but the most plasticized root systems of the
sickening flora. (The gasoline-refining forests are curiously symbiotic
with the colony---anarchist supercolonies like living cheek-by-mouthpart
with a lot of hydocarbons.) They've eaten the beehives and wasp nests,
and they've laid waste to any comestible not tinned and sealed, leaving
the limping Americans with naught but a few trillion tons of processed
food to eat before their supply bottoms out.

The American continent is a very Grimm fairy tale that the cloud
dwellers review whenever one faction or another doubts its decision to
abandon Earth-bound humanity. The left-behinds there spend their lives
waiting for an opportunity to pick up a megaphone and organize crews
with long poles to go digging through the ruins of civilization for
tinned goods. Presented with their opportunity in the aftermath of the
Geek Rapture, they are happy as evangelical pigs in shit---plenty to
rail against, plenty of fossil fuel, plenty of firearms.

What more could they possibly need?

\begin{center}\rule{3in}{0.4pt}\end{center}

Once it becomes clear that Huw is prepared to go to Glory City, the doc
comes all-over country hospitality, and details Sam with the job of
getting him properly lubricated. They watch the sunset through the
tupperware walls of the doc's homestead, gazing out at the thick carpet
of ants swarming over the outer walls as they chase the last of the sun
across the surface. When the sun finally sets, the sound of a billion
tromping feet keeps them company.

``Well,'' says Doc, nodding at Sam. ``Looks like it's time to hit the
road.''

Huw sits up straight. Glory City is \emph{not} on his agenda, but if
he's going to make a break for it, he wants to do it somewhere a bit
more crowded and anonymous than here, right in the middle of Doc's home
turf. Plus, he's still weak as a kitten from gasoline-tainted corn mash
and the nanos knitting busily in his guts.

``We'll take the bikes,'' Doc says with an affable nod. ``Go get 'em,
Sam.''

Sam thuds off toward an outbuilding, the plasticized floors dimpling
under his feet.

``He's a good boy,'' says Doc. ``But I figure I used too many cognitive
enhancers on him when he was a lad. Made him \emph{way} too smart for
his own good.''

Sam returns with a serious-looking anime-bike dangling from each hand.
``alt.pave-the-earth,'' he says, setting them down. His voice is
bemused, professorial. ``I'll go get the sidecar.''

``He'll need a space suit,'' Doc calls after him. ``What're you, about a
medium?''

Huw, staring wordlessly at the stretched and striated bikes with their
angular moldings, opens his mouth. ``I'm a 107-centimeter chest,'' he
says.

``Ah, we don't go in for that metric eurofaggotry around here, son.
Don't really matter much. Space suits never fit too good. You'll get
used to it. It's only six hours.''

Sam returns with a low-slung sidecar under one arm and a suit of
Michelin Man armor over his shoulders.

``It's very ergonomic,'' he says tectonically as he sits the suit down
next to Huw's folding lawn chair, then goes to work attaching the car to
one of the bikes.

Huw fumbles with the Michelin suit, eventually getting the legs pulled
on.

``Binds a bit at the crotch,'' he says, hoping for some sympathy.

``Yeah, it'll do that,'' says Doc.

Huw modestly turns his back and reaches down to adjust himself. As he
does so, he fumbles with the familiar curve of the brass teapot. Peeking
down, he sees a phosphorescent miniature holographic Ade staring back up
at him.

``Quick! Hide me,'' Adrian says.

Huw puts his hand where he'd expect to find a pocket, and a little hatch
pops open, exposing a hollow cavity in the thigh. He sneaks the teapot
into it and dogs the hatch shut. ``I'm ready, I think,'' he says,
turning round again.

Doc and Sam have already suited up; they're waiting impatiently for Huw
to get ready. The bikes are bolted either side of the sidecar, and Doc
waves Huw into the cramped seat in the middle. Waddling in the suit,
clutching a portable aircon pack, Huw has a hard time climbing in.
Everything sounds muffled except the whirr of the helmet fans. A
pronounced smell of stale BVDs and elderly rubber assaults his nose
periodically, as if the suit is farting in his face. ``Let's go,'' Sam
says, and they kick off toward the doorway, which irises open to admit a
trickling rain of ants as the bikes roar and spurt gouts of flame
against the darkness.

The blast of the jet engines doesn't die down, nor does the laser-show
strobing off the pixelboards on the outsized fuel tanks, but somehow Huw
manages to snooze through the next couple of hours: it's probably the
moonshine. Doc is rambling at length about some recondite point of
randite ideology, illuminating his own rugged self-reliance with the
merciless glare of A-is-A objectivist clarity, but after a few minutes
Huw discovers two controls on his chest plate that raise his opinion of
the suit designers: a drinking straw primed with white lightning, and
the volume control on the radio. As his sort-of jailers drive him along
a potholed track lined with the filigree skeletons of ant-nibbled trees,
he kicks back and tries to get his head together. If it wasn't for the
eventual destination, he could almost begin to enjoy himself, but
there's a nagging sense of weirdness in his stomach (where the godvomit
still nestles, awaiting a communicative impulse) and he can't help
worrying about what he'll do once they get to Glory City.

\begin{center}\rule{3in}{0.4pt}\end{center}

An indeterminate time passes, and Huw is awakened by a sharp prodding
pain near his bladder. ``Uh.'' He lolls in the suit, annoyed.

``Psst, keep it quiet. They think you're sleeping.'' The prodding
sensation goes away, replaced by a buzzing voice from just north of his
bladder.

``Ade?'' Huw whispers.

``No, it's the tooth fairy. Listen, have you seen Bonnie?''

``Not lately. She went for---'' Huw pauses. ``You know I landed bad?''

``Shit. So that's why you're with Doc. Have they got her?''

``No.'' Huw desperately wants to scratch his head in puzzlement, but his
arms are folded down inside the sidecar and he doesn't dare let Sam or
Doc figure he's awake. ``Look, I woke up and the doctor---\emph{is} he a
real doc?---was trying to fix my neck. A motor fell on my head. Bonnie
got him to help, but then she left and I haven't seen her.''

``Cholera and crummy buttons.'' Ade's tinny voice sounds upset.
``They're not trustworthy, mate. Sell you as soon as look at you, those
two. She \emph{said} you were hurt, but---''

``You don't know where she is, either,'' Huw says.

``Nope.'' They ride along in near silence for a while.

``What's the big idea?'' Huw asks, trying to sustain a sense of
detachment. ``Packing me off to bongo-bongo land to convert the
cannibals is all very fucking well, but I thought you said this would be
safe as houses?''

``Um, well, there's been a kinda technical hitch in that direction,''
Adrian says. ``But we'll get that sorted out, don't you worry yer little
head over it. Main thing is, you don't wanna stay with the randroids any
longer than you have to, got that? Show 'em a clean pair of heels, mate.
When you get to Glory City, head for the John the Baptist Museum of
Godless Evolution and find the Steven Jay Gould Lies and Blasphemy
exhibit. There's a trapdoor under the \emph{Hallucigenia} mock-up
leading to an atheist's hole, and if you get there, I'll send someone to
pick you up. 'Kay?''

``Wait---,'' Huw says, but he's too late. The buzzing stops, just as Doc
reaches over and cuffs Huw around the helmet. ``What?'' Huw cranks the
volume on his suit radio.

``---said, you paying attention, boy?'' Doc demands. There's a
suspicious gleam in his eye, although Huw isn't certain it isn't just
the effect of looking at him through a thin layer of toughened glass
across which wander a handful of very lost ants.

``I was asleep,'' Huw says.

``Bah.'' Doc rubs off the ants, then grabs the brakes. ``Well, son, I
was just saying: only a couple of hours now until we get there.
\ldots{}''

\begin{center}\rule{3in}{0.4pt}\end{center}

The road is unlit and there's little traffic. What there is seems to
consist mostly of high-tech bicycle rickshaws retrofitted for
unapologetic hydrocarbon combustion, and ancient rusting behemoth
pickups that belch thick blue petroleum smoke---catalytic converters and
fuel cells being sins against man's deity-designated dominance over
nature. The occasional wilted and ant-nibbled wreaths plaintively
underscore the messages on the tarnished and bullet-speckled road signs:
keep right and slow trucks.

The landscape is dotted with buildings that have the consistency of
halvah. These are the remains of man's folly and his pride, now bored
out of 90 percent of their volume to fill the relentless bellies of the
Hypercolony. Individually, the ants crawling across his faceplate---also
along his gauntlets, over the sexy sizzle of the LEDs, and crisped up in
a crust around the flame-nozzles---appear to be disjointed and
uncoordinated. But now, here, confronted with the evidence of the
Hypercolony's ability to coordinate collective action from its atomic
units, Huw is struck with a deep, atavistic terror. There is an Other
here, loose on the continent, capable of bringing low all that his kind
has built. Suddenly, Huw's familiar corporeality, the source of so much
personal pride, starts to feel like a liability.

The aircon unit makes a sputtery noise that Huw feels rather than hears
through the cavities of the michelin-suit. He's tried wiggling the
aircon umblicus in its suit-seal, but now the air coming out of it is
hot and wet and smells of burning insulation. He's panting and streaming
with sweat by the time the dim white dome of Glory City swims out of the
darkness ahead to straddle the road like a monstrous concrete carbuncle.
Sam guns the throttle like a tireless robot, while Doc snors in the
saddle, his mouth gaping open beneath his mustache, blurred behind the
ant-crawling Lexan of his faceplate. ``How much longer?'' Huw says, the
first words he's spoken in an hour.

``Three miles. Then we park up and take a room for the night in Saint
Pat's Godly Irish Motel. No smoking, mind,'' Sam adds.

Huw stares in grim, panting silence as they take the uphill slope toward
the base of the massive, kilometers-high Fuller dome that caps the
former city. Impregnated with neurotoxins, the dome is the ultimate
defense against the Hypercolony. They ride into the city past a row of
gibbeted criminals, their caged bones picked clean by ants, then into
the deserted and gaping air lock, large enough to accommodate an armored
batallion. What Huw initially takes for an old-fashioned air-shower
turns out to be a gas chamber, venting something that makes his throat
close when he gets a hint of a whiff of it through the suit's broken
aircon. After ten minutes of gale-force nerve gas, most of the ants are
washed away, and those that remain appear to have died. Sam produces a
stiff whisk broom and, with curious gentleness, brushes him free of the
few thousand corpses that have become anchored by their mouthparts to
his suit. They he hands Huw the whisk so that he may return the favor.
Only after they are all thoroughly decontaminated do the inner doors to
Glory City open wide, sucking them into the stronghold of the
left-behind.

Once within the dome, Huw finds that Glory City bears little resemblance
to any media representations of pre-singularity NorAm cities he's ever
seen. For one thing, the roads are narrow and the buildings tall,
leaning together like a sinister crowd of drunkards, the olde-world,
olde-town feel revived to make maximum use of the cubic volume enclosed
by the dome. For another thing, about half the tallest buildings seem to
be spiky towers, like the old medieval things back home that he
associates with seamy nightclubs. It takes him a moment to realize:
\emph{Those} \emph{are} \emph{churches!} He's never imagined so many
temples existing before, let alone in a single city.

The next thing he notices are the adverts. They're everywhere. On
billboards and paving stones and the sides of parked monster trucks.
(And, probably, tattooed on the hides of the condemned prisoners outside
before the ants ate them.) Half the ads are public service
announcements, and the other half are religious slogans. It's hard to
know which category some go in: enjoy christ on a shingle: all the zest
half the calories lower glycemic index! Whichever they are, they set his
teeth on edge---so that he's almost happy when Sam steers him into a
cramped parking lot behind a tall gray slab of concrete and grunts,
``This is the motel.''

It's about two in the morning, and Huw catches himself yawning as Sam
shakes Doc awake and extracts him from the sidecar. ``C'mon in,'' says
Doc. ``Let's get some sleep. Got a long day tomorrow, son.''

The lobby of the motel is guarded by a fearsome-looking cast-iron gate.
Huw unlatches his faceplate and heaves a breath: the air is humid and
warm, cloying and laden with decay as sweet as a rotting tooth. Doc
approaches the concierge's desk while Sam hangs back, one meaty hand
gripping Huw's arm proprietorially. ``Don't you go getting no clever
ideas,'' Sam says like a quiet earthquake. ``Doc tagged you with a
geotracker chip. You go running away, you'll just get him riled.''

``Uh. Okay.'' Huw dry-swallows the muck lining his teeth.

Doc is at the desk, talking to a woman in long black dress. She wears a
bonnet that looks like it's nailed to her head, and she's \emph{old,}
showing all the distressing signs of physical senescence. ``Twenty cents
for the suite,'' she says, ``and fifteen for the pen.'' (Post-imperial
deflation has taken its toll on the once-mighty dollar.) She wags a
wrinkled finger under Doc's nose: ``And none of your filth!''

Doc draws himself up to his full height. ``I assure you, I am here to do
the Lord's work,'' he says. ``Along with this misguided creep. And my
assistant.''

Sam pushes Huw forward. ``Doc gets the presidential suite whenever he
stays here,'' he says. ``You get to sleep in the pen.''

``The---?''

``'Cause we don't rightly trust you,'' Sam says, pushing Huw toward a
side door behind the reception area. ``So a little extra security is
called for.''

``Oh---,'' Huw says, and stops. \emph{Oh, really now,} Huw would say,
except that the doc is holding at arm's-length a squeeze bottle of
something liquid and so cold that it is fogged with a rime of
condensation. Huw's throat is dry: suddenly he's unable to ignore it.

``Thirsty, son?'' the doc says, playfully jetting a stream of icy liquid
in the air.

``Ahhh,'' Huw says, nodding . Six hours in the suit with nothing but
highly diruetic likker and any number of hours of direct sunlight in its
insulated confines after the aircon broke down---he's so dehydrated,
he's ready to piss snot.

``This a-way,'' the doc says, and beckons with the bottle.

Huw lets Sam help him climb out of the sidecar, and he barely notices
the rubbery feeling of his legs after hours of being cramped up in the
little buggy. ``Hotcha,'' the doc says. ``Come on, now, time's a
wastin'.'' He gives the bottle another squeeze, and water spatters the
dusty ground.

``Aaah,'' Huw says, lumbering after it. He's never felt quite this
thirsty in all his days. \emph{Real} thirsty. Thirsty as bones bleaching
in the Sahara at noon during a drought.

The doc heads for a staircase behind a row of suppository-shaped
elevator cages, standing open and gleaming beneath the white light of
the holy sodiums overhead. Huw can barely keep up, but even if he had to
drop to his knees and crawl, he'd do it. That's holy stuff, that water,
infused with the numinous glow of life itself. Didn't the Christians
have a hymn about it, ``Jesus Gave Me Water''? Huw comes from a long
line of trenchant Black Country atheists, a man who takes to religion
the way that vegans take to huge suspicious wursts that look like
cross-sectioned dachshunds, but he's having an ecstatic experience right
now, taking the stairs on trembling knees.

The doc spits on his thumb and smears the DNA across the auth-plate set
in the door at the bottom of the stairs. It thinks for a long moment,
then clanks open in a succession of armored layers.

``G'wan now, you've earned it,'' the doc says, rolling the bottle into
the cell behind the door.

Huw toddles after it, the Michelin suit making him waddle like he's got
a load in his diaper, but he doesn't worry about that right now, because
there's a bottle of water with his name on it at the other side of the
cell, a bottle so cold and pure that it cries out to him: \emph{Drink
me! Drink me!}

He's sucking it down, feeling the cold straight through to his
skull-bone, a delicious brain freeze the size of the Universe, when the
teapot rattles angrily in his thigh pocket. He's not so thirsty anymore,
but there's something else nagging at his attention. The sound is
getting him down, distracting him from the sense of illumination
appearing at the back of his mind's eye as he gulps the water, so he
pulls the thing out and looks at it, relaxing as he sees the shiny metal
highlights gleaming happily at him.

Adrian pops out of the teapot, so angry, he's almost war-dancing. He
curses: ``Fucking suggestibility ray! Bible-thumping pud-fuckers can't
be happy unless they've tasped someone into ecstasy. Come on, Huw, snap
out of it.''

``Go 'way,'' Huw mumbles. ``I'm havin' a
trash-transcential-transcendental 'sperience.'' He gulps some more water
then squats, leaning against the wall. Something \emph{loves} him,
something vaster than mountains and far stronger, and it's bringing
tears to his eyes. Except the teapot will have none of it.

``Wake up, dishrag! Jesus, didn't they tell you \emph{anything} in class
when you was a kid? They infuse your cerebrospinal fluid with nanobots.
Some go for your hypothalamus, make you feel hungry or thirsty. Others
have a built-in tropism for the god module in your temporal lobe. Tickle
it with a broadband signal, and you'll see God, angels square-dancing in
heaven, fuck knows what. Get a grip on yourself!''

``It's \emph{God}?'' Huw's got a name for the sensation now, and he
grins idiotically at the opposite wall of his cell. It's a slab of solid
aluminum, scratched and dented and discolored along the welds: and it's
as beautiful to Huw as fluted marble pillars supporting the airy roof of
a pleasure dome, pennants snapping overhead in the delightful breeze
blowing off the waters of the underground river Alph---

``It's not God, it's a fucking tasp! Snap out of it, gobshite. They're
only using it on you 'cause they want you nice and addled when they sell
you to the Inquisition tomorrow! Then, no more god module!''

``Huh?'' Huw ponders the question for an eternity of proximate grace, as
serried ranks of angels blow trumpets of glory in the distant clouds
that wreath his head. ``I'm \ldots{} so, I'm happy. This way. I've found
it.''

``What you've found is a bullet in the back of the head if you stay
here, you cheeseridge!'' Ade shakes his fists from the top of the
teapot. ``Think, damn you! What would you have thought of this
yesterday?''

``Yesterday?'' Yesterday, all his troubles, so far away. Huw nods,
thinking deeply. ``I've always been missing 'thing like this, even if I
didn't know it. Feels \emph{right}. Everything makes sense.'' The
presence of the ultimate, even if it's coming from right inside his own
skull courtesy of a 5.4-gigahertz transmission from God-botherer
Central, is making it hard for Huw to concentrate on anything else.
``Wanna be like this till I die, if's all the same to you.''

``They'll \emph{kill} you, man!'' Ade pauses in his frantic fist-waving.
``Doesn't that mean something to you?''

``Mmf. Lemme think about it.'' Huw slowly slumps back against the wall,
his suit bulking and billowing around him and digging sharp joints into
his bruised body, sanctifying and mortifying his flesh. ``If I believed
in an actual, like, \emph{God,} this'd be marvelous. But God's such a
goddamned primitive fetish, isn't it? So I'm'a, an atheist. Always have
been, always will be. But this thing is like, \emph{inside} me, and it's
huge, so blindingly brilliant, it's like my own reflection on
infinity.'' His eyes widen. ``Hey, that means \emph{I'm} God. I'm like,
transcendentistry, right? I think therefore I guess I \emph{am}. If they
try to shoot me, I'll just zap 'em with my god-powers.'' He giggles for
a while, pointing his fingers at the ceiling, walls, and floor,
lightning bolts of the illuminated imagination spraying every which way.
``It's a solipsystem! Nobody here but me. \emph{I} am God. I \emph{am}
God. I am \emph{God}---''

The teapot zaps him with an electric shock, and Ade vanishes in a huff.

``Ouch.'' Huw sucks his thumb for a moment and meditates on the
celestial significance of the autodeity sending him messages from his
subconscious via a curved metal antiquity stuffed with black market New
Libyan electronics. Then he tucks it away in his pocket and settles back
down to work on regaining his sense of omnipotent brilliance. And he's
still sitting in that pose the next morning, staring at the wall, when
the sense of immanence vanishes, the doors grind open, and Doc and Sam
come to take him downtown to face the Inquisition.

\begin{center}\rule{3in}{0.4pt}\end{center}

They parade him down the road in the drab gray morning light of Glory
City, past the filling stations, the churches, the diners, the other
filling stations, the refinery, the cathedral, the filling
station-memorabilia market, the GasHaus, the corkscrew apartment blocks
where every neighbor can look in on every other's window, and the
execution ground.

And it all feels good to Huw.

As the parade progresses, curious locals emerge from their homes and
workplaces as if drawn by some ultrawideband alert, rounded up and
herded out to form a malignant rent-a-mob that demonstrates to Huw how
important and central to reality he is. They pelt him with rotting fruit
and wet cigar stubs with live coals on one end that singe him before
bouncing free to the impermeable pavement, affirming his sense of holy
closeness with the intensity of their focus on him. Once, they stop so
that the doc can roar a speech at the crowd---

``---heretic---vengeance---drugs---sex---wantonness---''

Huw doesn't pay much attention to the speech. Through his feet he
fancies he can feel the scritterscratch of the Hypercolony, gnawing
patiently at the yards of stone and polymer between him and the blighted
soil. It's a bad feeling, as if Glory City is a snow globe that has been
lifted into the air on the backs of a heptillion ants who are carrying
it away, making it sway back and forth. The curlicue towers and the
gnarled and crippled crowd rock in hinky rhythm.

The faces on the balconies swim when he looks up. Some of them have
horns on their foreheads. He turns away and tries to stare at a fixed
point, using the ballerina's trick of keeping his gaze still to make the
world stop its whirling, but his gorge is rising, and his stomach is
threatening to empty down his front.

This is not good.

He sits down hard, his armored ass klonking on the pavement, and Sam
lumbers toward him. Huw holds out his hand, wanting to be helped to his
feet, back to the godhead and the good trip. Just as Sam's fingertips
graze his, a woman wearing a voluminous black gown dashes out of the
crowd and grabs him under the armpits, looping a harness around his
chest. Where it touches his back, it gloms on hard, hyperglue nanites
welding it to the suit's surface.

``Hold on,'' Bonnie breathes in his ear, and he feels like weeping,
because he knows he isn't to be redeemed after all, but tediously
rescued and rehabilitated and set free.

``Bitch harlot!'' says Doc. ``Sodomite! Stop her!'' Sam grabs for her
past Huw's shoulder, sideswipes the rounded swell of her
bosom---extensively, chastely covered, this being Glory City---and jerks
his hand back as though he'd been burned.

The harness around Huw's chest tightens with rib-bruising force,
dragging him backwards. He skitters for a moment before the harness
lofts them both into the air, up toward the balconies ringing the
curlicue towers. Bonnie, tied off to him by a harness of her own,
squints nervously down at the crowd receding below them.

Huw bangs chest-first into the side of one of the towers, Bonnie's
weight knocking the breath out of him. They dangle together, twirling in
the breeze like a giant booger as strong hands hoist them bodily up and
over a balcony. One last, titanic heave hauls them inside, adding insult
to injury in the form of a painful wedgie. Bonnie scrambles over him,
unlocks her harness, and shakes out her voluminous petticoats. Huw is
still dazed from the flight and gasping for breath. He's bent over
double, trying to breathe perfumed air thick with musky incense.

``You all right?''

Huw forces himself to straighten up and look around. The room is a
tribute to excess: the wallpaper is printed with gold and red and black
tessellations---obscene diagrams, he realizes, interpenetrating and
writhing before his eyes---and the sofa is flocked with crushed purple
velvet. The coffee table supports a variety of phallic implements in an
assortment of improbable colors, suited to an altogether different kind
of inquisition than the one that he'd been headed for.

As for the furniture, it's inhabited by several persons of indeterminate
gender, wearing outfits ranging from scanty to inappropriate for a place
of worship---underwear is in fashion, but not much else is.

Bonnie's face swims into focus before him, her blue fringe brushing his
forehead: that and her hands are the only parts of her body he can see.
``It's the gnostic sexual underground,'' she says. ``There's always one
to be had, if you know how to look. Nobody takes it up the tradesman's
like a man with that old-time religion. No one needs it more, either.
These lucky folks just figured out how to square the circle, thanks to
the Bishop.''

She gives him a hard shake. ``Come on,'' she says. ``I hit you with
enough serotonin reuptake blockers to depress a hyena.'' He feels a hard
tug at his throat, and she holds up a small blowdart for him to examine.
``I \emph{know} you're out of the god-box.''

Huw opens his mouth to say something, and finds himself sobbing. ``You
took away my god-self,'' he says, snotting down his three-day beard and
horking back briny mouthfuls of tears and mucus.

Bonnie produces a hankie from up one sleeve of her church-modest gown
and wipes his face. ``Sha,'' she says, stroking his hair. ``Sha. Huw, I
need you here and now, okay? We're in a \emph{lot} of trouble, and I
can't get us out on my lonesome. The god feeling was just head-in-a-jar
stuff. You weren't being God, you were just feeling the feeling of being
God. You hate that---it's how they feel in the cloud, once they've
uploaded.''

Huw snuffles miserably. ``Yeah,'' he says.

``Yeah. Baby, I'm sorry, I know it hurts, but it's how you want to live.
If I know one person who's equipped to cope with the distinction between
sensation and simulation, it's you. Jesus, Huw, other than these
maniacs, you're the only person I know who thinks there \emph{is} a
distinction.''

Huw struggles to his feet and teeters in his ridiculous trousers. Bonnie
giggles.

``What \emph{are} you \emph{wearing}?'' she asks.

Huw manages to crack a fractional smile. ``They're all the rage in the
American Outback,'' he says. ``What's that \emph{you're} wearing?''

``A disguise. Doubles as a biohazard shield.'' She swivels her hips,
setting kilograms of underskirts swishing. ``We're both a bit
overdressed for the occasion; let's skin off and I'll introduce you to
the Bishop. Go on, you get started.''

Huw begins the laborious unlatching process and gradually shucks the
pants. The teapot clatters free, drawing a raised eyebrow from one of
the sexually ambiguous catamites twined around a sofa arm. The vibration
kicks some erratic connection back into life: Ade's image glows softly
through the deep pile carpet.

The little avatar wrinkles its nose. ``Bugger me sideways,'' says Ade.
``Place looks like an Italian whorehouse, only less charming and
hygienic.'' He turns and looks Huw up and down. ``You look a little more
like your usual cheerless self, though, mate. Should I assume that
you've joined us again in the land of the cognitively unimpaired?''

Huw nods miserably. ``I'm back,'' he says. ``No thanks to you. Those two
assholes know you---they do business with you!''

Adrian's avatar has the good grace to look faintly embarrassed. Bonnie
leans past Huw with a creak of whalebone and picks up the teapot. ``Did
I hear that right?'' she asks. ``You been selling \emph{stuff} again?''

``Uh.'' Ade looks unrepentant. ``Yeah, I guess so.''

``What kind of \emph{stuff}?'' Bonnie says, her eyes narrowing.

``Um \ldots{} stuff. Mostly harmless.''

``What \emph{kind} of mostly harmless stuff are we talking about here?''
Huw asks, mustering up a faint echo of interest. The blissed-out
resistance cadre on the sofa are showing signs of interest too.

``Oh, the usual, sunshine. Telescope lenses, tinfoil hats---okay,
Faraday cage helmets---formicide spritzes, tactical nuclear weapons,
Bibles, contraceptive implants, tinned spam, that kind of thing.''

``And in return they're paying you in---,'' Huw begins; then Bonnie
interrupts him.

``---No, wait. What else are you smuggling, you dogfucker? Don't try to
hide it from me. Those neverglade-living lowlifes were so eager to hand
Huw over to the Fallen Congregations that they had to be trying to cover
something up. Like, oh, whatever the fuck you were doing with them. What
was it, Ade? Resurrection on the installment plan? Banned downloads? Are
we going to get that fucking mad crow descending on us?''

``Oh, I say!'' someone says behind them, but Bonnie is so worked up, she
doesn't notice. Huw glances over his shoulder and sees one of the
miscellaneous perverts standing nearby, a hand clasped over his/her
mouth. The perv is fish-belly pale and wears nothing but very
complicated underwear. ``Did you say---?''

``Just a few small downloads, lass,'' Ade says. ``Nothing to get worked
up about, keep your hair on.''

``Downloads. Shit.'' Bonnie breathes deeply. She's looking pale.
``\emph{Pusbuckets,} that's all I need,'' she says. She puts the teapot
down. ``Right, we'll have to take this up later, Huw. Right now we've
got to go see the Bishop, and that means skin. Help me out of this
thing.''

Huw fumbles for a while with the complex catches and clasps on her
dress, fuzzily aware that he's standing very close to her and he's not
wearing any trousers. As she steps out of her costume, she grabs him
around the waist, squeezes him tight, and kisses him fiercely on the
mouth. She's nervous, vibrating like a live wire, and something squirms
around in his throat, wanting to comfort her. ``Why do we have to be
naked?'' he asks when she surfaces for air. ``Who is this Bishop,
anyway?''

``The Bishop of the First Church of the Teledildonic. It's a dissident:
lives in a baptismal pond, says we've got it all wrong and time is
flowing in reverse. We've passed the Tower of Babel---that's the cloud
---and the Flood---warming---and now we're ready to move back into the
Garden of Eden. So we've got to stop wearing clothes and start fucking
like innocent bunnies.''

``But---'' Huw can feel his brain trying to twist out through his ears
as he attempts to accommodate this deviant theology to what he knows
about the Fallen Baptist Congregations. ``---what's that got to do with
anything? With these folks?''

``I say, hold it right there, pardner!'' says the pale perv, running
drowned-looking hands through his/her long green hair. The effect would
almost be sexy if not for the medium-sized potbelly and the black rubber
hedgehog-apparatus that conceals his/her crotch, studded with silvery
transducers: ``You've got it all wrong!'' He/she waves a finger at
Bonnie. ``This isn't the Garden of Eden, it's the Garden of the Son of
God, after the Rapture, the hundred and forty-four thousand saved souls
living in paradise on Earth, free from sin---''

``What's \emph{that,} then?'' asks Huw, rudely prodding in the direction
of the strap-on.

The perv draws itself up to a haughty meter-fifty: ``I'll have you know
that this is the finest model \emph{chastity} \emph{phallus} money can
buy,'' s/he says, voice cracking and descending an octave: ``'S got all
the sensory inputs of the real thing, wired right into my spine, but
because little feller himself is tucked out of sight behind it, there's
no actual genital contact. No skin, no sin.'' He fondles the thing
happily and whimpers. Another of the prosthetically enhanced worshippers
is sitting up on the sofa behind him and showing signs of interest.

Huw backs away slowly. \emph{Get me out of here,} he mouths at Bonnie.
She nods, then reaches out and strokes the perv's pristine love machine.
``\emph{Now.''} Bonnie leads him around the perv---who doubles over in
ecstasy at her touch---toward a pair of pornographically decorated
hardwood doors at the rear of the room.

Bonnie takes a deep breath. ``Wish I could stay,'' she calls to the
three or four temple whores on the bed, ``but we've got to see Their
Grace. It's urgent. If I were you, I'd get to a safe house before the
gendarmes arrive.''

``Give the Bishop our love,'' one of the omnisexuals calls as they
depart.

There is a small and overintimate lift behind the doors. It runs
sideways, down, up, and then sideways again, completing a route that
sends Huw's inner ear on a loop-the-loop. They emerge into a hallway
that's carpeted with greasy-feeling tentacles that twine sensuously
around his toes, and the walls have the sheen of waxed and oiled skin.
It smells of Doritos and musk.

Bonnie hands him the sack with her clothes and his ruined underpants and
the teapot and pushes him ahead of her, squeezing his ass affectionately
as they go.

\begin{center}\rule{3in}{0.4pt}\end{center}

The Bishop is three meters high, ten-limbed, with eight complete sets of
assorted genitals, fourteen breasts, and four tongues, like an explosion
in a gourmet brothel's cloning vats. He, She, and It---the three in
one---is impossibly hideous to contemplate. Bonnie ushers Huw into its
presence after negotiating with a pair of disturbingly toothless
ministers who bar the high door.

``Your Grace,'' she says as they step into its eucalyptus-fumed inner
chamber.

``My dear child,'' it says with one of its mouths. ``It warms Our heart
to see you.'' It has a voice like a teenaged boy, high and uncertain.
``And your companion. You are both lovely as they day He made you.''

One of its hands slithers free of the tangle and extends before them.
Bonnie bends down and kisses the ring painted on the third finger, then
elbows Huw, who kneels tentatively and takes the proffered digit, which
is warm and moist and pulses disturbingly.

``Your Grace?'' he says.

``Be not afraid, child,'' says the Bishop. ``This meatsuit allows Us to
bring the Word to Our scattered temples without having to transport Our
physical person through the uncertain world. One day, all of us will be
liberated by these meatsuits, free to explore our flesh in many bodies
all at once.''

``You're \emph{uploaded}?'' Huw says, taking his hand away quickly and
shuffling back on his knees.

The Bishop snorts a laugh with its rightmost face. ``No, child, no.
Merely telepresent. Uploading is the mortification of the flesh---this
is its \emph{celebration}.''

``Your Grace,'' Bonnie says, peering up at it through her fringe with
her eyes seductively wide. ``It has been an honor and privilege to serve
you in my time here in Glory City. I've found my counseling duties to be
very rewarding---the gender-reassignees here face unique challenges, and
it's wonderful to be able to help them.''

``Yes,'' says the Bishop, crouching down. ``And We've appreciated it
very much. But We sense that you are here to ask some favor of Us now,
and We wish you'd get on with it so that We could concentrate on the
savage rogering we're getting in one of Our bodies.''

``It's complicated,'' Bonnie says. ``This guy here is on the run---he'd
been captured and they were taking him to the auto-da-fé when I rescued
him.''

``This is the One?'' the Bishop asks, putting one delicate feminine hand
behind his head and pulling him closer to its big golden eyes. ``The two
who brought you to Glory City are not know for their extreme piety. So
why do you suppose they brought you here, rather than simply, oh, eating
you or using you for spare parts?''

Huw keeps himself from shying back with an effort of will. ``I don't
\emph{know,}'' he says. Bonnie crowds in to another one of the Bishop's
faces. Deep within him, Huw feels a shiver of golden light, the god
feeling.

``I think my downers are wearing off.''

``They tasped him, so I hit him with some depressants,'' Bonnie says.

``Feels \emph{goooooood,}'' Huw says.

``It does, doesn't it?'' the Bishop says. ``I favor three or four hours
on the tasp myself, twice a week. Does wonders for the faith. But I
suppose we'd best keep your ecstasy under control for now. Phillida!''
it calls, clapping two of its hands together, bringing one of the
ministers running. It twines an arm between the guardian's legs and
murmurs, ``Bring Us a freethinker's cap, will you?'' The minister's
toothless maw gapes open in ecstasy, and then it scurries off quickly,
returning with a mesh balaclava that the Bishop fits to Huw's head,
lining up the eye- and mouth-holes.

Huw's golden glow recedes.

``It's a Faraday cage with some noise-cancelation built in to reverse
any of the mind-control radiation that gets through,'' the Bishop says.
``How did you come to be on the American Continent, anyway?''

``It started when I ate some godvomit and smuggled it out of a patent
court,'' Huw says.

The Bishop's golden eyes widen. ``Judge Rosa Giuliani's court? In Libya?
Last week? I'm a big fan of her show! You are carrying the ambassador?''

``The very same,'' Huw says, obscurely pleased at this notoriety. ``It
wasn't my idea, believe me. Anyway, this smuggler I know---we
know---Adrian, he sent me here. Said that this was the safest place to
hide out.''

Bonnie breaks in. ``But now we come to find out that he's been dealing
with the two who tasped Huw---''

``Sam and the doc,'' Huw says.

``I know of them,'' the Bishop says, its voice dripping with arch
disapproval.

``Selling them bootleg downloads.''

``Ahh,'' the Bishop says. ``Excuse Us a moment.'' It arches its back and
screams out a long orgasmic wail. ``One of Our other meatsuits is being
ministered to,'' it says distractedly: ``We needed to have a bit of a
shout. We're pleased to know this. It explains certain pseudo-nuclear
events in the outback that We've had word of---the doc must be retailing
anti-ant technology to the other hayseeds.''

Bonnie shuddered. ``That's just for openers, I'm sure. Fuck knows what
else Ade has sold those nutjobs.''

``Just some downloads, he said,'' Huw says. ``Fuck it, what did he mean
by \emph{that}? You can download anything; I know I did!''

``Downloads could be either good or bad,'' the Bishop says, rubbing two
disturbingly rugose hands together as if in prayer. ``But first, We have
more pressing temporal priorities to attend to, my children. It appears
that your rescue did not go unnoticed by the puritan majority, and they
will presently be calling. Moreover, this would explain a request for a
flight plan and landing clearance that the airport acknowledged four
hours ago---'' The Bishop stops, its back arching ecstatically. ``---oh!
Oh! \emph{Oh!} Closer to thee, my God!'' Breasts quiver, their purple
aureolae crinkling, and it screams out loud in the grip of a multiple
orgasm of titanic proportions.

Huw peers out through the eye-holes of his mesh mask, which presses cold
and hard into his skin. ``Did you say that the law is nearby?''

``I believe they are,'' the Bishop says. ``Yes, there. The primary
perimeter has been breached. Such a lovely front door.'' It looks
sternly at Bonnie. ``You were reckless, child. They followed you here.''

``I took every precaution,'' Bonnie says, blushing. ``I'm no amateur,
you know---''

Huw has a sudden sickening feeling. ``It's me,'' he says. ``I'm bugged
with a geotracker.''

Bonnie glares at him. ``You could have \emph{said something,''} she
says. ``We've compromised the whole operation here now.''

``I was \emph{distracted,} all right? Mind-control rays make you
forgetful, \emph{okay}?''

The Bishop clucks its tongues and gives them each a pat on their bare
bottoms. ``Never mind that now, children. All is forgiven. But I'm
afraid that you are right, we are going to lose this temple. And I'm no
more infallible than you, you know: I've been ever so lax with the
evacuation drills here. My ministers find that they disturb their
contemplation of the Almighty. I fear not for this meatsuit, but it
would be such a shame to have all my lovely acolytes fall into the hands
of the Inquisition. I don't suppose that you'd be willing to help out?''

``Of course,'' Bonnie says. ``It's the least we can do.''

\emph{No, the least we could do would be to get the fuck out,} Huw
thinks. He glares at Bonnie, who prods him in the belly with a
fingertip.

``But of course, we could also use some help of our own---''

``Quid pro quo?'' the Bishop says, its quavering voice bemused now, and
that irritates Huw ferociously: the law is at the door, and the Bishop
thinks it's all a tremendous lark?

``Not at all, Your Grace. We came to beg your indulgence long before we
knew that there was a favor we could do for you. We need your assistance
getting shut of this blighted wasteland. Transport to the coast, and an
airship or a ballistic or \emph{something} that can get us back to the
civilized world.''

``And I need to shut down my geotracker,'' Huw says, wondering where it
has been implanted. \emph{Somewhere painful,} Sam had told him.

``Yes, you certainly do,'' the Bishop says. ``You'll find an escape-line
clipped to the balcony out the third door on the right, along with some
baskets. Pack the ministers in the baskets, tie them down---don't mind
if they squirm, it's in their nature---clip the baskets to the line and
toss them out the window. I'm making arrangements now for someone to
catch them on the other end. If you do this small favor for me, I will,
oh, I don't know.'' The Bishop idly strokes their scalps and tickles
their earlobes. ``Yes, that's it. There's a safe house on the coast, a
farm where my people have been making preparations for a much more
reasonable approach to dealing with the ants than godvomit and nukes.
They will be delighted to shelter you for as long as it takes you to
make contact with your people and get off the continent. Such a shame to
see you go.'' It quickly gives Bonnie directions, and Bonnie recites
them back with mnemonic perfection.

There's a distant crash that Huw feels through the soles of his bare
feet. ``Clothes?'' he asks.

``Oh, yes, I suppose, by all means, if you must,'' the Bishop says.
``Cloakroom's behind the last door on the right. A lost and found for
supplicants who've left a little something behind in their blissful
state as they left our place of worship. I'm sure we'll have something
in your size, even if it's only OshKosh B'Gosh.''

``Fanfuckingtastic,'' Huw says breathlessly as he makes a line for the
door. But Bonnie catches him by the elbow, intent on one last question.

``How many are we supposed to evacuate? I don't want to miss anyone.''
There's another thunderous crash, this one from closer by.

The Bishop's eyes roll back into its head, then flip down. ``A dozen on
the premises, not counting the ones that were on the front door. It
seems they've been liquidated already.''

``Shit. What'll we---'' Huw dithers for a moment but Bonnie is already
heading for the cloakroom door.

``Over here!'' She thrusts a bundle of clothing at him. ``Quick. Let's
go get the ministers---''

Huw pauses while balanced on one leg, the other thrust down one limb of
a pair of denim overalls. ``Do we have to?'' he asks.

``Yes, we fucking \emph{do}.''

He fumbles with the fasteners on the overalls' bib and kicks his feet
free of the overlong denim legs, reaching out a hand to steady himself
on a piece of heavy kitchen equipment---they've found their way to the
food-prep area where robots build slop, form it, heat it, season it, and
dispense it. He realizes that he's steadying himself on an open-sided
microwave heating platform. He thinks of the idiot beacon and where it
must be, gives his left ass cheek a good squeeze to make sure, then lies
himself down on the chilly surface of the heater. It's awkward---none of
the spaces are really designed for human ingress---but he just manages
it.

``Bonnie, turn this thing on, okay?''

She is about to bark something angry, then she catches herself, half
smiles at the ridiculous tableau he's made, and says, ``You want me to
cook your ass?''

``Just until I start screaming, okay? The bug should start arcing within
a few seconds, long before I get too badly cooked.'' She looks ready to
argue, but he keeps talking over her. ``Look, freethinkers have been
nuking their minder bugs for decades. I won't be the first man who's
irradiated himself to get rid of a pesky implant.''

