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Cory Doctorow: Bugging In:

‘‘Walkaway is an ‘optimistic disaster novel.’ It’s about people who, in a crisis, come together, rather than turning on each other. Its villains aren’t the people next door, who’ve secretly been waiting for civilization’s breakdown as an excuse to come and eat you, but the super-rich who are convinced that without the state and its police, the poors are coming to eat them.

‘‘In Walkaway, the economy has comprehensively broken down, and so has the planet. Climate refugees drift in huge, unstoppable numbers from place to place, seeking refuge. The world has no jobs for most people, because when robots do all the work, the forces of capital require a few foremen to boss the robots, and a few unemployed people mooching around the factory gates to threaten the supervisors with if they demand higher wages. Everyone else is surplus to requirements.
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Of all the press-stops I did on my tour for my novel Walkaway, I was most excited about my discussion with Katherine Mangu-Ward, editor-in-chief of Reason Magazine, where I knew I would have a challenging and meaty conversation with someone who was fully conversant with the political, technological and social questions the book raised.
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My latest Locus column is “Be the First One to Not Do Something that No One Else Has Ever Not Thought of Doing Before,” and it’s about science fiction’s addiction to certain harmful fallacies, like the idea that you can sideline the actual capabilities and constraints of computers in order to advance the plot of a thriller.
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Last March, I traveled to Seattle to present at the ConveyUX conference, with a keynote called “Dark Patterns and Bad Business Models”, the video for which has now been posted: “The Internet’s broken and that’s bad news, because everything we do today involves the Internet and everything we’ll do tomorrow will require it. But governments and corporations see the net, variously, as a perfect surveillance tool, a perfect pornography distribution tool, or a perfect video on demand tool—not as the nervous system of the 21st century. Time’s running out. Architecture is politics. The changes we’re making to the net today will prefigure the future our children and their children will thrive in—or suffer under.”

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I just checked in for my o-dark-hundred flight to Denver tomorrow morning for this weekend’s Denver Comic-Con, where I’m appearing for several hours on Friday, Saturday and Sunday, including panels with some of my favorite writers, like John Scalzi, Richard Kadrey, Catherynne Valente and Scott Sigler:
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Bruce Sterling, Locus Magazine: Walkaway is a real-deal, generically traditional science-fiction novel; it’s set in an undated future and it features weird set design, odd costumes, fights, romances, narrow escapes, cool weapons, even zeppelins. This is the best Cory Doctorow book ever. I don’t know if it’s destined to become an SF classic, mostly because it’s so advanced and different that it makes the whole genre look archaic.

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The CBC asked me to write an editorial for their package about Canadian identity and politics, timed with the 150th anniversary of the founding of the settler state on indigenous lands. They’ve assigned several writers to expand on themes in the Canadian national anthem, and my line was “We stand on guard for thee.”
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