Amanda Palmer’s new book Art of Asking is a moving and insightful memoir of her life performing music while making personal connections with her fans; I wrote a long, in-depth review of it for The New Statesman.
There’s a litmus test for how you will likely feel about Palmer’s Kickstarter: Palmer invited local musicians in each city on her tour to come onstage and jam with the band. She asked that they come by for an afternoon’s quick rehearsal, and offered them beer, t-shirts, and gratitude and recognition. This move – something that Palmer’s bands had often done on previous tours – enraged her detractors like nothing else.
The inaccurate headline: “Musician raises $1 million from fans, asks her band to play for free.” (Palmer’s band was paid, it was the jamming local performers who were volunteers.) Even after it was corrected, even after Palmer relented and offered the volunteer musicians $100 to come on stage with her, she was still pilloried for “not valuing the hard work of fellow musicians”.
But in truth, the practice of letting fans jam with the band is an honourable and widespread one. I once spent a night on New Orleans’ Bourbon Street, hopping from bar to club, listening to the always-excellent house-bands performing blues and rock and rockabilly and jazz. And without fail, during each set, someone would walk in off the street, a musician on holiday from some much-less-exotic city, perhaps in a state that began and ended with a vowel, with a guitar or sax or even an accordion, and that person would take the stage with the band and jam in. It was a gift – from the band to the vacationing musician, from the musician to the band, from the crowd (who would cheer on the newcomer with real zest), and to the crowd. It wasn’t a market transaction, though sometimes a beer or a t-shirt or a CD would change hands (and in any conceivable direction).
As Palmer points out, other bands have run successful Kickstarters in which they charge their backers for the privilege of performing on stage during the tour. No one bats an eye at the idea that musicians should pay to perform, nor do they balk at the idea that they should be paid to perform. But let no money change hands at all and all of our reactions are disordered. Art without the market is a terrifying thing, a frank admission that the alleged “music industry”‘s most indispensable components – the musicians – never really had a realistic chance of earning anything, and the ones that do get paid are statistical outliers.
Standing naked in front of an audience: Amanda Palmer and a new way to make art [Cory Doctorow/New Statesman]