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The Phillip Medhurst Picture Torah 397. The Israelites collect manna. Exodus cap 16 v 14. Luyken and son.

This week on my podcast, I read my latest Locus column, “Social Quitting, about the enshittification lifecycle of social media platforms.


But as Facebook and Twitter cemented their dominance, they steadily changed their services to capture more and more of the value that their users generated for them. At first, the companies shifted value from users to advertisers: engaging in more surveillance to enable finer-grained targeting and offering more intrusive forms of advertising that would fetch high prices from advertisers.

This enshittification was made possible by high switch­ing costs. The vast communities who’d been brought in by network effects were so valuable that users couldn’t afford to quit, because that would mean giving up on important personal, professional, commercial, and romantic ties. And just to make sure that users didn’t sneak away, Facebook aggressively litigated against upstarts that made it possible to stay in touch with your friends without using its services. Twitter consistently whittled away at its API support, neuter­ing it in ways that made it harder and harder to leave Twitter without giving up the value it gave you.

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/ / Podcast

A 2022 selfie of me with my daughter Poesy at Disneyland's Adventureland.

When my daughter Poesy was four, her nursery school let us know that they were shutting down a day before my wife’s office closed for the holidays, leaving us with a childcare problem. Since I worked for myself, I took the day off and brought her to my office, where we recorded a short podcast, singing Rudolph the Red-Nosed Reindeer (a frankly amazing rendition!).

We’ve done it every year since, except for 2016 when I had mic problems. Now she’s 14, and we’ve just recorded our tenth installment, and as always, it was a highlight of my holiday season. This year, our Christmas carol is back, along with a brief interview about her interests and hobbies, and a summary of a seriously creepy short story she’s writing.

Here’s this year’s recording, and here are the years gone by:

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