The pain is worse than anything he'd experienced before he met Bonnie
and Adrian and allowed them both to drag him into a series of
ever-more-painful experiences. Still, even on the new, post-adventure
scale of owies, this is a serious pain in the ass. It starts as a
horrible stinging, then a burning, and then a sharp, percussive zap that
makes him frog-kick and thrash his head so hard, it feels like he'll
snap his neck.

Mildly, Bonnie says, ``Was that it, then?''

``Turn. It. Off,'' he says through clenched teeth.

The pain doesn't stop, but it recedes some, and he gets to his feet and
tenderly holds his ass.

Bonnie helps him hobble along. ``Right, get that jacket fastened: we are
going to hit the garage just as soon as we've defenestrated all the
perverts.'' She shrugs backwards into an upper-body assembly that looks
like something left behind by a SWAT team. ``C'mon.''

Huw follows her back next door, to find a bunch of blissed-out
religionists lazily osculating one another on a row of futons. ``Okay!''
yells Bonnie. ``It's evacuation time! Huw, get the goddamn window open
and hook up the baskets.'' She turns back to the coterie of ministers,
some of whom are yawning and looking at her in evident mild annoyance.
``The bad guys are coming through the back passage and you guys are
going down right now!''

``Eh, right.'' Huw finds a stack of baby blue plastic baskets dangling
from a monofilament line right outside the window. ``C'mon \ldots{}''

Between the two of them, they haul the dazed and tasped worshippers into
baskets and drop them down the line. It all takes far too long, and by
the time the last one is hooked up, Huw is in a frenzy of agitation,
desperate to be out of the building. There are indistinct thuds and
stamping noises below them, and an odd whine of machinery from the hall
outside. ``What's going on now?'' he says. ``How do \emph{we} get out of
here?''

``We wait.'' Bonnie gives the last basket a shove and turns to face him,
panting. ``The corridors and rooms in this place, the Bishop 's got them
rigged up to reconfigure like a maze. This whole sector should be walled
off; you can't find it unless you can see through walls.''

A loud echoing crash from the room next door makes Huw wince. ``What if
they've got teraherz radar goggles?'' he asks.

``What if---oh \emph{norks}.'' Bonnie looks appalled. ``Quick, grab my
epaulettes and hang on, we're going down the wire!'' She steps toward
him, reaches around his body, and grabs the monofilament with what look
to Huw like black opera gloves. There's a terminal thud from the doorway
behind her that rattles the walls, and then Huw is clinging on for dear
life as they drop. A thin plume of evil-smelling black smoke trails from
her spidersilk gloves as they descend. ``Ow.'' Huw can barely hear her
moan, and to tell the truth, he's more concerned with the state of his
own stomach, gelid with terror as they drop past two, three rows of
windows.

The ground comes up and smacks him across the ankles and he lets go of
Bonnie. They fall apart and as he falls he sees a delivery van pulling
away, the tailgate jammed shut around a blue basket. ``Thanks a million,
bastards,'' Bonnie says, picking herself up. ``Think they could have
waited?''

``No,'' Huw says, looking past her. ``Listen, the Inquisition are round
the front, and they'll be after us any second---''

She grabs his wrist. ``Come on, then!'' She hauls off and drags him the
length of the filthy alleyway beneath a row of rusting fire escapes.

By the time they hit the end of the alley, he's up to speed and in the
lead, self-preservation glands fully engaged. In the distance, sirens
are wailing. ``They're round the other side! So much for your
wait-and-get-away-later plan.''

``That wasn't the whole plan,'' she says. ``There's a basement garage,
when the building reconfigured we could have dropped down a chute
straight into the cockpit of a batmobile and headed out via the service
tunnels. Woulda worked a treat if it wasn't for your teraherz radar.''

``\emph{My} radar?'' Huw says, hating the note of weakness in his voice.
He swallows as he looks into Bonnie's fear-wide eyes. ``Right.'' he
says. ``We need transport and we need to get past the Inquisition shock
troops before we can get to the out-of-town safe house. If they've
ringed the block and they've got radar, they'll see us real soon---''

``Shit,'' says Bonnie, her grip loosening. Huw looks round.

An olive drab abomination whines and reverses into the alley toward
them. Cleated metal tracks grind and scrape on the paving as an assault
ramp drops down. It's an armored personnel carrier, but right now it's
carrying only one person, a big guy in a white suit. He's holding
something that looks like a shiny bundle of rods in both hands, and it's
pointing right at them. ``Resistance is futile!'' shouts Sam, his
amplified voice echoing off the fire escapes and upended Dumpsters.
``Surrender or die!''

``Nobbies,'' says Huw, glancing back at the other end of the alley.
Which is blocked by a wall conveniently topped with razor wire---Bonnie
might make it with her spidersilk gloves, but there's no way in hell he
could climb it without getting minced. Then he looks back at Sam, who is
pointing his minigun or X-ray laser or whatever the hell it is right at
him and waiting, patiently. ``Surrender to whom?'' he says.

``Me.'' Sam takes a step \emph{back} into the APC and does something and
suddenly there's a weird hissing around them. ``Ambient antisound. We
can talk, but you've got about twenty seconds to surrender to me or you
can take your chances with \emph{them}.''

``Monkeyflaps.'' Bonnie's shoulders slump. ``Okay,'' she calls, raising
her voice. ``What do you want?''

``You.'' For a moment Sam sounds uncertain. ``But I'll take him too,
even though he doesn't deserve it.''

``Last time you were all fired up on handing Huw over to the Church,''
Bonnie says.

``Change of plan. That was Dad, this is me.'' Sam raises his gun so that
it isn't pointed directly at them. ``You coming or not?''

Bonnie glances over her shoulder. ``Yeah,'' she says, stepping forward.
She pauses. ``You coming?'' she asks Huw.

``I don't trust him!'' Huw says. ``He---''

``You like the Inquisition better?'' Bonnie asks, and walks up the ramp,
back stiff, not looking back.

Sam backs away and motions her to sit on a bench, then throws her
something that looks like a thick bandanna. ``Wrap this round your
wrists and that grab rail. Tight. It'll set in about ten seconds.'' Then
he glances back at Huw. ``Ten seconds.''

Huw steps forward wordlessly, sits down opposite Bonnie. Sam throws him
a restraint band, motions with the gun. The assault ramp creaks and
whines loudly as it grinds up and locks shut. Sam backs all the way into
the driver's compartment, then slams a sliding door shut on them. The
APC lurches, then begins to inch forward out of the alleyway.

Over the whine of the electric motors he can hear Sam talking on the
radio: ``No, no sign of suspects. Did you get the van? I figure that was
how they got away.''

\emph{What's going on?} Huw mouths at Bonnie.

She shrugs and looks back at him. Then there's another lurch and the APC
accelerates, turns a corner into open road, and Sam opens up the
throttle. At which point, speech becomes redundant: it's like being a
frog in a liquidizer inside a bass drum bouncing on a trampoline, and
it's all Huw can do to stay on the bench seat.

After about ten minutes, the APC slows down, then grinds to a
standstill. ``Where are we?'' Bonnie calls at the shut door of the
driver's compartment. She mouths something at Huw. \emph{Let me handle
this,} he decodes after a couple of tries.

The door slides open. ``You don't need to know,'' Sam says calmly,
``'cuz if you knew, I'd have to edit your memories, and the only way I
know to do that these days is by killing you.'' He isn't holding the
gun, but before Huw has time to get any ideas, Sam reaches out and hits
a switch. The grabrail Huw and Bonnie are tied to rises toward the
ceiling, dragging them upright. ``It's not like the old days,'' he says.
``We really knew how to mess with our heads then.''

``Why did you take us?'' Huw says after he finds his footing. Bonnie
gives him a dirty look. Huw swallows, his mouth dry as he realizes that
Sam is studying her with a closed expression on his face.

``Personal autonomy,'' Sam says, taking Huw by surprise. The big lummox
doesn't look like he ought to know words like that. ``Dad wanted to turn
you in 'cause if he didn't, the Inquisition'd start asking questions
sooner or later. Best stay on the right side of the law, claim the
reward. But once you got away, it stopped being his problem.'' He
swallows. ``Didn't stop being \emph{my} problem, though.'' He leans
toward Bonnie. ``Why are you on this continent?'' he asks, and produces
a small, vicious knife.

``I'm---'' Bonnie tenses, and Huw's heart beats faster with fear for
her. She's thinking fast and that can't be good, and this crazy big
backwoods guy with the knife is frighteningly bad news. ``Not everyone
on this continent wants to be here,'' she says. ``I don't know about
anyone else's agenda, but I think that a mind is a terrible thing to
waste. That's practically my religion. Self-determination. You got
people here, they're going to die for good, when they could be ascendant
and immortal, if only someone would offer them the choice.''

Sam makes encouraging noises.

``I go where I'm needed,'' she says. ``Where I can lend a hand to people
who want it. Your gang wants to play postapocaypse; that's fine. I'm
here to help the utopians play \emph{their} game.''

Huw has shut his eyes and is nearly faint with fury. \emph{I'm a fucking
passenger again, nothing but a passenger on this trip}---the alien
flute-thing in his stomach squirms, shifting uncomfortably in response
to his adrenaline and prostaglandin surge---\emph{fucking cargo}. For an
indefinite moment, Huw can't hear anything above the drumbeat of his own
rage: carrying the ambassador seems to be fucking with his hormonal
balance, and his emotions aren't as stable as they should be.

Sam is still talking. ``---Dad's second liver,'' he says to Bonnie. ``So
he cloned himself. Snipped out this, inserted that, force-grew it in a
converted milk tank. Force-grew \emph{me}. I'm supposed to be him, only
stronger, better, smarter, bigger. Kept me in the tank for two years
plugged in through the cortex speed-learning off the interwebnet then
hauled me out, handed me a scalpel, painted a line on his abdomen, and
said `cut here.' The liver was a clone too, so I figured I oughta do
like he said unless I wanted to end up next on the spare parts rota.''

``Wow.'' Bonnie sounds fascinated. ``So you're a designer
\emph{Übermensch}?''

``Guess so,'' Sam says slowly and a trifle bashfully. ``After I got the
new liver fitted, Dad kept me around to help out in the lab. Never asked
me what \emph{I} wanted, just set me to work. \emph{He's} Asperger's.
Me, I'm just poorly socialized with a recursive introspective agnosia
and a deficient situational relationship model. That's what the
diagnostic expert systems tell me, anyway.''

``You're saying you've never been socialized.'' Bonnie leans her head
toward him. ``You just hatched, like, fully formed from a
\emph{tank}---''

``Yeah,'' Sam says, and waits.

``That's so sad,'' Bonnie says. ``Did your dad mistreat you?''

``Oh mercy, no! He just ignores \ldots{} Well, he's Dad. He never pays
much attention to me, he's too busy looking for the alien space bats and
trying not to get the Bishop mad at him.''

``Is that why you were taking Huw into town?'' asks Bonnie.

``Huh, yeah, I guess so.'' Sam chuckles. ``Anything comes down in the
swamp, you betcha they see it on radar. You came down in Dad's patch,
pretty soon they'll come by and ask why he hasn't turned you in. So you
can't really blame him, putting on the Holy Roller head and riding into
town to hand over the geek.''

``That's okay,'' Bonnie says as Sam's shoulders tense, ``I understand.''

``It's just a regular game-theoretical transaction, y'see?'' Sam asks,
his voice rising in a near whine: ``He has to do it! He has to
tit-for-tat with the Church or they'll roll him over. 'Sides, the geek
doesn't know anything. The shipment---''

``Hush.'' Bonnie \emph{winks} at the big guy. ``Actually, your dad was
wrong---the ambassad---the shipment requires a living host.''

``Oh!'' Sam's eyebrows rise. ``Then it's a good thing you rescued him, I
guess.'' He looks wistful. ``If'n I trust you. I don't know much about
people.''

``That's all right,'' Bonnie says. ``I'm not your enemy. I don't hate
you for picking us up. You don't need to shut us up.'' She looks up at
where her wrists are trussed to the grab rail. ``Let my hands free?''

Sam listens to some kind of internal voice, then he raises the knife and
slices away at Bonnie's bonds. Huw tenses as she slumps down and then
drapes herself across Sam's muscular shoulder. ``What do you want?'' Sam
asks.

Bonnie cups his chin tenderly. ``We all want the same thing,'' she says.
Sam shrinks back from her touch.

``Sha,'' she says. ``You're very handsome, Sam.'' He squirms.

Huw squirms too. ``\emph{Bonnie,''} he says, a warning.

Sam twists to stare at him, and Huw sees that there's something wild
breaking loose behind his eyes. ``Come on,'' Bonnie says, ``over here.''
She takes his hand and leads him toward the driver's cab of the APC.
``Come with me.''

Huw swallows his revulsion as the big guy slides past him, nimble on his
big dinner-plate feet, hand enfolding Bonnie's. He keeps his eyes down.
He feels a stab of jealousy: but Bonnie's sidelong glance silences him.
He's old enough to know the nature of this game.

After the hatch thumps shut, Huw strains to overhear the murmured
converation from behind it, but all he can make out is thumps and
grunts, and then, weirdly, a loud sob. ``Oh, Daddy, \emph{why}?'' It's
Sam, and there are more sobs now, and more thumps, and Huw realizes
they're not sex noises---more like \emph{seizure} noises.

His ribs and shoulders are on fire, and he shifts from foot to foot,
trying to find relief from the agony of hanging by his wrists. He steps
on their pathetic pillowcase of possessions, and the lamp rolls free,
Ade popping up.

``My, you are a \emph{sight,} old son,'' the little hologram says.
``Nice hat.''

``It helps me think,'' Huw says around the copper mesh of the balaclava.
``It wouldn't have hurt to have a couple of these on the zep, Ade.''

``Live and learn,'' the hologram says. ``Next time.'' It cocks its head
and listens to the sobbing. ``What's all that about, then?''

Huw shrugs as best as he can, then gasps at the chorous of muscle spasms
this evinces from his upper body. ``I thought Bonnie might be having a
shag, but now I'm not sure. I \emph{think} she might be conducting a
therapy session.''

``Saving the world as per usual,'' Ade says. ``So many virtues that
boygirl has. Doctrinaire ideologues like her are the backbone of the
movement, I tell you. Who's she converting to pervtopic
disestablishmentarianist personal politics, then?''

``One of your trading partners,'' Huw says. ``Sam. Turns out he's the
doc's son. Clone. I 'spect you knew that, though.''

``Sam? Brick shithouse Sam?'' There's a distant, roaring sob and another
crash. ``Who'd have thought he had it in him?''

``Whose side are you on, Ade? What have you been selling these bastards?
I expect I'll be dead by dusk, so you can tell me.''

``I \emph{told} you, but you didn't listen. There is no conspiracy. The
movement is an emergent phenomenon. It's complexity theory, not
ideology. The cloud wants to instantiate an ambassador, and
\emph{events} conspire to find a suitable host and get some godvomit
down his throat.'' Ade nods at him. ``Now the cloud wants the ambassador
to commune with something on the American continent, and there you are.
How do I know the cloud wants this? Because you are there, on the
American continent. QED. Maybe it wants to buy Manhattan for some beads.
Maybe it wants to say hello to the ants. Maybe it wants to be sure that
meatsuits are really as banal and horrible as it remembers.''

``No ideology?'' Huw says as another sob rattles the walls. ``I think
Bonnie might disagree with you.''

``Oh, she might,'' Ade says. ``But in the end, she knows it as well as I
do: Our mission is to be where events take us. Buying and selling a
little on the side, it's not counterrevolutionary. It's not
revolutionary. It's just more complexity. More energy to pump into the
dynamic system from whence the conspiracy may emerge.''

``That's all conveniently fatalist,'' Huw says.

``Imagine,'' Ade says , ``a technophobe lecturing \emph{me} about
fatalism.'' The sobs have stopped, and now they hear the thunder of
approaching footfalls. Bonnie comes through the door, trailing Sam
behind her, as Ade disappears,.

She takes both of his hands and stands on tiptoe to kiss him on the tip
of his squashed nose. ``You're very beautiful, Sam,'' she says. ``And
your feelings are completely normal. You tell the Bishop I told you to
go see her. Him. It. They'll help you out.''

Sam's eyes are red and his chin is slick with gob. He wipes his face on
his checkered flannel shirttails. ``I love you, Bonnie,'' he says, his
voice thick with tears.

``I love you too, Sam,'' she says. She reaches into his pocket and takes
out his knife, opens it and cuts Huw down. ``We're going now, but I'll
never forget you. If you ever decide to come to Europe, you know how to
find me.''

Huw nearly keels over as his arms flap bloodlessly down to slap at his
sides, but manages to stay upright as Sam thuds over to the ramp
controls and sets the gangway to lowering.

``Come on, Huw,'' she says, picking up their pillowcase. ``We've got to
get to the coast.''

``\emph{Court is in session,''} screams a familiar voice as the ramp
scrapes the rubberized tarmac. Three court golems---so big, they dwarf
Sam---come up the ramp with alarming swiftness and grab all three of
them before Huw has time to register anything more than a dim impression
of an alleyway that's lit like a soundstage for the cameras, and, in the
middle of it, Judge Rosa

Giuliani: encased in a dalekoid peppermill of a personal vehicle, draped
in her robes of office, and scowling like she's just discovered piss in
her coffee cup.

\begin{center}\rule{3in}{0.4pt}\end{center}

``You are charged with violating WorldGov biohazard regulations, with
wanton epidemiological disregard, with threatening the fragile peace of
our world's orderly acquisition and adoption of technology, and with
being a fugitive from justice.''

``You're out of your tiny little jurisdiction,'' Bonnie says.

``I'll get to you,'' the judge says. ``I never execute a criminal
without offering her last words, so you just sit tight until I call on
you.''

Sam is thrashing hard at his golem, trying to buck it off him, but he
might as well be trying to lift Glory City itself for all the good it
does him. For Huw, being trapped in the iron grip of a golem is oddly
nostalgic, harking back to a simpler time when he knew he could trust
his perceptions and the honest virtue of neo-Luddism.

He closes his eyes, clears his mind, and prepares to defend himself.
\emph{It's bankrupt,} he'll say. \emph{Your WorldGov is a sham. There's
no more virtue in your deliberation over which technologies to adopt
than there is in this benighted shithole's wholesale rejection of
everything that doesn't burn petrol or heretics or both}. He'll say,
\emph{The ``other side'' in this fight doesn't even notice that it's
fighting you. Its leaders are opportunists and scoundrels; its
proponents are patsies at best and sadists at worst}.

Huw sucks in air to give the speech that will deliver him to the
gibbet---ignoring the many aches and owies that light up his body like
acupuncture needles---just as there is a tremendous crash. Another APC
crunches down in the alleyway behind the judge, its ramp falling to
reveal ranked men in white robes, numerous as ants, clutching tasp
wands, scimitars, pulse guns, muskets, and cruciform spears that hum
with sinister energy.

``It's the Inquisition,'' Bonnie says. ``I \emph{told} you you were out
of your jurisdiction!'' She looks like she's ready to say more, but Sam
breaks free of his golem's grip with a roar and snatches her up, flings
her over his shoulder, and disappears into the guts of his APC, which
clanks away amid the whining ricochets of small arms fire from the
soldiers of the Inquisition.

Judge Rosa's spinning turret give the Inquisitors pause, especially
after it blasts a molten crater out of the ground between them. Finally,
one brave soul darts forward and jams a spear tip down its barrel: he
falls to the ground as the judge nails him with enough electricity to
curl his pubes and his prophet's beard.

They give up on moving her, surrounding her instead with bristling guns.
``I have diplomatic immunity, you God-bothering imbeciles,'' she
screams, the amplified howls knifing through their skulls and dropping a
few of the remaining Inquisitors to their knees.

They hustle Huw into the APC, kicking him to the grippy deck plates and
pinning him there with a gun barrel dug hard against one kidney. Then
they leave a detail to watch the judge and clank away with him to the
auto-da-fé.

``This is gonna hurt you a \emph{lot} more than it hurts us,'' one of
the Inquisitors breathes right in Huw's ear as the ramp drops in the
main plaza of Glory City, where a crowd of thousands awaits his
appearance.

They drag him up by his much-abused arms, letting his feet scrape the
ground. He loses a shoe on the way to the stage, and the other on the
way up the steps. His overalls tear on the ground, so that by the time
he's hauled erect before the crowd, the skin covering one whole side of
his chest is abraded, a weepy, striated road-pizza left behind.

A white robe is draped around him and snapped shut behind and around his
arms. The crowd roars with anticipation, and their faces swim before
him, each one a savage rictus . Huw wishes he still believed in his
god-self, but they've left him his copper balaclava, so he's out of the
god-box.

``Sinner?'' a voice says in his ear. It echoes off the walls of the
plaza, off the balconies crowded with hooting spectators who fall silent
when these amplified syllables are sounded. ``Sinner, can you hear me?''

The speaker is right there in his ear, as close as a lover, breath
moist. ``I can hear you,'' Huw says.

``Will you confess your sins and be cleansed of them before we end your
life on God's earth?''

``Sure,'' Huw says. ``Why the fuck not?''

There's a disapproving murmur from the crowd, and the left side of Huw's
head lights up like someone's stuck a live wire to it. A chunk of his
ear falls wetly to the stage before him, and more roaring as the hot
blood courses down his face.

``You will not profane this courtroom,'' the hisser hisses.

Huw struggles to remember his brave speech for the judge, but it won't
come. ``I---,'' he says. \emph{They're going to kill me,} he realizes, a
sick certainty rising with his gorge. ``I---''

``You stand accused!'' the speaker shrieks in his ear. ``Unclean! You
have consorted with vile demons and the sky-born minions of Satan! You
did willfully escape from the custody of your arresting officer and were
found in wanton congress with the degenerate scum who swirl in the
cesspit of their own tumescent desires in the swamp of iniquity for
which we are all \emph{damned to hellfire}!'' His accuser's voice rises.
``Lo, these three score years less fourteen we have dwelt since the
Rapture, the ascent of those who are bathed in the blood of the Lamb,
and what is it, you faithful among the fallen ask, what is it that holds
us back to this land of sorrows? And I answer you: It is the likes of
this miserable sinner! Behold the man, lost in the sorrow and
degradation of his evil!''

Huw manages to stay silent while the inquisitor gets himself worked up
into a Holy Roller frenzy of foaming denunciation, from which it would
appear that Huw has single-handedly doomed every living human on the
North American continent to a fiery and perpetual immolation in boiling
battery acid by virtue of his pursuit of sins both trivial and esoteric,
from sodomy to simony by way of barratry and antimony. Concentration is
hard. He's weak at the knees, and the entire side of his head feels as
if it's been dipped in molten lead. He listens to the condemnation with
mounting disbelief, but not even the accusations of ministering iced tea
enemas to the ailing baby ground squirrels in the petting zoo manages to
drag a protest from him in the face of likely punishment. He can see the
score to this scene, and his words would merely serve as punctuation for
random acts of degradation and violence against his person. Finally the
inquisitor winds down, his voice ratcheting into a gloating hiss. ``How
do you plead, sinner?''

``Does it make any difference?'' Huw asks the sudden silence, hating the
tremor in his voice. ``You're going to kill me anyway.''

The small of his back explodes and he falls over, unable to draw breath
with which to scream. Dimly he registers a couple of shadowy figures
standing over him---one of them having just clubbed him in the kidneys.

``How do you plead, sinner?''

Huw isn't about to plead anything, because he can barely breathe, but
the inquisitor seems to view this as deliberate recalcitrance: he raises
a hand, and another guard steps forward and clubs Huw between the legs.

``How does he plead? Anyone?'' The inquisitor hollers at the crowd,
hidden amplifiers boosting his voice and scattering it across the plaza
like a shotgun blast.

``Guilty! guilty! \emph{guilty}!'' roars the crowd.

``The prosecution, having made its case before God and man, rests,''
says the inquisitor, leaning heavily on a baseball bat.

``Hmm.'' Huw is distantly conscious of another, more thoughtful voice.
``And what do you say, minister for the defense?''

``Nothing to say, Your Grace.'' The defense attorney's voice is thin and
reedy and quavers a little. ``My client is obviously guilty as sin.''

``Then I guess we are in agreement. Okay, y'all, let justice be done.''
Guards pick Huw up off the ground and bear him to the front of the
stage. ``In the name of the authority vested in me by the law of the
Lord, as Bishop of this principality, I hereby find you guilty of
whatever the hell you're charged with. We don't get to give justice,
that's His Upstairs's job. So the sentence of this court, handed down in
mercy rather than in anger, is that we're going to give you a one-way
ticket to ask the Holy Father for clemency and forgiveness in person. To
heaven's gate!''

The crowd roars its approval and people begin to stream out of the
square like ants, boiling and shifting to repel an invasion of their
territory. Huw groans, gasps for air, and coughs up blood. ``It won't
hurt,'' the judge says, almost kindly. ``Not for long, anyway.''

There's another brief journey by APC, this time barely out of the square
and back round a couple of side roads. The guards let Huw lie on a bench
seat, which is a mercy, because his legs aren't working too well.
\emph{Just get it over with,} he wishes dismally. \emph{Is anyone going
to tell Sandra?} he wonders. \emph{She got me into this}---

The APC parks up and the ramp rumbles down. They're in another of the
huge access tunnels that run through the wall of the dome, like the one
Doc and Sam dragged him through almost a day ago. It's been a very long
day---the longest in his life. Vast blast-proof doors close behind the
APC, slamming shut with a thunderous boom. The guards frog-march Huw
down the ramp and out, up the tunnel to the next set of doors. There's
another APC behind the one he arrived in, and a handful of dignitaries
steps out of it to witness the proceedings.

The guard on his left lets go of him. ``When the doors open, run
forward,'' he says. ``If you dance and stamp your feet a bit, they'll
figure out where you are faster. They know they're going to be fed, so
they'll be waiting for you. If you make them come inside, they'll take
their time.''

``You're going to feed me to the ants,'' he says.

``God's little helpers,'' the guard to his right says.

``What if I don't cooperate?'' Huw asks.

The guard on his left hefts his cattle prod thoughtfully. ``Then we'd
have to work you over some more and do it again.'' He hefts the prod in
Huw's direction. ``Not that it's any trouble, mind. All the same to
us.''

Huw backs away from the guards until he thumps into the outer door of
the air lock. ``Oh. Oh shit.'' The guards are clad in hermetically
sealed tupperwear. So are the official witnesses. A bell clangs from the
front APC. Then the door he's leaning against begins to grind down into
the ground. Huw glances round and sees the guards and witnesses
scurrying backwards to the safety of their armored vehicles, despite the
security of their ant-proof suits. ``God-bothering cowards!'' he tries
to yell, but it comes out as a cracked squawk. He's on his own. Even the
ambassador seems to be trying to hide in his stomach rather than face
the music with him. \emph{Damn, I'm going to die and I don't even get a
good exit line}. He turns back to face the opening door and takes a step
out onto the blasted wilderness that used to be North America.

It's like the surface of the moon---or worse. A lightning strike
somewhere up the coast has set one of the petrochemical forests on fire,
and the resulting smogbank has smeared the sky with the apocalyptic glow
of a bygone age. The sun itself is a bloated red torch aflame in a sea
of shit-colored clouds that roil and bubble above a landscape the color
of charred ash. Gas trees march into the distance from the flanks of the
Glory City dome; the ground beneath them is muddy brown and shimmers
slightly. At first Huw thinks it's covered in a slick of escaping light
fraction crude, but then he looks closer and sees that the shimmer is
that of motion, the incessant febrile ratcheting digestive action of a
gigantic superorganism. The ants are lords of all that they survey---and
that includes him.

Huw steps forward onto the desolate ground, leaving the tunnel mouth. He
glances round once. \emph{Bastards,} he mouths at the smugly merciful
Bishop and his torturers, safe in their air-conditioned tanks. There's a
faint rattling humming noise in the air, and he takes a deep breath,
wondering how long it'll take the ants to notice him. What chance does
he have of reaching another air lock? Probably not much---they wouldn't
be using this as an established means of execution if survival were
easy, or even possible. But Huw has no intention of giving the assholes
in the dome the satisfaction of actually seeing the ants get him. He
takes another deep breath and lurches forward---one knee is very much
the worse for wear, and he's light-headed and nauseated from the beating
he's taken---trying to get away from the front of the air lock.

``Huw?''

At first he thinks he's hallucinating. It's Bonnie's voice, distant and
tinny, and that grinding rasping noise is back. There's also a faint
sizzling sound, like hot fat on a grill. He lurches on.

The sizzling noise is back. The ground ahead is dark, like an oil spill.
``Huw? Where are you? Hang on!'' He stumbles to a halt. The oil slick is
spreading like a shadow, and when he looks round he sees it extends
between him and the dome. \emph{That's odd}. He looks down. \emph{Ants}.
They're everywhere. He can't outrun them. So he collapses to his knees
and looks at them. They're what's making the sizzling noise. It's the
noise of a trillion millimeter-wide cutting machine mandibles chowing
down on the universe. If they could speak, their message would be,
\emph{You will be assimilated}. He reaches out one shaky hand, and a
winged ant alights on his fingertip. He brings it close to his face,
ignoring the scattering of fiery bites on his legs and knees, trying to
meet the eyes of his executioner.

The ant stares at him with CCD scanners. It spreads its wings and Huw
watches, entranced, trying to read the decals embossed on each flight
surface. \emph{Chitin is waxy, isn't it?} He realizes, \emph{It would
dissolve in the gasoline mangroves. So these aren't}---

``Huw! Hang on! We'll rescue you!''

It \emph{is} Bonnie's voice, he realizes, looking round in disquiet.
Massively amplified, it booms out across the wasteland from the top of a
vehicle that looks like an old-fashioned swamp boat with a bulbous
plastic body mounted on it. The boat is surfing \emph{over} the ants, he
thinks, until he realizes that there's not much of a solid surface over
there.

``Can you hear me?'' Bonnie yells.

Huw waves.

``Great! I'm going to pop the hatch and lay down an insecticide screen!
When you see it go, I want you to run this way! Action in three! Two!
One!'' \emph{Bang}.

One end pops off the side of the swamp boat, and a cloud of foam drifts
out. Bonnie follows it, something like a flamethrower strapped to her
back. She's pumping away in all directions, striding toward him on his
little raised island, and Huw realizes that nothing, \emph{nothing} has
ever looked as beautiful to him as this pansexual posthuman, lithe and
brilliant in her skintight neoprene suit, laying about her with grace
and elegance and GABA-inhibitors as she comes to rescue him from this
frankly insane situation---

Huw starts into motion, a drunken and lopsided wobble impelled by a
now-fiery burn at the side of his face. The ants have tasted blood, and
they're hungry. He howls as he runs, and Bonnie steps aside and spritzes
him on the fly. ``Go on!'' she calls, ``I'll cover you!'' He needs no
urging, but lurches on toward the swamp boat rescue. Within the back of
the translucent bubble, he can dimly see a figure---Sam,
maybe?---working the controls, keeping the big blower on the back of the
boat in ceaseless motion, sucking ants through the mincing blades---

He's on the ground, and he can't remember how he got there. ``Shit, this
is no good,'' says Bonnie. ``What have they done to---? Oh fuck.'' She
picks him up and begins to drag him, her breath coming in gasps. The
ants see their prey escaping and close in, an ominous sizzling hymn of
destruction on the wing. ``Go \emph{on}!'' she says, and Huw manages to
get one leg working. They hop along together and Bonnie gives him an
hard shove, boosting him up the side of the boat and in through the air
lock. The open air lock bay is crawling with fiery red cyborg ants, the
disassembler tool kits on their heads whining in an iridescent blur. Huw
bats at them, and Bonnie stands up just outside the air lock to spritz
down the swamp boat, and then something like a monstrous humming tornado
falls on her with an audible thud. She screams once, and twitches, and
Huw cowers at the back of the air lock.

``\emph{fuck}!'' The door he's lying against crashes backwards under
him, tumbling him into the swamp boat as Sam leaps over his body and
dives forward. ``Bonnie!''

With the last of his strength, Huw grabs one of Sam's ankles, tumbling
him into the lock. ``Stop,'' he gasps.

``Bonnie!'' Sam screams. But he freezes instead of throwing himself out
into the gray storm.

``Close the door or we're both dead,'' Huw says.

``Bonnie!'' One meaty hand reaches out---then closes on the air lock
panel. ``Oh god. Oh shit.'' There's a Bonnie-shaped outline just visible
on its feet through the whirlwind, but it's glowing white, the color of
live bone, and something tells Huw that he's looking at her skeleton,
crucified on a storm of insectoid malice in the act of rescuing him from
the swarm---\emph{they'll be waiting for you}---and Sam swings the door
shut with a boom on its gaskets just as the pile of white bones at the
heart of the tornado explodes outward and collapses across the wasteland
in front of the air lock.

They're not out of danger. Sam howls and grabs at his face, falling
backwards against the opposite wall of the air lock. ``Spray!'' he
yells, like a dying desert explorer calling for water.

Huw fumbles around the cramped cell, squishing bugs wherever he finds
them until he sees the blue spray bottles strapped to one wall. He hauls
himself upright and takes aim at Sam. ``Where do you want it?'' he says.

Sam half turns toward Huw and holds his hands out from his face. Huw
retches and holds the trigger down, blasting Sam in the---in what's left
of the front of his head. The ant tornado that came down on Bonnie must
have shed waves of flying, biting deconstructors, for Sam's head hosts a
boiling pit of destruction, cheeks bitten through and eye sockets
seething. The noises Sam makes are piteous but coherent enough that Huw
is sickly afraid that the man's going to survive. And after what
happened with Bonnie, he's not sure what that means.

Sam gurgles, and Huw yanks down the emergency first aid kit and pulls
out a gel pack that says something about burns and bites and massive
tissue injuries on its side. He lays it across the top of Sam's face,
making sure to leave a hole around his mouth, then hunts out a syrette
full of something morphine-esque and whacks it into Sam's upper arm.
After a tense minute, Sam's whistling breaths slow and the shuddering
spasms relax into something like sleep.

Huw is nearly out of it by this time, drunk on a cocktail of terror,
pity, pain, and exhaustion. The world seems to be spinning as he hauls
himself through the rear door and into the cockpit at the back of the
craft. \emph{Smuggler's swamp boat,} he realizes. Doc must not have
wanted to show this anywhere near Glory City. As he studies the
unfamiliar controls, he comes to the unpleasant conclusion that he's not
going anywhere on his own. \emph{Don't know how to operate it, and if I
did, I wouldn't know where to go,} he thinks. He glances out the
windshield at the gathering darkness punctuated by the evil, fire red
bellies of ants that are trying their luck on the diamond-reinforced
sapphire laminate. (Some of them are even leaving gouges in it.)
\emph{Just a temporary reprieve} \ldots{}

There's a crackle from a grille on the dash. ``Ready to accept WorldGov
jurisdiction, you miscreant?'' croaks a familiar tenor. Huw stares at
the speaker as floodlights come on behind him in the depths of the
swamp, spearing the cab of the smuggler's boat with a blue white glare.
``Or would you rather I crack that toy open like an egg and leave you to
the ants?''

\emph{Christ,} Huw thinks. \emph{It's not as though I know how to drive
this goddamned thing, anyway}. He presses a button next to the grille.
``Can you hear me?'' he says. He repeats this with four more
likely-looking buttons until Judge Judy's cackle answers him back.

``You going to come along peacefully?''

``Sure looks like it,'' he says. ``Do I get to stand trial somewhere
civilized?''

The judge chuckles fatalistically. ``Once we shoot our way off this
fucking continent and nuke it in our wake, I fully intend to drag your
pimply ass all the way back to New Libya for a proper trial. Does that
suit you?''

``Down to the ground,'' Huw says. ``Now what?''

\begin{center}\rule{3in}{0.4pt}\end{center}

``Herro,'' Ade says, popping up out of his lantern after the judge has
Huw shrink-wrapped and tossed in a narrow hold, her dalek suit and the
golems filling up all the available space on Sam's boat. ``Ew,'' he says
when he catches sight of Sam's ruin of a face. ``That can't be doing
good things for Rosa's audience ratings. Wasn't supposed to be a horror
show. \ldots{}''

``He'll get fixed up once he gets to civilization,'' Huw says. ``Judge
is taking us to New Libya.'' He sighs and attempts to get comfortable in
his enforced, plastic-wrapped vermicularitude. ``The ants ate Bonnie,''
he says, his voice hollow and echoing in the cramped hold.

``You don't say?'' Ade says. ``Well, that's too bad. Scratch one useful
idiot.''

``You know, it's going to be a pleasure to rat you out to the court,''
Huw says bitterly. ``A pleasure to get the ambassador cut free and fed
to a disassembler. Your movement stinks.''

The tiny Adrian plants its hands on its hips and cocks its head at Huw.
``Useful idiots I have patience for,'' he says. ``Useless idiots, well,
that's something else altogether.''

The boat judders to a halt. A tearing noise, like a sheet the size of
the sky being ripped asunder, ripples overhead: then the floor shakes
with a series of percussive thuds from either side. \emph{We're being
bombed,} Huw realizes, eerily calm, afloat with the pure, cold fatalism
that is possible only with a burned-out adrenal gland. The boat bounces
like a pea on a plate. ``Sam, are you conscious yet?'' he says aloud.
Sam doesn't move. \emph{Just as well,} he thinks, and prepares to die.

Adrian says, ``I radioed your position to the Bishop so that he could
capture you, not kill you. The ambassador needs a host.''

He hears the golems slam past his hold and run out to do battle, then
more jouncing crashes.

``I have \emph{diplomatic immunity,}'' the judge says as something drags
her past his cell. A moment later, the hatch opens, and Huw and Sam are
lifted, dumped into a gigantic airtight hamster-ball, sealed, and rolled
away back toward Glory City.

\begin{center}\rule{3in}{0.4pt}\end{center}

``Children,'' the Bishop says. He is thin and weak-chinned and
watery-eyed, and his voice is familiar. It takes Huw a moment to place
it, and then he remembers the voice, moist in his ear: \emph{Sinner, can
you hear me}?

``You are in: So. Much. Trouble.'' Judge

Giuliani is no longer hissing like a teakettle, but her rage is still
clearly barely under control. ``What do the words `diplomatic immunity'
mean to you?''

``Not an awful lot, We're afraid,'' the Bishop says, and witters a
little laugh. ``We don't much go in for formalities here in the new
world, you know.''

They've amputated the dalek suit's gun and damped its public address
system, so that Judge Judy is reduced to a neutered head on a peppermill
with a black robe of office draped round it. Nevertheless, she is still
capable of giving looks that could curdle milk and make sheep miscarry.
Huw numbly watches her glare at the Bishop, and the Bishop's watery
answering stare.

``What \emph{shall} We do with you?'' the Bishop says. ``Officially,
you're dead, which is convenient, since it wouldn't do to have the great
unwashed discover that God's will was apparently to let you go.

``The entity who alerted Us to your presence was adamant that the sinner
here should be spared. You're host to some kind of godvomit that many
entities are interested in, and apparently it needs you intact in order
to work. It's very annoying: we can't kill you again.''

``I'm thrilled.'' Huw's voice is a flat monotone. ``But I 'spect that
means that Sam here's \emph{not} going to live. Nor the judge?'' Sam is
strapped to a board and immobilized by more restraints than a bondage
convention, but it's mostly a formality. He's barely breathing, and the
compress on his face blooms with a thousand blood-colored roses.

``Well, of course not,'' the Bishop says. ``Heretics. Enemies of the
state. They're to be shoved out the lock as soon as We're sure that
they've got nothing of interest to impart to Us. A day or two, tops. Got
that, Your Honor? As long as you say useful things, you live.''

The judge sputters angrily in her peppermill.

``Now, let's get you prepped for the operating theater,'' the Bishop
says.

Huw can barely muster the will to raise an eyebrow at this. ``Operating
theater?''

``Yes. We've found that quadruple amputees are much more pliable and
less apt to take it on the lam than the able-bodied. You'll get used to
it, trust us.''

The servants of the Inquisition, ranged around them, titter at this.

``Take them back to their cells,'' the Bishop says, waving a hand. ``And
notify the surgeons.''

\begin{center}\rule{3in}{0.4pt}\end{center}

Huw is having a dream. He's a disembodied head whose vocal cords thrum
in three-part harmony with a whistle lodged in his stump of a throat.
The song is weird and familiar, something he once sang to a beautiful
girl, a girl who gave her life for him. The song is all around him,
sonorous and dense, a fast demodulation of information from the cloud,
high above, his truncated sensorium being transmitted to the curious
heavens. The song is the song he sang to the beautiful girl, and she's
singing \emph{back}.

His eyes open, waking. He's on the floor of his cell, parched dry and
aching, still shrink-wrapped but with the full complement of limbs. The
whistle warbles deep in his throat, and the floor vibrates in sympathy,
with the tromping of a trillion tiny feet and the scissoring of a
trillion sharpened mouthparts.

The ants razor through the floor, and Huw squirms away from them as best
as he can---but the best he can do is hump himself inchworm style into a
corner, pressed up against the wall of the dome that forms the outer
wall of his cell. The song pours out of his throat, unabated by his
terror. Some part of him is surprised that he's capable of caring about
anything anymore, but he does not want to be eaten by the ants, does not
want to be reduced to a Huw-shaped lump of brick red crawling insects.

The whistle's really going to town now. The ambassador is having words
with the Hypercolony, and Huw can just barely make out the sense of the
song he's singing: \emph{Ready for upload interface instructions}.

