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Down and Out relicensed today

Just over a year ago, I released my first novel, Down and Out in the Magic Kingdom, as an experiment in what would happen if I allowed my precious copyright to be slightly eroded by one of the Creative Commons licenses. I chose the most restrictive CC license available to me, staying cautious, and I waited to see if the sky would fall.

It didn’t.

So here we are, just a little over a year later, and I am currently, at this moment, standing on a stage at the O’Reilly Emerging Technology Conference, delivering a talk called Ebooks: Neither E, Nor Books, in which I lay out the case for what I’ve done and explain the myraid ways in which the sky has not fallen on me, and just about now, I’m announcing what’ sin this blog post:

That I am re-licensing Down and Out in the Magic Kingdom, effective today, under the terms of one of the least restrictive Creative Commons licenses, the Attribution-NonCommercial-ShareAlike license, which explicitly allows anyone in the world to make any non-commercial adaptation of my book s/he can think of: translations, radio plays, movies, sequels, fanfic, slashfic…you get the picture.

I can’t wait to see what you-all make of this. Surprise me, please!

My ETCON talk, in the Public Domain

I have just given a talk at the O’Reilly Emerging Technology Confernece called Ebooks: Neither E, Nor Books, which is something of an anomaly for me in three ways:

1. I wrote out this talk, word for word, in advance of the presentation
2. I am releasing that written text as a free, public domain file, right now, moments before I get off the stage

So here’s the text of that talk, dedicated to the Public Domain, for you to do with what you will.

This isn’t to say that copyright is bad, but that there’s such a thing as good copyright and bad copyright, and that sometimes, too much good copyright is a bad thing. It’s like chilis in soup: a little goes a long way, and too much spoils the broth.

From the Luther Bible to the first phonorecords, from radio to the pulps, from cable to MP3, the world has shown that its first preference for new media is its “democratic-ness” — the ease with which it can reproduced.

(And please, before we get any farther, forget all that business about how the Internet’s copying model is more disruptive than the technologies that proceeded it. For Christ’s sake, the Vaudeville performers who sued Marconi for inventing the radio had to go from a regime where they had *one hundred percent* control over who could get into the theater and hear them perform to a regime where they had *zero* percent control over who could build or acquire a radio and tune into a recording of them performing. For that matter, look at the difference between a monkish Bible and a Luther Bible — next to that phase-change, Napster is peanuts)

F&SF

One suspects that for Cory Doctorow many of those truths have to do with magnificent trash, with the signposts, landmarks, and psychic Dumpsters of our time. The first story appearing in his collection, “Craphound,� is a demotic hymn to junk culture, catching just right, in its buddy tale of homeboy scavenger and alien collector, the mix of casual affection, greed, and bafflement our throwaways, the myriad ephemera of our past, can engender. In “To Market, to Market: The Rebranding of Billy Bailey,� a story tracking the classic sf trope If this goes on, schoolchildren undergo the sort of corporate sponsorship that’s now afforded sports figures and that litters our landscape with clever TV spots, fetching magazine ads, and a succession of inescapable logos resembling nothing so much as the diagram outlines of fighter planes passed out to WW2 civilian watchers.
More …

Eastern Standard Tribe ships

My second novel, Eastern Standard Tribe starts shipping today — it should be showing up in bookstores any day now.

As with Down and Out in the Magic Kingdom, my first novel, I’ve made the whole text of the novel available as a free download in a variety of open, standards-defined formats, under the terms of a Creative Commons license — and I’ve written a short essay explaining why I’ve done it: in a nutshell, this worked really well for my first book, and I’d be crazy not to repeat the experiment with my second novel.

I hope you enjoy reading this book as much as I enjoyed writing it.

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