It’s generally accepted that fussing with computers is a narrative buzzkill, yet Doctorow’s unrivaled verisimilitude makes every click as exciting as a band of underdog warriors storming a castle. It’s not exactly Abbie Hoffman’s Steal This Book (1971), but with its delirious insights into everything from street art to urban exploring to dumpster diving to experimental cinema, it feels damn close. Share this:TwitterPinterestStumbleUponGoogle +1