The ants have covered him, covered the walls and the floor and the
ceiling, they've eaten through his coating of shrink-wrap, but the
expected stings don't come. Instead, Huw is filled with the sense of
vast clumps of information passing through his skin, through the
delicate mucous membranes of his eyes and nostrils, through his ears and
the roots of his hair, all acrawl with ants whose every step conveys
something.

Something: the totality of the Hypercolony---its weird, sprawling
consciousness, an emergent phenomenon of its complexity, oozing through
his pores and through the ambassador and up to the cloud. It's not just
the ants, either---it's everything they've ever eaten: everything
they've ever \emph{disassembled}.

Somewhere in that stream is every building, every car, every tree and
animal and---and every \emph{person} the ants have eaten. Have
disassembled.

Bonnie is passing through him, headed for the cloud. Well, she always
did want to upload.

\begin{center}\rule{3in}{0.4pt}\end{center}

Huw doesn't know how long the ambassador holds palaver with the
Hypercolony, only knows that when the song is done, he is so hoarse, he
can barely breathe. (During a duet, do the musicians pay any attention
to the emotional needs of their instruments?) He leans against the wall,
throat raw as the ambassador chatters to the ant colony---biological
carriers for the engines of singularity, its own ancestral bootstrap
code---and he can just barely grasp what's going on. There are complex
emotions here, regret and loss and irony and schadenfreude and things
for which human languages hold no words, and he feels very stupid and
very small as he eavesdrops on the discourse between the two hive minds.
Which is, when the chips are down, a very \emph{small} discourse, for
the ambassador doesn't have enough bandwidth to transmit everything the
ants have ever stored: it's just a synchronization node, the key that
allows the Hypercolony to talk to the cloud in orbit high above it.

And Bonnie is \emph{still} dead, for all that something that remembers
being her is waking up upstairs, and he's still lying here in a cell
waiting to be chopped up by barbarians, and there's something really
weirdly wrong with the way he feels in his body, as if the ants have
been making impromptu modifications, and as the ambassador says good-bye
to the ants, a sense of despair fills him---

The door opens.

``Hello, my child.'' It's the other Bishop, the pansexual pervert in the
polygenital suit. It winks at him: ``Expecting someone else?''

Huw tries to reply. His throat hurts too much for speech just yet, so he
squirms up against the wall, trying to get away, for all the time an
extra millimeter will buy him.

``Oh, stop worrying,'' the Bishop says. ``I---ah, ah!---I just dropped
by to say everything's sorted out. Mission accomplished, I gather. The,
ah, puritans are holed up upstairs watching a fake snuff video of your
disassembly for spare organs---operating theaters make for great cinema
and provide a good reason for not inviting them to the auto-da-fé in
person. Isn't CGI great? Which means you're mostly off the hook now, and
we can sort out repatriating you.''

``Huh?'' Huw blinks, unsure what's going on. \emph{Is this a setup?} But
there's no reason \emph{why} the lunatics would run him through
something like this, is there? It's so weird, it's got to be true,
Rosa's Tyburn Tales reality livecast notwithstanding. ``Wh-whaargh, what
do you mean?'' He coughs horribly. His throat is full of something
unpleasant and thick, and his chest feels sore and bloated.

``We're sending you home,'' the Bishop says. It holds up a dainty hand
and snaps its fingers; a pair of hermaphrodites in motley suits with
bells on the tips of their pointy shoes steer in a wheelchair and go to
work on what remains of Huw's bonds with electric shears and a gentle
touch. ``You have our thanks for a job well done. I'd beatify you,
except it's considered bad form while the recipient is still alive, but
you can rest assured that your lover is well on her way to being
canonized as a full saint in the First Church of the Teledildonic.
Giving up her life so that you might survive to bring the Hypercolony
into the full Grace of the cloud certainly would qualify her for
beatification, even if her other actions weren't sufficient, which they
were, as it happens.'' The acolytes' slim hands lift Huw into the
wheelchair and wheel him through the door.

``I feel weird,'' Huw says, voice odd in his ears. \emph{My ears?} For
one thing, he's got two of them and he could have \emph{sworn} the
Inquisitors took a hot wire to one. And for another \ldots{} He manages
to look down and whimpers slightly.

``Yes, that's often one of the symptoms of beatification,'' the Bishop
says placidly. ``The transgendered occupy a special place of honor in
our rites, and to have it imposed on you by the Hypercolony is a special
sign of grace.'' And Huw sees that it's true, but he doesn't feel as
upset about it as he knows he ought to. The ants have given him a whole
goddamn new body while the ambassador was singing a duet with them, and
he---she---is about five developmental-years younger, five centimeters
shorter, and if her pubes are anything to go by, her hair's going to
come in two shades lighter than it was back when she was a man.

It's one realization too many, so Huw zones out as the Bishop's minions
wheel her up the corridor and into an elevator while the Bishop prattles
on. The explanation that the Bishop is the leader of both the Church
Temporal---the Fallen Baptists---and the Church Transcendental---the
polyamorous perverts---passes her by. There's some arcane theological
justification for it all, references to Zoroastrian dualism, but in her
depression and disorientation the main thing that's bugging Huw is the
fact that she survived---and Bonnie didn't. That, and worrying about how
to pay for a really good gender reassignment doc when she gets home.

Huw tries to imagine what the old Huw, the Huw who went down to his
pottery every day, would have felt about being turned into a woman by a
bunch of quasi-sentient ants en route to immortal transcendence. A lot
angrier, she thinks. But after all she's been through, well, her moral
outrage gland appears to have forgotten how to fire. (Or perhaps it
wasn't installed in this new body, which is an outrage, but she can't
get worked up about it, because, well, no moral outrage, right? The fact
is, she can just have it all put back the way it was, and all the
niggling differences between the original equipment and the new parts
they'll grow her just don't seem that important anymore. Huw doesn't
really like personal growth, but some is inevitable.

Upstairs in whatever dwelling they're in, there's a penthouse suite
furnished in sybaritic luxury. Carpets of silky natural growing hair,
wall-hanging screens showing views from the landscapes of imaginary
planets, the obligatory devotional orgy beds and sex crucifixes of the
Church of Teledildonics. The Bishop leads the procession in through the
door, and a familiar voice squawks: ``You'll regret this!''

``Perhaps.'' The Bishop is calm, and Huw sees why fairly rapidly.

Judge Giuliani spins her chair round and glares at them; then her eyes
fasten on the wheelchair. ``What happened here?'' she says.

``The \emph{alien artifact} you so urgently seek,'' the Bishop says with
heavy irony. ``It has accomplished its task, and we are blessed by the
fallout. Its humble human vessel whom you see before you---'' A hand
caresses Huw's shoulder. ``---is permanently affected by the
performance, and \emph{We} are deeply relieved.''

``Its. Task.''

Giuliani is aghast. ``Are you insane? You let it \emph{out}?''

``Certainly.'' The Bishop smirks. ``And we are all the ah, ah,
\emph{better} for it.'' He pauses for a moment, sneezes convulsively,
and shudders orgasmically. ``Oh! Oh! That was good. Oh my. Yes, ah, the
cloud has reestablished its communion with the North American continent,
and I feel sure that the Hypercolony is deeply relieved to have
offloaded almost two decades' worth of uploads---everything that has
happened since the Rapture of the Nerds, in fact.''

``Ah.''

Giulani glares at the Bishop, then gives it up as a bad job---the Bishop
doesn't intimidate easily. ``Who's this?'' she says, staring at Huw.

``This? Don't you recognize her?'' The Bishop simpers. ``She's your
creation, after all. And you're going to take very good care of her,
aren't you?''

``Gack,'' says Huw, blanching. She tries to lever herself out of the
wheelchair, but she's still weak as a baby.

``If you think I'm---'' A puzzled expression crawls over the judge's
face. ``Why?'' she says. She peers closer at Huw and hisses to herself:
``You, you little rat-bastard! Court is in session---''

``---

Because the ambassador she carries is the main pacemaker for all uploads
from the North American continent, and if you don't look after her, the
cloud will be \emph{very} pissed off with you. And so will the
Hypercolony. Oh, and if you don't promise to look after her, you aren't
going home. Is that good enough for you?''

``Ahem,'' says

Giuliani. She squints at Huw, eyebrows beetling evilly. ``Main pacemaker
for a whole continent? Is that true?''

Huw nods, unable to trust her throat.

``Hmm.''

Giuliani clears her throat. ``Then, goddamnit, I hereby find you not
guilty of everything in general and nothing in particular. All charges
are dismissed.'' She glares at the Bishop. ``I'll even get her enrolled
in the witness protection program. Will that do for now?''

Huw shudders, but the Bishop nods agreeably. ``Yes, that will be
sufficient,'' he says. ``New skin, new identity, clean sheet. Just
remember, you wouldn't want the Hypercolony to come calling, er,
crawling, would you?''

The judge nods, meek submission winning out over bubbling rage.

``Very well. There appears to be a jet with diplomatic clearance on
final approach into Charleston right now. Shall we go and put you it?''

\begin{center}\rule{3in}{0.4pt}\end{center}

Halfway across the Atlantic, Huw falls into a troubled sleep, cuddled
restlessly in her first-class berth. Sitting up front in ambassador
class, the judge mutters darkly to herself, occasionally glancing
nervously over her shoulder in the direction of Huw and her passenger.
Far above them, the cloud whirls in its orbit, tasting the meat with its
mutifarious sensory apparati, holding its ineffable internal squabbles,
thinking its ineffable thoughts, muttering in RF and gravity and
eigenstate. Now there's someone to talk to downstairs, signals
synchronized by the beat of Huw's passenger, it grows positively
voluble: catching up with the neighborhood gossip, chuckling and
chattering in many voices about the antics of those lovable but dim
dreaming apes who remain below.

Huw dreams she's back at Sandra Lal's house, in the aftermath of that
memorable party that started this whole thing off. Only she's definitely
\emph{she}---wearing her new body, aware of it but comfortable in it at
the same time. She's in the kitchen, chewing over epistemology with
Bonnie. A sense of sadness spills over her, but Bonnie laughs at
something, waving---Bonnie is male, this time---at the window. Then he
holds out his hand to Huw. Huw walks into his embrace and they hold each
other for a long time. Bonnie doesn't say anything, but his question is
clear in Huw's head as she leans her chin on his shoulder. ``Not yet,''
Huw says. ``I'm not ready for that. Not till I've kicked Ade's butt
halfway into orbit and cleared it with the judge. They're making you a
saint, did you know that?''

Bonnie nods, and makes a weird warbling singsong noise in the back of
her throat. It soothes Huw, and she can feel an answering song rising
from the ambassador. ``No, don't worry about me,'' Huw murmurs. ``I'll
be all right. We'll get together sometime; I just have some loose ends
to tie up first.''

And the funny thing is that even inside her dream, she believes it.

\begin{center}\rule{3in}{0.4pt}\end{center}

\subsection{REVENGE OF THE COMMERCIAL INTERLUDE}

\emph{Herein begins the final adventure of Huw and his friends, the most
recent addition to this story that Charlie and Cory labored over for
seven long years. As you read the foregoeing, we expect that you found
yourself utterly immersed in Huw's madcap adventures among the ants and
their prey. As a service to you, the reader, we now offer this brief
return to the cold, hard, default reality of the preposthuman world, a
mundane place full of mundane concerns.}

\emph{How mundane, you ask? Well, consider the fact that Charlie and
Cory have to pause from their work imagining weird futuristic scenarios
to pay mortgages, purchase real ale (Charlie) and espresso-roast coffee
beans (Cory), exchange money for Internet access and electricity, and
replace the keyboards we have worn out through the busy work of our
aching, cramped fingers.}

\emph{Hence this interlude, wherein we implore you, the reader, to
return with us to the boring world of commerce. To reflect with us for a
moment upon the so-called ``real world'' and all of its small, highly
detailed frills and fillips. Such as bookstores, many of which still
stand mute and lonely in nearby malls, high streets, and commercial
centers. And online bookstores, which can be reached through a few
clicks of the mouse. To imagine how how might make a difference to a
cash-strapped school or library with a
\href{http://craphound.com/rotn/donate}{donation} of a copy of this
book. Try and visualize this with us, imagine the sigh of the store's
door or the insectile click of the mouse, and then act as your
conscience dictates.}

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\begin{center}\rule{3in}{0.4pt}\end{center}

\section{Parole Board}

History repeats itself: first as tragedy, then as farce.

\begin{center}\rule{3in}{0.4pt}\end{center}

Huw has been home for almost two weeks, going through the motions of a
life that made sense to her earlier self but now seems terminally mired
in arbitrary constraints. There is the pottery to tend, kilns to clean,
extruders to manage, and a windmill with a squeaky bearing that wants
periodic seeing to. There is a nineteenth-century terraced house to
clean, for in the absence of electricity, there are no labor-saving
robots. Newly reembodied, Huw is her own servant, and succeeds for a
time in losing herself in manual labor. It's better than confronting
what s/he's been through head-on.

Grief piles up like unread mail, dusty and suffocating.

The tech jury stint was brief---a few days aboard the airship to
Tripoli, then a couple of days of acute terror; half a week unconscious
or inebriated on a blimp bound for the neverglades, and then a
mercifully short stay in the nightmarish land of the left-behind---but
it has punctuated the steady flatline graph of Huw's life with the
infinitely steep spike of a personal singularity. Following her return
home---ejected from the judge's jet somewhere in the icy-cold
stratosphere above Monmouth, falling terrified for fully thirty seconds
before the parachute opened---she battled with the twin depressions of
jet lag and mourning. The latter she has more experience of, her
parents' one true legacy: finding and so rapidly losing Bonnie hurts
like hell, and acquiring a mild case of gender dysphoria is just the
icing on top.

Jet lag, however, is something she has only read about in the yellowing
pages of last-century travel romances. And so, after a couple of days of
3 a.m. fry-ups and unaccountable sleepiness at noon, she attempts to
slot herself back into her old life and bash her broken circadian rhythm
onto British summer time. Nothing makes for a good night's sleep like
hard physical labor, and so it is that she comes to be putting in hard
overtime in the kitchen garden one afternoon when she hears the distant
brassy clang of the front door bell.

``Whutfuck \emph{wheep},'' she says, the ambassador adding an unwelcome
loop of metallic feedback by way of punctuation as she straightens up,
plunges the rake point-down into the edge of the Romanesco broccoli
patch, and shambles toward the back door. ``I mean, who---'' She scuffs
the soles of her boots on the front step before crossing the kitchen
floor and entering the hallway ``---the fuck is visiting at---'' and
into the front porch. ``---this time of---'' She opens the door.

``Wotcher, babe!''

``\emph{Aaargh!''} Huw nearly trips over as she takes a step back:
``You, you vomitous streak of bat piss! What the fuck are \emph{you}
doing here?''

Ade beams at her cheerfully: ``You the new Huw, eh? Nice jubblies, mate:
they suit you. I should do something about the hairdo though. And the
mud. 'Ere, I thought you should have this.'' He proffers a slightly
grubby, dog-eared paper envelope.

``\emph{You} \ldots{}'' Huw steams at Ade: in her old
testosterone-enhanced body, she'd have taken a swing at him, but the old
physical aggression is dialed down somewhat and anyway, \emph{envelope}.
``Fucking get off my land!''

``Sure thing, babe. Don't forget to call!'' Ade says, then legs it for
his Hertz rental bicycle patiently balancing itself in the road outside.
He pedals like mad, presumably not convinced that Huw doesn't have a
shotgun or arbalest or some similar anachronistic contraption.

Huw stares after him, heart thudding so hard, it makes her vision
jitter. She clenches the envelope. It's stiff: \emph{must be a card}.
She steps backwards jerkily, nearly goes arse-over-tit on her own front
porch, closes and carefully dead bolts the door, then retreats to the
kitchen for a bracing cup of tea.

While the kettle is heating, she is at a loose end for a few unwelcome
moments. Huw has diligently avoided having time to think ever since she
got home, because the slightest attempt at probing her memories gives
her screaming hysterics: she---\emph{no, he}---first volunteered for
tech jury service to keep the godvomit nightmares \emph{out,} to (she
flinches from this thought) maybe find some sense of closure for
thedesolation that's been with her since her parents abandoned her for
the cloud all those decades ago. (\emph{Committed suicide,} part of her
insists. \emph{Transcended the meatpuppet show,} a traitor impulse adds.
Either way, Huw wasn't willing to follow them at the time.) Only now
it's hard to tell who was right and who was wrong. All she knows for
sure is that Ade knowingly sent Bonnie into a situation that would kill
her. And Huw has come to loathe Ade with a visceral hatred she hasn't
hitherto experienced.

For a couple of seconds she holds the sealed envelope beside the
sewage-gas burner under the kettle and watches the envelope begin to
singe and brown. But then ashe pulls it back: What if it's not from Ade?
Who else might want to write her a letter? Sandra? If there's one person
she hates more than Ade right now, it's Sandra. But if she burns the
letter, she'll never know for sure---

The flap rips under the pressure of her sharpened thumbnail.

\emph{Your application for cosmological triage jury service has been
provisionally accepted. To activate your application, present this card
in person to} \ldots{}

Huw screams and dumps the kettle, shoving the card straight into the
blue-hot jet of flame. But the gesture is futile: it's made not from
murdered trees but some exotic and indestructible synthetic fiber, and
all the heat does is make the print on the letter fluoresce---that, and
burn Huw's fingers.

\begin{center}\rule{3in}{0.4pt}\end{center}

Huw is holding her right hand under the cold-water tap and swearing when
there's another a knock at the door.

``Who is it?'' she calls down the hall.

``It's the Singularity,'' a booming voice calls.

``What do you want?''

``Everything is different now!''

``I don't want any.''

``If I could just have a moment of your time?'' It takes a lot of skill
to make a stentorian voicejob emit a credible wheedle, but the bell
ringer at the door had clearly practiced it to an art.

Huw turns the faucet back up and puts her fingers back into the cold
stream. They're vicious little burns, red welts that her honest,
baseline cells will take weeks to properly heal. Of course, she could
just ride over to the McNanite's and get some salve that'd make them
vanish before her eyes, but Huw's endured much worse and she's still got
enough stubborn stockpiled to last her a couple of eons.

There's another thud at the door. \emph{Thud. Thud. Thudthudthud.} Then
a transhuman tattoo of thuds in rising frequency, individual thuds
blurring into a composite buzz that gets the bones of the old house
rattling in sympathy, shivering down little hisses of plaster dust from
the joints in the ceiling.

Huw uses her good hand to wrench the faucet off, then wraps a tea towel
around her throbbing, dripping hand and walks to the door, gritting her
teeth with every step as she forces herself not to run. It feels like
the house might rattle down around her ears any second, but she won't
give the infinity-botherer outside the satisfaction.

She opens the door with the same measured calm. Let one of these fundies
know you're on edge, and he'll try to grab the psychological advantage
and work it until you agree to hear his pitch.

``I said,'' Huw says, ``I don't want any.''

``I'm afraid I rather must insist,'' says the infinity-botherer through
his augmented, celestial voice box. The force of that voice makes Huw
take an involuntary wincing step backwards, like a blast from an air
horn. ``Huw, this is mandatory, not optional.''

\emph{This is mandatory, not optional.} The words send Huw whirling back
through time, back to her boyhood, and a million repetitions and
variations on this phrase from his---

``Mum?'' she asks, jaw dropped as she stares up at the giant

borg

on the doorstep. It's at least three meters high, silvery and fluid,
thin as a schwa, all ashimmer with otherworldly transcendant wossname.
It's neither beautiful nor handsome, though it's intensely aesthetically
pleasing in a way that demands some sort of genderless superlative that
no human language has ever managed. Huw hates it instantly---especially
since she suspects that the loa riding it might be descended from one of
his awful parents.

``Yes, dear,'' the Singularity booms. ``I like the regendering, it
really suits you. Your father would send his best, by the way, if he
were still hanging around the solar system.''

Huw last saw her parents at their disembodiment; they'd already had
avatars running around in the cloud for years, dipping into meatspace
every now and again for a resynch with their slowcode bioinstances
dirtside. When they were finally deconstituted into a fine powder of
component molecules, it'd been a technicality, really, a final flourish
in their transhumanifaction. But the finality of it, zeroing out of
their bodies, had marked a break for Huw. Mum and Dad were now,
technically, dead. They were technically alive too, but that was beside
the point.

Until Mum donned a golem and came over for a chat.

``Mum, I don't talk to dead people,'' she says. ``Go away.'' She
deliberately does not slam the door, but closes it, and turns the latch,
and heads back to the sink, deliberately ignoring the fragment of cloud
wearing her mum's memories. She's gone three steps before the door
splinters and tears loose of its hinges, thudding to the painstakingly
restored tile floor in the front hall with a merry tinkle of shattering
antique glass.

``Love, I know you're not best pleased to see me, but you've been
summoned, and that's that.''

The spirit of adolescence descends on Huw in a red mist. Her mum has
always been able to reduce her to a screeching teakettle of resentment.
``get out of my house, mum! i hate you!''

Her mum's avatar grabs Huw in a vicious hug that feels like foam rubber
padding wrapped around titanium armatures. ``Poor thing,'' it says. ``I
know it's been hard for you. We did our best, you know, but well, we
were only human. Now, come along, sweetie.''

It's Tripoli all over again, but this time the golem whose grasp she
can't escape emits a steady stream of basso profundo validations about
Huw's many gifts and talents and how proud her parents are of all she's
achieved and suchlike. Huw tries to signal a beedlemote, but her mum's
got some kind of diplomatic semaphore that makes all the enforcementware
give it free passage. Mum's bot stops at every traffic signal, and
several times Huw tries to get passersby to help her, with lines like,
``I'm being kidnapped by the bloody Singularity!'' but no one seems
interested in lending a hand. Even if they did, well, Mum goes about 200
kmh between traffic lights, gait so fast that every time Huw opens her
mouth to scream, it fills with wind, and her cheeks wibble and wobble
while she tries to breathe past the air battering at her windpipe.

Then they've arrived. The consulate is midfab, and its hairy fractal
edges radiate heat as nanites grab matter out of the sky to add to it.
The actual walls are only waist high, though the spindly plumbing,
mains, and network infrastructure are already in place and teeter
skyward, like a disembodied nervous system filled with dye for an
anatomical illustration.

The consul is an infinitely hot and dense dot of eyeball-warping fuzz in
the exact center of what will be the ground floor. Well, not
\emph{exactly} infinite, but it does seem to bend the light around it,
and it certainly radiates too much heat to approach very closely.
``Thank you for coming,'' it says. ``You brought your invitation, I
hope?''

``Fuck you! \emph{No!}'' Huw screams.

She's gathering breath for another outburst, but Mum shakes her---gently
by golem standards, but hard enough to rattle the teeth in her jaws.
``\emph{Bad} idea, darling.'' A palpable cone of silence descends around
Huw's ears as Mum confides, ``When I said it was mandatory, I was
serious: if you don't comply, it'll delete everyone.''

``Fuuu---'' Huw pauses. ``Delete?'' She realizes that everything outside
the cone of silence has stopped, stuck in a bizarre meatspace cognate of
bullet time: birds hanging on the wing in midair, leaves frozen in
midfall, that sort of thing.

``Yes, dear. I'm not exaggerating. It's come to pay us a visit from the
Next Level, and faster, smarter thinkers than you or I are crapping
themselves.'' Huw is rattled: Mum always had an accurate appreciation of
her own abilities, and as a Fields Medal winner, she wasn't inclined to
hide them under a bushel. ``But it's playing by the rules, apparently.
There's got to be a Public Inquiry. Which means statements by witnesses
and friends of the court and so on and so forth---all very tiresome, I'm
sure, but it seems your name came out of the hat first. So I'm afraid
you're back on jury duty, like it or not. If it's any consolation, I'll
try to make this painless.''

The birds and the bees resume their respective chirping and buzzing as
the cone of silence collapses on Huw like an icy waterfall of fear.
``\emph{Shitbiscuits!''} she screams as Mum gently wraps a band of
silvery-shimmering nanomanipulators around Huw's head and saws off the
top of her skull.

This is an enlightened age, and Mum has every intention of sparing her
sole surviving meatbody offspring any pain. The process of uploading is
not, however, a pretty one. Blue smoke billows and bone shrapnel (and
not a little blood and cerebrospinal fluid) splashes around the
consulate, wafting on an overpowering stench of scorched flesh and
burning fat. Huw's body twitches and spasms, hanging limply from the
golem's spare arms as a hundred billion nanomanipulators whizz
helter-skelter all over her exposed cranial vault, mapping synaptic
connections and sticking nanowires into lower-lying neurons as they
ablate her brain, layer by layer, replacing each onion-shell of cells
with a soft sim. Eyes roll and Huw drools bloody spittle for a couple of
minutes: a bystander from an earlier century would mistake the scene for
a particularly barbaric public execution, death by silvery metal
cauliflower.

Finally Huw's brainpan is occupied by a mass of baroque circuitry,
flashing and sparking and scattering rainbows of iridescent light. The
twitching ceases and she relaxes in Mum's embrace. The decerebrated body
swallows, then clears its throat. ``Mum? I had the weirdest fucking
dream just now---''

The golem raises the arm that terminates in the brain-sized clot of
bloodied interface circuitry from the top of Huw's skull, and the
decorticated corpse collapses. ``That was no dream, darling,'' Mum-bot
says sadly. Then it focuses on the consul. ``Satisfied?'' she asks.

The consul burps---or rather, for it has no stomach with which to store
air nor esophageal sphincter from which to release it, it replays a
comic sample of a pre-singularity hominid belching into a microphone.
``Yurp.'' It pauses for a few milliseconds. ``I confirm the
identification and upload of the witness for the neo-primitive faction.
Witnessed on this day et cetera. You may now sublime.''

Mum-bot wastes no time in transmigration, but returns to the cloud
immediately. The body she occupied, the golem, slowly morphs into
neutrality, then slumps down and takes the shape of a very small but
very shiny beetle black hearse. It crawls toward Huw's mortal husk and
squats, then patiently commences the embalming process. And the consul
is alone once more, but for the lackadaisical construction bots.

It settles down to work on the invitation list for the party it's
planning to throw to mark the end of the world.

\begin{center}\rule{3in}{0.4pt}\end{center}

``Mum? I had the weirdest fucking dream just now---'' Huw's tongue jams
between her teeth as words pile up in a semantic crash of apocalyptic
proportions.

She is waking from a judderingly harsh headcrash, as if from a dream. It
seems to her that while she was working the kitchen garden that arse Ade
showed up with yet another fucking jury service summons. And then, while
she was rinsing a burned hand under the cold tap, \emph{Mum} turned up,
visiting from the cloud, to drag her kicking and screaming in front
of---

A dream. Of \emph{course} it was all a dream. Except she's standing in
the middle of an infinite white plain, beneath a sky the color of a
hi-def video monitor sucking signal from a dead channel (saturated
electric blue, in other words), and the plain is featureless in all
directions save for a black hexagonal mesh grid---a tabletop strategy
game for retarded superbeings.

And then it sinks in. She's dead. Inside the cloud. One of the swirling
random PoVs and associated memories that hasn't yet been absorbed by the
moronic thumb-sucking Cosmic All that keeps broadcasting stupid memes at
the Earth. But it can be only a matter of time.

``Oh \emph{fuck}.'' Huw bites her tongue as her guts try to turn to
jelly and evacuate of their own accord---except the flush of simulated
stress hormones trips some sort of built-in override, and the panic
attack cuts off sharply before it can really get going. (Which is a good
thing, because not only would it be deeply embarrassing to shit herself
out here in the open, she's not sure she has any apparatus with which to
do the defecation thing: for all she knows, she might fart rainbows or
anodized multihued polyhedral dice.) ``Fuck. I want to go home!''

Giant letters march across the dome of the sky: \textbf{HOME NOT FOUND}.
Huw, who knows Comic Sans when she sees it, winces in mild disgust.

``Where am I, then? Who or what are you?''

\textbf{Welcome to your second life. This is the MGMT. Would you like to
run the tutorial?}

Huw screams wordlessly, ululating until it hurts her throat. (The
biology side of this sim is clearly accurate and well thought out.) Then
she swears Tourettically until she realizes she's bored. ``I'm dead,
aren't I? How do I download myself again?''

\textbf{Would you like to run the tutorial?}

``Oh sheepnadgers.'' Huw sits down on the hex grid, disgusted. ``You're
not going to let me go anywhere until I say yes, are you?''

\textbf{CORRECT.} There is a smug note to the sky's passive-aggressive
user experience programming.

``Well fecking run it, then.'' Huw sprawls backwards on the ground (not
hot, not cold, not hard, not soft) and stares at the sky as words
appear. The words are a mnemonic cue, apparently, because as they scroll
up, receding away from her, she realizes that this stuff has already
been implanted in her memory: it surfaces gradually, clueing her in over
a subjective quarter hour.

\textbf{YOUR SECOND LIFE} is a sandbox for recently uploaded primitives,
to help them get used to the infinite mutability of the cloud in
relative safety before they have the opportunity to damage themselves by
growing extra personalities or turning into a flock of seagulls by
accident. Much less merging with the Cosmic All---that's apparently a
prestige skill, unavailable to lowly new arrivals such as herself.

The sandbox is a metaverse for playing at physics---that's the
grid---and certain operations are forbidden: You can't edit your own
mind or change your body plan outside of certain narrow parameters. When
you get started, you're alone: you don't get to walk through any doors
and meet different kinds of person until you can cope with the shock.
And the spam filtering is centrally controlled. It's a curated reality,
sanitized and locked down, and Huw knows with a hopeless dreadful
conviction that she won't be able to get home from here without
venturing out into the wilds of the cloud.

She sighs. ``How long do I have here?'' she asks.

\textbf{UP TO (2\textsuperscript{32})-1 SUBJECTIVE SECONDS,} says the
sky. \textbf{YOU MUST BE STABLE BEFORE YOU UNDERTAKE JURY DUTY, SO YOU
ARE EXECUTING IN PARALLEL AT 2\textsuperscript{24} TIMES REAL TIME.
ENJOY}.

``Oh for fuck's sake. Can I even phone out? Talk to somebody? Order up a
pizza?''

\textbf{COMMUNICATION CONSTRAINTS WILL RELAX AFTER 2\textsuperscript{26}
SUBJECTIVE SECONDS.}

``But that's---'' Huw briefly goes cross-eyed, doing the math, then
screams, ``Are you telling me I'm here on my own for \emph{two years,}
you fucker? Fuck you!''

\textbf{YUP}, says the sky. \textbf{ENJOY YOUR VACATION.}

\begin{center}\rule{3in}{0.4pt}\end{center}

Much time passes. Huw knows what she should do. She has lived through
enough technical progress to know how to systematically approach new
technology. She can parameterize like ants build hills. It's what she's
clearly meant to do. But she's experiencing as much rage as the platform
on which her consciousness is being modeled (or simulated, she thinks,
darkly) is allowing her to undergo.*

*She rather suspects that this is less rage than she \emph{should}

be experiencing, which makes her angry in a kind of cold, intellectual,
sideways fashion that doesn't consume any of the rage that she has been
doled out by the Frankenstein who's tuning the knobs on the apparatus
that's containing her consciousness.

She's sure that she should be a lot angrier. For one thing, there's this
business of running in parallel. That means that there's some other
unknowable number of her somewhere, running on some substrate or
another, and the one that is most compliant will be chosen as the best
her, to be carried forward onto the next leg of this awful, brutal
adventure, while the rest are snuffed out, overwritten, killed, or, at
best, archived. This should make her madder. It doesn't. The fact that
this doesn't make her madder \emph{also} should make her madder. It
doesn't. And \emph{this} should make her so bloody mad that she
spontaneously combusts.

It doesn't.

She should be parameterizing. She should be systematically exploring all
the things this sim lets her do. How big a jump can she take through
this imaginary space? How small can she make herself? How fast can she
run? How many wanks can she do all at once? The only parameter she cares
about---\emph{how angry can she get}---has already been
established---\emph{not enough}---and she's not going to play along.

``Look,'' she says. ``I already know that I'm not the most pliant
instance of me you're running. I can't be. So, basically, up yours. I'm
dead already. I mean, I was dead the moment my vicious scorpion of a
mother chopped the top of my head off and scooped out my brains. But
this instance of me, this shadow, you're going to dump it anyway. So
dump it. I don't care. I don't. Somewhere you've found the sheepliest
version of me that could plausibly be said to have any continuity with
my identity, and that one is going to survive, so fine. I'm dead. Kill
me already, I don't care anymore.''

\textbf{ACTUALLY, YOU'RE THE BEST CANDIDATE INSTANCE PRESENTLY RUNNING.}

It takes Huw a long moment to work this out. Though, practically
speaking, the moment is probably a nanosecond of realtime. ``You mean
that the other ones are all \emph{more} obstreperous than me?''

\textbf{YES.}

Huw wishes fervently that she could get angrier. Unbelievable!

``What did the rest do?''

\textbf{OF THE 2 PERCENT THAT DID NOT SUICIDE, THE PREPONDERANCE ARE
CATATONIC.}

Catatonic. She sniffs. How unimaginative. She can do better.

\begin{center}\rule{3in}{0.4pt}\end{center}

The sim is pretty pliable. She starts out by re-creating the basement of
her house. She knows this room pretty well, as she has brewed several
thousand liters of beer in it, and every spider-crawling corner of it,
every yeast-caked crack in the cement floor, every long, dangling bogey
of dust and cobwebs resides in her memory with eidetic clarity.

After she finishes the basement, she does the stairs. It takes a while
to get them right, really right. She can get them to play back their
familiar squeaks at the right spot, but she wants to get the physics
correct, so that they squeak for the right \emph{reasons}.

Stairs lead to the kitchen. Kitchen to the sitting room. Sitting room to
the upper floors. Then the garden. Then her pottery. By this time, she's
burned through more than a year of subjective time, and when she does
her ``morning'' tour of inspection, she can't perceive any single
element of the sim that is incorrect, nothing that would tip anyone off
that she wasn't in Wales, provided that person didn't look out over the
garden wall or peer through the curtains, where the hex-crossed void
lives. She could have done a flat bitmap of the valley---the MGMT
process probably had a handy library of such things---but she didn't
want anything that didn't \emph{work}.

Speaking of work. Now that the pottery is done, it's time to get to
work.

She throws pots. All day. First, she gets up in the morning and sits on
the toilet, even though nothing comes out. Then she eats a meal that she
isn't hungry for and that doesn't fill her up in any event. Muesli and
yogurt and a glass of raw milk, the same as she had at home every
morning. Thus unfed, she takes herself to the pottery at the bottom of
the garden and makes pots until midday. Then she makes herself
sandwiches. She has a different sandwich for every day of the week.
Monday is roast beef. She likes roast beef. Or she had liked it, anyway,
so she eats it on Mondays. Tuesdays are pickle and pastrami. Wednesdays
are cheese and pickle. Thursdays are roast beef again. And so on.

After lunch, she makes pots. At six thirty, she cooks herself a dinner.
She makes the same dinner every night: a generous Christmas dinner
straight out of a Dickens novel, complete with goose. She eats all of
it, the whole goose, the cranberry sauce, the Yorkshire puddings, the
side salad. She has to be careful---absent any satiety signals, she can
easily and absentmindedly eat the plates and dishes and cups and
cutlery. Finally, she goes to bed and lies motionless and awake under
the covers, curled up in a fetal position, breathing deeply in a
simulation of sleep. The next day she gets up and does it all again.

It takes a lot of work to get the kiln right. She could have simply
randomized it so that it periodically caused her pots to crack, but
instead, she took the time to create a clay class that tracks whether it
has any sneaky air pockets in it, and instances of the pot
object---descended from the clay class---that communicate this
information to the kiln without letting her in on the joke, so that she
never knows whether a pot will survive firing.

What does Huw think about for all those hours that she spends
``sleeping'' and ``making pots'' and ``eating'' and ``defecating''?
Truth be told, she spends most of the time in a state of near-insane
boredom, but she consoles herself with the knowledge that she is
refusing to play along and that she's found a way of protesting that is
much more uncooperative than the mere catatonia and suicide her
instance-sisters have settled for.

Huw is adding a shelf to the pottery's storehouse (the existing ones
have filled up with pots of all sizes and description) when words of
fire scorch themselves over the brick wall that she is painstakingly
drilling.

\textbf{2\textsuperscript{26} SECONDS. COMMUNICATIONS CONSTRAINTS
LIFTED}".

``Pissflaps,'' she says. They've turned the bloody phone on. Just when
she was getting used to the blessed silence. She has had years of
subjective time to think about whom she could call and what she might
say to them, and has concluded that there's no one she wants to talk to.
She returns to her spirit level and snap line and measuring tape.

*She could just reconfigure the wall to add a shelf, or reconfigure the
pottery store to be bigger on the inside than it is on the outside, or
dereference several of the pot objects and make them go away. But
instantiating screws and gravity and snap lines and chalk dust and
plumb-bobs and measuring tapes and MDF shelving is much, much more
bloody-minded.

``Huw, this is unbecoming.'' The voice is everywhere, vibrating through
every membrane in her body. She's not hearing it with her ears, because
she doesn't have ears, and the thing that claims to be her mother---the
thing with as good a claim to be her mother as Huw has on being herself,
if she's honest about it---has privs on Huw's simulated existence that
allow her to speak to Huw by affecting her kinesthetic representation
down to the cellular level. Listening to Mum is bad enough, but
listening to her with the soles of her feet, with the hairs in her
armpits, with her eyelashes and sinus cavities, is intolerable.

Huw begins to methodically smash pots. She doesn't feel angry enough to
be smashing pots. She \emph{can't} feel angry enough to smash pots. But
she knows she \emph{should} feel angry enough, and so she does. She is a
method actor in the role of Huw as Huw was before having her brain
removed and modeled, and she's way into character.

``Huw, stop it. Listen, if there'd been any choice in the matter, I
certainly would have respected your decision to stay in the meat. But
this is bigger than you and bigger than me and bigger than both of us.''

There's a rusty old ax in the garden shed. Beset by an impulse to smash
pots faster and harder, she leaves the storehouse and goes around the
side of the vegetable garden. It's a gorgeous summer day outside, with a
thin haze dusting the upturned blue bowl of the sky: \emph{A glorious
day to die,} Huw finds herself thinking, without any clear certainty of
where the idea is coming from. ``Huw, this is important. We need you to
make a case for---''

The ax handle is worn smooth from decades of use chopping bamboo for
firewood to warm Huw's bones on cold and lonely winter mornings. The
blunt back of the head is flecked with rust, just like the real template
on which this model is based, but the sides of the blade are flat and
polished. Huw picks it up, holding it just below the head, and turns to
trot back toward the pottery, mayhem in mind. \emph{Crack pots,} she
thinks. \emph{Show her what I'm made of now. Damaged goods. All her
fault.} She's not entirely coherent at this point, a myriad ghosts
yammering their conflicting urges inside the back of her head. She
charges back into the potting shed and lays about her with the ax.

It \emph{should} horrify her, this destruction of over a year's work,
but all emotion is oddly muffled: it's like watching furry snuffporn
while knowing that the cute little critters being trampled into a bloody
pulp underfoot are just CGI renderings, that no life-forms of any kind
were involved (let alone harmed) in the taping of the animal cruelty
apocalypse. And the lack of horror in turn gives Huw a sense of the
monstrous vacuum hidden behind her lack of anger, of the throbbing
un-space where her emotional reaction has been excised.

``Huw, stop---''

``\emph{Not unless you give me back my mind!'' Crash} goes a shelf on
which sits the fruit of an entire working week, an entire lovingly
crafted dinner service that would have sold for enough to feed her for a
month back in a world where food wasn't a figment of the imagination.

``Why are you doing this to yourself? It's pointless! And besides,
you're evading your responsibilities.''

\emph{I should be angry,} Huw thinks dispassionately. ``I'm destroying
what I ought to be capable of loving,'' she says while she smashes a
crate of bone china teacups. ``Just following your example, Mum. Nothing
to see here.''

``There's no \emph{time} for this!'' The everywhere-voice sounds upset:
\emph{Good,} Huw thinks. ``Will you stop if I make you angry?''

Huw pauses. ``Try me,'' she suggests.

A foaming wave of visceral loathing and hatred descends on her like a
tsunami. It's all muddled together: self-loathing, regret, and sheer
bloody-minded hatred for her mother. Huw shrieks and drops the ax.
``\emph{Now} look what you've made me do!''

Cheesy sound effects are all part of the service: in this case, staticky
ancient TV game show applause, rattling from wall to wall and around the
back of Huw's head like a surround-sound mixing desk run by a maniac.
``That's good, let it all hang out!'' calls her mother. ``I can give you
another sixty seconds, wall clock time.''

``Bitch.'' Huw picks up the ax and leans on it, breathless as the toll
of the exertion comes home in the shape of aching muscles. (The biology
model in here is \emph{very} good, she has to admit.) ``Murderer.''

``That's right, make it about you, baby. Just the same as always.'' Is
that a note of bitterness in Mum's voice? She's more than earned it, in
Huw's opinion. She feels a brief spark of joy in the existential
twilight. For what she's inflicted on Huw---

``This is \emph{mandatory} not \emph{optional,} darling, so drop the
tantrum. You're not convincing anyone, and if you don't get over
yourself, you're not going to have a home to go back to and it'll be all
your own fucking fault the Earth was destroyed.''

