Just over a year ago, I released my first novel, Down and Out in the Magic Kingdom, as an experiment in what would happen if I allowed my precious copyright to be slightly eroded by one of the Creative Commons licenses. I chose the most restrictive CC license available to me, staying cautious, and I waited to see if the sky would fall.
So here we are, just a little over a year later, and I am currently, at this moment, standing on a stage at the O’Reilly Emerging Technology Conference, delivering a talk called Ebooks: Neither E, Nor Books, in which I lay out the case for what I’ve done and explain the myraid ways in which the sky has not fallen on me, and just about now, I’m announcing what’ sin this blog post:
That I am re-licensing Down and Out in the Magic Kingdom, effective today, under the terms of one of the least restrictive Creative Commons licenses, the Attribution-NonCommercial-ShareAlike license, which explicitly allows anyone in the world to make any non-commercial adaptation of my book s/he can think of: translations, radio plays, movies, sequels, fanfic, slashfic…you get the picture.
I can’t wait to see what you-all make of this. Surprise me, please!
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As knowledgeable about computers as he is about flea markets, Doctorow uses science fiction as a kind of cultural WD-40, loosening hinges and dissolving adhesions to peer into some of society’s unlighted corners. His best known story, ”Craphound,” tells of a competitive friendship between two junk collectors, one human and one alien; what it says about the uses of the past is no more mysterious than the prices paid for a vintage Coke bottle or an early Barbie doll. Not every attempt to wrest truth from cliche works — but you won’t want to miss Doctorow’s satiric glance at co-opted dissent among the grade-school set or the insidious horror of his updated Pinocchio tale.
New York Times