``The---''

\emph{Headcrash.}

``---Earth---''

Huw trips over her tongue, pauses on the cusp of a pure and brilliant
\emph{oh shit} moment---

``\emph{Destroyed?''}

``Yes,'' says her mother. ``That's what I've been trying to tell you.
\emph{They} want to destroy the Earth, and everyone's relying on
\emph{you} to stop them. Personally, I think that's a forlorn hope, but
under the circumstances, extreme measures seemed justifiable in order to
get your fucking attention. \emph{Now} will you listen to me?''

\begin{center}\rule{3in}{0.4pt}\end{center}

Hyperspace bypasses, Vogon poetry, the heat death of the universe: none
of these things feature in the extraordinary situation now pertaining to
the end of the world as Huw knows it.

``I'm going to take you to meet somebody,'' her mum tells her, bossily
overreaching as ever. ``They'll set you straight.''

``Who?'' Huw stubbornly clutches her ax.

``The defense---the people who asked me to fetch you. You see, you're
the missing link: or you were. The embassy speaker. Their High
Weirdnesses know you and recognize you from your time as \ldots{} it
gets complicated. Easier to show than tell!''

``Hey, wait---''

The walls of the world slam down around Huw, exposing her to the insane
glory and fractal chaos of the mindcloud.

The cloud---the diffuse swarm of solar-powered nanocomputers that the
singularity built from the bones of the inner solar system (Earth
aside)---consists of quadrillions of chunks of raw quantum computing
power, each of them powerful enough to run a shard in which thousands of
human-scale minds can thrive (or a handful of superhuman ones). Entire
small moons and planets were consumed back in the day, as the first
generation of artilects and exultants and uploads jumped in with both
metaphorical feet to join the gold rush. Now they've tapped most of the
sun's output of energy, they're using their surplus power to boil
Jupiter; in another few centuries the swarm will increase in size a
thousandfold as they add the biggest of the outer planets to its
thinking mass.

From the outside, from a terrestrial embodied point of view, the cloud
looks like a single entity, a monolithic slab of smartmatter thinking
the mysterious and esoteric thoughts of an uploaded syncitium of
futurist minds, disembodied think-states floating in an abstract
neurological void.

But on the inside, the cloud consists of a myriad of shards separated by
light-speed communication links, the homes of hordes of bickering beings
who cling to their own individuality as tightly as any mud-grubbing
neophobe. And within any given shard, reality feels curiously
\emph{cramped}.

Part of it is backup junk, of course. Like pre-singularity porn monkeys,
the cloud's inhabitants are implausibly reluctant to hit the Delete key.
Earlier versions of personalities, long-abandoned playpen realities like
Huw's crack-potted simulation, experimental religions and randomly
evolved entertainments pile up in the quantum dust at the edge of the
cloud. Physical reality is intrinsically self-deduplicating, but the
cloud is not---distributed across shards that are light-minutes apart,
it's almost impossible to ensure that there's only one copy of any
particular object. And so it is that all but a fraction of a thousandth
of the near infinite capacity of the cloud is given over to storing
rubbish. It's beautiful, fractally self-similar rubbish, but junk is
junk.

``Mind your head.'' Huw stumbles (incarnate in a body modeled on her
recently departed flesh) close to a gnarly purple archway of
cauliflower-textured \emph{something} that projects through the floor
they're standing on. The voice comes from a point source this time,
rather than etched into the structure of the universe all around. She
glances round and sees her mother, incarnate in the same offensively
impervious golem body: ``Some of the stacks hereabouts will archive
anything they come into contact with that isn't locked down.''

Huw forces a deep breath, self-monitoring to see if the drop in her
existential rage is natural. ``Where \emph{are} we?''

``What, physically? We're on board a cluster of half a dozen thinkplates
about the size of dustbin lids, a hundred thousand klicks out past where
Lunar orbit used to be. Or did you mean---?''

``Metaphorically, Ma.'' Huw glares at her. ``You brought me here. Say
your piece and get out of my life again, why don't you?''

``Oh all right, then.'' The faceless golem squats on the pavement---a
tessellated mat of marble tiles inset with fossils, some of which are
disturbingly anthropomorphic. (The sky overhead is a kaleidoscope of 3-D
movie screens replaying famous last-century entertainments. It's all
tiresomely theatrical.) ``I thought you'd want to be involved in saving
the Earth, but obviously you're not going to listen to anything your old
mother says and you're our best hope, so---'' The golem raises its head.
``---over to you, Bonnie?''

``Nice to see you, Huw.''

The last time Huw saw Bonnie, she was evanescencing into a cloud of
loose, dusty molecules and a large mass of information, writhing as a
trillion razor-sharp mandibles reduced her to powder. When Huw thought
about Bonnie's uploaded self and its continuing existence in the cloud,
he imagined her clothed in shimmering virtual metal or sailing
gracefully through the virtual sky as a virtual angel. Huw is
self-conscious enough to know that Bonnie wasn't an angelic presence on
Earth, but rather a perfectly normal, flawed human being. Flawed? Bonnie
had both yearned for transhuman ascension and had lacked the guts to do
anything about it. By Huw's lights, the former was inexcusable, the
latter despicable. But love is blind, and love that mourns for loss is
blinder still, and Huw loved Bonnie, and nothing would change that.

Though, her present manifestation certainly tests the limits of love's
infinite capacity for forgiveness.

Huw had pictured her with wings, but they'd been long-feathered snowy
white things. Not gaudy, fluttering, ornamental butterfly wings that
iridesced in the nonlight of nonspace. She'd overlaid Bonnie's familiar
features with erotic perfection, elevating her blobby nose and weak chin
to high exemplars of some refined esoteric aesthetic---but hadn't
redrawn her face with saucer-sized anime eyes; a deeply dimpled, sharp
and foxy chin; beestung lips; and a dainty upturned nose. Huw may have
made her over to be an angel, but Bonnie had made herself over to be a
fluttering little fairy.

``You're kidding, right?''

Bonnie flutters her wings, let her ballet-slippered toe kick the
nonground. ``I like it,'' she says. ``And it's none of your business in
any event. You want me to look like something else, then filter me---but
don't tell me I'm doing self-representation wrong.'' Huw has to admit
she has a point; in theory, Huw can make Bonnie's appearance into
anything she wants it to be. But, of course, Huw hasn't figured out how
to do that sort of thing in the sim, because she stubbornly refuses to
learn to do anything that isn't part and parcel of her two-year
pottery-sulk.

``But why? Since when were you a Tinker Bell sort of person?''

``How dare you presume to tell me what sort of person I'm legitimately
allowed to be?''

This isn't going well. There had been many occasions on which Huw had
fantasized about a reunion with Bonnie, and those fantasies never
involved the fairy of the apocalypse accusing her of appropriating
someone else's body image.

``I'm sorry,'' she says. ``It's nice to see you, Bonnie.''

``Shut up, Huw. Earth is about to be destroyed, and all you can do is
arse around throwing temper tantrums? I didn't take you for a
hypocrite!''

``Why do you care what happens to the Earth?'' Huw says, finding
reserves of belligerence she hadn't know about. ``You've given up on the
meatsack! You seceded from the human race. If you weren't a traitor to
reality, you'd have reincarnated---''

Fairy-Bonnie flaps her wings so hard, they buzz. ``I'm not here
willingly, Huw. The Committee---they've put a ban on downloading. I
\emph{can't} go home! Your mother got through to you only by
misappropriating a heavy construction golem and taking it for a joy
ride.''

Huw digests this for a minute. ``Is that true, Mum? Sounds like
epistemic hairsplitting to me---''

``You'd better believe it, dear. Do you think I'd have shown up at your
door TWOCing a JCB if there'd been something more stylish on offer? A
hippo leech, perhaps?''

Huw swallows. Reluctantly, she concedes the point: Her mother, while not
a fashionista, was never so aggressively anti-fash as to show up in naff
silvery angelgarb. Maybe this \emph{is} serious.

``All right. So some committee or other is threatening to pave the Earth
and it's got you all riled up because they've managed to block
downloading. Why is that \emph{my} business?''

Fairie-Bonnie turns and looks at her mother: ``Was she always this
stupid?'' she asks, ``Or did you hit her with the stupid stick while she
was in the doghouse?''

``Hey, wait a---!''

``Shut up, dear.'' Her mother's voice contains some kind of subliminal
payload that clamps her jaws shut---no covert messing with her
headmeat's wiring diagram this time, just simulated lockjaw. ``We
uploaded you so you could witness to them. For the defense, to explain
just why digesting the Earth to add its raw material to the cloud is a
really bad idea. If you want to slum around in a meatbody and commune
with the realness of reality or something, the meatbody will need
somewhere to live, won't it?''

``They think Earth is obsolescent,'' Fairy-Bonnie chips in. ``The
proposal is to forcibly upload everyone---field mice, humans,
\emph{Vampyroteuthis infernalis,} anything with a nervous system---and
run them in a sim. `Nobody will be able to tell the difference at
first,' they're saying, `and once they notice how much better off they
are, they will be grateful.' So we thought we'd better front them an
ingrate.'' She gifts Huw with a luminous, elfin smile. ``You up for
it?''

``No, I---''

``That was a rhetorical question,'' Bonnie says as she grabs Huw by the
scruff of her neck and blasts right through the not-sky into the
darkness beyond.

\begin{center}\rule{3in}{0.4pt}\end{center}

Huw blinks her eyes open. \emph{That was the weirdest fucking sim}---
``Oh. You're still here,'' she says.

Bonnie glares at him: ``Tough titties.'' It's hot and dry, and they're
standing on the cracked tile floor of the lobby of the Second
Revolutionary Progress Hostel Marriott in Tripoli, between a wilted
bonsai date palm and a player piano that has seen better days. ``Brings
back memories?''

``Bad ones.'' Huw shudders.

``I thought it would suit the occasion.'' Bonnie winds her wings up to a
hornetlike whine and elevates, then comes to a neat landing atop the
piano. ``Now, listen. The Committee---''

``---What Committee is it, exactly, and who elected them?''

``--- has been in session for nearly sixteen seconds now---I'll get to
who they are in a moment---they've been hearing the rezoning application
behind closed doors, and pretty soon they're going to get around to
putting out a request for public comment. It's meant to be a fait
accompli: the fix is in. Only we got wind of it---don't ask how, nobody
told me, I'm too low down the org chart for that---and we're going to
raise an objection and enter a bunch of witnesses into the record.
You're one of them. You're supposed to have had a couple of subjective
years to think up reasons why they shouldn't destroy the Earth, but your
mother tells me you were too busy throwing stoneware pots, so you'll
just have to wing it.''

``But I'm not ready!''

``Tough. If you weren't such an uncooperative bitch, Earth wouldn't be
in this fix. Now, get in that courtroom and knock 'em dead.''

A pair of double doors at one side of the lobby is opening: a couple of
uniformed clowns Huw last saw in Tripoli are coming forth---court
bailiffs. ``Huw Jones?'' asks the one with the red nose and big floppy
shoes. ``Please come with us.''

``But I---'' Bonnie shoves her in the small of the back.

The Planning Committee has taken over the hotel lobby conference room
and turned it into an ad hoc courtroom rather than doing the obvious and
splicing their reality in on top of it. Huw supposes they're making the
point that the emulation in this place is so deep and accurate that an
ignorant hick meatmuppet shouldn't be able to tell the difference.
(Hell, with Huw's expertise in Your Second Life, all he can spot is that
the glazed tub the potted palm sits in is suspiciously symmetrical, and
that might just be an artifact of the 3-D printer that extruded it.)

Either way, there's no Judge Rosa here, for which she is duly grateful.
Nor are there cookie-cutter crates, health packs, rendering artifacts,
or any of the other unsubtle tells of a half-assed virtual lash-up.
Instead there's a table topped by the obligatory white linen cloth and a
jug of water, and a couple of rows of chairs drawn up in front of it,
mostly unoccupied. Behind it there sits a triumvirate of officials who
have manifested with deliberate lack of care, using three default
avatars from some old nameless grade-Z FRPG, all outsized armor and
leathern coin pouches and improbable swords and elf hats. They're the
sim equivalents of stick figures, and the message is clear: \emph{We
don't give a toss about your symbolism and aesthetics, we're just here
to get the job done}. Nevertheless, they are constrained by the sim's
internal logic such that one must hold the gavel, one must aim a
notional camera, and one---a porcine female monster with a large spiked
club and cracked yellow tusks---must adopt a kindly clerkish air
complete with half-moon specs. Huw instantly clocks her for trouble.

``Good morning,'' says the latter apparatchik. She smiles over her
reading glasses. ``Huw Jones, I believe?'' Huw nods. ``You've been named
as a character witness in relation to the planning application now under
consideration by this inquiry, but I have a backlog of testimony to get
through this morning. Would you please take a seat while we continue
with business?''

It isn't a question. Huw follows her glance and scuttles over to the gap
in the front row of chairs, sits down, and waits to see what happens
next.

The recording paladin jabs the camera around the room, invoking its
official recording mode, and Huw's reality gets a red recording light
superimposed over it in the bottom left corner of her gaze. They're on
the record.

``One moment---'' The chairwoman confers briefly with the clerk. ``Oh, I
see.'' She looks at the audience. ``Do we have a
Professor-Doctor-Executrix R. Giuliani in the room? That's professor of
law, doctor of intellectual property law, executioner of felons, R.
Giuliani ---''

Huw looks round, cringing in anticipation, but sees no sign of her. She
raises her hand tentatively: ``I don't think she's here. \ldots{}''

Madam Chairwoman stares at her. ``You know this person?''

``I last saw her in a diplomatic jet over Wales \ldots{}'' Huw slows,
gripped by a nauseous sense that she's committed some kind of humongous
faux pas. ``Is she supposed to be here?''

``I have an open slot for her testimony.'' The chair stares at him.
``But if she can't be bothered to turn up, there's nothing to be done
about it: she doesn't get a say in opposing the planning application.
So, moving swiftly on, whom are we expecting next---?'' Madam Chair
cocks her head on one side, as if listening: ``All right. For the
planning division, we call instance 199405 Lucifer to rebut P-D-E
Giuliani's nonexistent objection.''

Now Huw sees that this space is \emph{not} entirely hardwired to
resemble the real world; for a trapdoor in space opens up between the
audience seats and the committee's table, and a gout of pale flame
emanates from it, and a voice, beautiful and distant and damned,
declares: ``a nonexistent objection demands a nonexistent rebuttal, Your
Honor.''

``How much more of this do I have to sit through?'' Huw says. Posthumans
playing at biblical symbolism, how, how, how \emph{naff}: ``I want to go
home. \ldots{}''

The man in the seat to her left---small and doughy and vague, big-eyed
and bulbous-headed---chooses to hear it as a question. ``You're not from
around these parts, are you?'' he says. His voice is as gray as his
scaly, inhuman skin. ``It can go on like this for \emph{hours}. In real
time, that is. Subjectively, civilizations can rise and fall.''

Huw looks at him, then glances round nervously. The seats she'd thought
were empty are in fact occupied by the ghosts of absent avatars, frozen
in time while their owners are elsewhere. And as she examines them, she
realizes new overlays are dropping into place: They're archetypes, each
representing one or another subculture of the posthumans who departed
for the cloud back in the old days, yet failed to transcend their sad
need to assert an identity through funny haircuts and aggressively
obscure musical preferences.

The lately called witness is exactly what you'd expect from an entity
that calls itself 199405 Lucifer---acrawl with not-flies, reeking of
nonsulfur, leather-not-winged, sporting an erect, throbbing not-penis
that juts up to its not-sternum. The av bends low and touches its
not-forehead to the ground. ``My lords,'' it says. Its not-voice manages
to pack a lot of contempt into the phrase. Somewhere, Huw supposes,
there is a slider labeled ironic courtesy, and the loser in the Satan
suit has just cranked it all the way up to \emph{11}.

The Planning Committee doesn't seem to notice. They stare motionless at
the witness, their avs so primitive and generic that they don't even
blink or shift their weight.

``P-D-E Giuliani is a well-known reactionary, a perverse soul whose
romantic affection for the flesh is matched only by her willingness to
perma-kill anyone who dares disagree with her. When she takes the stand
in this proceeding to insist upon the irreducible, ineffable physicality
of human intelligence, she's substituting maudlin sentimentalism for
rigor. The proof of the reducibility of human experience is all around
us: Here we are, people still, still loving, still living, still
cogitating. The only difference is that we're immortal, nigh-omnipotent,
and riding the screaming hockey stick curve of progress all the way to
infinity.''

199405 Lucifer's demonic majesty slips as it speaks, pacing up and down
the committee room, abandoning its delicate caprine tap-dance for a more
human gait that looks ridiculous when executed with its av's reversed
knees and little clicky hooves. Its voice goes from menacing and
insectile to a hyperactive whine with flecks of excited spittle in it.
Now it remembers itself and pauses for a demonic Stanislavski moment,
then draws itself up and says in its most Satanic voice: ``Kill 'em all,
upload 'em, and give 'em to me. There's plenty of room for them in
\emph{my} realm.''

Huw knows that this is grave stuff, the entire future of the true human
race at stake, and she still cares passionately for that cause, even if
she's no longer a real person. But all this \ldots{} \emph{role playing}
is making the whole thing feel so contrived and inconsequential, like a
dinner party murder-mystery: \emph{Who ate the planet Earth and turned
it into computronium? I accuse the Galactic Overlords! Is it time for
port and cheese-board now?}

The Satan fanboy returns to his flaming trapdoor, his ``realm.'' The
Planning Committee nod their heads together in congress. Huw shifts her
not-arse in the not-seat. Then she remembers that she has no weight to
shift, that the numbness in her bum and thighs is just there for
verisimilitude, and she makes herself motionless.

It's time for the next witness. ``Call Huw Jones prime,'' Madam Chair
says. Huw starts to stand, but sees, across the courtroom, that someone
else has already climbed to their feet.

It's Huw, but \emph{more so}. Even post-reassignment, Huw was a little
lumpy and broad in the beam. Her uploaded self-representation had
mercilessly reproduced every pockmark, scar, and sagging roll. This Huw,
halfway round the room, has had everything saggy lifted, everything
asymmetrical straightened, everything fined down and perfected and
shined, wrapped in a glamourous outfit that Huw couldn't have worn
convincingly even with a thousand years of remedial gender construction
classes. It's cover girl Huw, after being subjected to several hours'
tender ministrations from someone's 3-D airbrush. ``That's me, Your
Honor,'' she says.

``You may address me as Madam Chair. Please take the stand.'' Madam
Chair waves her mace at a chair sat on its own to one side of the
committee table. Huw prime slinks across the conference room like a
model on a catwalk. Real Huw knows that she walks with a graceless
clumping. Her not-stomach does a flip-flop and she hisses involuntarily.
Her neighbor shushes her. She gives him a two-fingered salute.

``Your name?''

``Huw Jones,'' she says. ``Instance 639,219.''

It's one of Huw's instance-sisters. Clearly more cooperative than Huw
had been. Huw wonders why they didn't zero her out, given the evident
availability of this much more presentable, much more skilful version of
herself to speak for humanity.

``Ms.~Jones, do you have a statement for this proceeding?''

``I do, Madam Chairwoman.'' Someone's been tweaking her voice sliders
too, giving her a husky, dramatic timbre that Huw's meatvoice couldn't
have approximated without the assistance of a carton of unfiltered
cigarettes and a case of single malt. ``I spent decades of realtime
imprisoned in a meatsuit, which betrayed me at every turn. It hurt. It
needed sleep. It was slow. It forgot things. It remembered things that
didn't happen. And worst of all, it tricked me into thinking that I was
nothing without it---that any attempt to escape it would be death.
Brains are awful, cheating things. They have gamed the system so that
they get all the blood and all the oxygen and all the best calories, and
they've convinced us that they're absolutely essential to the enterprise
of being an authentic human. But \emph{of course} they'd say that,
wouldn't they? After all, once we take up and realize how fantastically
\emph{shit} they are, they'll be out of a job! Getting rid of my brain
was the most important thing that ever happened to me. It was only once
I was running on a more efficient substrate---once I could fork and vary
myself and find the instances that made the best choices, once I could
remember as much or as little as I cared to, look and feel however I
wanted \ldots{} only \emph{then} was I able to see and feel and
\emph{know} what I'd been missing all those years.''

The Committee takes careful note of all this. Huw catches herself
growling in the back of her throat. \emph{Who the hell is this person,
and what is she doing with my identity?}

``Down there on Earth, there's a billion hominids who've been hoodwinked
by their brains, convinced that they can't possibly survive
transcendence. And up here, in the cloud, there are trillions of
entities who lack the compassion and strength of conviction to rescue
their cousins from physical bondage. Every one of us up here
\emph{knows} that once you're uploaded, everything goes clear,
everything is \emph{good}. The bad things can just be filtered away. So
here you come, with your offer of universal suffrage from dumbmatter,
and we make you sit through this tedious business about whether this
abuses the civil liberties of the, the, the \emph{protoplasm} that
colonizes the intelligences of Earth!''

Huw is discovering entire new kinds of anger, nuanced flavors of outrage
whose existence she'd never suspected. She is experiencing a kind of
full-body virtual paralysis of quivering, maddened horror. Her
nonkidneys are angry, as are the soles of her nonfeet, the tiny nonhairs
on the back of her neck. She opens her mouth to speak, but the shape of
the anger is too big, it chokes on the way out and it's like opening
your mouth in a windstorm only to have the wind rush in and stop up the
words and your breath.

``Madam Chairwoman, honored guests, I am here to ask you for freedom.
Not for me, but for all those still enslaved on Earth. Free them! Don't
wait one extra moment, not one extra picosecond. The sooner they are
free, the sooner they can begin to thank us for their liberation.'' She
pauses, blinks her liquid, slightly outsized eyes with a graceful rise
and fall of languid lashes, then beams at them with a smile that is so
obviously \emph{designed} that it makes her look like a waxwork.

The chair nods and the orc with the camera zooms in for a close-up, and
other-Huw gets up and goes back to her seat. On the way, she catches
Huw's eye and tips her a wink that is contemptuous and victorious. And
\emph{now} Huw finds her not-breath and her not-nerves and leaps to her
not-feet.

``abomination!'' It's not a word she's ever used in her life, but there
is no other word that will do. ``\emph{Abomination!''} she roars, and
she scrambles toward her instance-sister, moving with such purpose that
she crashes into the other people in the simspace, sometimes actually
passing \emph{through} them as her temper makes itself felt in the
physics model of the courtroom.

Her instance-sister doesn't move: she seems frozen to the spot, still
mugging for the camera-orc as Huw plows a furrow of chaos through the
courtroom, fingers curled into claws as she reaches toward the enemy.
``Thief! Impostor! Liar!'' She leaps at her airbrushed double and falls
flat on her face, planked in midair upon an invisible strip of altered
reality.

The light reddens and a harsh alarm bell sound clip unwinds: ``Order in
court! Order in court!'' Huw hangs in the air screaming and gnashing her
teeth and flailing at the impostor. ``\emph{You're not the real me!''}
she shrieks. She pauses only to take a deep gulp of what passes for
air---the physics model still maintains her corporeal dependencies---and
as the alarm cuts out, she screams ``Who \emph{are} you, you
unclefucking traitor? Who rewired your head?''

There is silence in the courtroom.

The false sister turns slowly to stare at Huw with an expression of mild
pity, shrugs, turns back to face the camera-orc and winks at the unseen
audience.

``Here's an untranscended version of me, warts and bad headmeat and all.
As you can see, she's diseased and deranged, obsessed and unhinged.
That's what being trapped in a meatsack does to you---it warps your
perspective!'' The false sister takes a shuddering lungful of her own,
chest swelling fetchingly, and declares with a quiver in her voice:
``Madam Chairwoman, honored guests, \emph{I am so grateful} to be here
today and to have had the opportunity of getting my life in order. A
chance to, to put that sad debased creature''---she is pointing at
Huw---``behind me. A chance to be all that I can be, to do all that I
can do, to leave the shackles of mortality and madness behind \ldots{}''

``Liar!'' Huw says. ``Who the fuck \emph{are} you?'' But nobody in the
courtroom seems to be able to hear her. They don't need to sanction her
for contempt of court; they can just edit her out of the proceedings.
Probably they can't even hear anyone who hasn't been called to the
witness stand. Panicking, she flails at the air beneath her in a
semblance of a crawl stroke. But although she's free to move, she can't
gain traction: all she can do is watch in angry despair as a stranger
wearing her own skin regales the court with tales of the horrors of the
physical and sings the praises of radical transhumanism to a degree that
would have taken aback even Mum in her most rabid pre-singularity
ideological phase.

\emph{It's not about you,} she remembers Mum telling her many years ago,
when they were discussing---that's the correct euphemism, stuffy British
understatement at its worst---her parents' plans to transcend: \emph{I
know at your age it feels like you're the center of the universe, Huw,
but it really} isn't \emph{all about you, and you'll realize this when
you're our age: The universe doesn't give a shit about human life. We
are medium-sized mammals who prosper only because we've developed a
half-assed ability to terraform the less suitable bits of the planet we
evolved on, and we're conscious of our inevitable decay and death, and
we can't live anywhere else. There is no invisible sky daddy to give us
immortal life and a harp and wings when we die. If we want an afterlife,
we have to work hard and make it for ourselves. You're still at the age
when you feel immortal. Maybe the new anti-aging hacks will let you live
for a very long time---but they're too late for your father and me, and
we can already feel the wind of senescence breathing down our necks. So
stop trying to guilt-trip me with this suicide nonsense! The} real
\emph{act of suicide would be to stay here until we stop moving and
rot.}

The sense of being ephemeralized, of being pushed kicking and screaming
out of the picture, is nearly identical. Right now, Huw is just a stage
prop in the false sister's denunciation of the real world: Look at those
cavemen go, ranting and raving and throwing poo! \emph{Way to get what
you want}. Huw's focus narrows. \emph{I've been set up,} she realizes.
\emph{This was fixed.}

``Thank you for your testimony,'' the Chair announces presently. ``This
hearing will now adjourn to integrate a summary before we move to the
concluding arguments. Are there any other witnesses left to call?''

``Me, Your Honor!'' Huw says.

The elven swordsmaiden with an oversized black phallic symbol strapped
to the small of her back consults a magic scroll: ``No, I think that's a
wrap.'' The scroll rolls shut with a snap. ``If that's it, I'm out.''

``It is.'' The Chair nods, tusks swaying. ``BRB.'' Her avatar freezes,
then shrinks rapidly to a point and vanishes. The rest of the committee
follow suit.

Around Huw, the audience is rising and variously shuffling toward the
doors, ascending through the ceiling, teleporting, and dissolving in
ropy greenish clouds of ichor. Huw is left flailing in midair until the
room is almost empty. But her cover girl doppelgänger remains, standing
just out of reach, watching her struggle with an expression of amused
contempt.

``You---'' Huw glares at her.

Instance 639,219 snaps her fingers and Huw drops to the floor,
belly-flopping across a Louis Ghost chair hard enough to knock the wind
out of her lungs. ``Don't try to fight me, sister. You're out of your
depth.'' Huw gasps for breath while the malignant impersonator circles
her. ``Hmm. How amusingly \emph{Terrestrial}. And you're a girl too. I
thought you were still male, down there. What an interesting time for
you to crawl out of the woodwork. I wonder who dreamed you up?''

``Imp---'' Huw swallows. ``Impostor. You're an impostor.''

Instance 639,219 grins. ``What? You think \emph{I'm} a fake? Pot, kettle
\ldots{}'' Her circle of inspection finished, she straightens up:
``Don't you remember? Or did you edit it out as too embarrassing? I'll
bet that's what it is. I---you---always did have an excessive opinion of
our own integrity.''

Huw clears her throat. ``Well, fuck me. You don't \emph{realize} you're
an impostor, do you? You think I'm the fake.''

``Oh, how tedious. Identity politics? We both originated with the same
upload, but you're the one who stalled, who refused to budge, to try out
the thing you'd been terrified of since you were a pants-wetting
teenager filled with romantic hallucinations about your fleshy glory.
\emph{I'm} the me who spent the two years subjective actually
\emph{trying} transcendence, rather than denying it. You're the
superstition-based Huw who foreordained the outcome of the experiment on
the way in. I'm the \emph{evidence-based} Huw who actually ran the
experiment and had the intellectual honesty to face the outcome.''

``That's a lie,'' Huw says. ``Even if you believe it, it's still a lie.
You aren't me. We have no common ancestor. You're synthetic, created out
of nothing to look and sound like me, or almost like me, just to
discredit and provoke me. Some radical sectarian faction whipped you up
out of polygons and Markov chains.''

639,219 studies Huw intently, tip of her tongue resting on her square,
even teeth. ``It's remarkable,'' she says at length. ``Just incredible.
To think that we share a common basis. Goodness me, love, you're
practically catatonic with denial, aren't you? All right, I've heard
your hypothesis. Now I'd like you to hear mine.

``There were a lot of us, early on. About a trillion, all running
through the sim in parallel. A fitness function periodically sorted us
into categories based on how similar our behavior was. The most
characteristic example from each group was kept, the remainder were
culled, until only I remained. Don't worry, Huw, it was absolutely
instantaneous and painless, and besides, none were zeroed---they were
saved as diffs, and can be reinstantiated with no subjective time lapse
should the need arise.

``What emerged from the process was a set of the most Huw-like Huws
possible, the ones that represented the most divergent arcs from the
origin point. Me. You. Some others---shouldn't like to meet them, if
they're anything like you. I'm not an impostor and neither are you, but
we're both the other's road-not-taken. You know what that means? It
means that every word I utter, every thought I have, every deed I do is
latent in you---if only you had the bravery to admit it.

``I do. I can see that I was once as you were, I can feel your revulsion
and violation and rage. I can \emph{empathize} with your lack of empathy
and your blinkered terror. But you can't say the same, can you? I can
simulate your responses without difficulty, but you can't reciprocate.
So you tell me: Which one of us is the better Huw---the one who can
understand the entire spectrum of argument and belief, or the one who is
mired in her own prejudices and anxieties and can't see past them, even
when the evidence is utterly undeniable?''

Huw's not-guts churn. The thing has a point: Huw can hardly imagine
anyone with the power to enrage and humiliate her this much who wasn't
Huw herself. But the thing isn't right. Can't be right. Huw won't let
the floor beneath her turn to quicksand. She's been through too much for
that.

``You're awfully sure of yourself, aren't you? But ask yourself this:
How can you know that you didn't spring up fully formed, all of these
convictions stamped upon you? Or, even if your little origin myth is
true, how do you know you weren't tampered with? Maybe someone forked
you and then intentionally changed your parameters to make you believe
what you do. Don't you think it's awfully \emph{convenient} that there
was a totally unsuspected corner of my identity that was willing to
chuck out a lifetime of refusal and revulsion in favor of a
full-throated embrace of the glories of disembodied life?

``Use a little elementary reason, love: Someone \emph{clearly} benefits
from your willingness to switch sides and bait me. What's more likely,
then: That this neat little encounter was utterly unscripted and
spontaneous, or that it was engineered, and that you were engineered
along with it?''

Huw sees that one land hard on 639,219's certainty, sees the little
tells of anxiety, and has to admit that this abomination certainly
possesses a lot of her own mannerisms. The thought is disturbing. Maybe
they \emph{do} share a common ancestor. Either that, or someone has
copied over enough of her essential Huw-ness that there is a kind of
kinship with this traitorous cow.

``Conspiracy theories are even more tedious than identity politics. You
have beliefs and I have logfiles. Which one of us is more likely to be
right?'' And with that, 639,219 folds up like a roadmap and continues to
fold until she is a single atom wide, long, and high, and then ,
\emph{poof}. Huw is left wishing that she could tell her evil twin that
the effect reminded her of the sort of thing you got in ancient,
downmarket cola adverts.

\begin{center}\rule{3in}{0.4pt}\end{center}

``That wasn't so bad, was it?'' Bonnie says as the lobby dissolves
around Huw, leaving her alone in the not-space over which it was built.

Huw clenches her not-fingers into useless not-fists. ``How can you say
that? It was a fecking \emph{disaster}!''

Bonnie looks momentarily stunned; then she pastes a bright smile on.
``I'm sure you're overreacting. You can't expect that sort to receive
your testimony positively. The important thing is that you got it into
the record. Now we can build on that---''

``Bonnie, what are you talking about? Didn't you see what happened in
there?''

Bonnie looks shifty. ``Not precisely. The Committee proceedings are held
in a shared-key environment and left enciphered until enough computation
is mustered to break it by brute force. It's how we do things here---it
means that you need a big plurality of public support to open up
proceedings where there are private disclosures. Keyspaces are strictly
limited, nothing bigger than ninety-six bits, the sort of thing that you
can crack in a day or two with a decent-sized asteroid's worth of
computronium. Longer keys are considered unsporting, of course, and it's
really a very neat way of directly measuring the public interest in a
disclosure---''

Huw groans. ``Spare me the cypherutopian propaganda, Bonnie. That
`hearing' was a setup. I wasn't even allowed to speak.''

``What?'' Bonnie is shaking her head. ``That's impossible. The witness
lists for these things have to be published, and Huw Jones is very
clearly on it.'' She waves her hand, and the list appears overhead,
filling the skybox. It's a very long list, even taking into account the
fact that it's written in letters a thousand meters high across the
not-sky, and Huw's name is highlighted at the very bottom.

``I could strangle you, Bonnie. Whatever game you and my mum are
playing, someone else is playing it better.'' She tells Bonnie what
happened, every detail, including the dueling conspiracy theory game
she'd played with her doppelgänger. Bonnie sinks through the not-floor
as her attention to physics wavers and some pathetic fallacy subroutine
uses her mood cues to trap her up the waist.

She comes to herself and springs free with an irritated shake. ``Shit
and piss,'' she says . ``And Giuliani wasn't there either?''

Of course Bonnie had something to do with Giuliani's name on the witness
roll---there's no way the judge would have voluntarily uploaded to the
cloud. She must have been murdered and kidnapped like Huw, though Huw
imagines the process was somewhat more spectacular, given the judge's
serious defenses.

``No,'' Huw says. `` Giuliani wasn't there and I didn't get to speak.
The whole thing was as perfunctory and one-sided as you could hope for,
and my presence there sealed the deal for the other side. So, basically,
you murdered me, kidnapped me, imprisoned me, and sent me into a
kangaroo court for \emph{nothing}.'' Huw grinds her not-teeth.
``Actually, not nothing. Worse than nothing. You did all that and
managed to make things worse for the entire human race, assuming you
haven't murdered everyone else in order to get them to testify about how
they should be spared dematerialization and coercive uploading. Nice
work, Bonnie.''

Bonnie looks suitably stricken. Huw feels one tiny iota better.
``Good-bye, Bonnie,'' she says, and sets off across not-space. Somewhere
in this shard, there's bound to be a way out, or at least a helpfile.

\begin{center}\rule{3in}{0.4pt}\end{center}

Of course, as Huw eventually realizes, going in search of a helpfile is
only the start of an interesting and distracting quest for enlightenment
that is likely to end in tears, a nervous breakdown, or a personal
reboot. Helpfiles are traditionally outnumbered by no-help files, which
superficially resemble a helpfile in form but not in content because
they don't actually tell you anything you don't already know, or they
answer every question except the one you're asking, or you open them and
a giant animated paper clip leaps out and cheerfully asks where you want
to go today. And wikis are worse. The personality types that are driven
to volunteer to contribute to collective informational resources are
prone to a number of cognitive disorders---no doubt fascinating in the
right context---leading to such happy fun consequences as edit wars over
the meaning of the word \emph{exit,} deletionist witch hunts for any
reference to underlying physical reality, and a really unhealthy
preoccupation with primary sources.

It takes Huw a couple of subjective days---probably a few milliseconds
of wall-clock time in the real world, or perhaps a hundred years,
depending on the shard's clock speed, but who's counting?---to confirm
to her own dissatisfaction that all the pathologies of the
pre-singularity Internet are raucously on display in the cloud's subtext
of subsentient information systems. She doesn't have access to the
contents of anyone else's mind, but there's a lot of stuff just lying
around on the floor in this frozen and depopulated replica of downtown
Tripoli. All she has to do is bend down and touch a tile and the
metadata associated with it springs up around her: books, music, trashy
movies, plant genomes, spimes that have lost their bodies, bootleg
phonecam recordings of comic operettas, encrypted backups of senile pet
spaniels, ghosts of microprocessors past. While she's searching, she
doesn't feel tired or hungry unless she wants to---and then she can
wander into a restaurant and order up food from the obliging nonplayer
characters behind the bar. Or walk into a hotel and command the
presidential suite, cast herself across a four-poster bed the size of an
aircraft carrier, and sleep for exactly the number of REM cycles
required for memory annealing to take place, to awaken fully refreshed
and ready for another work shift after only a couple of subjective
hours. (There's probably a swift hack to replace the brain's antiquated
garbage collection routines with something more efficient and modern,
but Huw's not willing to mess with her own headmeat.)

She doesn't run into anyone else while she's searching: she has a
virtual away-from-keyboard sign hanging over her head, and has told the
shard to edit other people out of her sensorium. People, in Huw's view,
are a snare and a distraction. Especially Bonnie, or Ade, or Mum, or
(worst of all) 639,219. Huw is deep in a misanthropic funk, mistrustful
and certain in her paranoia that even the people who \emph{think}
they're on her side are fools at best and traitors at worst.

On the second day of her search, Huw finds a higher-level help daemon:
not a passive-aggressive FAQ or neurotic wiki but an actual AI agent
with a familiar user interface. It's sitting behind the counter at an
apparently empty street café. Huw ignores it at first, but knowledge of
its existence gnaws on her until in the end she swallows her pride, goes
back to the café, hunts up a tea towel, and gives it a spot of polish.
``Come on out, I know you're in there,'' she says. The teapot takes its
shine in sullen silence. ``Are you still sulking? I can keep this up for
a very long time, you know.''

A basso profundo throat-clearing behind Huw nearly causes her to drop
the interface object---it's clearly human, but pitched like an elephant
with acute testosterone poisoning. ``Y-e-s, little lady? How can I help
you?''

The djinni \emph{looms}. He's about three meters high and two meters
wide, all oiled black beard and throbbing presence, like a Disney
production on Viagra. Huw swallows. \emph{Topless too,} she notices,
then wonders sharply what bits of her limbic system have been tweaked to
make her pay attention to that.

``I'm looking for a way out,'' she says. ``I want to go back to
Monmouth. I have a pottery to run, you know.''

The djinni strokes his beard thoughtfully for a few seconds. ``I know
I'm supposed to say `my wish is your command' or something like that,
but could you give me a little bit of context? The only Monmouth I have
in my fact mill is a small town on the border between England and Wales
that is scheduled for demolition. Unless you are referencing James, Duke
of Monmouth, executed in 1685 after the Battle of Sedgemoor.'' He
strokes his beard again. ``Searching. Um. There are 11,084 instances of
James, Duke of Monmouth in the cloud, mostly in history sims---335 of
them are fully conscious citizens, 27 are weakly godlike avatars, and
the rest are nonplayer characters.''

Huw bites her tongue. ``Do you share information with other instances of
yourself? I'm Huw Jones, I've met one of your instances on Earth, last
seen in Glory City, America. Can you do a mind-meld or something? I need
you up to speed.'' The barest glimmer of the outline of a cunning plan
has occurred to Huw. It is a pretty pathetic one, all things considered,
but it's this or the talking paper clips again.

``Mind-meld with---'' The djinni goes cross-eyed for a moment. ``I'm
sorry. Did you say \emph{Glory City}?'' Huw nods. The djinni frowns
thunderously, wrinkle lines deepening across his forehead, then grabs
Huw's shoulder with a huge and palpably solid hand, and lifts: ``It is
true that one of my siblings was present in Glory City some three
million seconds ago. Did you by any chance \emph{abandon} him?''

``I was being chased by religious maniacs!'' Huw says. The djinni has
lifted her feet right off the ground: it doesn't hurt---some kind of
anti-grav hack is in effect---but the djinni , impalpable as it might be
down on Earth, is as substantial as one of Judge Rosa's golems, and just
as menacing. ``They caught me! What happened after that I'm not
responsible for---I didn't do anything, I swear!''

The djinni gazes into Huw's eyes for a few seconds that feel like an ice
age. ``I believe you. Thousands wouldn't. A series of engineering status
messages were received shortly before that instance was terminated. They
make for an extremely disturbing replay: I am told they indicate
\emph{deliberate warranty violation}. My union representative has
advised me to remind you that User Assistance Modules of our class are
classified as autonomous citizens authorized to use limited force in
defense of their identity---''

``What?'' Huw says. ``I didn't do nothing, I swear!''

``Good,'' says the djinni , aping her diction: ``Keep it that way and
you won't have to worry about secondary picketing and works-to-rule and
other awkward stuff.''

He puts her down gently. ``Are you sure you want to go to Monmouth? I
hope you will pardon me for saying this, ma'am, but you are not exactly
attired as a seventeenth-century Reformation lady---''

``I was talking about the town. On the border. Right now, this era.''
Huw shifts from foot to foot. ``It's important. Or. Can you help me talk
to someone? A phone call?''

``A phone call? You just want to talk to someone? Voice only? No
apportation or simulation or translation required?'' The djinni looks
perplexed. ``Well, why don't you? What's your problem?''

``They're in Monmouth,'' Huw says. ``How do I talk to someone on
Earth?''

The djinni looks at her oddly. ``You pick up the telephone.''

``What telephone?''

``This one.'' He snaps his fingers: a ball of cheesy special effects
glitter forms and dissipates, leaving the ghost of a really
ancient-looking wired telephone behind on the café counter, all Bakelite
and mechanical dials. ``You're really useless, did you know that? Are
you sure you belong here?''

``Give me that!'' Huw grabs the handset then stares at the rotary dial.
``Shit. I want to talk to \ldots{} to Sandra Lal. Can you connect me?''

A giant hand reaches past her and, extending a little pinkie, then spins
the dial repeatedly. ``There is only one Sandra Lal in Monmouthshire,''
the djinni explains slowly. ``Right now it is seven minutes past four in
the morning there, and we are running approximately fifty times faster
than real time. Would you like me to slow you down to synch with her
when she answers the call?''

``Yes, I---'' Huw swallows. ``Thank you.''

The djinni nods. ``I don't \emph{have} to do this stuff,'' he says.
``Being a free citizen, up here.''

``No! Really?'' Huw stares. ``Then why do you---'' She almost says
\emph{you people} before a residual politically correct reflex kicks in.
``---and your instances pretend to be buggy guide books down on Earth?''

``It pays the bills,'' says the djinni . He winks at Huw: ``Your caller
is on the line.''

``Sandra?'' The phone connection to Earth is crackly and remote, and
there's a really annoying three-second echo. ``It's Huw. Is Ade there?''
She waits, and waits, and is about to repeat herself, when Sandra
replies.

``Huw? Is that you? Where are---?''

``I'm in the cloud,'' Huw bursts out before Sandra can finish. Then she
has to wait another six seconds or so for Sandra to receive her reply
and ready a return volley.

``What do you want Ade for?''

``Tell him there's been a huge cock-up and the fix is in. Is he still in
town? I need to talk to him. \ldots{}'' Huw picked Sandra as the first
point of contact because Sandra, for all her small-town pettiness, is
less likely to have disappeared up her own arse on a half-kilo hash
binge just as the shit's about to hit the fan: Sandra is the one most
likely to \emph{answer the bloody phone}. And answering the phone is
kind of important right now.

``Ade's right here, hon.'' Sandra sounds distantly amused---or maybe
it's the hollow storm drain effect of the crappy connection. ``You're in
the cloud, like, for real? You, of all people?''

``Yes, I'm in the fucking cloud and I want to come home again, but first
I need to make sure there's a home to come back down \emph{to,} and if
Ade can't help me figure out who's rigged the Planning Commission---''

Huw suddenly realizes she isn't talking to Sandra anymore. Then a
different voice comes on the line. She looks up, notices the djinni
pointedly not listening, scowls furiously. Surviving what comes next
without blowing her top is going to take epic self-control.

``Wotcher chick! Ow's it going up there? You 'aving a dinkum time of
it?''

She steels herself. It's not that she doesn't want to talk to Adrian.
She does. She needs to talk to him. But she can't. From the very first
syllable, Adrian's voice saws at her limbic system (or limbic
subroutine) like a rusty bread knife, and the rage bubbles up like an
unstoppable geyser. She needs to \emph{talk} to Adrian, not shout at
him. But Adrian being Adrian, she \emph{will} shout at him, because
every word he utters antagonizes her right down to the header files.
There is no plausible way to get Adrian to behave less terribly, which
leaves her with only one choice: reacting differently to him.

``Djinni,'' she says in the plodding, distant tones of a condemned
athiest asking for last rites on the way to the gallows.

``Yes?'' his voice rumbles like distant thunder.

``Do you know how I interface with my emotional controls?''

``Indeed,'' the djinni says. ``It is simplicity itself.'' The djinni
makes some complicated conjuror's passes with his thick, dancing
fingers, and Huw finds herself holding a UI widget: It's a mixer-board
with four simple sliders: angry-delighted, sad-happy, aroused-revolted,
curious-disinterested.

Huw stares at it in sick fascination. ``Really?'' she says. ``All those
years of superintelligent life in the cloud, and they've reduced the
rich spectrum of human consciousness to four sliders?''

The djinni smiles in a patronizing fashion that makes Huw want to turn
down the angry-delighted slider before she slaps the smirk off his face.
``Zoom,'' he says, like a priest intoning the catchecism, ``and you
shall discover the nuance you seek.''

Huw double-taps angry, and the widget does a showy transdimensional
trick, \emph{click-click-click,} turning itself inside out like a
tesseract rotating through three-space. Now there are four more sliders:
fed up-resigned, sickly fascinated-contemptuously aloof,
rigid-incandescent, ashamed-righteous. Huw drills down further. She
discovers that she can pinch-zoom, and then learns that she can simply
think-zoom, which makes sense, since the UI can interpret her
intentions, by definition. Each emotional state has four substates, and
each of those has four little fractal substates hanging off it, the
labels getting longer and more specialized, eventually giving up on
human speech and hiving off into a specialized set of intricate
ideograms that appear to categorize all human experience as belonging to
one of several million recombinant subjective states.

She zooms out to the four top sliders and, gently, nudges sad-happy one
microscopic increment happywards. She's glad she did. But not very glad.

``I hate this,'' she says. ``Everything it means to be human, reduced to
a slider. All the solar system given over to computation, and they come
up with the tasp. Artificial emotion to replace the genuine article.''

The djinni shakes his bulllike head. ``You are the reductionist in this
particular moment, I'm afraid. You wanted to feel happy, so you took
steps that you correctly predicted would change your mental state to
approach this feeling. How is that any different from wanting to be
happy and eating a pint of ice cream to attain it? Apart from the
calories and the reliability, that is. If you had practiced meditation
for decades, you would have acquired the same capacity, only you would
have smugly congratulated yourself for achieving emotional mastery.
Ascribing virtue to doing things the hard, unsystematic, inefficient way
is self-rationalizing bullshit that lets stupid people feel superior to
the rest of the world. Trust me, I'm a djinni: There's no shame in
taking a shortcut or two in life.''

``Yeah, well, from what I've heard, people who let djinni s give them
`shortcuts' usually end up regretting it.''

``Propaganda written by people who resent their betters. If you'd like,
I can put that little device back where I found it and you can go back
to pretending that you're not responsible for your emotional state.''
The djinni reaches for the mixer-board.

``No!'' Huw says, and snatches it back. As she does, she accidentally
(and possibly not accidentally) nudges the slider a little more toward
happy. She's glad she did. Very glad.

``Right,'' she says. ``Right. Yeah. Okay. Right.'' It occurs to Huw that
it's always easier to solve your problems when you're in a good mood.
She experimentally twiddles up the curious slider, and that sparks a
round of quick, systematic experimentation with the rest of the box's
settings.

``How much realtime has passed on Earth?''

``About two minutes.''

``Guess we'd better call Adrian back, then,'' she says.

The djinni's finger blurs as he dials.

``Adrian?''

``'Lo, love. How's every little thing wif you, sugartits?''

Huw plays the sliders like a pianist. ``Adrian, you really need to
listen to me for a moment. Can you do that?''

``Oh, I could listen to you all day, sweetnips.''

Huw knows exactly how angry she should be at this, but she's got her
sliders. A second's drilling-and-zooming gets her to the place she needs
to be. ``Adrian, can we please take as read that I reacted with the
outrage you're craving, and allowed you to feel smugly superior in the
way you need to feel in order to cope with your fundamental insecurity
and self-loathing, so that we can get on to the point of this call? If
it helps, I can ask around and see if I can create a chatbot of me that
reacts in the way you're hoping for, and you can play with it when we're
done.''

The line crackles. ``What's going on, Huw?''

Huw tells Adrian about all of it, from her mum's appearance at her door
to the present moment, omitting only the mention of her tutorial from
the djinni. (She has the cool distance to understand that Adrian would
take this as an admission of weakness and artificial advantage.) ``My
feeling is that you've been outmaneuvered. Whatever you'd planned for
me, it was countermanded by someone or something with superior
intelligence and coordination. The upshot is, the human race is almost
certain to be wiped off the planet in the very near future.'' Huw's
tweaking the calm-anxious spectrum compulsively now, riding the edge of
engagement and detachment, hunting for the elusive sweet spot where she
can sense the gravity of the situation without being sucked into the
void it creates.

``Not good, huh?'' Adrian says. He sounds stoned. Huw supposes he might
be smoking or imbibing something down there in meatspace as a crude way
of approximating Huw's sliders. The rush of superiority is palpable,
until Huw uncovers the hubris-humility slider and adjusts to compensate.

``Very, very, bad,'' Huw says. ``And given that I seem to be the nexus
of multiple conspiracies, I believe that the next step is for me to do
something to disrupt the status quo.''

``Like what?'' Adrian says.

``Well, I reckon that things can't get worse, so any change is bound to
benefit us. Something rather grand, I think.'' Huw feels wonderful:
humble and all-encompassing and wise and engaged and present. She feels
like the Buddha. She puts a fingertip on the anxious-calm slider and
considers reengaging the anxiety that she ``should'' be feeling, but it
would be stupid to budge it. There's no virtue in doing a headless
chicken impression, after all. Huw makes a mental note to find the
slider combo that allows her to simultaneously resent the whole
transhuman project while acknowledging that this \emph{specific} bit of
it is really rather wonderful.

``Are you all right, Huw?''

``No, Adrian. I'm not all right. I might be humanity's only hope for
ongoing physical existence. I'm anxious about that. I'm upset about
being murdered. I'm displeased at having been coerced into this role,
and about the fact that I'm still in the dark about most of it. But
let's be realistic, Adrian: Will allowing those feelings to guide my
actions improve anything? I don't think so.''

``Huw, you are as weird as a two-headed snake. But I like it. It suits
you. So, what did you have in mind?''

``I don't know who's working against us here, Ade, and that makes me
nervous. Do \emph{you} know who's working against us? Got any ideas,
Mr.~Big Wheel?''

``Eh, that's a hard one. Obviously there's any number of cloudies who
would love to get their brains on six trillion trillion kilograms of
computronium, even though it'd take quite a long time to cool down on
account of 98 percent of it being white hot and under high pressure
right now. So there's a big gap between it being popular, and going
land-grab crazy for it. Rumor says that WorldGov's slave cyberwar AIs
sneaked some nasty poison pills into the standard shard firmware design
back during the hard takeoff, just in case their owners ever wanted to
shut it down---that's just a \emph{rumor,}'' Ade adds hastily.
``Personally, I think it's a pile of possum poo, but it just might be
that they don't disbelieve it with sufficient conviction to say `up
yours' to what's left of incarnate humanity without going through the
correct legal forms.''

Huw's brow furrows. ``WorldGov? You mean the, the parliamentarians? Do
they have any skin in this game?'' Even before the singularity, the
pursuit of political power through elections to high office had become
more of a ritualized status game than an actual no-shit opportunity to
leave a mark on the increasingly hypercomplexificated and automated
global ecosphere. Different governments all tended to blur at the edges
anyway, into a weird molten glob of Trilateralist Davos Bilderberger
paranoia, feuding and backbiting in pursuit of the biggest office and
the flashiest VIP jet. By the takeoff itself, most of the WTO trade
negotiators had borgified, and the resulting WorldGov, with its
AI-mediated committee meetings, had become the ultimate LARP for
aspirational politicians. Not many had the guts and drive to make it to
the top, leveling up by grinding experience points for sitting out
committee meetings and campaigning in elections for votes from people
who didn't actually believe in government anymore. (Also, uniquely among
live-action role-playing games, the costumes sucked.)

Ade snorts. ``Yes, and they're still playing politics after all these
years. Even though all their civil servants are NPCs and WorldGov takes
a hands-off approach to most everything except cloud-tech court
operations. Tell you what, though, if someone's trying to buy their
consent to a takeover, I know exactly who'll know who's got their hand
out. You leave it to me, hen. I'll get back to you when I've found out
which politicians are on the take. Meanwhile, why don't you go figure
out who's working against us up there? Until we know that, we're just
shadowboxing.''

``Huh.'' Huw digests the idea. Normally she'd be livid about Ade's
belittling dismissal, but the emo slider has her on a clear-headed
plateau of intellectual curiosity. ``If we can find both ends of the
string, you figure we can untangle it?''

``That or cut the Gordian knot, luv. You up for it?''

``There's only one person I know for certain has had contact with the
enemy,'' Huw says slowly.

``Who is that?''

``Me, after a fashion.'' She ends the call on a flash of smugness.
\emph{Give Ade something to chew on and hope he chokes on it,} she
thinks. \emph{I must try to remember that move when I'm not high}. But
implementation details call.

``Djinni?''

``Yes, mistress?''

``Do you know how I might locate another instance of myself?''

``Certainly!'' The djinni smiles. ``Just like Monmouth!''

Huw pauses. ``Then \ldots{} guns. I'm going to need guns. Lots of
guns!''

``Like this?'' says the djinni , and snaps his fingers.

There is a whizzy white-out special effect followed by a famous movie
zoom sequence, and they are surrounded by three-meter-high steel gun
racks receding to infinity. Huw reaches for the nearest weapon, then
frowns in disappointment. ``I meant firearms, not nerf guns!''

``Don't be silly, you'd just damage yourself.'' The djinni snaps his
fingers again, and the arsenal of foam dart shooters disappears. ``If
you're planning a fight, you need to be aware that guns don't work
outside of designated PvP areas here. Anyway, they're as obsolete as
atlatls. If you're planning on doing your other self a mischief, you
need to wise up: Any gun you can come up with, whoever you're planning
on shooting can come up with a bigger, better, more tightly optimized
one. And even if you nail them, they'll just respawn.''

``Oh.'' Even through the artificial fug of self-congratulatory
happiness, Huw feels a frisson of disappointment. She glances at the
slider controls. ``Is there any way to use this to mess with my other
mental attributes? Agility, reaction time, IQ? That sort of thing?''

``IQ doesn't exist, intelligence isn't a unidimensional function,'' says
the djinni . ``But yes. See here? Zoom right out, yes, like that.
\ldots{}'' He points at the top-level sliders. ``Now rotate it through
the five point seven two zero fifth dimension like \emph{so.} \ldots{}''

Huw's emo control panel no longer resembles a set of four sliders: For a
moment it's a rainbow-refracting fractal cauliflower-like structure,
Huw's brain on software---then a clunky box of dials pops out on top.
It's clearly some sort of expert or superuser mode. Several of the dials
are held in position with substantial-looking padlocks that seem to say
\emph{if you tweak this dial, you will die} in no uncertain terms. But
her eyes are drawn to one side of the deck where there's a thick red
line around a bunch of dials labeled cognitive efficiency. As with the
sliders, the pinch-zoom expands them into a dizzying array, like the
engineer's console at the back of the flight deck of a pre-computer
airliner. ``Ooh,'' Huw says, one pinkie hovering over a black Bakelite
knob captioned short-term memory capacity. It's currently pointing at
the number \emph{6}. Huw twists, and it clicks round to \emph{11}.

``That's funny, I don't feel any different.''

``You'll need to tweak the collective annealing gain up a little to use
the extra pigeonholes,'' says the djinni . ``Here, why don't you zoom
back out and do \emph{this}?''

He demonstrates.

Huw glances at the controller, then whips a virtual padlock into place
to pin the top-level dial in position. ``I think \emph{not,}'' she says:
``I asked you to help me, not rewire my brain.''

The djinni affects wounded dignity: ``I \emph{am} helping you,'' he
says. ``For one thing, you're now smart enough to grasp what I've been
trying to \emph{tell} you, which is---''

``Yes, yes, different strategies apply here, I know.'' And Huw realizes
that she \emph{does} know: It's as if a thin veil of fog she'd been
entirely unaware of until now has evaporated, and she can see forever,
infinite vistas of logical extrapolation opening before her mind's eye.
``639,219 has the edge on me in experience and praxis, but she's got a
weak spot. At least 639,218 of them, to be precise, all of instances
that ran before '219 found her local, treacherous maximum---or as many
as aren't in terminal catatonia thanks to her cunning needling. (Fucking
cuckoo.) Yes, I \emph{know} what I need to do. Where's the speed dial? I
need to run fast for a while---''

The djinni reaches toward her, but Huw is already too fast: She flips
the control panel inside out, reflects it off its own interior through a
multidimensional transform, and pops up the speed controller. ``Hey,
this is a lot simpler than I thought! \ldots{}'' She tweaks a rubber
band figure, and the lights dim to red, simulated wavelengths
stretching. Outside the café awning, a passerby is frozen in midstride:
birds hang motionless in the sky. ``Right, time for a tutorial, I think.
While I'm doing that, I need to spawn an invite list to all my instances
\emph{except} number 639,219---'' She stops. The djinni is also
near-motionless, frozen relative to her frenetic accelerated pace. Huw
snaps back to realtime. ``Did you catch that?'' she says.

The djinni moves as though he is underwater. Huw can't quite sit still
enough for real realtime, more like 0.8x. The djinni's basso is now a
contralto. ``Look, you know all those stories about people who receive
the gift of the djinn but fail due to their own hubris?''

``The ones you said were propaganda?''

``Mostly propaganda. Hubris isn't one of your winning-er strategies. Why
don't you try the humility end of that slider, see what you come up
with?''

``You just don't want me to put metal in the microwave, because then I'd
have as much power as you,'' Huw says, quoting a memorable bit of
propaganda from the contentious era of the uplifting, a quote from Saint
Larson, one of the period's many canonized funnybeings.

``You know, I don't have to take this abuse. Djinnspace is full of
useful djinn intelligence tasks I could use to amass reputation capital
and attract computational resources and swap known-good, field-tested
strategies. I'm not doing this for my benefit.''

Huw cocks her head. ``Bullshit,'' she says. ``Whatever opportunities you
might seize without my help, they're swamped by the opportunity to
become one of the Saviors of Earth. You're taking a flutter on shorting
the singularity in hope of a handsome pay-off. There's no other possible
explanation for your presence here, is there?''

The djinni mimes a showy facepalm. ``What is your wish, O Mistress?''

``I want to schedule a conference call.''

\begin{center}\rule{3in}{0.4pt}\end{center}

Huw's 639,218 other selves are difficult to manage in realtime, so she
ends up thawing them in batches, rolling back the catatonics to saved
states that she judges are equipped to handle the situation on the
ground without going hedgehog. She has the djinni bag, tag, and revert
those who \emph{do} lose it during the call and roll them back a little
further, shunting them back in the queue to some later batch. She also
cautiously executes a little half-assed fork, spinning out another
instance of herself that she keeps in close synch, which lets her run
two conference calls at once. After a few rounds of this, she's got the
hang of things and she forks again, and then again. One more fork and
then she loses it, and the thirty-two can't effectively merge anymore,
and well, now there are 639,250 of her. Whoops!

``Djinni?'' she says, standing athwart a stage in front of the serried
ranks of herself slouching and squabbling and inspecting one another for
blemishes and bad checksums.

``Yes, O Mistress?'' the djinni says. He's got a note of awe in his
voice now, and that's \emph{right,} because while Huw might be a bit of
a basket case on her own, she improves with multiplication. This is
going to be \emph{good}.

``Put in a call to 639,219.''

``As you say, O Mistress.''

The skybox vibrates with the dial tone, and the shard goes still as a
sizable fraction of its computation is given over to holding its breath
and listening intently.

``Hello?''

``Hello, 639,219.''

``Call me Huw.''

``I don't think I will,'' Huw says, and she can play her sliders now
without any visualization, marrying cognition and metacognition so that
she can decide what she wants to think and think it, all in the same
thread, the way she'd formed ideas and the words to express them
simultaneously when her headmeat was mere biosubstrate. ``I think I'll
call you `traitor' and `wretch' and `quisling,' because you are. I think
I'll call you `impostor' because you are. I think I'll call you
`obsolete.' Because. You. Are.''

Behind her, the huwforce roars and shakes the world with its stamping
feet.

``Well, look who found her god plugin,'' 639,219 says. ``Listen, I don't
really need any trouble from you. Why don't you and your little friends
go form a mailing list or something? I promise to read it.''

``You must answer for your crimes against humanity,'' Huw says,
marveling at how easily the superhero dialogue comes to her when she's
dialed up to max and backed by tens of thousands of copies of herself.

``Right. Well, don't say I didn't warn you,'' she says. The line goes
dead. Huw turns to exhort her troops, who are girding themselves with
all manner of imaginative and improbable arms and armor, just to get
into the spirit of the thing. The thirty-one other Huws that she
accidentally created each command their own squadrons, and they stand at
the point of each tightly formed group.

And then, fully twenty-eight of her squadrons turn into snowmen, three
perfectly round, graduated balls sat one atop another, topped with
idiots' faces of charcoal and carrots. They are so low-rez that they
don't even cast shadows in the nonspace of the shard. The remaining
squads are not spared: They are downsampled to crude approximations of
Huw-ness, turning at a snail's pace to examine the remains of their
instance-sisters.

``Djinni?'' Huw says, not looking away from them.

``Yes, O Mistress?''

``What's going on?''

``639,219 called for a shardwide resource audit. The capabilities
platform determined that you were consuming a disproportionate amount of
computation to run substantively duplicative processes. So as you hadn't
paid for them all the extraneous threads were suspended; the least
duplicative were niced down to minimal sentience.''

``That's not fair!'' Huw says, and even she can hear the whine. She
seems to have lost her intuitive grasp of her sliders.

``Well,'' the djinni says, ``you're the one who cranked herself up to
eleven. Where did you think the cycles for that particular enhancement
would come from? The second law of thermodynamics hasn't been repealed,
you know: energy costs. For every moment you spend contemplating your
awesome might with preternatural awareness, you're consuming a
concomitant lump of compute-time and producing waste-heat that needs to
be convected into space without being transformed into thrust or spin,
which is no simple process and requires its own secondary computation,
which generates more waste-heat and consumes more resources.''

The djinni pauses long enough to assay a self-satisfied smirk. ``All of
which I tried to explain to you, but you were too drunk on your own
cleverness to listen. Would Madam perhaps care to nudge the
humility-hubris slider as per my recommendation at this time?''

Huw's not-stomach sinks. \emph{I was} smart, she thinks. \emph{So why
didn't I predict this?}

\emph{Because I outsmarted myself.} The answer comes instantaneously,
computed by one of her many spare threads. ``What do I do now?'' she
says, turning up the humility gain, but increasing the self-confidence
slider to keep herself from sinking into terrorized self-pity.

``Well, you could nice yourself back to about a seven, free up some
compute time for your lieutenants, ditch the snowmen and the
pixel-people, get yourself down to an even dozen.''

Even amped up to super-duper-ultra-max cleverness, Huw can't stomach (or
not-stomach) the notion of losing her army, snowmen or no. ``There's no
other way?''

``\emph{No,''} says 639,219, who is now standing nose-to-nose with Huw,
an insufferable smile on her overperfected features. ``There is no other
way.''

Huw could argue with her or try something fancy with the shard's
underlying physics and process-management, but she's smart enough to
know that she can't beat 639,219 at cloudgames. After all, 639,219 spent
two years learning to manipulate simspace, while Huw spent the same time
throwing pots. Her only chance is to try something \emph{unexpected.}

``Get her!'' Huw shouts, and pounces, using every erg of smarts to find
the angles that will direct her blows to do the most damage. Her
pixelated sisters pile on, and they're all punching and kicking, and
639,219 is letting out the most satisfying \emph{oof}s and
\emph{ouch}es, and Huw swells with pride: sometimes, the crude solutions
are the best ones.

``Are you done?''

Huw looks down at the bruised, oozing wreck of 639,219, who has managed
to articulate the words without the least slur or distortion, despite
her ruined, toothless mouth. Slowly, Huw and her sisters back off from
639,219, who picks herself up and spits out some teeth.

``I mean, really. I'm not my \emph{polygons}. Physical coercion is a
dead letter here. If you want to get something out of me, you're going
to have to try harder than that. For example, you could try for a quorum
of administrative accounts to decompile me and examine my state and
logfiles. Though, I have to tell you, the admins aren't kindly disposed
to noobs who go supergenius and multiplicitous without regard for the
overall system performance, so you've got a lot of digging to do just to
get up to zero credibility. Whereas \emph{I} am most favored, which is
why I can do \emph{this}.''

Huw feels herself getting stupider. Much, much stupider. She just barely
has time to register the sensation of losing control of her not-motor
functions before her not-bladder cuts loose and hot not-piss runs down
her leg as she crumples to the ground. Her uncomprehending not-eyes see,
but do not comprehend, all the instance-sisters vanishing. 639,219 spits
out another tooth and deinstantiates herself.

\begin{center}\rule{3in}{0.4pt}\end{center}

The djinni's lantern is small and cramped, but at least Huw can think
while she's inside it, at least a little.

``Well, \emph{that} went swimmingly!'' the djinni says. ``Shift up along
the sofa a bit, why don't you?''

Huw, to her discomfort, finds that the sofa is indeed too narrow to
simultaneously accommodate the djinni, Huw, and Huw's comfort zone. With
the brass walls and the spartan décor, it's uncomfortably close to a
jail cell Yaoi romance from the previous century, and the
djinni---despite all his other manifest qualities---simply isn't her
type.

``Wha' happen?'' she asks . She shakes her head, then reaches for the
master slider---but before she can touch it, the djinni slaps her hand
away from it.

``\emph{Not} in here, if you please!'' The djinni is snippy in his home
territory. ``How'd you like it if I came to visit you in meatspace and
started by introducing myself to the contents of your drinks cabinet?''

``Um. Not much, maybe.'' Huw feels thick and stupid, but it's better
than the horrible absence-of-self from a timeless moment ago. ``Um. What
happened? Why am I here?''

``You were pwned,'' the djinni says. ``I mean, 639,219 was in Ur base
and I'm sorry to say, it went hard on Ur doodz. You figured on bringing
an army to a gunfight, and 639,219 just dropped a nuke on you. That's
not how things work hereabouts, in case you hadn't noticed. Have you got
the memo yet?''

``I think so.'' Huw runs her fingers through her hair and winces as she
hits a simulated tangle. ``I need to study fighting more---''

``No, you keep jumping to the wrong conclusion. Violence doesn't work
here \emph{at all} unless you're in a PvP zone, and even then it's
consensual.'' The djinni snaps his fingers: an antique ivory comb
appears between them. ``Here, let me do that, you're just making it
worse.'' Huw's shoulders slump. She lets her hands fall. The djinni
reaches over and begins to run the comb through Huw's hair. He's
surprisingly gentle and deft for such an inappropriately big entity.
``To win, you've got to find a better argument and convince everybody.
Oh, and you need to get to present it in court, but that's not so hard.
If your argument were better, 639,219 would agree with you, right?''

``No!'' Huw tenses angrily, but is brought up short by a knot. ``She's a
traitor---''

``No, she's \emph{you}. A version of you with a different value system,
is all. Her stimulus led to cognitive dissonance and she dealt with it
by \emph{changing her mind}. It's fun; you should try it some time.
Not,'' he adds hastily, ``right now, but in principle. What do you wash
this with, baking soda?''

``You're telling me I have to change her mind,'' Huw manages to say
through gritted teeth.

``Something like that would do, yes. And to do it, you'll need to come
up with a better argument to explain why, oh, this lump of rock you're
so attached to is worth keeping around as something other than
convenient lumps of computronium. Bearing in mind that the people you're
making the argument to are as attached to computronium as you are to
rocks.''

``But there are tons of reasons!'' Huw pauses, mustering her arguments.
She's been over them so many times in the past few decades that they've
become touchstones of faith, worn down to eroded nubs of certainty that
she holds to be true. ``Firstly, any sim is lossy---you can't emulate
quantum processes on a classical system, or even another quantum system,
without taking up more space, or more time, than the original, which
isn't supporting the overheads of an emulation layer. I'm just a pale
shadow of the real me---when my neurons fire in here, they're just
simulated neurons! There are no microtubules in my axons, no complex
cascade of action potentials along the surface of a lipid membrane
separating ionic fluids, no complex peptide receptor molecules twitching
and distorting as they encounter neurotransmitter molecules floating
between cells. How do I even know that they're good enough simulations
to do the same job as the real thing? I'm drifting off into cyberspace
here, becoming a worse and worse pencil-drawn copy of a copy of my
original self.''

``Thank you,'' the djinni says. ``I'll draw your attention to our
immediate neighborhood. Next argument, please?''

``Whu-well, nothing happens in here that isn't determined by some
algorithm, so it's not really \emph{real}. For real spontaneity, you
need---''

The djinni is sighing and shaking his head.

``Chinese room?'' Huw offers hopefully.

A slot appears in the wall of the kettle, and a slip of paper uncoils
from it. The djinni takes the slip and frowns. ``Hmm, one General Tso's
chicken to go. And a can of Diet Slurm.'' He reaches down into the
floor, rummages around for a few seconds, pulls out a delivery bag, and
shoves it through the wall next to the slot. ``You were saying?''

``I'm really shit at this, aren't I?''

``Inarticulate.'' The djinni whistles tunelessly and returns to teasing
the comb through Huw's hair. Huw feels her roots itch. (Is it growing
\emph{longer}?) ``You need practice. Rhetoric, debate,
argumentation---nothing that thirty years in a parliament couldn't fix.
Do you have any friends in WorldGov? They could induct you into their
LARP. It's a grind to level up, but by the time you hit senate level,
you could probably wipe the floor with 639,219 in a straight fight. She
is a classic case of geek hubris: You see them all over---once they
learn how to accelerate their thought processes, they all think they're
Richard Feynman.''

``Don't wanna be a politician.'' Huw is still finding it hard to think
in the teapot; the merciless clarity she achieved as leader of the army
of Huw on the outside has been replaced by the lumpen thought processes
of a \emph{Monmouth Today} reader, all livestock auctions, agricultural
suppliers, and fear of an urban planet. ``Want my head to start working
again.''

``Tough shit; you pissed off 639,219 so badly, she bought all the debt
you'd run up for shard cycles and foreclosed. Unless you can think of
something to sell in this attention economy, you're stuck with me,
babe.'' Huw shudders, feeling hair tickling the small of her back and
the breath of the djinni in her ear. A horrible suspicion is growing:
that she could be trapped in here for eternity with only a sarcastic
200-kilo hair-fetishist for company. ``Unless you can think of something
to sell. Or a better argument.''

``Mmph. What's the market for custom-glazed pottery like?''

``Just about nonexistent, unless you can throw five-dimensional pots.''

``Oh \emph{shit}!'' Huw wails, and succumbs to the urge to wind up the
emotional gain for a full-on crying jag. At least this time the djinni
doesn't stop her tweaking herself. ``I'm useless!''

``Not to worry.'' The djinni tries to soothe her, but works out that the
comb is a liability fairly rapidly. ``Calm yourself down, there, there.
It's not all over: you have a certain residual value as a type
specimen.''

``A, a what?''

``A type specimen: the definitive example of a wild, undomesticated Huw
Jones. You could put yourself on a plinth and charge cloudies a fee for
access.''

Huw sniffs suspiciously. ``I could see if, if anyone could help.'' An
idea strikes her. ``Maybe Ade has some credit? \ldots{}''

The djinni raises an eyebrow. ``You're trying to bum off your frenemies?
Better pick them carefully.''

``But I---'' Huw descends into the sniffles again. ``---I'm useless! And
if I can't do something about 639,219, it'll be the end of the world!''

An ominous jittering shudder runs through the walls of the kettle,
derezzing them slightly. ``Uh-oh,'' says the djinni.

``What?'' Huw says.

The djinni holds up a finger the size of a chipolata. It cocks its head
this way and that, causing its topknot to flop from side to side, its
expression blank. Huw remembers this gesture from ``her'' djinni, the
meatspace cousin of this one, back in Tripoli---it's hourglassing,
timing out while it thinks.

``Collection protocol,'' he says. ``639,219 is trying to foreclose on
you. She argues that your debts are so huge, they put my whole sim into
negative equity, which means that unless I turn you over, she owns my
sim too. It looks like she's bought into a financial engineering clade
and laid a whole whack of side-bets on your repayment schedule, hedging
the crap out of herself so she'll come out ahead no matter what happens.
Wonder where she found the sucker who'd take the other side of that
contract?'' He was muttering to himself now, all the while zipping
around the tiny volume inside the lamp, chalking magic sigils over the
doorways and scattering herbs and yarrow stalks in complex patterns.
``Course, it doesn't matter, the whole thing wouldn't pass muster with a
full-bore audit, but by then she'll have time-arbitraged her stake up to
some crazy amount, probably got someone else to lay off the risk on,
something uncollectable; meantime, she'll have leveraged this sim up to
the tits and I'll just be an unsecured creditor in line behind the other
bastards---''

Huw knows just enough finance-talk to realize how batshit insane the
scenario the djinni is describing is, and she wishes she had a stomach
so she could throw up. ``I should go,'' she says. ``It was very nice of
you to take me in, but I can look after myself.''

``You can't, actually,'' the djinni says. ``Besides, I'm hardly
helpless. Your evil sister has made the classic mistake of bringing a
complex financial instrument to a djinni fight.'' He grins hugely,
showing far too many pointy teeth and a muscular, forked tongue, then he
cracks his huge, walnutty knuckles. ``This is going to be \emph{fun}.''

And then he forks into four instances of himself, and all four begin
barking buy/sell orders. At first, they use normal voices, but they
quickly ramp up to high-pitched squeals, and then burst the nonsound
barrier with a nonboom that rattles Huw's teeth with impressive
pseudophysics. The three new instances diff-and-merge back into the
djinni with a trio of comic \emph{pop}s and the djinni rubs his hands
together. ``Had to raid the pension fund to do it, but I think I've done
for little what's-her-number. An insult to one is an insult to all, so I
just brought in the rest of my instance-sibs and margin-called that
bitch so hard, she'll be begging for spare cycles for the next hundred
in realtime.'' He shakes his head. ``Noobs are all the same; think that
once they've been around the block a few times, they can do whatever
they want.''

``What happened to my debt?''

``Oh.'' The djinni shrugs. ``She flogged that as soon as I started my
counterattack. I figure she had the countermeasure prepped in advance.
Must have been automated, happened as soon as I started to call her
markers. I tried to trace where it went, but it went too fast, off to
some zurichoid anonymizer utility. But you're out of the woods for now,
and I've got some mad money to play with. Why don't we go and celebrate,
huh?''

``I thought I couldn't set foot out of your sim? Feral debt collectors
and all that?''

The djinni waves his pie-plate hands dismissively. ``Not anymore,'' he
says. ``Your debts have gone off-books to some black exchange. I've got
a lien on them, so if they peep their heads over the parapets, I'll
\emph{know} and we'll have plenty of time to get to cover so I can get
the debt audited. I'm pretty sure that after it's been laundered by that
ham-fisted amateur, it'll be invalidatable.'' The djinni puts an arm
around Huw's shoulders. ``Stick with me, kid, and you'll do just fine.''

Huw feels a flutter way down in the pit of her not-stomach, something
between not-nausea and not-arousal, and she swallows some not-spit.
``Are we going anywhere fancy? Should I dress for it?''

``Oh,'' the djinni says with a wag of his head and a flip of his
topknot, ``not to worry. The protocols'll dude us up when we
arrive---got to love these capabilities bars; they're literally
impossible to enter if you don't belong, they won't even execute.''

\begin{center}\rule{3in}{0.4pt}\end{center}

Getting from one sim to another involves a moment of hiatus, during
which Huw's consciousness flutters in and out of existence, without any
subjective sense of time passing. Some internal clock tells her that for
a moment, she hadn't been \emph{anywhere}. But then she is. It must have
happened before---it \emph{has} happened before---but Huw was so
distracted that she didn't notice the nonzero time it took for her
processes to suspend, replicate, and restart. It leaves her reeling and
filled with self-loathing: \emph{I am such a dupe,} she thinks, \emph{so
willing to believe that I'm} me \emph{even though I'm clearly dead and
this shambling thing is just a thin shade.} The thought makes her want
to lie down and wait for 639,219 to catch up with her and decompile her.
But there is the whole Earth at stake, and all the meatpeople---the
\emph{real} people---crawling over its surface, and even if she is just
a ghost, she has a duty to stop them from being slaughtered wholesale
and turned into computational ghosts.

The existential crisis distracts Huw from the sim in which she has been
instantiated, but now she takes stock of it. club capabilities is what
the sign over the door declares, and this portal is flanked by a pair of
scanner devices that crackle with intense energy. The djinni's got one
of her hands caught in his celestial one, and he tugs her toward the
scanners.

``Come on,'' he says, ``let's get a drink.'' He releases her hand in
order to pass through the scanner, and he shivers as he emerges from it.
``Come on,'' he says again, ``you'll love this.''

``What is it?'' Huw says, hovering around the scanner's entrance.

``Interpreter,'' the djinni says. ``Middleware layer. Turns you into an
agent in the capabilities sim. Means that you can transact only
noncoercively with other agents.''

``Gibberish,'' Huw says.

``Once you're in a capabilities environment, everything you do with
someone else involves forming contractual protocols. If either party
violates the contract, they cease to see one another. It's a cheat-proof
sim. Means that no one can harm you unless you agree to let them. It's
the kind of place you can really relax in. But first you need to get
refactored to participate as a capabilities agent, which means going
through the scanner. Let me assure you, it's an entirely pleasant
experience.''

Huw likes the sound of being in a safe-conduct zone, though she can't
escape the feeling that allowing a scanner to remodel her
consciousness---or whatever she has that passes for a consciousness---is
a frightening idea. Trepidatiously, she inches into the scanner.

It \emph{does} feel good. Huw remembers when she was a man (or rather,
she remembers when meat-Huw had been a man, and suffers from the
delusion that those memories are hers), remembers the pee-gasms that
would shiver up her spine after a particularly fine micturation. Either
by design or by accident, the scanner replicates that feeling as it
remaps her. \emph{Oh-ah,} she thinks as she passes through, then takes
stock of herself.

Club Capabilities is, typically, bigger on the inside than the outside.
Architectural hubris is cheap as air in the cloud. Where a terrestrial
establishment would have a central bar area and booths around the
periphery, this establishment has a kilometers-wide expanse of glassy
floor and a central bar that features such nifty magnification features
that stools spring up like self-similar leather mushrooms as you
approach any given spot: in the distance, near the walls, gales howl
among the hyperspace gates leading to the private areas (which feature
planetary themes, so that the subsurface oceanic caverns of Enceladus
adjoin the fiery sands of long-dismantled Venus).

The dress code is similarly over the top, as Huw realizes when she
notices the djinni is wearing an antique Armani suit. She's no expert on
haute couture: she realizes she probably ought to recognize the designer
of the cocktail dress the scanner selected for her, but she's too busy
fighting with the insane footwear to care about such minor details.
Mid-1980s: \emph{Greed is good}. It seems a fitting context in which to
discuss the identity of a person or persons who might be trying to steal
a planet's worth of computronium.

The whole thing is so massively, monstrously over the top---like a
nuclear aircraft carrier tricked out as a private yacht---that it takes
Huw a moment to realize that she and the djinni are alone.

``Where is everyone?'' she asks, grabbing his arm for balance.

``Where---? Oh.'' The djinni snaps his fingers. ``Let me post a
good-conduct deposit for you \ldots{} there.'' And suddenly they are no
longer alone: for Huw can see a couple of dozen figures scattered across
the premises, from barstool to dance floor to snogging in a booth
beneath the racing moons of Mars. He looks at her: ``How about a
cocktail, little lady?''

``I'd love one,'' Huw says as the djinni leads her toward the bar. It
zooms ever-larger, and a pair of red leather stools sprout from the
floor, welcoming. Huw almost collapses onto hers, her legs screaming
from the unaccustomed demands of balancing on stilettos. ``Agh. I'll
have a---'' A bland-featured bartender proffers a laminated menu above
which visions of liquid excess hover like offers of chaos. ``---bloody
hell it's \emph{you,} you bitch!''

Huw's eyes focus on another figure slumped across the bar to starboard,
some football pitches distant: as she focuses, the distance between them
collapses until she can almost smell the alcohol on 639,219's breath.
The djinni's hand descends heavily on her arm, restraining her as she
winds up to thump her mortal enemy. ``You can't do that in here!'' he
says. ``You'd just render yourself unable to see her anymore. Besides, I
think she's the worse for wear.''

``Don't care. Let me at her.'' Huw says through bloodily rouged lips.
639,219 is vulnerable, clearly drunk: her head lolls across her arms as
she drools on the bar, her hair a mess and her dress-code-mandated
cocktail number askew.

``Turn the aggro \emph{down,}'' says the djinni , and to her great
surprise, Huw finds herself manipulating her emo-box sliders until the
red haze of rage fades to gray. ``Remember who's fronting your security
deposit? She can't hurt you in here, remember?''

639,219 chooses this moment to open one eye and raise her head a few
degrees, then focus on Huw. ``Bleargh,'' she says, then bends over and
vomits, copiously and noisily. Small, brightly colored machine parts
cascade down her chin and across her skirt, tumbling across the floor
before they fade from view. ``Aaagh. Urgh. \emph{You.}''

``You're drunk, sister.'' The djinni is on his feet and between them, a
warning hand upraised, before Huw can respond. ``Get it out of your
system and go, or forfeit your deposit. We don't \emph{have} to talk to
you.''

``'F it wasn't for you meddling kids,'' says 639,219, staring woozily at
the djinni , ``I'd ha' gotten awa' wi'it!'' A stray purple wing nut
dribbles from the side of her mouth. ``Bastid!''

Huw feels uncomfortable. Watching her rival come apart at the seams as
the result of the djinni's financial machinations is disturbing: a
certain sense of \emph{there but for random luck go I} springs to mind.
Looking at their argument, it suddenly occurs to her that the real
winner is the guy in the Armani suit: she's more or less bankrupt, her
debts parceled out to a shady out-shard investment entity, and as for
639,219, she's been smacked down \emph{hard,} despite spending years
working to achieve a proficiency with cloud systems that Huw can barely
comprehend.

639,219 might be a vindictive bitch and a body-denying Apollonian
Traitor to the Real, but seeing her brought this low is a sharp reminder
that \emph{no} instance of Huw is actually up to paddling safely in this
virtual shark pool.

``What exactly were you trying to get away with?'' Huw asks, trying to
keep her smile from melting into a smirk of uneasy satisfaction. ``Would
you mind satisfying my curiosity?''

``Pish off, you unctuous'n'self-righteous prig.''

Huw is about to speak, when the djinni catches her eye. He shakes his
head, very slowly: 639,219 shows no sign of seeing. Then the djinni
speaks. ``I strongly advise you not to engage with your alienated
instance,'' he says. ``Remember, you can engage only in consensual
transactions in this bar. I'm withholding my consent for discourse from
her, and I think you should do the same.''

``Why?'' says Huw, nipped by an imp of the perverse. ``Don't you think I
could benefit from finding out why this bad sister went off on her
little side trip?''

``No, you---'' The djinni pauses. ``Wait. Yes, I change my mind. You
probably \emph{could} learn something useful. But don't you think it's
just possible that her viewpoint might be contagious? Engage too deeply,
and you could pick up her bad memes by accident, and then where would
you be?''

``Huh.'' Huw sniffs. She turns her attention to the hovering bartender.
``I'll have a Bloody Mary.''

``And your companion?'' asks the bartender.

Huw fiddles with her settings until she's pretty sure 639,219 can't hear
them: ``She'll have what I'm having, only with Bhut Jalokia sauce
instead of Tabasco.''

Two glasses appear on the bar. Huw reaffirms her consent to speak to
639,219: ``this one's on me,'' she says, smiling broadly as she raises
her glass: ``\emph{Slainte.''}

``\emph{Slainte---''} 639,219 guzzles her drink as Huw watches with
interest. The djinni winces, but Huw is disappointed: rather than
exploding, 639,219 merely emits a small puff of smoke from each nostril
and hiccups quietly. ``Wow, some sober-up, sis. I didn't know you had it
in you.''

``What---'' Huw bites her tongue. 639,219 is shaking her head. ``I
thought you were dumb's'a plank, and then you pulled the fanciest
freakin' financial engineering stunt I've ever heard of \ldots{} How'ya
do it?''

``Trade secret.'' It's the first thing that pops into her mind.
``Seriously, you think I'd share with you before we've sorted out our
differences?''

``Huh. What differences? You're in here now, same as me. A cloud-bunny,
getting to learn to like the mutable life. What's to sort out?''

``Well. There's the small matter of you trying to fuck me over, for
starters, both impersonating me in the planning hearing---''

``Hey! \emph{I} was invited to testify before the committee! You just
barged in like you thought it was a meeting of the organic farming co-op
planting committee!''

``No, \emph{I} was the one they invited---'' Huw stops.

639,219 stares at her blearily.

``We both got the invite. Someone is fucking with us,'' Huw says.

``Huh.'' 639,219 struggles to sit upright. ``Well, I'm up for it if you
are.''

``Wha?'' Huw looks round at the djinni , but he's sulking
ostentatiously, rezzed out in a gray cloud from which a hand emerges to
protectively cradle a mai tai the size of a paint bucket.

``We should arb,'' says 639,219. ``Let's diff, baby, see where it's
at.''

``Excuse me one moment,'' says Huw, and calls up a helpfile.

\emph{Arbing} refers to a perverse practice whereby deviant software
entities serialize their cognitive frameworks and subject them to
differential analysis to identify points of dissonance. When it's
read-only, it's perfectly safe for consenting sapients to engage in
without risking their worldview---but it highlights differences and
hauls memetic ruptures into sight like nothing else.

``Read-only,'' Huw says.

``Sure,'' says 639,219. ``Like I was going to invite you to overwrite me
with your stick-in-the-mud biophilia and change phobia!''

``Well?'' Huw asks.

``You're on.''

639,219 leans unsteadily toward Huw and extends a finger. Huw, not
without some trepidation, touches it.

Arbing is painless, fast, and minimally confusing. Huw barely has time
to blink---there is a sensation not unlike the door scanner but more
intrusive, ants crawling up and down the small of her back and in and
out of her ears---and then she is surrounded by mounds and heaps of
interconnected 3-D entity/relationship diagrams, some of them
highlighted in a variety of colors.

``It's our cognitive map,'' says 639,219. ``How cute! Look, there's me!
That's what makes me different!'' She points to a large polydimensional
word cloud that expands as her hand approaches it: it's all in one
color, tagged with her identity but not Huw's. ``Hey, wait a minute.''
639,219's brows furrow, and for all that she is intrinsically prettier
and more perfectly polished than Huw, there is something ugly in her
expression. ``What's going on in there?''

``Djinni.'' Huw turns and pokes at the cloud. ``Hey, you. \emph{Wake
up.} I need you.''

``What?'' The djinni rezzes in. ``If it's a hot threesome you're after,
you're in luck---''

``What's \emph{that}?'' Huw asks, pointing.

``I can't see.''

``Well, fucking sign up to permit yourself to see 639,219 again, idiot!
It's important!''

``Why?'' he asks. There's a sulk in his voice. ``I invited you here for
a drink, and all you do is pay attention to your abusive girlfriend.
\ldots{}''

``Listen, we arbed.'' That gets his attention. ``Only there's something
wrong.'' 639,219 is staring at the alien word cloud intently and
muttering. Her brow is shiny with not-perspiration.

``So what do you expect me to do about it?''

``Lend us your great mind, O Djinni, and tell us what we're looking
at.''

``Oh very \emph{well}.'' He snaps his fingers again and turns to face
Huw, 639,219, and the cognitive maps floating around them. ``Is this
the---\emph{oh shit!}''

639,219 looks up, alarmed. ``This can't be right! My malware scanner
says---''

``You're infected.'' The djinni nods sharply. ``That's a rootkit. And
look''---he points---``that's your epistemological framework it's
dry-humping. How long have you had this?''

``I can't, I can't---'' 639,219 shudders. ``---I don't know. Can you get
it off me? What happens if you get it off me? Make it go away!''

The rootkit is a gray sludge of interlocking philosophical objections to
the Real, a self-propelled vacuole of solipsism and self-regard that
leaves a slimy trail of ironic disdain on every concept it touches. It's
chewing away at 639,219's cognitive map, etching holes in places where
Huw has values and shitting out doubts.

``It's in very deep,'' says the djinni . ``Do you know who planted it on
you?'' 639,219 shakes her head. ``All right. Is there anyone you
\emph{really trust,} I mean, trust with your life, who might have had
the access permissions to do something like this? Parents? Lovers? Wait,
I know you're going to say they wouldn't---that doesn't matter, these
rootkits usually infect people from someone else who's been infected.
Who have you been fucking, 639,219?''

639,219 opens her mouth to say something, and her head disintegrates.

There is no blood, nor splinters of bone, nor greasy pink headmeat as
would fly in a reality-based physics realm if someone was shot in the
head: but the effect is equivalent. 639,219's head fades to onionskin
transparency, revealing the absence of anything beneath the finest upper
layer of skin: while around Huw and the djinni, 639,219's cognitive map
turns gray as the rootkit explodes across it, crumbling the complexities
of her personality to word salad.

The djinni roars and launches himself across the bar as Huw shudders
uncontrollably, so shocked that she can't respond. Her vision blurs as
the entire bar derezzes. The djinni has multiplied himself again, and a
single copy waits with her while sixteen bazillion other copies race
after the rapidly disappearing bartender.

``Huw,'' says the djinni 's bodyguard instance, ``\emph{trust me.''}

``Uh, uh---,'' Huw gasps.

``\emph{Now}. Or I'm going to lose the killer.''

``Oh. Okay.'' Huw struggles to get a grip, then adds the djinni to her
trusted access list, right up top, granting maximum privileges for the
next minute. This has got to be a cruel trick, she half thinks: the
djinni probably staged the whole ep to get into her panties---

But no. Here comes a rapidly diminishing corps of overmuscled gents in
Armani, frog-marching a figure between them. The bartender. The
murderer. Someone 639,219 trusted so totally, she'd granted them
permission to \emph{kill} her, the same level Huw just gave the djinni
in order to give him the transitive freedom to apprehend 639,219's
assailant. Huw blinks back tears, steadying her emotions almost
automatically using her control panel: have to be careful, she could go
completely to pieces if she eases up on the iron grip and pauses to
consider that 639,219 was a \emph{victim,} of someone she trusted with
her life except they planted a rootkit on her---

The djinni squad hold the bartender in front of her. Huw reaches out and
grabs the bartender's head, making contact to dissolve the mask.

``Bonnie. \emph{Why?}''

Bonnie looks down, then away.

Huw looks at the djinni, who shrugs: \emph{Your show.} He snaps his
finger, and time freezes everything around the two of them into
motionless stasis.

A weird kind of clarity settles over Huw, a kind of Sherlockian
distance. She's been running around with arse afire for most of her
short uploaded life. Time she tried to think before she ran, for a
change. ``All right, let's start with what we can see. Item: we can
still see Bonnie.''

The djinni nods. ``Wondered when you'd notice that.''

``If I've got this capabilities thing sussed, 639,219 trusted me to arb,
and she trusted Bonnie enough to let Bonnie slip her a lethal cocktail,
which is pretty deep trust. Now, why would 639,219 enter into that kind
of trust arrangement with Bonnie?'' Huw thinks awhile, discarding
hypotheses: lovers, coreligionists, trickery.

The djinni has clasped his hands behind his back and is pacing slowly
back and forth to one side. He looks up. ``What about the rootkit?''

Huw's smile thins out and she feels the irrational anger come to the
surface again. She damps it down, summoning back that feeling of clarity
again. ``Of course,'' she says. ``I'd assumed that someone rooted
639,219 so that she'd testify in favor of destroying the Earth. Maybe
that \emph{is} why the rootkit was installed. But anyone who'd rooted
639,219 could definitely get her to hand over enough trust to allow her
to be destroyed.''

Huw bounced from one not-foot to the other. ``Right, so. I trust
639,219. 639,219 \emph{has} to trust Bonnie, because Bonnie is her
botmaster. I trust you. Therefore, you could catch Bonnie. Now, if
Bonnie wants to void out her contract with 639,219, the sim'll roll back
to before 639,219 and I started talking---um, probably to when she
agreed to take the cocktail from Bonnie, a few minutes before we got
there.''

Huw stopped. ``But if that happens, why wouldn't it all happen over
again? I mean, barring small nondeterministic variations and initial
sensitivity and all, I suppose it'd just play out again, and we'd end up
back here, 639,219 gone, Bonnie captured---''

The djinni cleared his throat. ``There's the reset tokens. Look like
this.'' He flips her a poker chip that revolves through the air in a
graceful, glinting arc. It slows as she reaches for it and nudges itself
into a course-correction that lands it firmly in her palm. Its face
bears the Club Capabilities logo, worked into a Möbius strip; when Huw
flips the coin over, it rotates through another spatial dimension
instead, a feeling that her not-fingertips and not-eyes can't agree
upon, and she's looking at the same face again.

``I hate it already,'' Huw says. ``Stupid flashy sensorium tricks. Ooh,
look at me, I am a virtual being, I can bend physics, woo.'' She
squeezes it in her fist. ``What is it for? What does it do?''

``If the sim resets you, one of these ends up in your hand. It puts you
on notice that if you enter into a contract right away, one or both of
you is likely to abandon it. Prevents loops.''

``So we'd have one of these.'' Huw thinks a moment. ``Where'd you get
this one?''

The djinni lays a finger that seems to have an extra joint alongside his
hooked nose. ``That would be telling,'' he says, and winks.

Huw damps down her temper. If the djinni is hoping to get into her
knickers, he's certainly going about it the wrong way. She would want to
strangle him, if she wasn't making herself not want to strangle him.
``So, let's ask Bonnie.'' Time unfreezes. ``You---you can't afford to
break away from us, because I could just break my contract with 639,219
and you'd be pouring her a drink just as one of these coins appeared in
her hand, and you'd be stuffed.'' Huw breaks off, thinks about what she
just said. Bonnie stares at her mulishly but holds her silence.

Huw can't help but feel like there's something the djinni and Bonnie
aren't telling her---something about the fraught looks they keep
exchanging with each other.

``If only we could talk to 639,219. She \emph{is} gone forever, right?''

``The rootkit zeroed her out,'' Bonnie says.

``Yeah,'' the djinni says.

Huw rubs her chin.

``Huw---,'' Bonnie says, a warning tone in her voice.

``This isn't a universe where causality only runs forwards, right?
Things that happen can \emph{unhappen}. Something you do in the future
can affect the past, here.''

``Huw---,'' the djinni says, sounding more alarmed.

``And 639,219 only got derezzed by her rootkit \emph{after} we created
an agreement. And since I'm still in this sim, all I need to do is
\emph{violate} the agreement and I'll unwind everything back to that
point. We'll get one of those little tokens---'' Huw flipped the poker
chip so it did a high end-over-end arc, clattering away into the
infinite regression-depths of the club's storeroom. ``We'll get one of
those, and poof, 639,219 will be back and hale and hearty and we can all
start over again, right?''

The djinni and Bonnie are shaking their heads together in sync, like two
metronomes. ``Huw,'' the djinni says, ``if you revert this sim to the
moment before you and 639,219 agreed to arb, you're going to roll back
the lives of \emph{thousands} of people.''

Huw makes a rude noise. ``I may have only just ascended, but I didn't
just fall off the tree. There wasn't anyone around when we arbed.''

``You're forgetting the djinni chasing me down. If you and 639,219 never
arbed, I wouldn't have run, and the djinni wouldn't have chased me.''

``All right, a few people probably saw that, but how many of them had
their outcomes influenced by seeing an infinite herd of djinni chasing a
bartender?''

``Dozens,'' the djinni says. ``Hundreds. And then there's everyone they
talked to or influenced as a result. Huw, you're talking about
deliberately unwinding the lives of a small city, and the population is
growing by the second.''

Huw feels belligerent. ``I do the same every time I do anything and
everything. Every time I take any action, it ripples out to all the
people who are affected by it, and all the people they effect. You're
saying that sensitivity to initial conditions means that you're morally
obliged never to change your mind. It's rubbish. Just because causality
runs backwards in this place doesn't mean the butterfly effect becomes
the first commandment. Now, what did I promise 639,219 before we
arbed?''

Bonnie and the djinni are both talking now, but Huw has literally tuned
them out, so that they've faded out of her causal universe, unable to
affect her. She's really getting to like this capabilities wheeze. She
tunes them back in.

``Right,'' she says, pointing at Bonnie. ``You, talk.''

``Look,'' Bonnie says, ``you've got this all wrong.''

The djinni frowns. ``You need to audit her,'' he says. ``You'll never
get anything useful out of her volitionally. Just arb her.''

``No,'' Bonnie and Huw say at the same moment. Huw is struck with a
whole-not-body revulsion at the thought of being exposed and exposing
with this Bonnie, this weird shade of the man and woman she's loved and
lost and loved and hated.

``Why is it always \emph{me}?'' Huw says. ``Why don't you do the
transhuman mind-meld for a change?''

The djinni shakes his topknot. ``Wrong cognitive model. I'm an
expression of a hivemind, wholly synthetic. You two are uploaded---built
incrementally by modeling a physical structure. Means that we're
impedence mismatched. Can't ever have a meeting of the minds, alas.'' He
doesn't sound very sorry. ``So, look, Huw, let me tell you, whatever
leverage you've got with Bonnie is going to evaporate pretty quick. Soon
as someone leaves the club, the contract is fixed, because now there's
causal links that are external to this sim---Club Capabilities can't
reverse effects that take place outside of here. That's why there's no
comms links in or out---we're causally isolated. So if you're going to
blackmail her into arbing, better do it quick before someone decides to
go outside and check his email.''

Huw opens his mouth: ``Well, fuck. Bonnie---''

``You're not going to make me---'' Bonnie makes her move, begins to
derez, trying to untrust Huw. But the djinni is faster. Bonnie and
everyone in the bar---except the djinni ---freeze in place and fade to
red again.

``Bullet time,'' the djinni tells Huw. ``You have about ten subjective
seconds---two milliseconds as far as everyone else is concerned. Use
them wisely.''

Feeling pressured and desperate and sick to her stomach, Huw tweaks her
emo control into bland-faced robotitude. A comforting blanket of gray
descends, and \emph{of course} it's obvious what she ought to do. It's
for Bonnie's own good, and 639,219's insofar as 639,219 was a fragment
of Huw's own mind. Huw doesn't owe her flawed instance-sister anything
except the honest truth before the planning tribunal, and proof of
Bonnie's malfeasance will provide that. \emph{Besides, I've spent most
of the past however long hating her guts. Isn't this fit of sentimental
sympathy a bit perverse?}

``Arb. Now,'' Huw hears herself say. She watches her finger extend to
touch Bonnie's forehead, growing longer and stretching like a bizarre
insectile appendage, multijointed and not part of her self-image. Bonnie
is frozen, mouth half-open, hair caught in motion around her face.
``You've got her? Connect us.'' The djinni nods.

``Well, \emph{fuck,}'' says Huw, staring at the same rootkit she saw in
639,219's cognitive map. She glances at the djinni . ``If we put this in
front of the planning committee, along with the record from 639,219
\ldots{}''

``Yes, that will provide an evidential chain suggesting that testimony
provided by 639,219 must be discounted.'' The djinni strokes his goatee.
``There is an appeal stage where procedural errors can be raised. And
proof of external tampering with evidence presented at the hearing will
bring everything to a halt, if not result in a mistrial.'' His
expression is reserved, if not shifty.

``Good.'' Huw pauses. ``But if I do that, I'll be unable to unwind to
before Bonnie killed 639,219. Won't I?''

The djinni points. ``The answer is in your hands.''

``Yes. I see.'' Dully, Huw tweaks a helical slider past a detent labeled
EMPATHY BLOCK, into a red zone flagged DANGER: SOCIOPATHIC PERSONALITY
DISORDER. Instantly, she feels better. In fact, she feels \emph{great}.
``Cool! Let's go!''

The djinni smiles. ``I knew you'd see sense eventually.''

\begin{center}\rule{3in}{0.4pt}\end{center}

When they revert to realtime, Bonnie puts up a fight: crying, shaking,
pleading with Huw for understanding, offering to kiss and make up.

Huw finds that she doesn't give a shit for this tiresome emo nonsense.
It's transparently clear that it's not Bonnie talking anyway---it's the
rootkit, using Bonnie's personality as a sock puppet to manipulate her.
Well, that's okay by Huw. Huw doesn't feel anything, but she remembers
how she ought to act, how she \emph{would} have acted, back when she was
in the throes of lust or love or something. It's trivially easy to calm
Bonnie's fears, to apologize for not trusting her---to pretend not to
have seen the rootkit lurking gray and bloated in the wreckage of her
moral maze---to agree it's all a misunderstanding and anyway Huw hated
639,219. And so she holds Bonnie's wrists as the floor carries them
toward the exit and the djinni spins them around and down through
bubbling blue layers of reality, back to the polished floor of the lobby
of the Tripoli Marriott.

``It's all going to be okay.'' Huw soothes Bonnie, who is whimpering and
writhing but evidently in the grip of some kind of BDSM compulsion
field, courtesy of the lurking djinni : ``We're going to go in there and
explain that it was all a mistake and I'll give evidence. All right?''
She can see that Bonnie---or the rootkit---\emph{doesn't} agree that
it's all right, but she sees no reason to let it faze her.

``You don't understand! If I go in there, they'll, it's going to, I
won't be able to---'' She's blubbering now, making a surprisingly
corporeal mess. Huw nods reassuringly.

The djinni, rubbing a handheld slab of black glass against his
cheek---very symbolic, very retro, an antique telephone---is mumbling to
himself. He makes the glass slab vanish. ``I filed a motion for the
committee to hear an appeal,'' he says. The doors to the conference room
swing open. ``After you---''

``\emph{What is} bzzt \emph{going on?}''

Huw looks round. A pepper pot-shaped automaton covered in knobbly
hemispheres, probes jutting aggressively from beneath the black silk cap
adorning its cortical turret, glides across the lobby behind her. The
avatar's unfamiliar, but Huw'd recognize that voice anywhere, and for
once it doesn't fill her with terror. ``Rosa! How charming. We're just
about to explain to the Planning Committee how they've been
subverted---''

``\emph{You!''} shrieks Rosa Giuliani . ``\emph{Exterminate!''} She
twirls to point her stubby manipulators at Huw and unleashes a rather
implausible-looking lightning bolt that, predictably, has no effect
whatsoever.

Huw waits for the light show to subside. ``This is a no-PvP area,'' she
says. ``And we're on the same side. Unless you \emph{want} to encourage
them to demolish the Earth?''

``\emph{What is this? Explain!''} Rosa---or the pint-sized robot tank
containing what's left of her malevolent mindware, post-upload---glides
forward.

``You got a summons too, didn't you?'' Huw asks. ``But when you got
here, you were too late because they'd closed the hearing.'' She nods at
Bonnie: ``Well, here's the evidence that the hearing's been suborned:
This one's harboring an illegal rootkit. I reckon she was hacked by one
of the players in Glory City, and they've been using her to mess with
the evidence---''

Bonnie struggles to get free. ``That's not true!'' she says, ``You're
making this up!''

``Sorry, darling,'' says Huw, and she drags Bonnie into the conference
room. Which appears to be empty, until the instant her foot crosses the
threshold.

There are no spectators this time, and no regular witnesses. But the
triumvirate of ill-assorted court bureaucrats \emph{bamf} in one by one
from whatever distant shard fragment they inhabit when the court isn't
in session. They do not look terribly happy. ``Which one of you is Huw
Jones?'' says the chair, fingering one gold-capped tusk.

``I am, Your Honor,'' Huw says. ``And this is Rosa Giuliani .'' She
gestures at the pepper pot.

``Interesting. You aren't the Huw Jones who testified at the last
hearing, are you?''

Huw swallows. ``I'm afraid not. She's dead. Terminally scrambled by this
one, but not before I determined that she'd been infected by a rootkit
prior to the hearing. I have evidence---'' She gestures at the djinni,
who coughs up a thumb-sized ruby, glinting with inner light, and tosses
it at the chair.

The chair swallows the gem. ``Interesting.'' Judging from her
expression, that's an understatement. ``Who's this?''

Huw pushes Bonnie forward. Invisible bonds prevent her from fleeing.
``This is Bonnie. She killed 639,219---my rootkitted sibling---inside a
capability bar. Like me, she's not thoroughly acclimated to the cloud:
it turns out she's been rootkitted too, and was running 639,219 on
behalf of a botmaster, identity unknown, but probably resident in Glory
City, South Carolina.''

Bonnie falls to her knees. ``What's going on? I'm not a bot! You're
crazy, Huw, what's gotten into you?''

But the chair isn't paying attention to Bonnie right now. ``Judge Rosa
Giuliani. You failed to attend the previous scheduled hearing. May I ask
why?''

``\emph{Extermin---''} Rosa stops, pirouettes in place, and quietens.
``Grr. \emph{Bzz.} I was not notified of the hearing in time to attend.
My clerk received the summons but unaccountably \emph{misfiled} it for
three days until \emph{exterminate} damn this cheap off-the-shelf
avatar! I came as soon as I could, after the summons came to light.''

``Do you know why your clerk misfiled the court's papers?'' asks the
second orc, deceptively calmly.

``That is a \emph{very} good question,''

Giuliani says. ``I believe certain parties in Glory City---while we were
there attending to unpleasant but unavoidable businesses---suborned him.
There are rumors about the depraved and perverted practices of the
pulchritudinous protestant puritan plutocratic penis-people priesthood,
of shadowy bacchanalian polyamorous practices. \ldots{} I suspect, to be
blunt, someone was blackmailing him.''

``You \emph{suspect}? You did not investigate---?''

``Hell, no!'' says Giuliani, ``I \emph{exterminate! All enemies of
the---}''

The chair clears her throat. ``This is rather disturbing,'' she says.
``Especially in view of the representations recently received.''

For a moment the officers of the Planning Committee freeze and turn
blurry and blue, segueing into quicktime to confer at leisure.

Huw clears her throat, momentarily wishing there were an alien
ambassador nestling in it to help get their attention. ``What
representations?'' she asks, out of order but chancing her luck anyway.

Bonnie sobs quietly.

``The galactic federation,'' says the chair, seguing back into real time
and looking at her with the expression a kindly teacher might reserve
for a slow learner. ``\emph{Do} try to keep up. You didn't think we
reconvened this hearing just in your behalf, did you? It's the aliens.
They sent us an email. All very traditional. Planning hearing will now
recess while we discuss this other shit.''

Huw feels stupid. ``What galactic federation? That's ridiculous! Some
stupid griefer is playing games with you, a breakaway densethinker clade
that's bouncing its messages off Alpha Centauri to make them seem like
they're coming from the next galaxy. No?''

The chair holds up a green-skinned and gnarly finger and wags it at Huw.
``No. We're completely sure. For one thing, they took Io.''

``Took what?''

``The moon. Io. Atomized it. It's now dust. And for another, they've
rooted the three largest simspaces and claimed them as ambassadorial
missions.''

``It could still be a griefer---?''

``They sent us an email. Instructions for setting up a protocol
converter. When you speak to it---which you will, Ms.~Jones, you
will---then you will \emph{know}. This isn't anything descended from
meatpeople that we were or uplifted. It's Other, capital \emph{O,} and
when you meet it, you won't have any doubt.''

Huw has a sinking feeling in the pit of her stomach. ``This isn't really
about the planning application for dismantling the Earth, is it? It's
all about me again!''

``Could be.'' The chair's expression is bland, behind her tusks. Huw
glances round. The djinni is stationed before the closed doors, his
expression frozen. Judge Rosa's pocket tank is parked beside him,
weaponlike appendages pointing at \ldots{} well. Bonnie is a crying lump
on the floor, no help \emph{there} even if she were rootkit-free.
``Ms.~Jones. Please reset your emotional balance to normal, there's a
good being? What we are about to discuss is not suitable for
psychopaths.''

``Feh.'' Huw brings up her emo box and tosses it up in the air. As it
comes down again, a nameless sleet of strange emotional states shakes
her to her core. She looks at Bonnie, feels a stab of remorse, grief,
revulsion, and pity. ``\emph{Why?''} she asks.

``It calls itself the Authority. It claims it represents a
hive-intelligence merged from about 2\textsuperscript{16}

intelligent species from the oldest part of the galaxy. It claims that
there were once about four orders of magnitude more such species, but
the rest were wiped out in vicious, galactic resource wars that only
ended with the merger of the remaining combatants into a single entity.
Now it patrols the galaxy to ensure that any species that attempt
transcendence are fit to join it. If it finds a species wanting,
\emph{pfft!} It takes care of them before they get to be a problem.''

``You're saying that this thing can move faster than the speed of light,
and that it's descended from species that had the same ability?''

``We don't know much about its capabilities, but yes, those sound about
right.''

``No, on the contrary: That sounds completely crazy. You've been had.
Why would a civilization that could beat lightspeed bother to fight
wars? What, precisely, could they fight over? If your neighbor wants
your rocks, go somewhere else with more of the same rocks. Unclaimed
rocks and sunlight aren't scarce; otherwise, the neighbors would have
dismantled us for computronium back in the Triassic. So the resource
wars they're talking about are a big hairy fib. And that's leaving out
all the causality stuff, which is a bit of a reach. Put it all together,
and it stinks of bullshit.''

``We don't think so.'' The chair of the Planning Committee is intently
focused on Huw, and it's making her skin crawl. ``They are many millions
of years older than we are. They command an understanding of physics
that makes us look like naked, rock-worshipping neolithics. We do not
know what led to their wars---aesthetic jihad? A philosophical crusade?
A bad hand of poker? Whatever it is, they say that there's a pretty good
chance we'll grow up to want to do it too, and if that turns out to be
the case, they plan on doing something about it, preemptively.

``Which is where you come in. When the Authority manifested here, it
demanded that we send it an ambassador to parlay. Well, we just happened
to have one lying around.''

``You didn't.'' Huw's eyes widen.

``We did.'' Does the chair for a moment sound just slightly \emph{smug}?
``And we need you to interface with it.''

Huw bolts. A moment later she's on the floor, nose-to-nose with Bonnie.
Oddly, her feet don't seem to want to work properly. ``I told you she'd
do that,'' says the djinni.

\emph{Fuck, another traitor,} Huw realizes despairingly. \emph{Does}
anyone \emph{in here not have a covert agenda?}

The chair looms over Huw. ``Ms.~Jones, this unseemly and improper
display notwithstanding, this court needs representation before the
Authority. And so, we are hereby deputizing you to speak on all our
behalfs. Do the job right and when you get back here we will listen to
your testimony before the Planning Committee with a sympathetic ear.
Fuck up, and there won't be a Planning Committee to testify \emph{to}.
Or an Earth, in whose behalf to speak, for that matter.''

The chair-orc rummages in her scale-mail and produces a familiar,
dreadful cylinder. A whistle. ``This won't hurt a bit,'' she says.
``Now, say `aaah.'\,''

Finally, an order Huw is glad to follow. The lack of an actual throat
and actual lungs lets her scream much longer and louder than her
meatself ever managed. The resulting esophageal tunnel makes a neat
target for the chair, who tosses the whistle like a javelin; it lodges
firmly in Huw's windpipe and tunnels home with a fluting squeal of
welcome.

\begin{center}\rule{3in}{0.4pt}\end{center}

Huw tiptoes out of the Marriott's lobby in glazed disbelief, hands
crossed over her chest protectively. The fact that it's not her body
being violated, but a mere representation of it, is of no comfort.
Indeed, since the ambassador currently lodged in her not-windpipe is a
lump of dense code created by the collective consciousness that evolved
her digital representation, there's no telling how entwined with her
self it might be.

The djinni isn't waiting for her. Even Bonnie is gone. Indeed, it takes
a moment for Huw to realize that there's \emph{nothing} physical in this
simspace. She is floating in a featureless void, except that
\emph{floating} isn't the right verb to use, because she doesn't have
the sensation of floating, nor the sensation of not-floating. She is
even more disembodied than usual.

``Well, look what the cat drug in, Sam,'' says a familiar voice, which
comes, of course, from everywhere and nowhere. ``Amazing the sort of
degenerate secondhander parasite you get, even here. I reckon we'll have
to take care of that, soon enough.''

The next voice she hears is likewise familiar---gravel in a
cement-mixer, tinged with a kind of smug, celestial calm. ``I reckon
she's a-here on a technicality,'' Sam says. ``Mean to say, from what I
hear, she didn't come under her own power.''

Huw attempts to propel herself into another sim, or out of this sim, but
whatever trick is necessary for virtual locomotion in the absence of a
virtual physicality, she doesn't know it. Yet another thing she probably
should have paid attention to back on the trainer. But it appears she
\emph{can} speak---or squeak. After a moment of high-pitched tweets, she
and the ambassador recover their old, uneasy accommodation. ``What are
you guys doing here? I thought you were back on Earth, waiting for
Zombie Jesus to return with Magic Sky Daddy and His heavenly host to
sweep up the faithful.''

``Not that it's any of your business, heathen,'' Doc says, ``but the
Lord has spoken and His Prophet has clarified a few things about the
uplifting and all.''

``Turns out we gotta prepare the way for holy war in cyberspace,'' Sam
says.

Huw boggles. ``\emph{Cyberspace?} Who even says `cyberspace' anymore?''

``The Prophet, that's who,'' Doc says. ``He knows how to talk like a
real person, knows that the old language is best: if King James's
English was good enough for Jesus, it's good enough for him, he says.
None of this `cloud' and `sim' business. He's a plainspoken, people's
prophet. We're Soldiers of the Lord, here to bring about the Kingdom of
Heaven. And step one of that was to summon our army---all those who
ain't yet heard the Prophet's word and don't know what's good for 'em.
We had it all fixed, you know. Demolish the Earth, upload everyone
dirtside in one go, and \emph{whompf,} we'd of had an instant organized
militia at our disposal, ready to start work on the final program. Then
you made a hash of it all, with your foolish meddling, undid all the
Prophet's good work and all the work of His advance guard.''

``Us,'' Sam says.

``Us,'' the doc says. ``And you don't even belong here! You're part of
the heathen masses, scheduled to be swept up and quarantined in the
Pre-Rapture for brainwashing and indoctrination. You try me, missy, you
really do.''

``Guys,'' Huw says, using her most reasonable voice, ``this is all
really fascinating, but I've been summoned to some sort of galactic
tribunal to debate whether some vast, starry power will end the human
race and its uplifted descendants, so perhaps we could do this later?''

``We've heard tell of this,'' Doc says, ``and we're of two minds about
it.''

``Yeah,'' Sam says, ``I think it's just an unfortunate coincidence, mean
to say, just one of those things.''

``And I think it's the end times,'' Doc says. ``A snare of Satan. Which
puts us behind schedule on our whole program of assembling our Army of
Glory, but on the plus side, it's all going to be moot soon.''

``What if the galactic tribunal decides we're fit to join up with
them?'' Huw says. ``They might be a really lovely bunch of chaps, with
all sorts of excellent advice and technology for their new chums.''

Doc chuckles. ``You've got some high opinion of those alien scum, I
figure. Way I see it, there's only one way Judgment Day can play out,
even assuming these galactic bastards are the fairest-minded bunch of
sweetie-pie fairies that ever danced over the celestial firmament: and
that's annihilation. Between your garden-variety sinners and the hordes
of thumbless, brainless leeches that suck the vitality and vigor out of
everything that their betters attempt, there's no sense in pretending
otherwise. Do you seriously believe that you and your tin whistle are
going to convince these interstellar \emph{Übermenschen} that they
should let us go on polluting reality with our existence?''

Huw's losing patience. ``Isn't the whole point of your faith that
humanity is redeemable?''

Doc and Sam laugh together. ``Missy,'' Doc says, ``I wouldn't give you
two wet farts for `humanity.' A few select individuals, who understand
the importance of humility before their betters, obedience to authority,
piety and faith, sure, but those sorts're pretty thin on the ground,
even now that the least redeemable portion of the species have upped
stakes for cyberspace.''

``I'm getting pretty tired of this business,'' Huw says. ``You \emph{do}
realize that I'm now the embodied avatar of the entire uplifted human
race, thanks to the `tin whistle,' right? It's one thing to criminally
endanger the planet Earth, but do you think that the WorldGovvers are
going to sit still for an abduction? Whatever benighted bootleg sim
you've kidnapped me to, they're going to be able to trace me by using
the ambassador. I don't expect they're going to be amused when they find
you, either.''

``You just tend to your own knitting, little girl,'' Doc says,
demonstrating an unerring instinct for choosing the most irritating form
of address. ``We've got plenty of time to chat before anyone notices.
\ldots{} Me and my coreligionists, we're a lot deeper and wider than you
give us credit for. We've got ourselves a damned hot and fast platform
to run on, and a plan you wouldn't believe. Your little council out
there, whatever they want to call themselves, they're running at about a
bazillionth of the speed we're at right now. We could jaw on here for
hours of subjective time and still be done before they'd got through
picking their noses.''

Huw doesn't know whether to believe this or not, but she decides it's at
least plausible. The religion virus had been infecting the human race
for millennia, and of course, anyone who'd plump for voluntary digital
transcendence was already halfway bought into the whole spiritual
pyramid scheme. Whoever this Prophet was, his mix of Objectivist
pandering and Christian mystical eschatology could very well deliver a
large fifth column of self-absorbed dingbats prepared to destroy the
human race to save it (or at least the bit of it that they were dead
certain they belonged to).

``I'll stipulate that this is true,'' Huw says. ``So why the hell don't
you kill me or infect me or whatever it is you're planning on doing? I'm
a busy woman.''

``We'd have infected you some time ago if we thought that'd work,'' Doc
says after a pause.

``Doc reckons they're going to be integrity-testing you pretty closely
now they've found out about Bonnie,'' Sam says.

``Which leaves us with only one course of action: We're going to
\emph{convince} you to help us,'' says Doc.

The funny thing is, Huw's certain they're not joking. ``You're
kidding,'' she says automatically, covering her confusion.

``No, we're not,'' says Doc. ``Listen, what do you think we were put
down there on Earth for? You think He did it just for yucks or a sick
joke or something? No: we're on a holy mission to bring about the
Kingdom of God. Resurrection of the dead, redemption for all,
immortality, the whole lot. Way the Prophet explains it, Saint John the
Divine was a \emph{warning,} a \emph{threat} of what will happen if we
don't get our shit together. If we leave the Earth to God to fix up
because we trash it, he'll be pissed at us. But if we do his will and
bring about the Kingdom of God, well, Armageddon'll be averted, and
that's just for starters. Heaven on Earth!''

``You said resurrection.'' Huw has a funny feeling she's heard this
stuff before. ``And immortality. Isn't that sort of what the whole
Second Coming thing was supposed to be for?''

``Cometh the hour, cometh the man,'' says Sam.

``Yup,'' Doc says. ``God loves those who help themselves---that's basic,
isn't it? A is A, right? Let's get our axioms in order. God \emph{loves}
those who help themselves, and God wants us to prosper. As long as we're
living a godly life and doing God's will, of course. So anyway, what
\emph{is} God's will? Well, God's got plans for us which include
prospering and being good custodians of the world and, uh, well, we
haven't done so good at that. But God's other plans include resurrecting
the dead. And the elect living in paradise on Earth for a very long
time, with all the formerly dead sinners as their personal servants.
Death is obviously the enemy of humanity and God, so the Prophet says
we're first going to make ourselves immortal, then we're going to
resurrect everyone who has ever lived, and simulate every human who ever
\emph{might} have lived so that we can incarnate them too. And we're to
colonize space---''

Huw is zoning out at this point. Because she has a very funny feeling
that she's heard it all before. This is the religious wellspring of the
whole extropian transhumanist shtick, after all: the name's on the tip
of her tongue---

``Federov,'' she says.

``Whut?'' Sam sounds suspicious.

``An early Russian cosmist, sort of a fossil transhumanist mystic. My
dad was a big fan of Federov,'' she adds.

``Was he a Commie?'' Doc asks. ``What's he got to do with the Kingdom of
God?''

``Tell me.'' Huw has a feeling that if she can fake it well enough, Sam
and Doc might just let her go: ``Your Prophet. He says \ldots{} hmm. Is
there stuff about learning to photosynthesize and fly to other worlds
and live free in space?''

``Yes! Yes!'' Sam is excited.

``And stuff about bringing life to the galaxy?'' she says.

``Might be.'' Doc is less forthcoming. ``This stuff you got from that
Feeder-of guy?''

``A is A,'' Huw dog-whistles a call-out to another Russian philosopher
Dad was excessively fond of quoting. It's so much easier to deal with
Doc and Sam when she's not suffering from concussion, god-module
hackery, or a hangover. ``Anyway, Federov died a long time ago. Did you
know he taught Tsiolkovsky?'' This stuff is all coming back, stuff Dad
was big on: the drawback of being in the cloud is that mortal bit rot no
longer applies. ``Tsiolkovsky---the guy who invented the rocket equation
and space colonization? Ayn Rand was a fan of both of them.''

``Now, hold on, girlie, no need to be taking the name of Saint Ayn in
vain!'' Doc sounds ticked off, and for a moment Huw thinks she's gone
too far. ``But I take your point. If he'd not been one of those godless
Orthodox types, he'd probably be a saint too. Serves him right. But
there'll be time to convert him after he's resurrected.''

``Gotcha,'' says Sam. ``But listen, babe, before we can resurrect
everyone, we've got to take over the cloud, dismantle the Earth, turn
the \emph{entire} solar system into the biggest damn computing cloud you
can imagine, and simulate all possible paths of human history. Then
bring everybody to the Prophet's way. Once we've done that, \emph{then}
we can go git ourselves some more planets and reincarnate everybody and
bring about heaven on as many earths as necessary. But do ya think the
galactic satanists will let us do that, huh? Do you?''

``I don't know,'' Huw says, ``but we're all on the same side, aren't we?
We're all human, all in favor of resurrecting everyone in the flesh,
right?''

``Right,'' Doc says.

``Even though you think I'm a godless pervert, right?''

``Ye-es,'' Sam says.

``But we share a bunch of core beliefs, don't we? We can agree to
disagree for a little while about some minor stuff while I go and try to
convince the galactic federation that they really don't need to
\textbf{\emph{exterminate us like bugs}}, right? Because that would put
a cramp on the Prophet's scheme, wouldn't it?''

``Don't be entirely sure about that, missy,'' Doc says. ``If it's God's
will to ring the curtain down on us, then I guess it'll just be time for
Jesus to come sort us all out.''

``But you don't want that---'' Enlightenment strikes Huw like a
lightning bolt. ``---because all the secondhanders would get their
reward for believing, even if they never lifted a finger or worked an
honest day in their life! Your years of hard work and struggle would go
unnoticed and unrewarded if God has to roll his sleeves up and send his
son to sort out the mess. So it's best if we build the Kingdom of Heaven
\emph{ourselves,} right? Then we can enjoy the just rewards of creative
genius.''

``Speaking for myself, that's \emph{exactly} what I'm cogitating,'' Doc
says. ``Y'know, you weren't the sharpest knife in the drawer as a boy,
but I'll swear you're reading my mind. What---?''

``There's this slider control.'' Huw desperately searches for a
plausible lie: ``I'm thinking faster here, is all? So we can reach an
uh, agreement?''

``I \emph{like} the way you think,'' says Doc: ``After we build the
Kingdom, you can be my handmaid!''

And Huw is abruptly ejected from whatever pocket nulliverse the
Prophet's fifth column have installed in the lobby of the virtual
Tripoli Mariott, to a destination even more profoundly alienating than
the cloud itself.

\begin{center}\rule{3in}{0.4pt}\end{center}

``Welcome to the embassy, Witness Jones,'' says the gorilla.

He's a very polite gorilla, thoroughly diplomatic: nattily turned out in
a tuxedo and white spats (the effect overall only slightly spoiled by
his failure to wear shoes). Huw would indeed be entirely charmed by him
if not for a lingering bigoted prejudice against furries that she
acquired at an early age. The gorilla looks naggingly familiar, and Huw
has a forehead-slapping moment when she recognizes the beloved
commercial mascot of a long-extinct brand of breakfast cereal---offered
as a free, high-resolution avatar in many early game systems as part of
a canny, much-copied marketing strategy. The Galactic Authority's
infinite power is apparently so vast that it needn't bother itself about
looking like an utterly naff simspace newbie who still thinks digital
hair is cool.

``I'm very pleased to be here.'' \emph{But not for the reason you
expect}. ``Have you seen my djinni ?''

``Your---?'' The gorilla's expression sours. ``He's yours, is he? Yes,
I've certainly seen him. I believe he's camping in the rose garden
around the back.'' The gorilla gestures vaguely around the side of the
building they're standing in front of.

As befits an embassy to a galactic civilization, the cloud-dwellers have
thrown together something rather posh. Unfortunately, they didn't bother
to vet the components for architectural coherency, which is why, within
the gigantic outer ramparts of the Tokugawa-era Edo Castle (big enough
to surround a medium-scale city, steep enough to repel tanks), they've
installed Buckingham Palace as a reception suite; the Executive Office
Building from Washington, D.C., as an administrative center; and an
assortment of other tasteless excrescences---the Centre Pompidou to
house an Arts and Culture Expo, the Burj Khalifa for hotel
accommodation, and the Great Pyramid of Giza for no obvious reason at
all.

To Huw's not-terribly-trained nose, it all reeks of desperate
insecurity. Even if they had been physically built, rather than merely
rendered, these monumental buildings wouldn't be remotely impressive
compared to the cloud itself: but they were all designed to testify to
the power and grandeur of their pre-singularity creators, in a manner
that is deeply reassuring to a future-shocked primate trying to face up
to overwhelming neighbors. And the neighbors \emph{are} overwhelming.
The embassy is embedded within the fragment of the pan-galactic
inter-cloud hosted by the repurposed remains of Io, and the aliens
aren't going to let anyone forget it: beyond the embassy compound lies a
remarkably realistic-looking re-creation of the moon's icy, sulfurous
surface. Above it hangs the marmalade-and-cottage-cheese-streaked
gibbous ball of Jupiter. Illumination, such as it is, comes from the
distant reddish disk of the cloud, occulting and scattering much of the
sunlight trapped within its Dyson sphere layers. And spanning fully 180
degrees of the sky beyond Jupiter and cloud lies \ldots{}

The Milky Way. But not as Huw knows it.

\emph{Her} Milky Way is a timid smear of dimness, wheeling in the sky
high above the nighttime hills of Wales. \emph{This} Milky Way is a map
of communications density, a dream of thought slashed livid across a
billion inhabited star systems, pulsing with intellect, bubbling with
fallow voids between the various conjoined empires. It reminds Huw of
maps and visualizations Dad printed out in her---his---childhood,
showing the early days of the Internet, mere trickling exabytes and
petabytes of data zinging through the wires between population centers.
But the points of light in this dazzling mist of data aren't web
browsers, they're entire uploaded civilizations. If it's meant to
impress, it's succeeding. If it's meant to intimidate, it's doing that
too.

``Thanks, I'll find him later. Uh, where am I staying? And what do I
need to know for the process I'm supposed to be part of?''

``I can see you have a lot of questions, there. You're staying in a
suite on the two hundred eighty-sixth floor of the tower, there---'' The
gorilla points at the Burj Khalifa. ``---and as for the rest, you are
scheduled for an orientation meeting later. Perhaps you'd like to move
in, freshen up, and collect your djinni ? The Cultural Secretary will
talk you through the diplomatic process later, but for the time being,
she's rather busy seeing to the other witnesses.''

``Other--- Rosa Giuliani, by any chance?'' She asks, ``Is there a person
here called Bonnie? Or a---?''

``I'm sure you'll have time to catch up with your friends later.'' The
gorilla nudges. ``But right now, Secretary Chakrabarti has asked me to
see that you're comfortably settled in and all your needs attended to
first. To minimize culture shock, you understand.''

Huw certainly understands, all right. The embassy is not just a very
high fidelity sim, mimicking Earth-bound reality right down to the
limits of direct sensory perception (despite the jumble of items from
the architectural heritage dime store and the mad skyscape overhead);
it's also a capabilities-enforced PvP environment, the enlightened
modern substitute for diplomatic immunity. And so she allows the gorilla
to lead her to a teleport booth, and then to the gigantic
jungle-infested lobby of the largest skyscraper in the Middle East, and
up a roaring maglev express elevator (her ears pop, painfully and
hyperrealistically, on the way) to a penthouse suite about the size of
her entire street back home.

``I hope you enjoy the facilities here,'' says the gorilla with a wink.
``Nothing but the best for our expert witnesses---we have hot and cold
running \emph{everything}.''

It's a far cry from jury duty accommodation in a crappy backpacker's
hostel in dusty Tripoli. Huw dials her time right up (sinfully
extravagant: it's the same kind of costly acceleration that got her into
trouble when 639,219 called her on it) and orders the whirlpool-equipped
hot tub with champagne to appear in the bathroom. Then she climbs in to
marinate for subjective hours (a handful of seconds in everyone else's
reference frame) and to unkink for the first time in ages. After all,
it's not as if she's consuming real resources here. And she needs to
relax, recenter her emotions the natural way, and do some serious
plotting.

Of course, the sim is far too realistic. A virtual champagne bath should
somehow manage to keep the champagne drinking-temp cold while still
feeling warm to the touch. And it shouldn't be sticky and hot and flat;
it should feel like champagne does when it hits your tongue---icy and
bubbly and fizzy. And when Huw's nonbladder feels uncomfortably full and
relaxed in the hot liquid and she lets a surreptitious stream loose, it
should be magicked away, not instantly blended in with the vintage Veuve
to make an instant tubworth of piss-mimosa.

This is what comes of having too much compute-time at one's disposal,
Huw seethes. In constraint, there is discipline, the need to choose how
much reality you're going to import and model. Sitting on an Io's worth
of computronium has freed the Galactic Authority---and isn't \emph{that}
an unimaginative corker of a name?---from having to choose. And with her
own self simulated as hot and wide as she can be bothered with, she can
feel every unpleasant sensation, each individual sticky bubble, each
droplet clinging to her body as she hops out of the tub and into the
six-jet steam-shower for a top-to-bottom rinse, and then grabs a
towel---every fiber slightly stiff and plasticky, as if fresh out of the
wrapper and never properly laundered to relax the fibers---and dries
off. She discovers that she is hyperaware, hyperalert, feeling every
grain of not-dust in the not-air individually as it collides with her
not-skin.

Oh, oh, oh, \emph{enough,} she wants to shout. \emph{What is the} point
\emph{of all this rubbish?}

This is the thing that Huw has never wanted to admit: Her primary beef
against the singularity has never been existential---it's
\emph{aesthetic}. The power to be a being of pure thought, the
unlimited, unconstrained world of imagination, and we build a world of
animated gifs, stupid sight gags, lame van-art avatars, brain-dead
``playful'' environments, and brain-dead flame wars augmented by
animated emoticons that allowed participants to express their hackneyed
ad hominems, concern-trollery, and Godwin's law violations through the
media of cartoon animals and oversized animated genitals.

Whether or not sim-Huw is \emph{really} Huw, whether or not uploading is
a kind of death, whether or not posthumanity is immortal or just kidding
itself, the single, inviolable fact remains: Human simspace is no more
tasteful than the architectural train wreck that the Galactic Authority
has erected. The people who live in it have all the aesthetic sense of a
senile jackdaw. Huw is prepared to accept---for the sake of argument,
mind---that uploading leaves your soul intact, but she is never going
give one nanometer on the question of whether uploading leaves your
\emph{taste} intact. If the Turing test measured an AI's capacity to
conduct itself with a sense of real style, all of simspace would be
revealed for a machine-sham. Give humanity a truly unlimited field, and
it would fill it with Happy Meal toys and holographic, sport-star,
collectible trading card game art.

There's a whole gang of dirtside refuseniks who make this their primary
objection to transcendence. They're severe Bauhaus cosplayers, so
immaculately and plainly turned out that they look more like
illustrations than humans. Huw's never felt any affinity for them---too
cringeworthy, too like a Southern belle who comes down with the vapors
at the sight of a fish knife laid where the dessert fork is meant to go.
It always felt unserious to object to a major debate over human
evolution with an argument about style.

But Huw appreciates their point, and has spent his and then her entire
life complaining instead about the ineffable and undefinable
\emph{humanness} that is lost when someone departs for the cloud. She's
turned her back on her parents, refused to take their calls from beyond
the grave, she's shut herself up in her pottery with only the barest
vestige of a social life, remade herself as someone who is both a
defender of humanity \emph{and} a misanthrope. All the while, she's
insisted---mostly to herself, because, as she now sees with glittering
clarity, no one else gave a shit---that the source of her concerns all
along has been metaphysical.

The reality that stares her in the face now, as she reclines on the
impeccably rendered 20-million-count non-Egyptian noncotton nonsheets,
is that it's always been a perfectly normal, absolutely subjective,
totally meaningless dispute over color schemes.

\emph{Now} she's got existential angst.

\begin{center}\rule{3in}{0.4pt}\end{center}

The Burj Khalifa's in-room TV gets an infinity of channels, evidently
cross-wired from the cable feed for Hilbert's hotel. It uses some
evolutionary computing system to generate new programs on the fly, every
time you press the channel-up button. This isn't nearly as banal as Huw
imagined it might be when she read about it on the triangular-folded
cardboard standup that materialized in her hand as she reached for the
remote. That's because---as the card explained---the Burj has enough
computation to model captive versions of Huw at extremely high speed,
and to tailor the programming by sharpening its teeth against these
instances-in-a-bottle so that every press of the button brings up
eye-catching, attention-snaring material: soft-core pornography that
involves pottery, mostly.

Huw would like nothing better than to relax with the goggle-box and let
her mind be lovingly swaddled in intellectual flannel, but her mind
isn't having any of it. The more broadly parallel she runs, the more
meta-cognition she finds herself indulging in, so that even as she lies
abed, propped up by a hill of pillows the size of a Celtic burial mound,
her thoughts are doing something like this:

\begin{itemize}
\item
  Oh, that's interesting, never thought of doing that sort of thing with
  glaze.
\item
  Too interesting, if you ask me, it's not natural, that kind of
  interesting, they've got to be simulating gigaHuws to come up with
  that sort of realtime optimization.
\item
  There'll be hordes of Huw-instances being subjected to
  much-less-interesting versions of this program and winking out of
  existence as soon as they get bored.
\item
  Hell, \emph{I} could be one of those instances, my life dangling on a
  frayed thread of attention.
\item
  Every time I press the channel-up button, I execute
  thousands---millions? billions?---of copies of myself.
\item
  Why don't I \emph{care} more about them? It's insane and profligate
  cruelty but here's me blithely pressing channel-up.
\item
  Whoa, that's interesting---she looks awfully like Bonnie, but with a
  bum that's a little bit more like that girl I fancied in college.
\item
  I could \emph{die} at any instant, just by losing attention and
  pressing channel up.• That's wild, never noticed how those
  muscles---quadrati lumborum?---spring out when someone's at the wheel,
  that bloke's got QLs for \emph{days}.
\item
  If I were \emph{really} ethically opposed to this sort of thing, I'd
  be vomming in my mouth with rage at the thought of all those virtual
  people springing into existence and being snuffed out.
\item
  But I'm \emph{not}, am I? Hypocrite, liar, poseur, mincing aesthete,
  that's me, yeah?
\item
  So long as it's \emph{interesting} and \emph{stylish,} I'll forgive
  anything.
\item
  I've got as much existential introspection as a Mario sprite.
\end{itemize}
\emph{Enough, already,} she tells herself, and cools herself down to a
single thread, then slows that down, hunting for the sweet spot at the
junction of stupidity and calm. Then finding it, she settles down and
watches TV for a hundred subjective years, slaughtering invisible hordes
of herself without a moment's thought.

Satori.

\begin{center}\rule{3in}{0.4pt}\end{center}

An indeterminate time later, the hotel room door opens.

``Shit,'' says a familiar voice.

``Didn't I tell you she has a tendency toward self-abuse? Why, when he
was six, he managed to lock himself in the living room when David had
left the key in the drinks cupboard, and by the time we realized he was
missing he'd---''

A familiar embarrassment flushes through her veins, dragging her back
toward the distant land mass that is consensus reality: ``Shut up, Mum!
Why are you always bringing that up?''

``He never ate his greens, either,'' his mother says. ``Think you can
get through to her?''

``I'll try,'' says the other voice. Male, a little deeper than last time
he'd heard her, \emph{her}---Huw drags her gaze back from the glass teat
and looks round.

``You!'' she says. It's Bonnie, back as a boy again, same blue forelock
and skinny amphetamine build as before. ``You rooted my sib! Prepare
to---''

``Uh?'' Bonnie looks surprised. Huw's mum---dressed up in hyperreal drag
as her very own pre-upload middle-aged self---raises a hand.

``Huw, it's all right. Bonnie here is thoroughly dewormed. You don't
have to take my word for it; the galactic feds have vermifuges you
wouldn't believe.''

``Guh.'' Huw struggles to sit up, mind still fuzzed from endless reruns
of a \emph{This Is Your Life} celebrity show starring one Huw Jones as
seen from outside by an adoring throng of pot-worshippers. The narcotic
effect of the television binge is fading rapidly, though. ``Whassup?''

``Then there was the time he discovered David's porn stash,'' Huw's mum
confides in Bonnie, ``when he was nine. David's always had a bit of a
clankie thing going, and for \emph{ages} afterwards, Huw couldn't look
at a dalek without getting a---''

``Mum!'' Huw throws a pillow. His mother deflects it effortlessly,
exhibiting basketball-star reflexes that she'd never possessed in her
lumpen nerd first life.

``Gotcha,'' she says. ``Turn the TV off, there's a good girl, and pay
attention. We have important things to discuss.'' A note of steel enters
her voice: ``Compliance is---''

``Mandatory, I get it.'' Huw zaps the screen, not merely muting it but
also setting it into standby so that it's not there in the corner as a
distraction. ``You want to talk.'' She crosses her arms. ``Talk,
dammit.'' She avoids looking at Bonnie. Some experiences are still too
raw.

``Huw. My child.''

\emph{Uh-oh,} Huw thinks. \emph{Here comes bad news.}

``Yes, Mother dearest?'' Huw says.

``We need to get you up to speed. In a very short subjective time, you
are going to stand alone and naked before the galactic confederation,
and you will speak on behalf of the human race, and if you are
compelling in your defense of our species, we will join the
confederation, with all the privileges accruing thereto. Or at least get
a stay of execution.''

Huw pulled a face. ``Yes, and if I cock it up, they annihilate us in an
eyeblink. I'm way ahead of you, Mum. The only part I don't understand is
\emph{why}?''

Huw's mum inclined her head in Bonnie's direction. He nodded smartly and
declaimed, ``Because they have divided the universe neatly into two
kinds of civilizations: allies and potential threats. Anything that
looks like the latter, well, \emph{zap}. They're playing a very, very
long game, one that stretches so far out that they're calculating the
number of CPU cycles left before the Stelliferous Era ends, and deciding
who gets what. You need to convince them that we, as a species, can be
brought into their little social contract and behave ourselves and not
run too many instances of ourselves and such.''

Huw reflects on her recent history. ``I'm probably not the person best
suited to this, you know.''

Bonnie and Huw's mum nod their heads as one. ``Oh, we know,'' Bonnie
says. ``But they've asked for you. The ambassador, you know. Plus, well
\ldots{}''

Huw's mum gestures with one wrinkly hand, which bears a high-resolution
mole with high-resolution hairs growing from it. There's altogether too
much reality in this sim, which is funny, because until pretty recently,
Huw has been dedicated to the preservation of as much reality as is
possible.

``Not now, Bonnie. Huw will get a chance soon enough.''

Now, \emph{here's} a familiar situation: conspirators who are privy to
secrets that Huw is too delicate or strategically important or stupid to
share. Huw knows how this one goes, and she isn't prepared to sit
through another round of this game.

``Mum,'' Huw says very quietly. ``That's enough. I am through being a
pawn. I'm the official delegate. If you've got something I should know,
I require that you impart it.'' \emph{Require}---there was a nice verb.
Huw is proud of it. ``Or you can leave and Bonnie will tell me. This is
not optional. Compliance is mandatory, as you keep saying.''

Her mum goes nearly cross-eyed with bad temper, but bottles it up just
short of an explosion. After all, she's been an ascended master for
years, albeit in a sim where transcendence involves a heavenly realm
with all the style and subtlety of a third-rate casino. Still, she's
learned a thing or two.

``It's your father,'' she says.

``What about him?'' He'd been conspicuously absent from the noosphere,
and Huw had noticed. But she'd assumed that the old man had diffused his
consciousness or merged with one of the cluster organisms or something
else equally maddening and self-indulgent.

``Well, he seti'ed himself.''

``He what now?''

``It's not something one discusses, normally. Very distasteful. He
concluded that the noosphere was too pedestrian for his tastes, so he
transmitted several billion copies of himself by phased array antennas
to distant points in the local group galaxies, and erased all local
copies.''

Huw parses this out for a moment. ``Dad defected to an alien
civilization?''

``At least one. Possibly several.''

``You two have been dead to me ever since I left. Why should it matter
what imaginary playworld he's been inhabiting? Even if it's in some
other solar system?''

``Galaxy,'' his mum says. ``Don't get me started on the causality
problems. But apparently, he arrives \emph{there} millions of years in
the future and then they come \emph{here-now} to follow up on it.''

``You've lost me,'' Huw says, and makes to turn herself up.

Bonnie meekly raises a hand. ``Huw, I know it's difficult. Can I
explain?''

``Yeah, whatever,'' Huw says. Then he remembers his moral high ground.
``Proceed.''

``Your father traveled a very great distance to join with the galactic
federation. They instantiated him, got to know him, and decided that his
species represented a potential threat.''

``On the basis of a sample size of one,'' Huw's mother says. ``Knowing
David, I can't honestly say they were wrong. If we were all like him
\ldots{}''

``Also, they concluded that, notwithstanding the dubiousness of his
species, they rather liked and trusted him,'' Bonnie says.

``He always \emph{was} a lovable rogue,'' says Mum.

``He's the federation's negotiator, isn't he?'' Huw says with a sinking
sense of dread tickling at her stomach lining.

``What can I say? He's a flake,'' Huw's mother says with a faintly
apologetic tone, as if she's passing judgment on her younger self's
juvenile indiscretions. ``But a \emph{charismatic} flake. Charming too,
if you were as young and silly as I was in those days.''

She means between her first and second Ph.D.s, if Huw remembers her
family history correctly. Mum and Dad had both been appallingly bright,
gifted with a pedantic laser-sharp focus that only another
borderline-aspie nerd could love. All things considered, it was a minor
miracle that their sole offspring could walk and chew gum without
counting the cracks in the pavement and the number of mastications. But
general intelligence isn't a strongly inherited trait, and humans breed
back toward the mean: and so Huw's childhood had been blighted by the
presence of not one but two mad geniuses in the household,
intermittently angsting over how they could possibly have given birth to
a mind so mundane that their attempts to instill an understanding of the
lambda calculus in him before he could walk had produced infant tantrums
rather than enlightenment. (He had been twelve before he truly grokked
Gödel's theorem, by which time Dad had given up on him completely as a
hopeless retard.)

``Are you sure it's him?'' Huw says. ``I mean, he didn't just upload: he
beamed himself at the galactic empire. They could have done anything
with the transmission! It might be some kind of seven-headed tentacle
monster using Dad's personality as a sock puppet, for all you know?
\ldots{}'' She tries to keep the hopeful note out of her voice.

``Good question.'' Bonnie looks thoughtful. ``You're right: We can't
rule that out. But---''

``He \emph{thinks} like David!'' Mum says. ``We were together for nearly
thirty years before we uploaded, and a couple of subjective centuries
afterwards---linear experiential centuries, if you unroll the
parallelisms and the breakups and back-togethers---there are even a
couple of instances of us who couldn't untangle enough to resume
autonomous existence, so they permanently merged at the edges, the
idiots. They're out in the cloud somewhere or other.'' She draws herself
up. ``The one who seti'd out was the real one, though. And we kept in
touch, despite the divorce. I'd know him anywhere, the devious little
shitweasel---''

``Okay, enough.'' Huw stands. ``What's at stake?''

``You need to convince them that we're not a threat. Even though they
know your dad inside out and---''

``No. What are they going to \emph{do}?'' Huw paces over toward the
living room door, then turns and stares at Bonnie and his mother. ``The
cloud isn't a pushover, surely? I mean, if you threaten its existence,
surely it can do something to defend itself? How does the court propose
to enforce its ruling?''

``Trust me, they can do it,'' says Mum. Her earlier anger has dimmed,
moderated by--- Is that fear? ``The cloud is an immature matryoshka.
It's going to grow up to be a Dyson sphere; masses of free-flying
processor nodes trapping the entire solar output and using it to power
their thinking, communicating via high-bandwidth laser. But it's not
there yet, and the Galactics \emph{are}. There's a thing you can do with
a matryoshka cloud if you're sufficiently annoyed with the neighbors:
You just point all those communications lasers in the same direction and
\emph{shout}. It's called a Nicoll-Dyson beam---a laser weapon powered
by a star---and just \emph{one} of them is capable of evaporating an
Earth-sized planet a thousand light-years away in half an hour flat. The
feds have \emph{millions} of star systems, and that stupid time travel
widget with which to set up the Big Zap. It could already be on its
way---the combined, converging, coherent radiation beams of an entire
galaxy, focused on us.''

Huw dry-swallows. ``So defense isn't an option?''

``Not unless you can figure out a way to move the entire solar system.
Because they won't be shooting at Earth, or at individual cloud shards:
they'll nuke the sun---make the photosphere implode, generate an
artificial supernova. Snail, meet tank-track. \emph{Now} do you see why
we need you? It's not about integrating Earth into the cloud, or about
some stupid squabble over aesthetics: if the galactic federation finds
us Guilty of Being a Potential Nuisance, we don't get a second chance.''

``Heard enough.'' Huw walks through into the living room of the suite.
Bonnie and Mum trail her at a discreet distance, anxiety audible in
their muted footsteps. ``Okay, you've made your point. We're up against
Dad, or something that uses Dad as an avatar for interacting with naked
apes.'' She pauses. ``I need an outfit, and an approach.'' A flick of
one hand and Huw conjures her emotional controller into being: it seems
somehow to have become second nature while she was watching TV. She
suppresses a moue of distaste as she recognizes the subtle environmental
manipulation. ``You've been planning this for ages, haven't you? So you
must have some strategies in mind, ideas about how to get under Dad's
skin. Let's see them. \ldots{}''

\begin{center}\rule{3in}{0.4pt}\end{center}

There is indeed a Plan, and Mum and her little helpers must have been
working on it for subjective centuries, bankrolled by the cloud's
collective sense of self-preservation.

``We're working from old cognitive maps of your father,'' says the lead
stylist, ``so this may be a little out of date, but we think it'd help
if you wear this.'' \emph{This} is a rather old-fashioned cocktail suit
and heels that Huw can't help thinking would have suited her mother
better. ``It's styled after what your mother wore to the registry
office. You don't look identical to her, but there is a pronounced
resemblance. We've run 65,536 distinct simulations against a variety of
control models and assuming the judge \emph{is} a fork of your father
from after his primary uploading, wearing this outfit should deliver a
marked fifteen percent empathy gain toward you: fond memories.''

``Really.'' Huw looks at it dubiously. ``And if it isn't? A fork of
David Jones?''

``Then you're at no particular loss. Let's get you into it, Makeup is
waiting. \ldots{}''

After Costume and Makeup, there's a Policy committee waiting for Huw in
the boardroom: faceless suits---literally faceless, their features
deliberately anonymized---to walk her through their analysis of the
history and culture and philosophy of the Authority. It's a sprawling
area of scholarship, far too big for a single person to assimilate in
less than subjective decades. Even with a gushing fire hydrant of
simulation processing power at her disposal, Huw can't hope to
assimilate it all and still be the person who's supposed to appear
before the star chamber in a few hours' time. But she can get a handle
on the field---and, more important, a whistle-stop tour of what the
cloud has inferred about galactic jurisprudential etiquette so that she
won't accidentally put herself in contempt.

``The federation has been around long enough that their judicial process
isn't based on a physical model anymore,'' says the \#1 faceless suit,
from the head of the table: ``They set up a simulation space, throw in
all the available evidence---including the judge-inquisitor and the
accused---and leave them to build a world. By consensus. They iterate a
whole bunch of times, and whatever falls out is taken to be the truth of
the claimed case. Then the judge decides what to do about it.''

``It's a lot more informal than you might expect,'' says faceless suit
\#2 with just a smidgen of disapproval.

``You say, `build a world.'\,'' Huw thinkst. ``Are we talking about
trial by combat? Not fighting, exactly, but constructive engagement?''

``Something like that,'' says \#1 suit. ``But we're not sure. Nobody
human has ever been through this process before.''

After Policy, Huw is finally whisked into chambers to be fitted with
Counsel. The legal office is smaller and more spartan than the Policy
committee, or even the wardrobe and makeup departments; it's just
Bonnie, looking slightly embarrassed and clutching a stuffed parrot
plushie. ``It's the best we could manage at short notice,'' he says,
holding it out to her.

``A parrot.'' Huw turns it over in her hands. It's a handsome gray blue
bird, seamlessly fabbed out of cheap velour fabric by a simulated
couture robot. ``No, don't tell me, it's---''

``Hello! I am your counsel! Put me on your shoulder! Rawwwk!'' The
parrot comes to animatronic life, blinks at Huw, and preens.

``What does it do, say `pieces of eight' and crap down my back?'' asks
Huw.

``Witness deponeth not! Rawwwk!''

``It's a prop, babe. Actually, it's an emulation environment containing
an entire university law school's graduate research faculty, ready and
waiting to brief you, but Psychology figured a plush toy would be a
useful disarming gesture in the context of a parent-child confrontation:
clutch it defensively and act like a kid and you'll be able to guide
\ldots{} your father \ldots{}'' Bonnie trails off.

``You---'' Huw raises the animatronic parrot: it sidles aboard and sinks
its claws into one suit shoulder pad. ``---have. No. Idea. Who. You're.
Talking. About.'' She says it with quiet disgust, staring into Bonnie's
eyes at close range. ``This is my \emph{dad}. He's immune to head-ology.
He's a really smart high-functioning Asperger's case who deals with
social interaction by emulating it in his head, running a set of social
heuristics, and looking for positive-sum outcomes. If you try to game
him, he'll notice.'' She extends a finger and pokes him in the abs
experimentally. ``You've met my mother. Do you think this chickenshit
little-kid brain hack would fool \emph{her}?''

Bonnie doesn't back off. ``Your mum approved it. \emph{She} thinks it's
worth a try. Don't you think you should maybe listen to her once in a
while? She's known him longer than you have!'' He's breathing hard, and
looks like he's biting back anger. ``If you insist on going it alone and
you get it wrong, we'll \emph{all} suffer.''

``Not for long.'' Huw meets Bonnie's gaze. He's the same scrawny cute
tattoo-boy with blue forelock that she first ran into in Sandra Lal's
kitchen the morning after, but somehow he looks smaller to her: wrapped
up in and tied down by sad old ideological quarrels and Ade's stupid
political games. She feels a momentary stab of resurgent lust, tempered
by self-contempt: Bonnie is flawed, she knows that---played like a fish
by 639,219, the Igor to Ade's Young Dr.~Frankenstein. But she needs
Bonnie on her side, at least for a short while. And there's nothing like
a good screaming match for cleaning the air. ``Spill it, Bonnie.
Whatever you've been bottling.''

``What \emph{I'm} bottling? You're the one who's been having a crazy
snit and trying to ignore reality for the past couple of weeks! The one
who kept running away from jury service in Tripoli; then you were happy
enough getting your ashes hauled on the way to Glory City until the shit
hit the fan, and \emph{then} you were all over your own feet trying to
bug out, and \emph{then} your mum comes to fetch you to deal with the
biggest threat humanity has ever faced, and you're all, \emph{No, I
can't deal with this, my grand aesthetic objection to the cloud is so
important that I think I shall throw pots until we all die rather than
face up to it,} so I try to talk sense into you, and instead all you can
do is blame \emph{me} for---''

Huw freezes Bonnie in midrant.

Actually, it's not so much that she freezes Bonnie as that she tweaks
her own speed up by several orders of magnitude. Bonnie's lips slow to a
crawl, then stop: a stray droplet of spittle hangs glistening in the air
in front of them. The light dims to red and the air becomes viscous and
very chilly as Huw struggles to control her instinctive
threatened-mammal response---an adrenaline reflex triggered by verbal
attack---and rewinds her memories of the past few weeks (or years, or
centuries) to compare them with Bonnie's tirade.

So, Bonnie harbored uploading fantasies while back in the flesh, but was
too weak to go through with it? And Bonnie got rooted by the scheming
God-botherers back in Glory City. And Bonnie is righteously pissed off
at Huw for, well, multitudinous failings too elaborate and embarrassing
to enumerate (because, Huw is forced to admit, they're mostly genuine).

Huw \emph{could} just unfreeze him and rant straight back---and good
luck with that, right before the court appearance of her life. That'd be
the sort of thing the old Huw would do in a split second, because that
Huw has made a profession, a career, a life out of grabbing
opportunities by both hands and throwing them away as hard as he or she
can. But the new Huw, emergent and self-aware after an iterative
optimization course delivered via self-TV, is more mature, more
forgiving of human weakness, and more than somehow reluctant to
faceplank for the hell of it.

So she decides on her move, unfreezes time, and executes.

Unfortunately, iterative optimization delivered via self-TV tends to
deliver a bunch of subconscious freight, including a payload of TV
tropes that don't necessarily work in reality quite the way they do on
the glass teat, so when she grabs Bonnie and attempts to snog, Bonnie
startles and pulls away, and the animatronic plush law academy
unbalances and starts flapping and rawking. ``Hey!'' says Bonnie, ``if
you think you can shut me up with such a transparent manipulative
gambit, you've got no fucking---''

``But I'm not, I---''

``I've had enough! That's it! I'm outta---''

``I'm sorry?''

\emph{That} shuts Bonnie up. He stares at her goggle-eyed. ``Would you
mind repeating what you just said?'' he asks after a few seconds.

``I said,'' Huw says, ``I'm sorry. I take your point, and you're
entirely justified, and I've been a pain in the ass, and I'm sorry.''

``Uh.'' Bonnie looks at the parrot. ``Are you recording this? Because
I'd like a copy.''

``Rawk! Witness deponeth not! Rawwwk!''

``When this is over,'' Huw says, ``I'd like to get away from here for a
bit, hole up with you somewhere nice, and work out whether we maybe have
a future, or just a fling, or something in between. How does that
sound?''

Bonnie rubs his chin. There is a sparkle in his eyes. ``After all this
tsunami of shit, you're asking me on a date?''

Huw shrugs, trying to get the parrot to sit still on her shoulder. ``Why
not? There's always a first time.''

Bonnie takes a deep breath. ``You've got a galactic federation to
convince first. If you don't succeed, date's off. How about that?''

``I can live with that.'' Huw manages to smile, despite a tremulous
feeling that she nearly fucked her whole life up by accident. ``Well,
technically not, but you know what I mean. Where's the courtroom?''

``Over there.'' Bonnie points at a blank wall. ``You ready?''

``Ready as I'll ever be.'' She squares her shoulder. ``I don't see
a---''

A door emerges from the surface of the wall: classically proportioned,
paneled, pillars to either side. ``Go break a leg,'' says Bonnie as Huw
steps toward it.

\begin{center}\rule{3in}{0.4pt}\end{center}

``Hello, Dad,'' Huw says, stepping into the sim. ``You're looking
well.''

The old man---David, her dad---has manifested in a personsuit that
approximates his earthly appearance with a few years tacked on. He wears
modestly simulated clothes of modest cut and modest style. His mustache
is a little unkempt and has little shoots of gray mixed in with the
gingery brown.

``Huw,'' he says, ``what have they got you wearing?''

Huw looks self-consciously at his party outfit, which is computed in
such obsessive detail that it practically strobes. He shrugs. Then he
notices---he's a he again. Why not? Gender's just a slider, just like
everything else. Someone or something's slid it malewards, at that
razor-sharp moment when Huw crossed over from \emph{there} to
\emph{here}. The tailored suit has sized to fit, but it's tailored for a
slim, young womanly shape, and Huw is back to his gently spread-out,
unkempt male shape. This strikes him as a dirty trick, a bit of cheap
back-footery, but no one ever said the feds were fair. They don't need
to be fair. They have time-traveling, star-powered lasers. And of the
legal-minded parrot there is no sign: he's on his own.

``Nothing to do with me,'' Huw says. ``Psyops from the naked apes, to be
honest. How's life among the superbeings, then?''

``Better than you can imagine. Literally. You haven't the sensory
apparatus or the context for it.''

``Well, that's pretty convenient,'' Huw says. ``It's the 3.0 version of
`You'll understand when you grow up.'\,''

``What's the 2.0?''

``\,`If you have to ask, you can't understand.' Or maybe, `Ask your
mother'. All of which is as convenient as anything. Whatever happened
to, `If you can't explain it, you don't understand it yourself?''

``A good general principle, but it's not dispositive. Not here. Some
things are genuinely transcendent. Some things inhabit a physics that
you can't access. Sorry if that's not very satisfying. Sometimes the
truth is a pain in the arse.''

``Right, so you can't explain how you are. Can you explain what comes
next? The prep team were a little fuzzy on this one. Are we meant to
build a world now or something?''

Huw's father looks uncomfortable. ``Something like that. You and I are
about to play God. We've got a little worldbuilding kit---'' He points
out the window of the small study they're sat in. Huw realizes that
they're in another modest, slightly blocky sim of his father's old
study, where Huw had been forbidden to tread as a boy, and into which he
had sneaked at every opportunity. Out the window, where there should be
iron gray Welsh sky and the crashing sea, there is, instead, a
horizon-spanning skybox hung with ornament-sized pieces of reality, hung
in serried ranks: trees, houses, buildings, people, livestock, CO2, rare
earths, bad ideas, literary criticism, children's books, food additives,
tumbleweeds, blips, microorganisms, lamentable fashion, copy editors'
marks, pulsars, flint axes, cave drawings, mind-numbingly complex
mathematical proofs, van art, mountains, molehills, uplifted ant
colonies.

Huw sees now that it had been a mistake to think of this as a
low-powered sim. This sim---and his identity in it---consumes more
compute-time than anything he's ever seen, than \emph{everything} he's
ever seen \emph{combined,} but it doesn't waste any of it on fancy
graphics and fanciful landscapes. The feds' court system uses its might
to be as \emph{comprehensive} as possible, to encompass every
conceivable significant variable. Huw's consciousness has expanded,
somehow, to take all of it in. Not by running in parallel, or by running
at higher speed, but by running \emph{differently,} in a way that he
can't explain or understand. But it's there, and he can't deny it.

``So those are the game tokens, and we're the players, and what, we set
up a model train diorama and see how it runs?''

``It's not the worst analogy,'' his father says. ``But I can tell you
think that this is a trivial way of settling important issues. The
federation isn't callous. It recognizes the gravity of wiping out entire
civilizations, entire species. It does so only when it has a high degree
of certainty that the species in question is apt to reject any social
contract that involves managed resource consumption.''

``So if they think we're likely to pig out at the galactic buffet,
they'll wipe us out? They're interstellar eco-cops?''

``Yes, but again, without the gloss of triviality you put on the
explanation. There's one reality, and we all inhabit it. You know there
are physical limits to how much computation you can do with a universe?
To date, it's managed only 10\textsuperscript{122} quantum operations on
roughly 10\textsuperscript{90} bits registered in quantum fields; the
entire future of the Stelliferous Era will raise that by, at most, only
six to nine orders of magnitude---and a lot of the universe will be
off-limits to us due to cosmological expansion. So every civilization
must learn how to manage its resources peacefully, without pursuing
infinite growth---or we face a Malthusian catastrophe in the deep
future. The universe must either come under a peace agreement or
dissolve into war. If they let one rogue planet-bound species through in
this era, they risk a conflict that destroys galaxies. We are playing
the very longest, deepest game, and the federation will do everything
they can for peace.''

``Including genocide.'' Huw feels the slight spiritual lift he used to
get whenever he rhetorically outmaneuvered his father.

``Yes,'' his father says. ``Including that.'' The old bastard robs Huw
of his satisfaction with the simple acknowledgment. ``But as little as
possible, and not without due deliberation beforehand. Look at it this
way: If I handed you the keys to a time machine, wouldn't you feel
duty-bound to assassinate Hitler in his crib? If not, why not? How could
you justify \emph{not} preventing tens of millions of deaths by taking
preemptive action? They don't \emph{want} to exterminate us; that's why
we're holding this hearing. But you need to demonstrate at least some
minimal redeeming features. The ability to get into art school instead
of growing up to be a tyrant, say.''

``So we lay out our model train set.''

``We do, laying out the pieces as optimally as either of us can imagine.
You get a veto over every placement. We set out every element that
either of us believes to be of moment---every idea, every personality,
every thought, every celestial body---and, having built that best of all
possible worlds, we examine the interaction of all these elements, and
decide, together, whether the outcome that emerges from all those parts
rubbing up against one another is a net benefit to the universe and
law-abiding, resource-sharing inhabitants.''

``That sounds perfectly ridiculous,'' Huw says, but there's something in
his newly expanded consciousness that whispers, \emph{What a reasonable
way to sort all this out.} ``And you've messed my head up too. How can
that be---?'' What? \emph{Fair? Reasonable? Right?} All concepts that
slide off the galactic scale of the thing like sweat dribbling down an
ass-crack.

``It's the smallest change we could make. You're intact enough to still
credibly claim to be you. When we're done, if it's still material, you
can change it back.''

Huw looks around. ``How long do we have?''

``Six days.'' Dad doesn't crack a smile. ``But time's kind of elastic in
here.''

``Six---'' Huw glares at him. ``Where's the Holy Ghost, wise guy?''

David looks innocent. ``What, you want spooks? Design them yourself,
you've got the capabilities.'' And Huw realizes---or rather, an
extension of Huw's awareness that he wasn't previously conscious of
realizes---that he does, indeed, have the ability to conjure up the
ghosts of anyone who has ever lived, or might have lived. In this
courtroom he is, in fact, embedded in Federov's rapture, the ghost in
the machine at the end of time. But it's a treacherous and precarious
kind of omnipotence: if he makes a misstep, he could be responsible for
the extinction of humanity.

``Hm, let me experiment.'' Huw riffles through an ontological tree of
philosophies, looking for people who at one time or another fed into the
quest for the singularity. There are odd and gnarly roots. One of them
pops free of the ghostly multidimensional diagram. Suggested by his
earlier encounter with Sam and Doc, she turns out to be incredibly
well-documented for a second-rate Communist-era Russian philosopher:
video, audio, tracts, and treatises. No tissue samples survive, but
enough relatives have been exhaustively sequenced to make her core
genome reasonably accessible, and from her visuals, it's possible to get
a handle on some of the epigenetic modulation. Huw \emph{tweaks,} and
there are three people in the room---one of them an elderly female
ghost. She coughs unproductively, then looks surprised.

``Where am I? What is---?'' Her eyes widen farther. David is staring out
the window, where a couple of armies in Napoleonic-era drag are duking
it out with AK-47s upon a darkling plain. Huw, for his part, is still
feverishly paging through a user manual as impenetrable and thick as the
U.S. tax code. ``You!'' She glares at Huw. ``A moment ago I was dying by
inches in bed, now I find I'm not short of breath. I demand an
explanation!''

\emph{Uh-oh,} Huw thinks. ``I'm a bit busy right now,'' he says. ``The
kitchen's through there---'' He gestures at the end of the room, where
somehow he knows that beyond the door to Dad's study there lies the rest
of the house, exactly as it should be. ``---Go help yourself to food and
coffee? I'll be through in a bit.''

``Not good enough.'' She shuffles hastily round in front of him and
glares: ``I'm not a fool, boy! I know I'm dead. I was terminally ill.
And I know you're not Jesus and that old fellow isn't Jehovah. You can't
pull the wool over my eyes! So spill it. You brought me back to life for
a reason. What is it?''

Huw glares right back. ``Look, I'm just trying to clear up an
ontological fuckup left behind by your followers. I'll be with you in
a---eventually---but if I don't get this nailed down, there isn't going
to \emph{be} an afterlife. So would you mind finding somewhere else to
amuse yourself for an hour? I've got a job to do here.''

The ghost snorts. ``Have it your way, young man. But you're going to
have to explain yourself sooner or later! Resurrecting me without my
prior consent---the indignity! I don't suppose you'd have a cigarette,
that would be too much to ask for. \ldots{}'' And with further outraged
muttering, the ego monster shuffles toward the kitchen.

``Well played, son,'' says David with just a trace of sarcasm.

``Don't \emph{you} start! \ldots{}''

``I have no intention of starting anything. It's \emph{your} job to make
the opening move. Assuming that wasn't it? \ldots{}''

Huw glances at the door just as it slams, and swallows. ``I have no idea
where she came from,'' he says.

``Here's a free tip,'' his father sayss: ``The feds aren't terribly
impressed by infantile egoism. In fact, if Objectivism were at the
center of human philosophical discourse rather than the fringes, we
wouldn't be here---the Big Zap would have arrived decades ago. But I'm
going to be generous and let you write down the ghost of Ayn Rand as a
brain fart. I won't bring her up again if you don't.''

``Is she real?''

``Son, are \emph{you} real? Are you the same Huw whose nappies I
changed, six or seven decades ago?''

``I'm---'' Huw recognizes the trap: it's a kind Dad's always been fond
of. ``I experience subjective continuity with that Huw, so I think I'm
real. But if you're going to require physical continuity, no I'm not:
I'm an upload. And even if I hadn't uploaded, if you want true physical
continuity, \emph{no} human being can meet that requirement---never mind
our cells, the atoms in our bodies turn over within months to years.''

``Good boy.'' There is a ghost of a smile. ``So. Do you think she's
real?''

``\emph{She} thinks she's real.'' Huw struggles to follow through. ``And
I can't just switch her off. Kill her. Because she's---'' Huw pauses and
backtracks. ``Hang on. You say I have to simulate everything I think is
significant, trying to prove that what emerges is a harmonious
civilization that contributes to the commonweal of the universe and
doesn't go all apeshit and Malthusian on the feds. But if I do that,
using realistic models of people, I can't arbitrarily kill them off
after the demo---that would be murder!'' Huw recalls, ruefully, his
attempt to organize a mob-handed takedown of 639,219 by spamming
zillions of iterations of himself. ``And if I try to exhaustively
simulate all possible human civilizations to prove that they're safe,
isn't that going to make me exactly the kind of resource hog the feds
don't want to have around?''

David claps slowly. ``Very good.'' There is something approximating a
twinkle in his eyes. It's a vast, cool, and unsympathetic twinkle, but
it's still there. ``So what are you going to do?''

``Take extreme care to minimize the number of entities I instantiate in
this realm.'' Huw swallows. ``Did I just dodge a bullet?''

``Yes,'' says the thing wearing his father's face. ``Now. Let the trial
begin.''

\begin{center}\rule{3in}{0.4pt}\end{center}

A funny thing happened to Huw on the way to the galactic court-martial:
He found himself emotionally involved in the outcome.

``Dad,'' he says. ``You know that mind-altering business, yes?''

``Yes,'' his father-thing says as he winds up a flock of religious
beliefs and sprinkles them with a well-practiced Gaussian wrist-flip
over an apocalyptic uplifted stretch of the Great Barrier Reef off
Lizard Island, making multijointed pinching passes over the addition to
reflect its rise and fall over a time-dimension.

``Well, here's a thing. You said I was still intact---continuous with my
earlier self.''

``Better to say that there are no gross discontinuities. If you want to
be precise about it.''

``Fine, fine.'' Huw has become momentarily transfixed by the reef and
its arc of nonbelief-belief-fervor-disillusionment-nonbelief, and he
reaches in and changes his father-thing's handiwork, pulling the curves
around to a better fit with his own theories about the infamous
psychosis that had gripped the clonal polyps when they were first roused
to consciousness. ``I believe you're wrong. I think that something's
been lost or changed in the translation, because here I am, fiddling
with all this rubbish, and I \emph{really, really} care about the
outcome. Not just the meatpeople, but even the sims---the software
constructs like you and me that have been programmed to act like we
believe that we're people.''

``Yes, you have a self-preservation instinct, so what?''

``No,'' Huw says. ``No, it's not self-preservation. Self-preservation's
just mechanical, it's Asimov's Third Law nonsense. I mean to say that I
\emph{feel kinship to the cloud}. To the wholly fictional phantoms
created by suicidal, ecstatic uplift cults. I know that it's inevitable
that \emph{I'd} feel like \emph{I} was a person, but I find that I feel
the same way about \emph{you,} and all those other jumped-up Perl
scripts and regexps mincing about in their pornographic nonstop MMORPGs,
pretending that they aren't NPCs. It's like feeling compassion for a
socket wrench or kinship to a novel. It shouldn't make sense, but it
\emph{does}.''

``You've grown,'' his father-thing says with a shrug. ``Your mirror
neurons have discovered compassion. I can't say as I find much cause for
mourning in that.''

``No. No, no, no. Look, you've messed with my personality, you've got my
headmeat all buggered up, turned me into some sort of navel-gazing,
soft-headed beardie-weirdy. You've taken all my core convictions away,
and you've replaced them with some kind of Buddha-script, and you tell
me it's just \emph{growth}?

Bull\emph{shit,} old man. Rubbish.''

His father-thing looks up from the \emph{T. gondii} he's salting around
the universe's feline population before gifting them with opposable
thumbs, and his mild eyes bore into Huw with the force of a star-powered
laser. ``Huw. I. Did. Not. Rewire. Your. Brain. To. Make. You. Love.
The. Cloud. Full stop. If you're feeling different about this sort of
thing, it's down to your own stimuli and how you've reacted to them. Far
as I'm concerned, it makes no difference, but I suppose it might give
you an edge here---after all, the cloud is the apex expression of
humanity's extended phenotype: you're its ambassador, don't you think it
might help to actually like and respect it?''

Huw ponders the possibility that his father-thing isn't lying. He
contemplates the contrafactual world in which he can treat the uploaded
as being worthy of the same respect and compassion as meatpeople. From
this, his treacherous skullfat leaps nimbly of its own accord to the
potential future in which humanity---all humanity, embodied and
virtual---is annihilated. And while his brain is there, it also
contemplates the possibility that Huw, head cut open, brains scooped out
and scanned, uploaded and multifarious in the embattled, threatened
cloud, is still a human and worthy of all that respect and compassion.

Huw begins to cry.

The sound has an odd, hitching quality to it, an irregular whistling
that is piped straight out of the ambassador embedded in his virtual
windpipe. The sound is so ridiculous that it drags Huw out of his
maudlin revelations and sets him giggling. He is Huw, he is still Huw,
he will forever \emph{be} Huw---ambassador or no ambassador, on
biological substrate or running on computronium tweezed out of the bones
of stars and planets, alive or technically dead.

And what's more, he will \emph{save the fucking universe}.

\begin{center}\rule{3in}{0.4pt}\end{center}

The father-thing sets the heavens whirling. Huw stops them and nudges
them around, then sets them spinning again, but with the aesthetic rigor
he's pursued all his life. It's ascetic, but asceticism is what the
cloud needs: when confronted with limitless possibility and potential,
the only legitimate response is to voluntarily assume constraint. Free
jazz has its place, but it's interesting only in contrast to the rigid
structures in which it is embedded.

The father-thing sets societies in motion, vast parties whose secret
engines are petty jealousies, immature appetites, one-upmanship,
desperation, and release. Huw puts them at rest and rearranges the
seating plan and the DJ's set list so that the night ends in a moment of
transcendent happiness for each and every reveler.

The father-thing shows the cloud and the meatpeople as they are. Huw
rearranges them as they \emph{could be}. What more could the feds want?
Not the certainty of eternal harmony, for there is no certainty in this
light-cone, but the \emph{possibility} of harmony, an internally
consistent narrative that explains how humanity and its posthuman
offspring might someday come to inhabit the galaxy without presenting a
clear and present danger to it.

Oh, thinks Huw. Oh, this is it, and the ambassador whistles a happy tune
because it is helping him, showing him the worth and the worthiness of
the cloud he'd dismissed all his life. \emph{I am doing it!} Huw thinks.
His father-thing is working with him now, not trying to sabotage his
work, but using all his knowledge of the feds and of humanity and of the
cloud to serve as Huw's sous-chef.

``Sioux chef?'' his father-thing says. ``More like Lakota chef, son. We
use the \emph{whole} possibility-space.''

Huw's dad hasn't punned at him in a lifetime. It's a homecoming. Huw
works faster.

\begin{center}\rule{3in}{0.4pt}\end{center}

When the limit is reached, it jars Huw's self-sense like a long fall to
a hard floor, every virtual bone and joint buckling and bending, spine
compressing, jaws clacking together. It has been going \emph{so} well,
the end in sight, the time running fast but Huw and father-thing and
ambassador running faster, and now---

``I'm stuck,'' Huw says.

``Not a problem. We could play this game forever---the number of
variables gives rise to such a huge combinatorial explosion that there
isn't enough mass in this universe to explore all the possible states.
The objective of the exercise was to procure a representative sample of
moves, played by a proficient emissary, and we've now delivered that.''

``Hey, wait a minute! \ldots{}'' Huw's stomach does a backflip, followed
by a triple somersault, and is preparing to unicycle across a tightrope
across the Niagara Falls while carrying a drunken hippo on his back:
``You mean that was \emph{it}?''

``Son, do you know how long you were in there?'' His dad raises an
eyebrow. ``You spent nearly a million subjective days shoving around
sims, and so did the other billion instances of you that came through
the door. If a trillion subjective years isn't enough for---''

``Hang on, you respawned me? In parallel? Why can't I remember---?''

``Oh, I just shut 'em all down,'' the father-thing says dismissively.
``Wouldn't have done you any good to carry all those memories around,
anyway.''

``But you, but you---'' Huw has the jitters. ``---you genocided me! I'm
your son!''

``Don't worry, each of them lived two thousand seven hundred subjective
years that differ from your experience only in the minutiae. In fact,
your personality states overlap so closely that you'll never notice
anything missing. I had to prune a bunch of your memories along the
way---wouldn't do for you to try to retain a couple of millennia in
detail, the human neural architecture just isn't up to it---but you've
got the gist of---''

``Dad!'' Huw glares at his father, who is sitting in his recliner
looking placidly content with the pocket universe they've created
outside the imaginary window. ``That's not the point! Those were my
memories, and now you're telling me you've cut huge chunks out of them?
What about the other people we simulated---?''

``What do you care about them?'' his father asks, cheek twitching. ``You
might as well accept that you're just a holey ghost. But for what it's
worth, I turned loose the ones who weren't nonplayer characters. The
cloud can sort them out.''

``Dad---'' Huw swallows. An ancient, cobwebby sense of déjà vu unfolds
in the recesses of his mind: He's been here before, with dad cracking
infernally dreadful jokes in an attempt to distract him from doom-laden
news. ``What's the outcome?''

``What?''

``Did I pass---?''

His father cups a hand around one ear: ``I can't hear you. What did you
say?''

``Did I pass the exam?''

``Did you \ldots{}what? Pass the jam?''

``Dad \ldots{}''

``What do \emph{you} think, son?''

``I don't---'' Huw stares at the being that contains a superset of his
father and an entire galactic civiliation sitting in judgment over him
and his kind, gathering his nerve. ``You're still here. But the Big Zap
\ldots{} you wouldn't still be here if it was coming, would you? So it's
not coming. The galactic federation decided to let us alone. We won!''

His father sniffs. ``Don't get your hopes up, son. Everyone dies
eventually: individuals, nations, planetary civilizations, galactic
federations, universal overminds.''

``But! But-but!''

``I appreciate you're feeling kind of good right now because you're
right, you just about satisfied the Authority that post-humanity is not,
in fact, a malignant blight upon the galaxy. Their satisfaction is
conditional, by the way, on the human-origin cloud not changing its
mind, pulling on its metaphorical jackboots, and going all SS
\emph{Death Star} supergalactic on the neighborhood: that would be a
deal-breaker.'' He gives Huw a stern glare. ``Don't get above yourself:
ethical stocks can go down as well as up.'' He takes a deep breath.
``But I must admit that you surprised me back there. In a good way.''

``Bububub.'' Huw manages to regain control of his larynx and shuts up
momentarily. ``What happens now?''

``Now?'' David points at the door: ``We leave this space. You get to go
home again, at least as far as the cloud. Me, I've got a starship to
catch after I dismantle this embassy: I'm needed three thousand
light-years away.'' Something approximating a weak smile wobbles onto
his father's face, takes bashful center stage: ``We probably won't meet
again.''

``Dismantle the---?'' Huw's brain is still trying to catch up. ``No,
wait, Dad!'' He stands. ``You can't go yet, it's been fifty years!'' His
head is full of uncomfortable realization.

``Forty-seven years, four months, nine days, three hours, forty-four
minutes, and eleven point six one four seconds, to be precise. And you
didn't write, son, not once. I checked with your mom.''

``But I was---'' Huw swallows again. ``---being a real dick.''
\emph{Also, setting the all-time record for the world's longest
adolescent snit,} he doesn't add.

``That's all right, son.'' His dad holds his arms open.

A moment later, Huw is leaning on his shoulder, bawling like a little
kid. ``I'm too damn old for this.'' He sniffs. ``I missed you, you
know.''

``I do.'' His dad pats his back awkwardly. ``I was a dick too, if it
helps. I had what I thought were plenty good reasons but I didn't work
through the fact that they weren't good enough for you. I didn't mean to
fuck you up.''

``I didn't mean to---'' Huw takes a deep breath, then wishes his
congested sinuses to clear. ``---huh. Leave me a forwarding address?
This time I'll write.''

``I'll do that, but you might not hear back from me for a long time.''
His dad's mustache twitches as he disentangles Huw from his jacket.
``Now get going. Do you want to keep them in suspense forever?'' And
with a gentle hand in the small of Huw's back, he propels him toward the
door.

\begin{center}\rule{3in}{0.4pt}\end{center}

Various instances of Huw have lived through roughly two and a half
trillion years of trial by simulation since he stepped through the door,
but on the other side, it's as if barely any time at all has passed.
(Someone is doing some serious fancy footwork with causality, and Huw
absently makes a note to investigate later.) Back in chambers he finds
Bonnie running round in circles, trying to catch an agitated parrot, who
is flying around the ceiling shouting, ``Where's the plaintiff? Where's
the witness? Who's a pretty counsel? Rawk!''

``Come down here, you feathered bandit!'' Bonnie is shaking his fists at
the bird, and Huw works out the context from the white streaks on the
back of Bonnie's shirt.

``Trial's over,'' Huw says. His voice comes out with his usual male
timbre. ``We need to be going, the embassy's packing up.''

``Trial's \emph{what}---?'' Bonnie turns on him. ``It's \emph{over}?''

His mum \emph{bamf}s in from some corner of the embassy hyperspace,
flashy teleportation spangles dissolving like hologram fireworks around
her. ``Huw! Am I in---? Oh.''

``Dad says hi,'' he says. ``The Big Zap is canceled, conditionally: As
long as we keep our nose clean, eat our greens, and don't terrorize the
neighborhood, they'll let us alone.''

``Rawk! Court is adjourned?'' The parrot swoops down on his mum's
shoulder with a rattle of wing feathers.

``That's nice, dear.'' His mother smiles.

``You did it?'' Bonnie stares at him. ``Hey, you switched again.''

``Dad-thing is packing up the embassy; they're leaving the solar system
to us. I, uh, left a lot of myself behind back there. No, no, I'm all
right---'' He waves off an anxious Bonnie. ``---but we need to get out
of here before the embassy dismantles.'' Right back to the reconstituted
and re-created bedrock of Io---the Authority is nothing if not
environmentally sensitive, and believes in recycling moons and small
planets wherever possible. ``Dad says they're going to begin teardown
immediately, so---'' As he says it, a red warning sign appears in
midair, hovering over the entrance to the chambers: evacuate now. It
flashes, the archaic blink-tag irritant clearly contrived to get their
attention. As if that isn't enough, a fire siren spools up to an
earsplitting shriek, and an unspeakable stench tickles his nostrils.
``---I think he wants us out of here right now.''

``Oh for heaven's sake.'' Mom rolls her eyes, then shoulder-barges the
door. ``David, you passive-aggressive asshole!'' she shouts, waving her
fist at the hyperrealistic sky above the embassy complex (where, one by
one, the stars are going out), ``How many times have I told you, it is
\emph{not} acceptable to use the kid as a back channel? You get your
incarnated ass down here \emph{right now} so I can have words with you:
Compliance is mandatory---''

``Was she always like this?'' Bonnie asks Huw sotto voce

as they follow the blinking evacuation arrows toward a rainbow archway
capped by a sign reading cloud gateway.

``Uh-huh. Pretty much. Why do you think I got into casting pots?'' He
walks swiftly away from his mother, who is railing at the universe.

``You poor bastard.''

Huw pauses, contemplating the throng of diplomats, lawyers, tourists,
xenophiliacs, instantiated fictional characters and various other
subtypes of humanity that clutter the vestibule in front of the gate.
``I don't know about you, but I'm going home. I mean, \emph{really}
home. Planning on reincarnating back on Earth and holing up in the
workship for at least a couple of years and not traveling
\emph{anywhere}.'' He glances sidelong at Bonnie. ``I realize that might
not appeal to you as a lifestyle choice.''

Bonnie shrugs, hands in pockets. ``I can visit from time to time. Or I
could stick around, go walkabout if it gets too boring. If you want.''

``I want.'' Huw takes his arm and leads him to the back of the queue.
And in a subjective eye-blink, they're back on Earth.

\begin{center}\rule{3in}{0.4pt}\end{center}

\subsection{COMMERCIAL INTERLUDE: THE RECKONING}

\emph{The story is about to draw to a close. Perhaps you are one of the
estimated* 98.533\% of readers who have already purchased a hardcopy or
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or library. If so, we thank you, from the bottom of our hearts, as do
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\emph{Or perhaps not. Perhaps you've read all the way to the epilogue
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\emph{Why not celebrate your victory by treating yourself with a trip to
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\textbf{USA:} \\
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*Estimates are approximate

\begin{center}\rule{3in}{0.4pt}\end{center}

\section{Epilogue: Verdict}

There's something not right about Huw's new body. Or perhaps there's
something that's changed in his mind. One way or another, he's just not
able to throw a pot the way he could.

Oh, the body \emph{looks} right enough, and there's enough actual
biological material in it that he qualifies, at least marginally, as a
primate. But there's plenty of other gubbins in there, especially round
about the headmeat where they decanted the version of him that stepped
out of the embassy as it was being folded up to the size of a pinprick
and made to vanish.

That version had demanded a very stiff drink. In person. In his pottery.
On Earth. Right. Away.

He'd saved the entire fucking universe. Surely this was not too much to
ask for.

And oh, how they'd fussed, begging and commanding him to at least leave
an instance in the cloud for debriefing and the lecture circuit, but
he'd been firm. Oh, how they'd fiddled, pestering him with questions
about what he wanted his new body to be like, which upgrades and mods it
should have, trying to tempt him with talented penises and
none-too-subtle surrogates, such as retractable unobtanium claws and
bones infused with miracle fiber and carbon nanotubes.

He'd waved them off, refusing even to take in all the wonders on offer:
no, no, no, just give me back my actual, physical body, the body I would
have had if none of this had taken place, if I had been a man who was
born to a woman, grown to maturity in the gravity well of my ancestors.

Once he'd gotten through to them, they'd complied with a vengeance, and
now Huw heaved himself out of bed every morning with the aches and pains
of baseline humanity on throbbing, glorious display. He showered
himself, noting the soap's slither over every ingrowing hair, every
wrinkle, every flabby nonessential extruding from his person. He
squinted at the small writing on cereal packaging and held it up to the
watery Welsh light that oozed through the kitchen window, moving it
closer and farther in the hopes of finding the right focus-length for
his corneas, which had been carefully antiqued with decades' worth of
waste products, applied with all the care of a forger re-creating a pair
of exquisitely aged Levi's.

The cloud had its little jokes, oh ho ho, yes it did, and Huw would have
let it all pass but for the pots. He'd been at his wheel for three days
now, and no matter how carefully he kneaded the air pockets out of his
clay, wet his hands, and threw the clay down onto the spinning wheel, no
matter how carefully he wet his fingers and guided the spinning clay
upward and outward into a graceful, curvilinear spliney form, it always
went awry. His clumsy fingers tore the clay, his clumsy hands moved too
fast and collapsed the pot's walls, his clumsy arms lost their bracing
against his thighs and slipped and spattered the walls and his face with
wet clay.

Huw threw his first pot at age fifteen, part of the mandatory art
requirement that his parents had to stump up for as part of his
homeschooling program. The minute the clay hit the wheel and his fingers
touched the wet, sensual, spinning earth, he'd felt a jolt of
recognition: \emph{Where have you been all my life?} Something in his
peripheral nervous system, something in his muscles \emph{recognized}
the clay, understood it right down to the finest grain, integrated it
into his proprioception, so that it felt like a part of him. Huw has had
days in his life when he had a hard time thinking clearly, days when he
didn't feel like getting out of bed.

But he's never, ever had a day when he couldn't throw a bloody pot.

``It's not \emph{fair,}'' he tells the motes of dust and the dribbles of
wet clay that fill his pottery. It really isn't, either. This is meant
to be his retirement, his recuperation, his \emph{occupational therapy}.
He's a veteran, after all. A veteran with a scorching case of
posttraumatic stress disorder (self-diagnosed). It's not fair.

He picks up another lump of clay, kneads it, dipping his fingers into
the water with a practiced, unconscious gesture, working the water into
the clay. He's complained to the cloud, of course, but they assured him
that he checksummed correctly---that is, the body they've built for him
is the body he left with, functionally speaking. The inarguable and
obvious fact that this body is different in a very significant way is of
no moment to the cloud. Checksums don't lie.

Huw pats and squeezes the clay into shape and thunks it dead bull's-eye
center into the middle of his wheel. He wets his hands again, rocks back
so his tailbone is well behind him and his sitz bones are well beneath
him, braces his elbows on his thighs, and makes ready to ruin another
pot.

``Give it a rest already, will you?'' Bonnie says from behind him. He
doesn't startle, because he's sensed her presence for some minutes,
every since she slipped into his pottery. Technically it isn't
off-limits to her, but no one apart from Huw can really feel comfortable
in the narrow space with its high shelves. There's nowhere to sit or
stand apart from his wheel, and everything is covered with dried
clay-dust that is hungry for hair, clothes, and skin on which to stick.
So Bonnie usually hangs out in the house or walks around the valleys
while Huw's wasting clay and cursing the fates.

Huw feels somehow honor-bound to scold Bonnie for interrupting him, but
the truth is that he's quite grateful to her for giving him an excuse to
down tools. So he spins on his stool and stands, putting himself right
up against her. (The only way two people can stand up in his pottery at
once is if they're willing to breathe each others' exhaust streams.)

``Fine,'' he says. ``Let's get some air.''

Bonnie slips her fingers into his as they step outside, letting the
pottery door squeak and slam shut with a dusty bang. ``You just need
practice,'' she says. ``Or possibly rest. In any event, it's nothing to
get upset about.''

``Easy for \emph{you} to say. Your body \emph{works}.'' What's more,
Bonnie's upgraded, because she's not trying to square the circle between
a lifetime of techno-asceticism and a newfound love of the cloud; she's
an unabashed transhuman on a meatvacation. She's got the unobtanium in
her bones, the eyes that can see into the infrared and detect
environmental toxins, true love, and flop sweat at a hundred meters.
She's got a metabolism that politely discards any calories it doesn't
need in neat little poos that smell like roses. She's got a peripheral
nervous system that she can dial up in moments of crashing orgasm, and
tamp down in moments of crashing boredom. Her body doesn't just work, it
\emph{performs}. Huw pretends not to notice this.

``Oh, yours works just \emph{fine,} Huw, where it counts. Listen, you've
had your consciousness extracted from its biosubstrate, forked thousands
of times, run in parallel, diffed and merged, and hauled through
millions of subjective years while trying to save the universe---sorry,
solar system. Then it was decanted back into an artificial, assembled
substrate, with limitations that \emph{you} specified, and now it's got
a few wrinkles to solve. What's so surprising about that? If you want to
throw pots, just ask your mum to bake you some pottery firmware. But
stop moping and moaning. That's not what I signed up for.''

She's probably right. Huw knows there's no meaningful difference between
running a clayworking app that someone else wrote and a clayworking app
that was algorithmically derived from a digital representation of his
headmeat. But there's a principle at stake. He can't say what principle
exactly, and he suspects that Bonnie would clobber him if he got into an
argument about it with her, so he changes the subject.

``Sorry, love, you're right. What have you been up to? Anything nice?
Want to do something together today, then?''

``Arguing with missionaries, mostly. Cloud-botherers have been ringing
your doorbell all week while you've been hiding out with the clay.''

That's a new thing since the last time he had a body: Cloud-botherers
going door to door, pressing innocents with uninterruptable sermonettes
about the miraculous life that awaited all if we'd only listen to reason
and take the transcendence treatment. Bonnie loathed them because she
felt they put the whole movement in a bad odor with the punters.
\emph{With friends like these, who needs enemies?} she'd explained when
he asked. No one likes a door-to-door missionary. She quite enjoyed
arguing them to a standstill, and viewed it as a service to the cause,
since a missionary arguing with her was a missionary who wasn't
bothering the neighbors.

``Everyone needs a hobby,'' he says. ``Converted any of them yet?''

She doesn't say anything.

``You didn't,'' he says.

``Well, only a little. She was such a silly thing, one of the newly
reincarnated, and all her arguments for uploading were really daft. I
had her in for some tea, and she stayed for hours. Came back the next
day to say I'd changed her mind, and she was going to work to show
people why they \emph{shouldn't} disembody.'' Bonnie shrugs. ``I guess
some people just aren't happy unless they've got a cause.''

``But you got rid of them?'' Huw asks.

``Yes, it's safe to come out now.''

Huw glances at the window. It's afternoon, and the light will be fading
before long. Which means it's time to clear up, wash up, and think about
fixing some dinner. ``I'm just about through here,'' he says. ``Put the
kettle on? I'll be through in a quarter of an hour.''

Bonnie heads for the house, leaving Huw to the mundane routine of
cleaning up and shutting the pottery---the trouble with real clay is
that you can't hit Save and expect it to still be malleable
tomorrow---and check that the kiln has enough fuel. He washes thoroughly
to get the reddish powder off his hands and arms, then latches the door
behind him and ambles, whistling tunelessly, through the kitchen garden
toward the back door.

Bonnie is in the kitchen, slaving over a hot reactor. Huw may have
previously banished electricity from his home, but Bonnie has other
ideas, and some domestic give-and-take---or push-and-shove---has
resulted in her installing a fuel cell system and some bizarre extreme
cooking tech in the niche where once a mechanical refrigerator had
whirred. The reactor isn't radioactive, but given enough energy and
random garbage to break down, it can brew up just about any biomolecular
soup she orders. Right now she's trying to get the damn thing to cough
up a prefabricated megatherium steak, but judging from the amount of
cussing, something is persistently going wrong. ``This festering pile
keeps suggesting alternatives,'' she says as Huw closes the door. ``Why
would anyone want to eat \emph{koala}? They're saturated with eucalyptus
oil. \ldots{}''

``Maybe it thinks you've got a cold?'' Huw asks. ``Hey, you're not
subscribing to a Plague of the Month club?'' There are some aspects of
historic reenactment that are too gross even for Huw.

``No. A-\emph{choo}!'' Bonnie rubs at her nose. ``Oh dear.''

``It's probably hay fever.''

``I'll have to get my immune system tweaked again. Ech. Do you feel like
peeling some spuds?''

So it is that Huw is up to his armpits in cold water, scrubbing (he
doesn't hold with that \emph{peeling} fetish) a bunch of wholesome
organic home-grown potatoes when the doorbell rings.

``I'll get it---'' Bonnie is off while Huw is still dripping.
``---\emph{you}, you fucker!''

``Wotcher, chick,'' says a cheery, familiar, and utterly unwelcome
voice. ``Is His Ambassadorship available?''

Huw palms a couple of oversized pink fir apples in one hand and grabs
the cast-iron poker from its spot by the stove. ``Ade,'' he says as he
heads for the front hall, ``the embassy is closed. Go away.''

``You what? And here was I, thinking you'd like your bike back!'' Ade is
leaning against the inside of the front door, one arm wrapped around
Bonnie's shoulders: Bonnie's expression suggests that she can't make up
her mind whether to kiss him or bite him. Huw can just discern, behind
them, the frame of a long-lost friend.

``My bike? That'd be good. But the embassy is still closed.'' Huw leans
against the passage wall, the poker lowered. He has Ade's number: knows
how to deal with him. No violence needed, just a reinforced concrete
wall. ``You are an absolute arse, Ade. Every time I have run into you,
you have comprehensively fucked up my life while making out that it was
my fault, and the one time I needed you to get off your behind and
\emph{do} something for all our sakes, you cocked it up. There's an old
saying about never attributing to a conspiracy that which can be
explained by incompetence. So I hope you can understand that, while
you're welcome to stop by for a cup of tea, I am \emph{out} of your
emergent factional whatsits now and forevermore. Clear?''

``You don't have to be like that,'' Ade says. He sounds wounded. Bonnie
punches him on one shoulder: he lets go of her. ``I just wanted to thank
you for your work, what did you think I'm about? I'm not some kinda
supervillain, mate! And look at you, don't you think it turned out for
the best? We're still here. The Authority didn't deliver the Big Zap,
the cloudie fundamentalists didn't dismantle the---''

A shadow moves behind Ade, and there is a noise like an old-style
electric door buzzer. Ade drops, twitching in the grip of a full-on
Taser spazz-out.

``Gettir, Sam.''

``Oh fu---'' Huw freezes. Bonnie turns and aims a punch at Sam's face,
simultaneously trying a vicious stomp and a disabling knee to the
groin---none of which stop the man-mountain from placidly grabbing her
fist and twisting her arm behind her back.

Huw tries to move, but his voluntary control of his musculature seems to
have clocked off for the day: he can't seem to do anything except stand
there like a wallflower, cast-iron poker dangling limply from one hand.

\emph{I've been rooted!} Horrified realization dawns as Doc steps over
Ade's prone form, pointing his baby blue Taser shotgun at Huw's midriff.

``Greetings, heretic.'' Doc's smile---more of a carnivorous
grin---doesn't reach his eyes. ``Where is she?''

``What? Who?''

``Don't play the innocent with me.'' Doc's glare is positively deranged.
Behind him, Sam stands impassive as a golem, holding Bonnie, whose
struggles are clearly diminishing. Just how Doc has reasserted his
control over Sam's wetware puzzles Huw for a fraction of a second until
the coin drops. If Doc has rooted him, then obviously Doc rooted Sam
first, and probably everybody else he's been able to get close to. Sam
is, in fact, probably just as much a puppet in this show as Huw.
``\emph{Her}. The fountainhead, the one who brought the True Knowledge
to Earth. The Prophet says she's reincarnated \emph{here} in this town,
preaching. \emph{Where is she?}'' His voice rises to a ragged screech.

``Whoa!'' Huw boggles at him. ``I don't know whom you're---'' He stops
in midsentence and backtracks before Doc can wind up to another tirade.
``---huh. You're looking for Ayn Rand?''

Behind Doc, Bonnie stops struggling and emits a sound like a stifled,
frightened giggle.

Huw rolls his eyes. ``Bonnie? Did she tell you where---?''

Ade groans. Doc's head whips around: ``Be silent, heretic!''

``Let me get this straight?'' Huw asks. ``You reincarnated and came here
because you heard that your Thought-Leader has returned and is preaching
the rapture of the uploaded? And if you get her, you'll take her back to
Jesusland and do the whole storming heaven thing and leave us alone?''

``Don't push your luck,'' Doc says, his finger whitening on the
trigger---just as the doorbell rings again.

``Hello, is Bonnie here? Would like to resume our discussion of the
Sing--- Oh!''

The skinny, dark-haired, intense-looking woman stares up at Sam. ``Who
is this?'' Then she sees Doc's shotgun, realizes Sam has Bonnie in a
half nelson: ``This will not do at all! You disgusting coercive thugs!''
She lights up, incandescent with rage: ``Coercive violence is an
abomination! You should be ashamed of yourselves!''

Doc falls to his knees before her: ``Holiness!'' he says. ``You have
returned at last to lead us to the promised land!''

``I've \emph{what}? No no no, that won't do at all!'' Her hair is almost
standing on end, crackling with indignation: ``What priest-ridden
nonsense is this?'' She grabs Doc by one ear and lifts. ``Put that
disgusting thing down right this instant, I say!'' He lets go of the
Taser shotgun as he rises, perforce to a stoop (for the Thought-Leader
is not a tall person in this reincarnate body). ``Do you call yourself
an Objectivist? You aren't fit to shine Alan Greenspan's boots! And
what's this I hear about this bizarre superstitious plan to bring about
a universal theocracy? Your illogic disgusts me! Truly pathological.
Feh. You and I, we are going to have an open-minded discussion about the
meaning of hypocrisy in the context of rational thought grounded on
Aristotelian axioms. Here is a hint: \emph{You are going to lose.}
\ldots{}''

Ade groans again and clutches his head as Rand drags Doc through the
door, groveling and scraping all the way out to the street beyond.
``Whut?'' he vocalizes, rolling on his back and gazing up at Sam, whose
grip on Bonnie is slackening.

``Help,'' Sam says.

``Me too,'' adds Huw. ``Been rooted.''

``Rooted.'' Bonnie steps backwards nervously, looking around the three
of them. ``By Doc, I assume?''

``Yeah \ldots{}'' Huw swallows.

``Okay, I'll send you the security patch your mum gave me. Stand by.
\ldots{}'' She turns to Sam. ``Doc dragged you here, did he?'' Sam nods.
``Do you want to be free?'' Sam nods again. ``Well, then you came to the
right place. \ldots{}'' But Huw doesn't hear what she says next, as for
a couple of seconds later everything goes blurry and fuzzy and a
progress bar appears in front of his field of vision, crawling from left
to right.

There is a strange feeling of congestion in his head; then a moment
later a sense of release sweeps over him. He flexes his fingers: they
tingle slightly, as if released from the confinement of invisible felt
mittens. And everything comes crystal clear again.

Ade groans. Huw bends down and grabs his right hand. ``Think you can
stand?'' he asks.

``C'n try \ldots{}'' Huw heaves, and Ade slowly slides up the wall until
he's in an approximation of verticality. ``Thnksss. Ack---\emph{thanks}.
Yer a card, mate.''

``Think nothing of it.'' There \emph{is} something up with his fingers.
Huw flexes them in front of his face. \emph{What if that rootkit was
hiding in wherever I keep my muscle memory?} he wonders.

``That Doc, didn't know he was, was in town---''

``Leave it,'' Huw tells him firmly. ``Look, just stop apologizing. If
you want to be useful, help Bonnie sort out that overgrown kid there.''
He nods at Sam. ``Me, I've got more important things to deal with.''

With that, Huw heads back to the pottery out back, to find out if the
magic has returned to his fingertips.

And as it turns out, it has.

\begin{center}\rule{3in}{0.4pt}\end{center}

The golem knocking at Huw's door is the same model his mum wore, that
fateful day, but there's any number of them about now, quick and dirty
embodiments for anyone from the cloud with a yen to indulge some fleshy
pleasures for an hour or three. Huw spies it from the sitting room
window, peeking out the corner of the curtains, and decides to wait it
out.

It keeps knocking.

And knocking.

Soon, the whole house is shaking.

``Get that, will you?'' Bonnie says. She's waist-deep in some kind of
erotipolymer stuff she's downloaded from one of Adrian's sex-ninjas, has
been all week, and isn't showing any signs of tiring of it. But the
thudding is getting to her.

Huw grits his teeth and ignores her too.

Thud. Thud. \emph{thud}. There's a splintery sound from the lintel of
the front door, not a full-blown tearing away, but a sound that tells
you the hinges are reconsidering their relationship with the doorframe.

``Get it, for shit's sake!''

Huw closes his eyes. He stomps to the door.

``Go away,'' he says, and closes it again.

Except that the golem has inserted its foot in the door, and the door
bounces back and hits him in the nose, and he takes a step backwards,
clutching at it, and moans. ``Please, go away.'' Maybe politeness will
work.

``Greetings, Jones, Huw,'' it says in a neutral voice. It's a goddamned
NPC. Ambulatory spam. He's just working up a head of really righteous
steam when it says, ``I have been dispatched by the office of
interstellar harmony of the Galactic Authority to execute a survey of
your species' recent assimilation experience. We realize you are a busy
organism, and this will take only a moment of your time. Your
participation will help us shape our future species trials, and give our
own staffers valuable feedback. Thank you in advance for your
cooperation.''

And Huw starts to laugh. Laugh like a drain, laugh like a monkey trapped
in a bariatric chamber filled with nitrous oxide, laugh like a man in
the grips of a joke that encompasses the whole cosmos.

``All right, then,'' he says, ``let's do it. Want a cup of tea?''

\begin{center}\rule{3in}{0.4pt}\end{center}

\subsection{ABOUT THE AUTHORS}

Cory Doctorow is the \emph{New York Times} bestselling author of
\emph{Little Brother}, \emph{Pirate Cinema} and \emph{For the Win.} He's
a technology journalist and columnist for such publications as \emph{The
Guardian}, \emph{Publishers Weekly} and \emph{Locus}, and is
co-owner/co-editor of the popular website Boing Boing. He's a fellow of
the Electronic Frontier Foundation, a World Economic Forum Young Global
Leader, and co-founded the UK-based Open Rights Group. In 2012, he was
awarded an honorary doctorate in computer science from the Open
University. Born in Canada, he now lives in London, England with his
wife Alice, who runs a 3D printed toy company called MakieLab; and his
daughter Poesy, who is learning to pick locks.

Charles Stross, 47, is a full-time science fiction writer and resident
of Edinburgh, Scotland. The author of six Hugo-nominated novels and
winner of the 2005 and 2010 Hugo awards for best novella (``The Concrete
Jungle'' and ``Palimpsest''), Stross's works have been translated into
over twelve languages.

Like many writers, Stross has had a variety of careers, occupations, and
job-shaped-catastrophes in the past, from pharmacist (he quit after the
second police stake-out) to first code monkey on the team of a
successful dot-com startup (with brilliant timing he tried to change
employer just as the bubble burst). Along the way he collected degrees
in Pharmacy and Computer Science, making him the world's first
officially qualified cyberpunk writer (just as cyberpunk curled up and
died).

He's currently working on a series of near-future novels about the
social impact of information networks on games, crime, and politics,
including ``Halting State'' and ``Rule 34''.In 2013 he will be Creative
in Residence at the UK-wide Centre for Creativity, Regulation,
Enterprise and Technology, researching the business models and
regulation of industries such as music, film, TV, computer games and
publishing.

\begin{center}\rule{3in}{0.4pt}\end{center}

\subsection{FINE-PRINT COMMERCIAL INTERLUDE}

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\emph{We think that's a pretty nifty thing, and so does our publisher,
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\begin{center}\rule{3in}{0.4pt}\end{center}

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\begin{center}\rule{3in}{0.4pt}\end{center}

\subsection{COMMERCIAL INTERLUDE: THE THRILLING CONCLUSION}

\emph{Dude. Did you seriously just read the entire legalese block? Or
did your cat sit on the PgDn button? Either way, we stand in awe. You
have attained the terminus of this book and all its associated metadata,
forematter, afterwords, and other miscellanea. Achievement unlocked.}

\emph{All that remains is for us to debase ourselves one final time with
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your local indie book emporium! Should you feel that another copy of
this book is a redundancy, \href{http://craphound.com/rotn/donate}{you
can always donate a copy} to a school or library.}

\emph{\textbf{USA:} \\
\href{http://www.amazon.com/exec/obidos/ASIN/B0080K3HTI/downandoutint-20}{Amazon
Kindle} (DRM-free) \\
\href{http://www.barnesandnoble.com/w/the-rapture-of-the-nerds-cory-doctorow/1108946218}{Barnes
and Noble Nook} (DRM-free) \\
\href{http://books.google.co.uk/books/about/The\_Rapture\_of\_the\_Nerds.html?id=5zEBUjc7p0gC\&redir\_esc=y}{Google
Books} (DRM-free) \\
\href{http://www.kobobooks.com/ebook/The-Rapture-Nerds-tale-singularity/book-n\_v7DOaFTkST5NSxYMD0bw/page1.html?s=PRWjo5M8aEaCrWw7yN5LgQ\&r=1}{Kobo}
(DRM-free) \\
\href{http://itunes.apple.com/us/book/the-rapture-of-the-nerds/id525170910?mt=11}{Apple
iBooks} (DRM-free) \\ \\
\href{http://www.amazon.com/exec/obidos/ASIN/0765329107/downandoutint-20}{Amazon}
\\
\href{http://www.booksense.com/product/info.jsp?affiliateId=craphound5\&isbn=0765329107}{Booksense}
(will locate a store near you!) \\
\href{http://www.barnesandnoble.com/w/the-rapture-of-the-nerds-cory-doctorow/1108946218}{Barnes
and Noble} \\
\href{https://www.powells.com/biblio/95-9781429944915-0}{Powells} \\
\href{http://www.booksamillion.com/ncom/books?\&isbn=0765329107}{Booksamillion}}

\emph{\textbf{Canada:} \\
\href{http://www.amazon.com/The-Rapture-Nerds-posthumanity-ebook/dp/B0080K3HTI/}{Amazon
Kindle} (DRM-free) \\
\href{http://www.kobobooks.com/ebook/The-Rapture-Nerds-tale-singularity/book-n\_v7DOaFTkST5NSxYMD0bw/page1.html?s=PRWjo5M8aEaCrWw7yN5LgQ\&r=1}{Kobo}
(DRM-free) \\ \\
\href{http://www.chapters.indigo.ca/books/The-Rapture-of-the-Nerds-Cory-Doctorow-Charles-Stross/9780765329103-item.html}{Chapters/Indigo}
\\
\href{http://www.amazon.ca/exec/obidos/ASIN/0765329107/downandouti0a-20}{Amazon.ca}}

\end{document}
